View allAll Photos Tagged ILFORDFilms,
The reef formations above the surface are ancient volcanic chimneys. The reef is surrounded by steep cliffs on the shore, and the water is clear as glass, exposing a mosaic of turquoise, green, and blue hues on the seabed.
Photo technical info:
- Camera: Nikon, Lens: Nikkor f2.8 28mm, f11, 1/500 s
- Film: Ilford HP5 pulled 1 stop, Developer: Spur Acurol-N
Sand Cut, FL
Nikon F100
50mm Nikkor f/1.4
Ilford FP4+
Rodinal (1:25) 9 mins
Molly takes a break while we look for the remains of Sand Cut, an old Florida ghost town on the shores of Lake Okeechobee.
I brought entirely the wrong lens to capture the old structure we found hidden deep in the dense undergrowth. So, I improvised. She's my favorite subject anyway.
Sint-Annatunnel
Taken with a Leica CL, 40mm 1.4 Voigtländer Nocton, on Ilford Delta400 developed with Kodak TMAX (1+4).
Scanned with Nikon LS9000 + vuescan + darktable (linux)
Escaping the Coronation. Accidental double exposure, with frames shot just several hours apart. Not sure how I managed this, but I imagine I knocked the advance lever whilst the camera was knocking around in my crossbody bag during the airport security shuffle.
Ilford XP2 Super 400 (shot at 800).
Canon A-1.
Dev and scan by Kirklees Photographic, Halifax, UK.
Explored 20/05/23, ta.
Bridges over the Don..
Toronto, Ontario
Ilford FP4 Plus 125 with Y2 Yellow Filter
Nikon FE
Nikon 50mm F1.8 E Series
Epson V370
Just a cat that loves sleeping and aluminum foils.
This photo is from the first roll of film I developed on my own.
Yashica FX3 2000 - ML 50mm F1.7
Ilford Delta 400
Develop with Rodinal
Scan with Epson V600
Foggy morning in Venezia (or Venice if you like), Italy
Cropped, top and bottom
Mamiya 7ii
Mamiya N 80mm f4 L
Ilford HP5+ @ISO800
Ilford Ilfotec DD-X 1+4 (10mins)
Epson V850
Negative Lab Pro
Lightroom
2012.
Nikon F65. Taken on an Ilford film, but can't remember if it was Pan F Plus 50, Delta 100, or FP4 Plus 125. It was definitely an Ilford film as on this trip I used only Ilford films for my B&W shots.
Late afternoon light on wetlands, Sydney, December 2018.
Camera: Olympus OM4-Ti
Lens: OM Zuiko 35mm f/2
Film: Ilford HP5+ bw film
Developer: Kodak XTOL dilution 1+1
Scan: Epson V700 @4800dpi
Postprocessing: Lightroom 6 with a FilmBot wet plate plug-in which includes split tone and vignette, then adjusted in LR.
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2018 Lynn Burdekin. All Rights Reserved.