View allAll Photos Tagged Humility
"Since, many years I had resistance for doing the seva but after attending the parayan, I determined to do the seva. I started asking for the strength, both physically and mentally, and everyday I did some or the other seva according to my capacity. So, I am very thankful and filled with humility as I got a chance to serve Dada.
To know more please click on:
In English:https://www.dadabhagwan.org/self-realization/video-experiences/
In Gujarati:https://www.dadabhagwan.in/self-realization/video-experiences/
In Hindi:https://hindi.dadabhagwan.org/self-realization/video-experiences/"
Well...apparently this teeters on the non humorous pornographic side also. *sigh* Oh well at least I think its cute!
Humility does not mean thinking less of yourself than of other people, nor does it mean having a low opinion of your own gifts. It means freedom from thinking about yourself at all.
~ William Temple
Check out -
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
my fave is a toss up between kindergarden and 6th grade- aka whoa, worst year of my life
this is also known as Bangs: The Evolution.
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
From March 2, 2020: Every cup tells a #story.
I fell asleep before I could combine these images and post them before midnight last night. So here it is now.
#CoffeeShop #CoffeeCup #lid #art #imagery by B. #ThankYou
Part of my personal photo project of 2020, to get a different selfie shot of me everyday, photo 62/366.
This image initially appeared posted on Instagram.
#selfies #SubvertedSelfies #Selfies #365SelfieChallenge #365daychallenge #365Selfies2020 #2020Selfies #DailySelfie #DailySelfies #livingmybestlife #reverence #happy #instagood #humility #friends #inspire #art #portrait #awakening #consciousness #motivational #positivevibration #health #selflovejourney
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
SAN LUIS POTOSI, MEXICO - MARCH 25: With the participation of more than 30 groups called brotherhoods, was held the traditional "Procession of Silence", this Holy Friday, as has been held since 1954, representing the Passion and Death Christ in a very similar way to Easter in Seville (Spain) on Friday, March 25, 2016, in the city of San Luis Potosi, in the western state of San Luis Potosi, Mexico. "The Procession of Silence" is a tradition full of mysticism and culture that takes place every year every Holy Friday. It is a Via Crucis living in more than a thousand people participate. Cofrades or penitents, who are an essential part of the procession carrying a hood as a symbol of mourning and humility. Upon reaching 60, "The Procession of Silence" was declared as Intangible Cultural Heritage, the only procession in the world that is made only on the night of Friday, representing the Via Crucis complete and the Sorrowful Mysteries Rosary beads. (Photo by Hugo Ortuño)
In September 2013, I was given the opportunity to shoot for a non-profit organisation called e.motion21. This is an organisation that provide an Australia-first, innovative dance and fitness program designed specifically for children and young adults with Down Syndrome.
This is a series of their rehearsal leading up to a dance event called Musicool. It was an eye opening experience having to shoot this event as I had never shot a subject matter relating to Down Syndrome prior to this. The most essential thing that I realised was that these kids and young adults are no different from what society deems as 'normal'. Everyone experiences struggles and it is the passion that keeps us going. For them, the unity through dance is the core of their passion and joy.
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
April 13, 2015: Featuring David Ansel, Austin's own Soup Peddler.
Sponsored by Real HQ, Razorfish Studios and Cuvee Coffee .
Hosted at The Lady Bird Johnson Wildflower Center.
Photos by Manny Pandya.
Video Production by Scott Clark.
With all due humility . . . I think I look really good in this shot.
It was probably not long after this shot was taken that some jerk-off slammed into us from behind, in spite of the large signs on the back of every Go Kart and on the walls at every turn NOT to do any bumping. These things don't go in reverse, so employees had to come and pull us back out onto the track where we could go forward again.
Barbara missed the crash with the camera though.
May its waters accept with humility and grace the honor of our notice: BRIGHTS CREEK in Hampton, Virginia, online.
-----------------------
In Hampton, Virginia, on October 13th, 2023, Brights Creek as viewed from the east side of North King Street, south of Spring Street.
Brights Creek flows to the Hampton River, which flows to the James River, which flows to Chesapeake Bay.
-----------------------
Getty Thesaurus of Geographic Names terms:
• Atlantic Coastal Plain (2139846)
• Brights Creek (2195018)
• Hampton (2002213)
Art & Architecture Thesaurus terms:
• autumn (300133093)
• cultural landscapes (300008932)
• riverine landscapes (300435110)
• streams (300008699)
• turbidity (300375724)
• woods (plant communities) (300132451)
Wikidata items:
• 13 October 2023 (Q69306951)
• Atlantic coastal plain (Q756832)
• Brights Creek (Q49867746)
• Chesapeake Bay drainage basin (Q65738754)
• Chesapeake-Pamlico Lowlands and Tidal Marshes (Q123865624)
• Hampton Roads (Q1011895)
• James River drainage basin (Q46999340)
• Middle Atlantic Coastal Plain (Q123865588)
• October 13 (Q2925)
• October 2023 (Q61313015)
• Tidewater (Q7800894)
• Tsenacommacah (Q7849523)
• Virginia Peninsula (Q2553780)
Library of Congress Subject Headings:
• Chesapeake Bay Region (Md. and Va) (sh85023112)
• Rivers—Virginia (sh85114419)
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
he monastery of Radu Vodă has the consecrations of the Holy Trinity and the Saint Hierarch Nectarios of Aegina.
It was founded by Voivod Alexander II Mircea (1568-1577) and his lady, Ecaterina, to thank God that He gave him the victory in the battle he carried on these lands, against Vintilă-Vornicul and Dumbravă-Vornicul.
“The architectural plan and forms of the Radu Vodă church are inspired by the Episcopal church at Curtea de Argeş, the difference being that the building material is not stone, but brick.
The plan is a triconch, with a tower on the nave, and with an enlarged narthex, with three towers above it.
The main of the three towers rests on twelve columns, symbolizing the twelve apostles, similar to the model from Curtea of Argeş”
as we learn from the presentation page of the Monastery.
The personality of the place is emphasized as well by the fact that it is located on a hill, so that it looks like a Christian fortress, and the high communist blocks of flats around it do nothing but protect it from the inclement weather.
Located only ten-minute walk away from Unirii Square, the settlement is easily accessible to those who want to cross its threshold.
The construction date is controversial and it fluctuates between 1568 and 1574.
Later, in 1595, during the reign of Michael the Brave, the Holy Trinity Monastery was badly damaged by Sinan Pasa's army, during its withdrawal from Bucharest.
All the buildings on the hill were set on fire then and the church was transformed into a mosque.
The same documentary source informs us that in 1615, Radu Mihnea began the restoration of the entire ensemble of the Holy Trinity Monastery, a work which, “together with the painting” was completed ten years later.
Thus, from the monastery of 1625, bearing the name of its founder, Radu Vodă, the church and the bell tower have been preserved to this day.
It was painted again in 1714 and the porch was added to it.
After the earthquakes of 1790, 1793, 1794 and 1802 other repairs followed. It was restored in 1804 by the Hegumen Ignație Iviritorul from the Ivir Monastery, located on Mount Athos.
Another earthquake, in 1838, caused great damage. Important repairs were carried out between 1859 and 1864.
The wooden towers were then rebuilt, and they were covered with sheet metal, the porch (which still exists today) was restored, but some cells and the chapel were torn down.
During 1969 - 1974, extensive restoration work was carried out, at the initiative of Patriarch Justinian Marina.
The painting was completely redone by painters Sofian Boghiu, Vasile Caraman and Gheorghe Ciobanu.
An interesting aspect is that on the same hill we find the Church of Bucur the Shepherd (dedicated to St. Athanasius and Chiril Church) which functioned as a funeral chapel for the monks of the Radu Vodă monastery.
Around 1870, it was separated from its courtyard, by cutting the Radu Vodă street - now there are two distinct hills.
At Radu Vodă Monastery we also find the relics of Saint Nectarios (Nectarie), and because of this the place is one of the most sought after by pilgrims.
The climb to the church itself, similar to the one on the Hill of the Patriarchate, but shorter, gives a special feeling to the believer, who can imagine that he climbs a small Golgotha.
About Saint Nectarios it is said: “living like an angel in the body, and loving the incessant prayer, silence, humility, fasting and mercy, the Holy Nectarios drew many to Christ, spilling out around him peace, joy and uncreated light of the Holy Spirit, with which he comforted and rested all who came to his cell. “(doxologia.ro)
Another interesting record is that of Paul of Aleppo, preserved in “The Travels of Patriarch Macarie”. It describes the Radu Vodă Monastery as being situated on the outskirts of the city, on a higher place, surrounded by a river and standing water.
He also mentions that during the growth of the water the place could only be reached by using a wooden bridge.
The traveler also says that: “it is a great building, with a very pleasant view.
Its church is large and spacious, with harmonious lines, highly ornamented and entirely covered with paintings.”
We learn from the same documentary source made public by the monastery that Saint Nectarios is “one of the newest saints canonized by the Ecumenical Patriarchate in the last century.
He was born in 1846, in the Thracian Silivria, near Constantinople, from poor but very godly parents.
At the baptism he receives the name of Anastasie, and from a young age he was given a good quality Christian education.
After the first years of school, Anastasie is sent to learn further in Constantinople, where he studies Theology and writings of the Holy Fathers.
Here, his soul begins to discover Christ in his heart, through prayer, through reading the holy books and thinking about the divine.”
In Memoriam -- for Peg June Adams, aka Ven. Choenyi. Who let go of the tree September 12, 2009, in Dharamsala, India. May your transition bring you to land in a place full of possibilities for growth.
We will miss you here. Thank you for all.
With Big Love.
See photos of Peg here: www.flickr.com/groups/choenyi/pool/
Continue to practice humility with every success. It can all be easily taken away as it is given. . Continue to be strong at heart through the failures as they are stepping stones to achieving whatever your heart desires. . #success #successquotes #oola #oolalife #balance #innerpeace #quotes #quoteoftheday #quotesgram #photooftheday #picoftheday #happy #amazing #humility - ohso_feisty
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
The global theme for April 2015 was “Humility” and our speaker at Portland/CreativeMornings was Charlie Brown, CEO and Founder of Context Partners. We were hosted by PNCA and sponsored by Create Legal and 52 Limited, and Razorfish. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Scott Larsen. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Anna walking through the Door of Humility, the entrance to the Church of the Nativity in Bethlehem, Palestine
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
he monastery of Radu Vodă has the consecrations of the Holy Trinity and the Saint Hierarch Nectarios of Aegina.
It was founded by Voivod Alexander II Mircea (1568-1577) and his lady, Ecaterina, to thank God that He gave him the victory in the battle he carried on these lands, against Vintilă-Vornicul and Dumbravă-Vornicul.
“The architectural plan and forms of the Radu Vodă church are inspired by the Episcopal church at Curtea de Argeş, the difference being that the building material is not stone, but brick.
The plan is a triconch, with a tower on the nave, and with an enlarged narthex, with three towers above it.
The main of the three towers rests on twelve columns, symbolizing the twelve apostles, similar to the model from Curtea of Argeş”
as we learn from the presentation page of the Monastery.
The personality of the place is emphasized as well by the fact that it is located on a hill, so that it looks like a Christian fortress, and the high communist blocks of flats around it do nothing but protect it from the inclement weather.
Located only ten-minute walk away from Unirii Square, the settlement is easily accessible to those who want to cross its threshold.
The construction date is controversial and it fluctuates between 1568 and 1574.
Later, in 1595, during the reign of Michael the Brave, the Holy Trinity Monastery was badly damaged by Sinan Pasa's army, during its withdrawal from Bucharest.
All the buildings on the hill were set on fire then and the church was transformed into a mosque.
The same documentary source informs us that in 1615, Radu Mihnea began the restoration of the entire ensemble of the Holy Trinity Monastery, a work which, “together with the painting” was completed ten years later.
Thus, from the monastery of 1625, bearing the name of its founder, Radu Vodă, the church and the bell tower have been preserved to this day.
It was painted again in 1714 and the porch was added to it.
After the earthquakes of 1790, 1793, 1794 and 1802 other repairs followed. It was restored in 1804 by the Hegumen Ignație Iviritorul from the Ivir Monastery, located on Mount Athos.
Another earthquake, in 1838, caused great damage. Important repairs were carried out between 1859 and 1864.
The wooden towers were then rebuilt, and they were covered with sheet metal, the porch (which still exists today) was restored, but some cells and the chapel were torn down.
During 1969 - 1974, extensive restoration work was carried out, at the initiative of Patriarch Justinian Marina.
The painting was completely redone by painters Sofian Boghiu, Vasile Caraman and Gheorghe Ciobanu.
An interesting aspect is that on the same hill we find the Church of Bucur the Shepherd (dedicated to St. Athanasius and Chiril Church) which functioned as a funeral chapel for the monks of the Radu Vodă monastery.
Around 1870, it was separated from its courtyard, by cutting the Radu Vodă street - now there are two distinct hills.
At Radu Vodă Monastery we also find the relics of Saint Nectarios (Nectarie), and because of this the place is one of the most sought after by pilgrims.
The climb to the church itself, similar to the one on the Hill of the Patriarchate, but shorter, gives a special feeling to the believer, who can imagine that he climbs a small Golgotha.
About Saint Nectarios it is said: “living like an angel in the body, and loving the incessant prayer, silence, humility, fasting and mercy, the Holy Nectarios drew many to Christ, spilling out around him peace, joy and uncreated light of the Holy Spirit, with which he comforted and rested all who came to his cell. “(doxologia.ro)
Another interesting record is that of Paul of Aleppo, preserved in “The Travels of Patriarch Macarie”. It describes the Radu Vodă Monastery as being situated on the outskirts of the city, on a higher place, surrounded by a river and standing water.
He also mentions that during the growth of the water the place could only be reached by using a wooden bridge.
The traveler also says that: “it is a great building, with a very pleasant view.
Its church is large and spacious, with harmonious lines, highly ornamented and entirely covered with paintings.”
We learn from the same documentary source made public by the monastery that Saint Nectarios is “one of the newest saints canonized by the Ecumenical Patriarchate in the last century.
He was born in 1846, in the Thracian Silivria, near Constantinople, from poor but very godly parents.
At the baptism he receives the name of Anastasie, and from a young age he was given a good quality Christian education.
After the first years of school, Anastasie is sent to learn further in Constantinople, where he studies Theology and writings of the Holy Fathers.
Here, his soul begins to discover Christ in his heart, through prayer, through reading the holy books and thinking about the divine.”