View allAll Photos Tagged INTERCONNECTEDNESS
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
Statues of monks lined up for alms line the entrace to a moastery in Cambodia.
In Cambodia, the practice of alms-giving holds deep cultural and spiritual significance. Each morning, Buddhist monks, clad in saffron robes, embark on alms rounds, walking barefoot through the streets in a silent procession. Local residents, both devout Buddhists and non-religious alike, await their arrival, offering food, usually rice or fruits, as a gesture of generosity and respect. This ritual symbolizes the interconnectedness of the community and serves as a means for laypeople to accumulate merit by supporting the monks in their pursuit of spiritual enlightenment. For the monks, alms-giving sustains their basic needs, fostering humility and gratitude while maintaining the tradition of dependence on the goodwill of the community. Overall, the practice of alms-giving in Cambodia is a sacred tradition that fosters communal harmony and spiritual growth.
The cattle egret, a heron draped in snowy white feathers accented by golden plumes, graces landscapes in tropical, subtropical, and warm-temperate regions worldwide. As the sole representative of the Bubulcus genus, this cosmopolitan bird distinguishes itself by thriving in open grasslands and fields, often perching on the backs of cattle or wading through their hooves. This egret's exceptional adaptability has allowed it to colonize diverse habitats globally, emphasizing the interconnectedness of species and the fragile equilibrium within ecosystems. Despite its widespread presence, the cattle egret confronts challenges such as habitat loss and pesticide use, underscoring the need for conservation awareness.
The fundamental nature of our existence and the universe is energy. Creating this piece reawakened my sense of interconnectedness with all life.
The silhouette of a woman engaging with the celestial elements in deep contemplative act leaning and interacting with the moon, evoking a sense of human curiosity and connection to the universe.
Special livery QL019 leads QL0** and QL0** away from Harden with empty Qube steel train 4WM7 bound for Melbourne.
QL019's artwork, titled Yindyamarra, depicts the balance and interconnectedness that exists between people, the sea, and the country.
Thursday 24th April 2025
Many thanks for your visits, faves and comments. Cheers.
Each of Tomás Saraceno’s Biosphere works demonstrate the artist’s signature technique of intertwining rope, in this case weaving it around transparent, inflated bubbles. Their architecture is similar to that of geodesic domes. In parallel with ideas of interconnected floating cities is the artist’s ongoing interest in the structure of spider webs and their flexibility in a changing environment. Biosphere resembles a spider’s web – each threaded and knotted piece of rope within it is equally important to the structural integrity of the whole form, acting as a metaphor for the interconnectedness of ecosystems.
Saraceno is influenced by ideas of networking and ecology, and by philosophers and social theorists who look to the systems in nature in order to provide new approaches to thinking about the world.
(Source: learning.qagoma.qld.gov.au/artworks/biosphere/)
__________________________________________
© Chris Burns 2020
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
In this captivating photograph, the Yellow-eared Parrot (Ognorhynchus icterotis) is shown in its natural habitat in the forests near Cajamarca, Colombia. This endangered species, with its vibrant green plumage, yellow forehead, cheeks, and underparts, stands out vividly against the lush green backdrop. The image captures the parrot in a moment of stillness, perched on a wax palm, a tree vital to its survival. The wax palms provide essential nesting sites and food sources, highlighting the interconnectedness of species and habitat conservation.
As a photographer deeply invested in conservation, I aimed to emphasize the intricate details and natural beauty of this rare bird. Using a high-resolution camera and a long focal length lens, I managed to capture the fine textures of the parrot’s feathers and the serene atmosphere of its environment. The natural light filtering through the forest canopy added a gentle, diffused glow to the scene, enhancing the parrot’s striking colors. This image is a testament to the delicate balance of ecosystems and the importance of preserving these habitats for future generations.
©2020 Adam Rainoff Photographer
Early evidence of leather hide working 400,000 years ago has been found at Hoxne in England, possibly long before human habitation.
Plaited leather belt details.
Macro Mondays Leather 2 Trioplan 100mm f2.8 at f2.8 P5012120
OLYMPUS DIGITAL CAMERA
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okay a two for one tonight. So same comment for both :)
Just in opening and editing, the color tones of these two suggested the way they go... so had to do both for that whole interconnectedness stuff and stuff :)
Check it out :)
“Some things go on. Pass on. Some things just stay. I used to think it was just my rememory. You know. Some things you forget. Other things you never do”.
~Sethe (The pensive protagonist in Toni Morrison’s Pulitzer prize and National Book award winning novel ‘Beloved'.)
Memory is a messy necessity. On one hand, it curates our past and gives us our identity; on the other, it is a frail feature of our brain that is highly susceptible to time, trauma, and emotions. When something so contradictory and paradoxical mates with a writer of Toni Morrison’s caliber, one expects the birthing of something extraordinary. ‘Beloved’ was the lovechild in this case. It is a fictional recounting of African American life under and after slavery. Based on the life of Margaret Garner, a historical slave woman who killed her girl child to ‘protect’ her from horrors of slavery, this claustrophobic novel does not mince words, leaves blood where it can’t be ignored, and rough handles the core concept of memory. Here, Margaret’s character –Sethe– slits the throat of her unnamed infant girl and then, from the depths of her motherhood, had the word ‘Beloved’ engraved on her tombstone. For the rest of her life, trying to reconcile and heal, Sethe hides from and seeks this painful memory in equal measure. And in this unrest, a new word is coined: ‘rememory’. “History versus memory, and memory versus memorylessness.”, Morrison later defined the word, “Rememory as in recollecting and remembering as in reassembling the members of the body, the family, the population of the past… The effort to both remember and not know...”
Read that with me slowly… 'Rememory as in recollecting and remembering as in reassembling the members of the body, the family, the population of the past …' that has been ripped apart. Neither can you dwell on it for too long, nor can you ignore it for a long period of time either. This uncomfortable recollection of repressed memory – it seems– has a paranormal quality to it. In the novel, Sethe says, “Some day you be walking down the road and you hear something or see something going on. So clear. And you think it's you thinking it up. . . But no. It's when you bump into a rememory that belongs to somebody else.” Is it possible to walk into some else’s rememory, as Sethe suggests? Or, perhaps it’s a metaphor to represent the interconnectedness of our collective past and present human experience –especially of trauma– and its subsequent transformative narration to ourselves and others. Our ancestors still tell us their stories, don’t they? Like Sethe and other characters in ‘Beloved’, we are all story-inheritors. But unlike them, why is that we reflect on our inheritance in such seldom?
In her Nobel prize for literature lecture in 1993, Morrison gave us the unforgettable quote about language, “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.” I wonder, if Sethe would have disagreed and instead, as our lives’ true measure, cited ‘rememory’.
Quenching Thirst, One Sip at a Time
Zebras, with their striking black and white stripes, are not just a marvel of nature but also fascinating creatures with unique habits. In the wild, staying hydrated is crucial for their survival. Zebras often travel long distances in search of water sources, showcasing their resilience and adaptability. They typically drink early in the morning or late in the afternoon to avoid the heat of the day. Observing a zebra drinking is a reminder of the delicate balance of nature and the importance of water for all living beings. Protecting their habitats ensures that these majestic animals can continue to thrive in the wild, reminding us of the interconnectedness of life on our planet.
Nature, in its infinite wisdom, often appears to go out of its way to provide protection to its inhabitants. From the intricate patterns of camouflage in the animal kingdom to the harmonious interplay of ecosystems, it's as though Mother Nature herself is a vigilant guardian. Whether it's the thorny defenses of a rose or the nurturing shade of a sprawling tree, nature seems to offer shelter and security with an artistry that humbles us. In these instances, we witness the profound interconnectedness of all living things and the exquisite balance that has evolved over eons, revealing that protection is not just a concept but a masterpiece crafted by the hands of time.
Ethereal City
In her largest sculptural installation to date, Firelei Báez invites visitors to traverse passageways and travel through time and space, engaging with streams of intervention and interconnectedness. In its second iteration, Báez’s sculpture revisits the centuries-long exchange of ideas and influence between Europe, the African continent, and the Americas, reclaiming and revisiting the Caribbean’s place in the story of Western world history through a presentation that the New York Times calls “history meets flamboyant fantasy.”
A storyteller is both an observer and a weaver, pulling threads from the world around them to craft narratives that connect hearts and minds. They find meaning in the fleeting—a sunset fading into night, the ripple of water reflecting a transient moment, or the stillness of a quiet space. For a storyteller, every element speaks, from the objects that have traveled with them through time to the symbols they carry, deliberately or unconsciously, on their journey.
Their role is not simply to recount events but to illuminate the interplay between what is seen and what is felt. A storyteller bridges the gaps between memory and amnesia, between the clarity of detail and the shadow of the unknown. They embody transitions, taking the mundane and turning it extraordinary, creating tales that ebb and flow like the tides. Through their words, gestures, and presence, they remind us of the interconnectedness of life, where every angle and layer contributes to a greater, collective whole. A storyteller holds the power to inspire, provoke, and resonate, transforming observation into art.
I Write The Songs
Excerpt from www.bwst.ca/the-artists/highley2:
John Highley is an accomplished sculptural mosaic and stained glass artist. His glass work often explores the concepts of biodiversity and the interconnectedness of life on earth. His glass sculptures are displayed in galleries (Canadian Clay and Glass Gallery) and recently as public art in diverse settings the public can enjoy.
Artist Statement:
John focuses on designing and creating mosaic glass creations of spiritual reflection from minute shards of coloured glass. Each piece is meticulously placed, contributing to the balance and structure of each design. The finished product illustrates the delicate and subtle interaction of colour, form, and light.
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
Excerpt from www.hamilton.ca/things-do/arts-music/public-art/hamilton-...:
Empower by Lilly Otasevic
One would be hard pressed to think about Nikola Tesla without thinking of waterfalls, and equally hard pressed to think about Hamilton without thinking about Nikola Tesla. The magnitude of growth and transformation of Hamilton into the Electric and multicultural city would never have happened without the force of Nature, the genius and mysterious inventor and a group of five businessmen with a vision ... in that order.
From experimenting with water wheels in the earliest days of his childhood, until many years later, before the thundering Niagara Falls, Nikola Tesla was in awe by the “wheelwork of Nature” as he called it, and what it can offer to humanity. The power of Nature and love for it remained in his heart till the day he died, leaving behind a world transformed by his mind over matter, countless pages of inventions that are yet to be understood and unlocked, and a flock of his beloved pigeons in a park near the New Yorker hotel.
The concept for Empower sculpture draws inspiration from Nature and enquiring human mind. It is inspired by humanity’s role in the higher order of things in the universe as nothing happens outside the context of interconnectedness. Empower is an interactive sculpture that incorporates lenticular-like effect -two images that coexist and inhabit same space and time but are never fully revealed at the same time.
The main ribbed wavy elements resemble fluid dynamics of a waterfall. Deeper inside therein hides a second form, a wheel-like pattern that forms an optical illusion of a rotational movement. This optical illusion, as an element of surprise and a perception challenge, reveals itself to a wondering viewer at certain angles.
As the angle of view changes, the waterfall partially disappears allowing the “wheelwork” to appear and vice versa. Besides the symbolic aspect, this inside element represents a connection to the Decew Falls power plant power generators that employed turbines, as part of Nikola Tesla’s ingenious patent, without which electric power transmission to longer distances would not have been possible.
The sculpture concept aims to represent complexity within simplicity (or is it simplicity within complexity?), to inspire a sense of wonder and a desire to unlock the mechanisms of the unknown. It emphasizes the importance of curiosity and a desire to learn, understand and - innovate. Responsibly innovate.
The title Empower is multilayered, referring to, among other possible interpretations, being empowered by enquiring mind, by mind over matter. It also refers to hydroelectric power, and the power of Nature to empower us - if we treat and nurture it with respect.
Featuring artwork by Indigenous artist Darren Charlwood, a Wiradjuri man, QL019 and QL020 lead 3MS7 through Oolong with a Melbourne to Sydney Intermodal service. The artwork, titled Yindyamarra, depicts the balance and interconnectedness that exists between people, the sea, and the country.
Qube recently launched these 2 locos as part of their reconciliation action plan. It is really pleasing to see them mostly working together with this impressive artwork.
2023-10-24 Qube QL019-QL020 Oolong 3MS7
With 13,500hp combined, QL020, QL019 and QL007 make light work of their train 7MW7 towards the summit of the gradient at Cullerin.
Both QL020 and QL019 are wrapped in artwork by Indigenous artist and Wiradjuri man, Darren Charlwood, created for Qube’s Reconciliation Action Plan. They were welcomed to the Qube fleet with a traditional smoking ceremony held by Randall Briggs on Awabakal land.
The artwork, titled Yindyamarra, depicts the balance and interconnectedness that exists between people, the sea, and the country.
Saturday 9th September 2023
Celtic knots are a form of sacred geometry that symbolize the interconnectedness of all things. They represent the eternal web and the continuous cycling of existence.
The photograph "Celestial Dance: A Lunar Eclipse over Coit Tower" captures a rare and mesmerizing moment of celestial alignment that unfolded on a night of profound significance in 2021. The lunar eclipse, an astronomical phenomenon that unites the celestial bodies of the moon and sun in an extraordinary dance, finds its harmony with the iconic Coit Tower, an architectural emblem of human ingenuity.
This image serves as a testament to the eternal interplay between the natural world and human creations, inviting viewers to contemplate the delicate balance between the grandeur of the universe and our own existence. The lunar eclipse, a cosmic spectacle that has fascinated and inspired humanity throughout the ages, momentarily takes center stage, drawing our attention away from the bustling urban landscape and towards the cosmic drama unfolding above.
In this photograph, the convergence of the lunar eclipse and Coit Tower represents the harmony between the celestial and the terrestrial, symbolizing our deep connection with the cosmos and the profound impact it has on our lives. The Tower, rising majestically against the night sky, acts as a bridge between the earthly realm and the heavens above, reminding us of our place within the vast tapestry of the universe.
Through the careful composition and capture of this image, I aim to evoke a sense of awe and wonder, allowing viewers to experience the ethereal beauty of the lunar eclipse in conjunction with the man-made marvel of Coit Tower. The contrast between the moon's mystical glow and the tower's solid architectural form invites contemplation of the transitory nature of our existence, and the simultaneous power and fragility of the human endeavor.
As viewers gaze upon this photograph, I hope it sparks a sense of curiosity, inviting them to reflect on the interconnectedness of the natural and built environments. By embracing the celestial ballet of a lunar eclipse over Coit Tower, we embrace our own place in the cosmos, fostering a deep appreciation for the beauty, mystery, and infinite possibilities that surround us each and every day.
John Steinbeck wrote about the tide pools and how profoundly they illustrate the interconnectedness of all things, folded together in an ever-expanding universe that's bound by the elastic string of time. He said that one should look from the tide pool to the stars, and then back again in wonder. — Robyn Schneider
© all rights reserved by B℮n
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today after 4 years we went ice skating on the Ankeveense Plassen.
The Ankeveense Plassen is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of Dutch people on the lakes of Ankeveen. A first time skating in 2017 is such a rare occurrence. Skating myself when I took this photo. Have a look at this great skating video taken with a drone: youtu.be/J6TPqMteEOU
Schaatsen op natuurijs is het leukste wat er is. Warm inpakken, muts op, handschoenen, schaatsen geslepen, slee mee en gaan. Helaas is het in Nederland niet zo vaak zo koud dat we echt kunnen schaatsen. Veel mensen grijpen vandaag nog even de kans om te schaatsen. Ondanks de waarschuwingen van schaatsbond KNSB om weg te blijven van meren, sloten en kanalen. Het ijs is op veel plekken niet dik genoeg. Daar lieten veel schaatsliefhebbers zich dus niet door weerhouden.. Op 26 januari 2017 verzamelden meerdere mensen op de Ankeveense plassen. Dat is de plek waar het ijs het sterkst was. Vaak wordt er aangehouden dat het ijs een centimeter of 10 dik moet zijn om veilig op te kunnen schaatsen, en het ijs op de Ankeveense plassen is op het dikste gedeelte maar een centimeter of vijf dik, maar dat weerhield tientallen mensen er niet van om toch even het ijs op te gaan. In Ankeveen was de meest gehoorde reactie: “het is dun, maar het kan wel…”. En dat leverde mooie plaatjes op. Mensen van alle leeftijden op schaatsen, kinderen die een buikschuiver willen maken, mensen die voorzichtig even willen voelen hoe het is om op het ijs te staan. De aantrekkingskracht van het ijs is enorm. Opvallend veel Amsterdammers zoeken hun toevlucht in Ankeveen. ,,Hier kan het al, bij ons op de grachten nog lang niet”, grijnst een meneer. ,,Het is windstil, lekker zonnetje, het is ijs is goed. Wat wil je nog meer?” ,,Natuurlijk kan je door het ijs zakken, maar het leven is niet zonder risico's. Je kan ook onder een auto komen, of er kan een vliegtuig op je huis neerstorten.”
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
Créateurs : QUIET ENSEMBLE
Exposition Into the light, Grande Halle Villette, Paris
Créée par le collectif italien QUIET ENSEMBLE, fondé par Fabio Di SALVO et Bernardo VERCELLI, cette oeuvre explore la relation entre la lumière, le son et l'interconnexion nature et technologie. L'installation utilise des lasers de pointe projetés sur une structure en tulle métallique, créant des ombres en mouvement.
Created by the Italian collective QUIET ENSEMBLE, founded by Fabio Di SALVO and Bernardo VERCELLI, this work explores the relationship between light, sound, and the interconnectedness of nature and technology. The installation uses cutting-edge lasers projected onto a metal mesh structure, creating moving shadows.
© all rights reserved by B℮n
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today after 4 years we went ice skating on the Ankeveense Plassen.
The Ankeveense Plassen is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of Dutch people on the lakes of Ankeveen. A first time skating in 2017 is such a rare occurrence. Have a look at this great skating video taken with a drone: youtu.be/J6TPqMteEOU
Schaatsen op natuurijs is het leukste wat er is. Warm inpakken, muts op, handschoenen, schaatsen geslepen, slee mee en gaan. Helaas is het in Nederland niet zo vaak zo koud dat we echt kunnen schaatsen. Veel mensen grijpen vandaag nog even de kans om te schaatsen. Ondanks de waarschuwingen van schaatsbond KNSB om weg te blijven van meren, sloten en kanalen. Het ijs is op veel plekken niet dik genoeg. Daar lieten veel schaatsliefhebbers zich dus niet door weerhouden.. Op 26 januari 2017 verzamelden meerdere mensen op de Ankeveense plassen. Dat is de plek waar het ijs het sterkst was. Vaak wordt er aangehouden dat het ijs een centimeter of 10 dik moet zijn om veilig op te kunnen schaatsen, en het ijs op de Ankeveense plassen is op het dikste gedeelte maar een centimeter of vijf dik, maar dat weerhield tientallen mensen er niet van om toch even het ijs op te gaan. In Ankeveen was de meest gehoorde reactie: “het is dun, maar het kan wel…”. En dat leverde mooie plaatjes op. Mensen van alle leeftijden op schaatsen, kinderen die een buikschuiver willen maken, mensen die voorzichtig even willen voelen hoe het is om op het ijs te staan. De aantrekkingskracht van het ijs is enorm. Opvallend veel Amsterdammers zoeken hun toevlucht in Ankeveen. ,,Hier kan het al, bij ons op de grachten nog lang niet”, grijnst een meneer. ,,Het is windstil, lekker zonnetje, het is ijs is goed. Wat wil je nog meer?” ,,Natuurlijk kan je door het ijs zakken, maar het leven is niet zonder risico's. Je kan ook onder een auto komen, of er kan een vliegtuig op je huis neerstorten.”
Excerpt from the plaque:
Tree of Life by Paul Morin
This is a peace tree. It symbolizes our interconnectedness and represents life itself. The branches suggest growth and renewal. For millennia it has been a primary motif in many cultures of the world.
QL020, QL019 and QL007 work 7MW7 empty steel train through the curves at Oolong bound for Port Kembla.
Both QL020 and QL019 are wrapped in artwork by Indigenous artist and Wiradjuri man, Darren Charlwood, created for Qube’s Reconciliation Action Plan. They were welcomed to the Qube fleet with a traditional smoking ceremony held by Randall Briggs on Awabakal land.
The artwork, titled Yindyamarra, depicts the balance and interconnectedness that exists between people, the sea, and the country.
Saturday 9th September 2023
The Celtic tribal tattoos etched upon the skull, positioned beside a scrying globe, form a powerful tableau blending mysticism and ancient artistry. The intricate interlacing patterns of the Celtic design, symbolic of interconnectedness and cycles, wrap around the skull's contours, juxtaposing mortality with eternal symbolism. Adjacent, the scrying globe signifies esoteric insight and divination, resting as a gateway to unseen realms. Together, they weave a narrative of duality — the finite and the infinite, the tangible and the mystical. This evocative tattoo serves as a testament to the union of mortality's beauty and the quest for spiritual understanding, a mesmerizing fusion of ancient wisdom and enigmatic allure.
Excerpt from harbourfrontcentre.com/event/fluid-fossils/:
Fluid Fossils is a site-specific mural by Winnipeg-based artist Anna Binta Diallo, exploring themes of time, memory and interdependence through the metaphor of fossils. Using silhouettes of human forms assembled from found images, Diallo creates a visual narrative on the interconnectedness of the past, present and future. Originally exhibited at the Musée d’art contemporain de Montréal, it invites viewers to reflect on how contemporary actions and objects will serve as relics for future generations, emphasizing the importance and responsibility of shaping collective heritage.
Artist Statement
“Fluid Fossils envisions a landscape of silhouettes representing a fragment of human history, crafted from images drawn from nature and everyday life. These figures embody the process of fossilization, where moments of significance are imprinted and preserved over time. Through this visual dialogue, I explore the balance between transience and permanence, urging reflection on what we choose to preserve and how our gestures and objects will one day become the relics of tomorrow. The mural serves as a meditation on the enduring impact of our actions and the legacy we leave behind, urging us to consider our collective responsibility in safeguarding the traces of our shared history.” — Anna Binta Diallo
Lone monk, deep in meditation, crosses U Bein Bridge. Constructed around 1850, the bridge is a cultural gem in Mandalay, Myanmar. Crafted from repurposed teak columns, it spans Taungthaman Lake and is revered as the world's oldest teak bridge. Beyond its architectural achievement, the bridge symbolizes Myanmar's rich heritage, serving as a vital link for communities.This teakwood marvel not only stands as a testament to ancient craftsmanship but also symbolizes the endurance of cultural legacy. Its silhouette against the vibrant hues of the sunrise and sunset echoes the spirit of Myanmar, inviting all who tread its planks to ponder the interconnectedness of history, tradition, and the timeless beauty of nature.
Owls, with their piercing eyes and silent flight, often seem to ask, "Who are you?" These mysterious birds of prey, renowned for their wisdom and nocturnal habits, possess an aura of enigmatic curiosity. With their ability to see in the dark and turn their heads nearly 270 degrees, they appear to be guardians of the night, forever questioning the secrets that unfold in the darkness. Owls' distinctive calls, haunting and hauntingly beautiful, seem to beckon us to delve deeper into the mysteries of the natural world, inviting us to explore and understand the hidden aspects of our surroundings. In their gaze and presence, owls challenge us to reflect upon our own identities and the profound interconnectedness we share with the wild world they inhabit.
November Rain
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
To think about this organism is to be completely amazed. They are the symbol of our interconnectedness and mutual dependency (en.wikipedia.org/wiki/Lichen)
I am identifying this as a Malachite butterfly (Siproeta stelenes). Correction or confirmation will be appreciated.
en.wikipedia.org/wiki/Siproeta_stelenes
Siproeta stelenes (malachite) is a Neotropical brush-footed butterfly (family Nymphalidae). The malachite has large wings that are black and brilliant green or yellow-green on the upperside and light brown and olive green on the underside. It is named for the mineral malachite, which is similar in color to the bright green on the butterfly's wings. Typically, the wingspread is between 8.5 and 10 cm (3.3 and 3.9 in). The malachite is found throughout Central and northern South America, where it is one of the most common butterfly species. Its distribution extends as far north as southern Texas and the tip of Florida, to Cuba as subspecies S. s. insularis (Holland, 1916), and S. s. biplagiata, and south to Brazil.
www.butterflyidentification.com/malachite.htm
Known for their vivid hues and large wingspan, Malachite Butterflies are among the largest butterfly species globally. Their lifecycle, from the visually unique caterpillar stage to the enchanting adult form, showcases nature’s marvel. The Malachite Butterfly’s diet is as diverse as its habitats, indulging in everything from flower nectar to bat dung. This butterfly’s name, inspired by the mineral malachite’s similar green shade, reflects the natural world’s interconnectedness.
With large wings that showcase a mesmerizing combination of black and brilliant green or yellowish green on the upper side, the Malachite Butterfly is a sight to behold. The underside reveals a more subdued palette of light brown and olive green.
The wingspan of an adult Malachite ranges between 8.5 and 10 cm (3.3 and 3.9 inches), placing them among the world’s largest butterflies.
Their flight is slow and floating, allowing observers to admire their beauty fully.
I visited the Desert Botanical Garden for the Fall Exhibit of Majestic Mariposas
www.tempetourism.com/events/majestic-mariposas-at-desert-...
dbg.org/events/majestic-mariposas-6/2025-11-16/
Step into a world of enchantment and beauty this fall at our Cohn Family Butterfly Pavilion. Witness more than 1,000 Southwestern butterflies, including the stunning monarch. Don’t forget to capture a moment in front of our stunning butterfly mural, and delve deeper into the fascinating lifecycle of these beautiful creatures. Relax and let the world of pollinators around you come alive.
Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.
Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona.
Desert Botanical Garden
Desert Botanical Garden 2025
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
© all rights reserved by B℮n
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today after 4 years we went ice skating on the Ankeveense Plassen.
The Ankeveense Plassen is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of Dutch people on the lakes of Ankeveen. A first time skating in 2017 is such a rare occurrence. Have a look at this great skating video taken with a drone: youtu.be/J6TPqMteEOU
Schaatsen op natuurijs is het leukste wat er is. Warm inpakken, muts op, handschoenen, schaatsen geslepen, slee mee en gaan. Helaas is het in Nederland niet zo vaak zo koud dat we echt kunnen schaatsen. Veel mensen grijpen vandaag nog even de kans om te schaatsen. Ondanks de waarschuwingen van schaatsbond KNSB om weg te blijven van meren, sloten en kanalen. Het ijs is op veel plekken niet dik genoeg. Daar lieten veel schaatsliefhebbers zich dus niet door weerhouden.. Op 26 januari 2017 verzamelden meerdere mensen op de Ankeveense plassen. Dat is de plek waar het ijs het sterkst was. Vaak wordt er aangehouden dat het ijs een centimeter of 10 dik moet zijn om veilig op te kunnen schaatsen, en het ijs op de Ankeveense plassen is op het dikste gedeelte maar een centimeter of vijf dik, maar dat weerhield tientallen mensen er niet van om toch even het ijs op te gaan. In Ankeveen was de meest gehoorde reactie: “het is dun, maar het kan wel…”. En dat leverde mooie plaatjes op. Mensen van alle leeftijden op schaatsen, kinderen die een buikschuiver willen maken, mensen die voorzichtig even willen voelen hoe het is om op het ijs te staan. De aantrekkingskracht van het ijs is enorm. Opvallend veel Amsterdammers zoeken hun toevlucht in Ankeveen. ,,Hier kan het al, bij ons op de grachten nog lang niet”, grijnst een meneer. ,,Het is windstil, lekker zonnetje, het is ijs is goed. Wat wil je nog meer?” ,,Natuurlijk kan je door het ijs zakken, maar het leven is niet zonder risico's. Je kan ook onder een auto komen, of er kan een vliegtuig op je huis neerstorten.”
Time and Space by Andrew Rogers Time and Space – The Speed of Light. Ibiza, Spain.
Thirteen solid basalt columns forming a Fibonacci sequence located on the edge of a cliff facing the ocean in Ibiza, Spain.
The tallest column, ten metres in height, is highlighted in 23-carat gold to reflect the message with the setting sun on the day of the Winter Solstice.
The sequence is laid out around the circumference of an ellipse alluding to the trajectories of the planets moving around the sun. It is a vision of time and space the the interconnectedness of humanity.
The Fibonacci sequence is demonstrated both in terms of height and spacing.
Extracted and carved in Turkey, the 420 tons of basalt were loaded onto a dedicated ship and transported 4,400 kilometres to Ibiza, Spain.
The columns are mounted on basalt bases weighing from 7.2 tons to 12.5 tons. The tallest column weighs 19.5 tons.
Construction commenced on 17 January, 2014 and was completed one week later on 23 January.
"PURNAMA" means full moon in sanskrit and Malay language.
Moon has many phases, from new moon to crescent, then quarter to full moon. All phases share us a piece of how the moon looks like.
Moon as a celestial body has been acknowledged since the beginning of human civilization. Every ethnic has it's own myths that relate to moon. Moon even exists as a metaphor, or a cultural symbol that varies among different interpretation.
Putting this at the multi-ethnic and multi-multicultural background, this creation weaves together the rich tapestries of cultural narratives, unveiling how the moon’s glow has inspired and influenced humanity across time, geography and culture. Collectively, all these pieces form a vivid image of a full moon, a "PURNAMA".
"PURNAMA" is a dance performance that explores the mystical and multifaceted symbol of the moon as interpreted through various ethnic and mythological lenses.
Through these diverse narratives, "PURNAMA" not only honors the moon's universal allure but also highlights the unique cultural perspectives that shape our understanding of this celestial body. The choreography is a fusion of traditional and contemporary dance forms, creating a visually and emotionally compelling journey that transcends cultural boundaries.
In "PURNAMA," the moon becomes a shared symbol of beauty, mystique, and inspiration, reflecting the interconnectedness of human experience and the timeless wonder of the night sky.
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.