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La transhumance, du latin trans (de l'autre côté) et humus (la terre, le pays), est la migration périodique d'une part du bétail (bovidés, cervidés, équidés et ovins) de la plaine vers la montagne ou de la montagne vers la plaine, d'autre part des abeilles d'une région florale à une autre, et ce en fonction des conditions climatiques et donc de la saison.
En ce qui concerne le bétail, on distingue deux types de transhumance :
La transhumance estivale (ou transhumance normale), qui est la montée dans les pâturages d'altitude comme les alpages, les montagnes (dans le Massif central), des troupeaux originaires des basses plaines (dans le Valais et en Vallée d'Aoste on parle d'inalpe).
La transhumance hivernale (ou transhumance inverse), qui est le fait de troupeaux de montagne, lesquels, l'hiver venu, fuient les rigueurs du climat montagnard en descendant vers les plaines tempérées (dans le Valais et en Vallée d'Aoste on parle de désalpe).
En Europe, l'estive dure en général de fin mai à mi-octobre.
La question des origines de la transhumance en Provence mobilise les historiens et les archéologues. Les grands déplacements de troupeaux de la plaine à la montagne avaient probablement disparu durant le haut Moyen Âge, faute des conditions politiques (organisation territoriale et sécurité des chemins) et économiques (marchés pour écouler les produits des troupeaux) nécessaires à de telles entreprises.
Mais la découverte dans les années 1990 dans la plaine de la Crau de fondations de nombreuses bergeries datant de l'époque romaine et de l'âge du Fer laisse à penser que déjà dans l'Antiquité des troupeaux d'ovins transhumaient, corroborant Pline l'Ancien affirmant que dans "les Plaines-de-pierre" de la province Narbonnaise les moutons "par milliers convergent depuis des régions lointaines pour brouter".
Le balancement des troupeaux se remet en place dès avant le XIIe siècle à l'initiative des communautés montagnardes, qui ne peuvent nourrir en bergerie des troupeaux importants durant les longs hivers, et vont chercher l'herbe des plaines. Les grands monastères (Abbaye Saint-Victor de Marseille, Boscodon…), les imitent dès le XIIIe siècle en mettant en valeur leurs possessions dans le haut comme dans le bas pays, imités, à partir du XIVe siècle par les grandes familles nobles. Il s'agit alors d'une transhumance de la plaine à la montagne, avec des troupeaux de mille bêtes et plus.
source wikipedia
It's not a good time to be any sort of larvae with so many warblers nesting now. I suspect this yellow warbler is already feeding nestlings as he was hopping around the tree with his treat, making no attempt to eat it himself. Hyper-Humus marsh, Lafayette, NJ
The signage on the truck in my photo says, "Compost for Soils. Nitro Humus." I'm sure the stars don't need any fertilising, but the thought of having a truck full of chemicals to make the sky look lusher has a comic appeal. The vivid green field to the left of the road was planted with canola & was only a few weeks from bursting into the vibrant yellow that this region is known for in the Australian spring.
On the day I photographed this scene, in late September, a persistent canopy of grey clouds didn't bode well for a session of nightscape photography. Happily, the clouds cleared an hour after dark, and the Milky Way's band of stars, dust lanes and nebulae showed themselves as they eased towards the southwestern horizon near Cowra, Australia.
This photo is a simple single-frame exposure, captured with my Canon EOS 6D Mk II camera, a Samyang 14mm f/2.4 lens @ f/2.8, using an exposure time of 25 seconds @ ISO 6400.
It's rare that I see American Bittern here in northern NJ and to catch on in flight (however imperfectly) was an extra treat. At Paulinskill River WMA, Hyper-humus marsh
De grootsporige braakrussula (Russula emetica) is een van de vele roodkleurige Russula-soorten. Hij komt voor in naaldbossen op droge, voedselarme humus. Hij vormt ectomycorrhiza met dennen (Pinus). Microscopisch onderzoek is noodzakelijk om deze soort met zekerheid te onderscheiden van de kleinsporige braakrussula (Russula silvestris).
De kleverige, bolle hoed van de paddenstoel is 3 tot 10 cm breed. De kleur is felrood met witte schakeringen. De vorm is aanvankelijk gewelfd, later uitgespreid en naar het midden toe enigszins ingedeukt. De hoedhuid die voor 2/3 - 4/4 afneembaar is, is meer of minder krachtig kersenrood en meestal plakkerig glanzend. De hoedrand is kort en vaak vaag gegroefd.
The large-spored fallow Russula (Russula emetica) is one of the many red-colored Russula species. It occurs in coniferous forests on dry, nutrient-poor humus. It forms ectomycorrhiza with pines (Pinus). Microscopic examination is necessary to distinguish this species with certainty from the small-spored fallow Russula (Russula silvestris).
The sticky, convex cap of the mushroom is 3 to 10 cm wide. The color is bright red with white shades. The shape is initially domed, later spread out and slightly indented towards the center. The cap skin, which is 2/3 - 4/4 removable, is more or less strong cherry red and usually sticky and shiny. The cap brim is short and often vaguely grooved.
27-December-2024 at early sunset.
It is a building that is well inserted into the environment, in an "oasis" of Stara Baška, sheltered from the Bora/Bura wind and with that little bit of humus that has allowed the rise of a grove of black Pines (Pinus nigra var austriaca).
The owner, who I don't know if he is happy with this publicity, but I photographed the little bay, the house is in the environment, has respected the international law cited in the title and has left free passage on foot along the coast, probably also arranging a path that winds over the rocks near the wall of the garden of the house.
It should be mandatory and certainly not to be noted, but both in Croatia (Rab-Lopar cape...for example), and in Italy (Costiera Triestina...) there are people who do not respect this simple rule, throwing fences or walls into the water and unduly appropriating stretches of coast that should belong to everyone.
These people should be ashamed of their "private property" (to us) intimidating signs and with them the complacent administrators and the controls that are not carried out.
It is a magnificent place and even more so it should be respected, as done by the (very) lucky owner of those square meters in the greenery near a splendid blue sea.
I think I have four elements here: Earth (humus, dirt from a planter), Water (tap water in a pan), Air (bubbles), and Fire (burning alcohol). Dirt infused with Everclear 151 in frying pan with water and saliva, ignited. For #MacroMondays #FourElements (Subject is ~1.75" or 4.5 cm wide at the base, shot at roughly 1:1.6x magnification.)
We watched this rather ragged looking Slaty Skimmer hunting and were eventually rewarded when he returned to his perch with some small insect. About all you can see in this shot is the legs of lunch sticking out of the dragon's mouth.
the grooved bonnet, is a species of mushroom in the family Mycenaceae. The inedible fruit bodies are small, pale gray-brown mushrooms with broadly conical caps, pinkish gills. They are found in small troops on stumps and branches of deciduous and occasionally coniferous trees. The mushroom is found in Asia, Europe, and North America, where it is typically found on twigs or buried wood, carrying out its role in the forest ecosystem by decomposing organic matter, recycling nutrients, and forming humus in the soil.
Made with Sony A7Rm5 and Sony FE 90mm f/2.8 Macro G OSS.
Comme passant une porte á travers le temps, sous les lianes chargées de mousses, connectant les ancêtres géants profondément ancrés dans l'humus, foyer des plantes épiphytes et de milliers d'être viviants, la riche et diversifiée forêt native est toujours sur pieds... Pour combien de temps ?
Como cruzando una puerta a través del tiempo, debajo de lianas cargadas de musgos, conectando ancestros gigantes profundamente arraigados en el humus, hogar de plantas epifitas y miles de seres vivos, el rico y diversificado bosque nativo aun se mantiene de pie... Para cuanto tiempo ?
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Camellia is a genus of flowering plants in the family Theaceae. Camellias are evergreen shrubs or small trees up to 20 m tall. They are found in eastern and southern Asia, from the Himalayas east to Japan and Indonesia. There are about 300 species and around 3,000 hybrids. Their flowers are usually large and conspicuous, one to 12 cm in diameter, with five to nine petals in naturally occurring species of camellias. The colors of the flowers vary from white through pink colours to red. Of economic importance in East Asia, Southeast Asia, and the Indian subcontinent, leaves of C. sinensis are processed to create the popular beverage tea. The ornamental C. japonica, C. sasanqua and their hybrids are the source of hundreds of garden cultivars. C. oleifera produces tea seed oil, used in cooking and cosmetics. The various species of camellia plants are generally well-adapted to acid soils rich in humus, and most species do not grow well on chalky soil or other calcium-rich soils. Most species of camellias also require a large amount of water, either from natural rainfall or from irrigation, and the plants will not tolerate droughts. However, some of the more unusual camellias – typically species from karst soils in Vietnam – can grow without too much water. 64815
GASTRONOMIA MEXICANA, El achiote es utilizado en el sur del País desde tiempos precolombinos, aunque parece que todo empezó en Mesopotamia, entre los rios Éufrates y Tigris.
Lo conocemos gracias a la variada y deliciosa cocina del sur de la República Mexicana, principalmente de Chiapas y Yucatán. Lo conocemos en el color anaranjado de la capa superior de algunos quesos, en los mixiotes tan delciosos, en el pollo en achiote, la famosa cochinita pibil, los tacos al pastor, el tescalate
El achiote es de gran importancia además, por su aporte ecológico al suelo en donde se cultiva o crece, porque lo enriquece por la Biomasa, porque favorece el Humus, por su follaje, y en general, logra que se vuelva fértil el suelo pobre.
El pescado al Tikin-xic, los ingredientes principales SON el pescado blanco y el achiote
Done for Macro Mondays "On the Inside" theme. The dry beans in the image are about 2x life size.
Panasonic Lumix G1, Lumix G 20/1.7, HDR from a single image. Happy Macro Monday!
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A fotografia de Mário Silva apresenta-nos um close-up de um grupo de cogumelos “Psilocybe aztecorum”, imersos num leito de musgo.
A imagem captura a delicadeza e a fragilidade desses pequenos fungos, com os seus chapéus convexos e brilhantes, contrastando com a textura aveludada do musgo.
A profundidade de campo restrita enfatiza os cogumelos, isolando-os do ambiente circundante e convidando o observador a uma observação detalhada.
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A composição da fotografia é simples e eficaz, com os cogumelos ocupando o centro da imagem.
A perspetiva macro permite apreciar a beleza e a complexidade dessas pequenas criaturas.
O fundo desfocado, composto por musgo e folhas, cria uma atmosfera natural e acolhedora.
A luz natural incide sobre os cogumelos, criando sombras que acentuam a textura de seus chapéus e a humidade do ambiente.
A paleta de cores é limitada, com predominância de tons de castanho, verde e amarelo, que evocam a sensação de humidade e de decomposição.
Os cogumelos, ao longo da história, têm sido associados a diversos significados simbólicos, como a transformação, a espiritualidade e a conexão com o mundo natural.
Na fotografia de Mário Silva, os cogumelos podem ser vistos como um símbolo da vida e da morte, da fragilidade e da resiliência da natureza.
Os cogumelos “Psilocybe aztecorum” desempenham um papel fundamental no ecossistema, atuando como decompositores.
Ao decompor matéria orgânica, eles contribuem para a ciclagem de nutrientes e para a formação do húmus, enriquecendo o solo e promovendo o crescimento de outras plantas.
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Os cogumelos “Psilocybe aztecorum” são fungos saprófitos, ou seja, alimentam-se de matéria orgânica em decomposição.
Ao decompor a madeira, as folhas e outros materiais orgânicos, eles libertam nutrientes essenciais para o crescimento de outras plantas.
Além disso, os cogumelos estabelecem relações simbióticas com as raízes das plantas, formando micorrizas.
Essa associação mutualística beneficia tanto o fungo quanto a planta, pois o fungo fornece nutrientes à planta e a planta fornece açúcares ao fungo.
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Em conclusão, a fotografia de Mário Silva convida-nos a apreciar a beleza e a importância dos fungos no ecossistema.
A imagem do “Psilocybe aztecorum” lembra-nos que a natureza é composta por uma intrincada rede de relações, onde cada organismo desempenha um papel fundamental.
A fotografia, além da sua beleza estética, serve como um convite à reflexão sobre a importância da biodiversidade e da conservação do meio ambiente.
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Texto & Fotografia: ©MárioSilva
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Dans un petit coin d'humus, deux petits escargots (+/- 5mm) se livraient à un curieux rituel orchestré par la Nature. Une danse étrange : en un glissement rotatif synchronisé, leurs deux corps entremêlés s'échangeaient leur capital génétique dans le but de permettre la continuité de l'espèce. Le plus étrange, c'est que les deux se fécondent et les deux porteront les œufs, fruit de leur union.
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In a small corner of humus, two little snails (+/- 5mm) were engaged in a curious ritual orchestrated by Nature. A strange dance: in a synchronized rotating slide, their two bodies interwoven exchanged their genetic capital in order to allow the continuity of the species. The strangest thing is that both of them fertilize each other and they will bear the eggs, fruit of their union.
a favorite of mine, humus base with a pine nut and spice mix (lemon juice, 1/4 cup olive oil, tahini, garlic, cumin, paprika, salt, and crushed peppercorns) dipped with black bean chips and a drop of green chili sauce.
La phacélie fait partie de ces plantes que l’on appelle les “engrais verts“.
Ce sont des végétaux qui puisent des éléments dans les profondeurs du sol et dans l’air.
Ces éléments vont ensuite bénéficier aux cultures suivantes.
De plus, les racines des engrais verts décompactent le sol. Et le feuillage, une fois coupé, se décompose et enrichit la terre en humus et en azote.
A family of Mute Swans taking the kids out for a little adventure. Shortly after, mom took the four cygnets back to the nest
Camellia is a genus of flowering plants in the family Theaceae. Camellias are evergreen shrubs or small trees up to 20 m tall. They are found in eastern and southern Asia, from the Himalayas east to Japan and Indonesia. There are about 300 species and around 3,000 hybrids. Their flowers are usually large and conspicuous, one to 12 cm in diameter, with five to nine petals in naturally occurring species of camellias. The colors of the flowers vary from white through pink colors to red.Of economic importance in East Asia, Southeast Asia, and the Indian subcontinent, leaves of C. sinensis are processed to create the popular beverage tea. The ornamental C. japonica, C. sasanqua and their hybrids are the source of hundreds of garden cultivars. C. oleifera produces tea seed oil, used in cooking and cosmetics. The various species of camellia plants are generally well-adapted to acid soils rich in humus, and most species do not grow well on chalky soil or other calcium-rich soils. Most species of camellias also require a large amount of water, either from natural rainfall or from irrigation, and the plants will not tolerate droughts. However, some of the more unusual camellias – typically species from karst soils in Vietnam – can grow without too much water. 3251
"Gaudeamus igitur,
iuvenes dum sumus. (bis)
Post iucundam iuventutem,
post molestam senectutem,
nos habebit humus..."
("Alegrémonos pues,
mientras seamos jóvenes.
Tras la divertida juventud,
tras la incómoda vejez,
nos recibirá la tierra...")
© Todos los derechos reservados. No utilice sin mi permiso.
© All rights reserved. Do not use without my permission.
Mi dirección e-mail: baovictor@hotmail.com
Información:
Suriye, Humus'da bu camii. Resim pek iyi olmadı ama maksat tanıtım :)
Humus Türkmenler'in yoğunluklu olduğu bir şehir.
Site
Blackwater Woods, New Forest National Park, Hampshire, Southern UK, Europe.
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Found Materials
Forest stream and standing water, humus, fungi, beech and pine Bark, lichen.
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How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
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(C) Copyright 2021. All Rights Reserved. Process Patent Pending.
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******** Next Exhibition! ********
Keep watching for news on my next exhibition!
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See & browse more at www.michaelrawling.com
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Saatchi Gallery: Buy this limited edition artwork from:
saatchigallery.michaelrawling.com/
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Or commission me via direct message.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
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Pendle Hill, A Limited Edition of 5 sets
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Series from the Pandemic Years
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Site of Photograph
Pendle Hill, Borough of Pendle, Forest of Bowland(Area of Outstanding Natural Beauty), Pennines, Lancashire, England.
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Found Materials at location
Standing forest water, stream water, pine needles, windfall leaves and moss, humus.
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How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
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(C) Copyright 2023. All Rights Reserved. Process Patent Pending.
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******** Next Exhibition! ********
Keep watching for news on the next years upcoming exhibitions!
*********************************
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See & browse more at www.michaelrawling.com/fine-art
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Saatchi Gallery: Buy this limited edition artwork from:
saatchigallery.michaelrawling.com/
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Or commission me via direct message.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
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