View allAll Photos Tagged Humiliation
When my parents moved out from the fetid Kurla slums to Wodehouse Road Colaba we stayed in a rented room of the family of Late Nawab Kashmiri doyen of Indian cinema contemporary of Dilip sab Jayant father of Imtiaz Khan and late Amjad Khan.
My parents were not educated mom came from the family of Daroga Nawab sab descendant of poet Mir Anis .mom got married away to my dad when she was 17 year old ,,,in Lucknow and came to live with him at the Kurla slums I was born in Lucknow 1953 .
At Khatau Bhuvan it was Ms Akthar Baji daughter of Nawab Kashmiri they were connected to the family of Nawab Wajid Ali Shah..She sent me to Private European School I might have been 5 year old the teachers were all European Mrs Lester Mrs June Ms Marjorie .. my father was a coat maker at N Swamy Rao could not afford the fees Rs 50 that she paid ,,
Thus began my tryst with Christianity as the school was part of the Methodist Church Protestant and I came to know about Jesus .though at home the culture spirituality was Shiasm.. Nawab Kashmiris family were from Lucknow to like my parents and were Shias .
From this private school as they did not have a secondary section she enrolled me at Holy Name High School affiliated to the Wodehouse Road parish and Cathedral.
So the influence of Catholicism began from the 3 rd standard my friends were altar boys and I spent time at the sacristy learning about their faith through Late Fr Leslie Ratus was later moved to the Vatican ..I met another priest Late Fr Stephan Nazareth he loved music but I was not into playing the guitar like the other kids I was a book worm and read the Bible .
Here I must reiterate never did the Catholic priests ever try to convert me or say anything against my Muslim faith..hey taught me compassion . to feel for others thuis was my biggest lesson of life and respect for all religions .
My childhood friend Rock band founder of Atomic Forest late Keith Kanga was of mixed European and Parsi parentage we lived at Khatau Bhuvan after untimely death of his father Dossabhai Kanga and his mother Gwendolyn his maternal grandmother took up Jehovah's witness she liked me but hated my religion and she to would make me read the Bible when I came to stay with Keith during bad times that my family underwent ,,,
Once I moved to Bandra my fashion store was at St Peters Road next to St Peter Church ..I had come out of a long period of alcoholism and takn up photography as catharsis so I began shooting this Church thanks to Fr Lawrie my godfather Fr Jaun and later Fr Gerard all Jesuits I supported the Church when BMC wanted to demolish its walls and was the only Muslim invited to St Loyalas feast.
I am the only Muslim invited to the Latin Mass on Easter day performed by Spanish priest Fr Jaun..
I have lived on rent at Ranwar with an East Indian family during the 93 riots we had to sell our Dandpada house at Khar for peanuts .
I have no ill will towards the Hindus the 93 riots were state engineered to divide Indians as Hindus and Muslims ,
Please understand one thing though I am a Shia Muslim as a photographer I shoot showcase all faiths as the cultural cauldron of peace and tapestry of love hope Humanity of my country ,,,
I was blessed the day I was born in India
My Karbala My Karambhoomi Dharambhoomi is India..
Ulike some rabid Muslims I dont insult humiliate denigrate another man's choice of religion or Faith..it would be an insult to the gift of life that I got from my Shia mothers womb.
I am a private person I dont share my mobile no I am not a BAWA I am not a HOLISTIC HEALER I am not into DUA TAWIZ .
I am connectected to Sufis Aghoris Naga Sadhus ..Hijra Shamans ..only as a photographer ..
I am neither Christian, nor Jewish, nor Muslim. Doing away with duality, I saw the two worlds as one. I seek One, I know One, I see One, and I call One.
- Rumi
read this as a metaphor of my life as a photographer I become the religion I shoot behind the Camera .
But having blackmailed me into this feminisation for her “party” I was then told to wait in my room for you to join me “Remember to be nice to the gentleman , use my gloss lipstick , they love it even more with lipstick !
Der Mensch, der sich in Demut beugte, lehnt sich dagegen unter der Demütigung auf. Die Demut öffnet die Pforten zum Paradies; die Demütigung die zur Hölle. Die Demut bringt eine Art freiwillige Unterwerfung mit sich; sie wird aus freien Stücken angenommen […] Die Demütigung im Gegensatz dazu erniedrigt, verkümmert, verunstaltet und reizt die Seele und bringt sie zum Verdorren und Verwelken; sie verursacht eine moralische Verletzung, die schwer heilbar ist.
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L'homme que l'humilité inclinait, au contraire, l'humiliation le fait se regimber. L'humilité ouvre les portes du paradis ; l'humiliation, celles de l'Enfer. L'humilité comporte une sorte de soumission volontaire ; elle est librement acceptée [...] L'humiliation, tout au contraire, avilit l'âme, la courbe, la déforme, la sèche, l'irrite, la flétrit ; elle cause une sorte de lésion morale très difficilement guérissable.
André Gide, Dostojewski, Aufsätze und Vorträge /DOSTOÏEVSKY
Statue of Sir Adam Beck on University Avenue at Queen Street West. Toronto, Canada. Spring afternoon, 2021. Pentax K1 II.
A biography of Sir Adam Beck: www.biographi.ca/en/bio/beck_adam_15E.html
BECK, Sir ADAM, manufacturer, horseman, politician, office holder, and philanthropist; b. 20 June 1857 in Baden, Upper Canada, son of Jacob Friedrich Beck and Charlotte Josephine Hespeler; m. 7 Sept. 1898 Lillian Ottaway in Hamilton, Ont., and they had a daughter; d. 15 Aug. 1925 in London, Ont.
The Prometheus of Canadian politics during the first quarter of the 20th century, Sir Adam Beck brought the inestimable benefit of cheap electric light and power to the citizens of Ontario through a publicly owned utility, the Hydro-Electric Power Commission of Ontario. He had to fight continuously to build Hydro, as it came to be called, but supported by municipal allies he succeeded in creating one of the largest publicly owned integrated electric systems in the world. Brusque and overbearing, he made many enemies in the process, even amongst his friends, as he rammed his projects forward, frequently over the objections of the governments he notionally served. His ruthless determination to expand Hydro, with little regard to the cost, led eventually to a movement to rein him in. He spent his last years pinned down before three public inquiries as lawyers, accountants, and political adversaries picked over every Hydro expenditure. These public humiliations broke his spirit but failed to diminish his enormous popularity. Adam Beck more than any other public figure in Ontario reshaped the institutional life of the province by making electricity a public utility and legitimizing, through his accomplishments, public ownership as an effective instrument of policy throughout Canada.
Beck came from an enterprising immigrant family of builders and makers. In 1829 Frederick and Barbara Beck had emigrated from the Grand Duchy of Baden (Germany) to upstate New York, and then had moved to the Pennsylvania Dutch community of Doon (Kitchener) in Upper Canada, where they settled on a farm and built a sawmill. Their son Jacob, who had stayed behind to work first as a doctor’s apprentice and later in the mills and locomotive works of Schenectady, joined them in 1837. A few miles from his parents, in Preston (Cambridge), he opened a foundry. When fire destroyed it, his friends rallied and he was able to rebuild bigger than before. His first wife, Caroline Logus, whom he married in January 1843, died soon after the birth of a son, Charles. In 1843 Beck had recruited a skilled iron moulder from Buffalo, John Clare (Klarr), to join him; Clare would cement the alliance by marrying his sister in September 1845. With Clare and another partner (Valentine Wahn) running the business, Beck returned to tour his homeland, where he met Charlotte Hespeler, the sister of his Preston neighbour, merchant-manufacturer Jacob Hespeler. When Charlotte came out to Canada, she and Beck were wed, in October 1845; a daughter, Louisa, was born in 1847, followed by two sons, George and William. In a move typical of his venturing spirit, Jacob suggested relocating his company closer to the projected line of the Grand Trunk Railway, but Clare refused. So in 1854 Beck dissolved the partnership and bought 190 acres on the route of the railway ten miles west of Berlin (Kitchener). There he laid out a town-site, which he named Baden, and built a foundry, a grist mill, and a large brick house. Beck’s businesses flourished on the strength of iron orders from the railway, and a brickyard and machine shop were eventually added. It was in this thriving hamlet that Adam Beck was born in 1857.
Adam passed a bucolic childhood exploring the edges of the millpond with his brothers, poking about the sooty recesses of the foundry with the workmen, and horseback-riding with his sister. He was sent off to attend William Tassie*’s boarding school in Galt (Cambridge), where he showed no particular distinction; a slow and indifferent student, he preferred riding to reading. His formal education ended at Rockwood Academy, near Guelph. On his return to Baden, his father, who abhorred idleness, set him to work as a groundhog (a moulder’s apprentice) in the foundry. It was said by those who knew Adam that he inherited his enterprising spirit, his determination and visionary ability, and some of his sternness from his father, and a love of public service from his mother. Adam’s career as a moulder came to an end with the failure of his father’s businesses in 1879. At age 63 Jacob Beck, unbowed, started afresh once again, this time as a grain merchant in Detroit. Louisa and the youngest members of the family, Jacob Fritz and Adam, accompanied their parents; one of the older boys, William, stayed in Baden to run the cigar-box manufactory he had started in 1878. Adam returned to work briefly in Toronto as a clerk in a foundry and then as an employee in a cigar factory. With $500 in borrowed money, he joined William and their cousin William Hespeler in a cigar-box factory in Galt in 1881. Hespeler eventually left the partnership, but the two Becks persisted and built a modestly successful business. In 1884, with the inducement of a five-year tax exemption and free water, they moved their works to London, Ont., to be closer to the centre of the province’s cigar-making industry. William left soon afterwards to open a branch in Montreal and for a time Adam worked in partnership with his brother George; from 1 Jan. 1888 Adam was the sole proprietor of William Beck and Company, which later became the Beck Manufacturing Company Limited.
Cigar boxes would appear to be a fragile basis on which to build a fortune or a political career. The smoking of cigars, however, was a major rite of male sociability during the Victorian era. Earlier in the century cigars consumed in Canada had originated in Germany and later they came from the United States. The imposition of the National Policy tariff of 25 per cent on rolled cigars but not on tobacco leaf led to the migration of the industry to Canada. London was one of the first major centres where the leaf grown in Ohio, Pennsylvania, and Wisconsin entered the dominion, and it was there and in Montreal [see Samuel Davis*] that the domestic cigar-making business took root. In London the industry would reach its peak around 1912, when 22 companies, employing 1,980 workers, produced more than 20 million cigars. Situated on Albert Street, the Beck factory was essentially a veneer plant. Cedar logs and specialty woods from Spain and Mexico arrived by rail, were stored in the yard for seasoning, and then were peeled into strips to make not only cigar boxes but also cheese boxes and veneer for furniture and pianos. Toiling side by side with his workers (25 in 1889, rising to 125 in 1919), Beck built a thriving business, taking orders, setting up equipment, manhandling logs, and wheeling the finished boxes to customers. (He himself was a non-smoker, an enduring fatherly influence.) Eventually the company supplied all of the main cigar makers with the boxes, labels, and bands in which their products were shipped. Until he was 40, business was Adam Beck’s main preoccupation.
In the years after 1897 he emerged much more prominently in public life. He got out more, married, offered himself for public office, and turned the management of his firm over to his brother Jacob. An avid sportsman, he had played baseball as a boy; in London he played tennis and lacrosse and, with a group of bachelors, organized a toboggan club. On the advice of his doctor he took up riding again for relaxation. But nothing with Adam Beck could ever be just a recreation – he quickly became a breeder of racehorses and a competitive jumper. His social life revolved around the London Hunt Club where, in 1897, he became master of the hounds, a post he would hold until 1922. A mutual love of horses and riding brought the muscular Beck and the slim, strikingly beautiful Lillian Ottaway together at a jumping meet; she was 23 years his junior. After a whirlwind courtship they were married in 1898 at Christ’s Church Anglican Cathedral in Hamilton. Lillian, who had been raised in Britain, spoke with a slight English accent, had a lovely soprano voice, rode with gusto, and carried herself regally. Her mother, Marion Elizabeth Stinson*, from a wealthy Hamilton family, had married an English barrister, who died before Lillian was born. At 18 Lillian returned to Canada when her mother married a prominent Hamilton lawyer. After a honeymoon tour of Europe, Beck triumphantly brought his bride to London, Ont., where they promptly acquired the most ostentatious house in the city, Elliston, the estate of Ellis Walton Hyman*, and proceeded to make it even grander, with his and hers stables, under a new name, Headley. From being a sporting, business-possessed bachelor, Beck, with his young wife on his arm, moved effortlessly into the very centre of London society. She sang in the cathedral choir, their house and grounds were the envy of the city, and they made a romantic and devoted couple at dinners and hunt club affairs. Winston Churchill stayed with them on his lecture tour of 1900-1, as did Governor General Lord Minto [Elliot*] and Lady Minto in 1903.
As Adam Beck came out into society, he developed an interest in public life. In provincial politics London had long been a Conservative fief – William Ralph Meredith held the seat from 1872 to 1894. The Liberals captured it in a by-election when Meredith was appointed to the bench. At the next general election, in March 1898, Beck entered the lists for the Conservatives, ultimately falling 301 votes short of beating the Liberal Francis Baxter Leys. Although he perhaps should not have expected a better result, having no previous political experience or strong organization, he left the field feeling slightly wounded. Nevertheless, his political energies were channelled into the Victoria Hospital Trust, to which he was appointed by the city in 1901. Here he scandalized supporters with his aggressive approach towards patients’ rights, his attacks on hospital inefficiency, and his hands-on way of managing repairs economically. It is said that Beck, realizing that he was not likely to be reappointed, ran for mayor to outflank his opposition. In any case, he offered himself and was elected in January 1902. Making few promises, preferring instead to be judged by his works, he plunged into the first of what would be three one-year terms. His administration was marked by a vigorous, reforming tone that discomfited the aldermanic coterie. He promoted civic beautification by offering a prize from his own purse for a garden competition. He persuaded the city to take over the operation of the London and Port Stanley Railway when the private operator’s lease expired. He cleaned out the fire department, promoted public health, and became involved in the leadership of the Union of Canadian Municipalities, whose annual convention he brought to London in 1904. Beck thus learned the political craft at the top of local politics, as a mayor without a long apprenticeship. He entered public life as an oppositionist, a critic who used his personal popularity to drive his reluctant colleagues forward and to cleanse the municipal stables. Despite his class position as a manufacturer, in politics he developed the style of a populist champion of the ordinary citizen against the establishment. Although one might have glimpsed intimations of his future in these London years, it would have required an extremely vivid imagination to see in this maverick local politician the system-building Napoleon of provincial politics that history would know as Sir Adam Beck.
In the election of May 1902 the leader of the Conservative party, James Pliny Whitney*, encouraged Beck to run again, with the offer of a cabinet post. Although the party as a whole was unsuccessful, the popular Beck beat Francis Leys by 131 votes and thus, for the next two and a half years, he would serve as both mayor and mpp of London. It was in his capacity as mayor of a southwestern Ontario industrial city that he came in contact with a group of activists from his home district of Waterloo County who had become agitated by the hydroelectric power question. Led by the manufacturer Elias Weber Bingeman Snider and the enthusiast Daniel Bechtel Detweiler, the anxious businessmen and municipal politicians of the industrial centres of the Grand River valley had begun to organize themselves to obtain Niagara power that they believed would otherwise go to Toronto and Buffalo. They had met in 1902 to study the situation, and then formed common cause with the politicians of Toronto concerned about private monopoly. At first they hoped the provincial government could be persuaded to undertake the distribution of cheap power to the municipalities. Talks with the Liberal premier, George William Ross*, who refused to take on the inevitable debt, convinced them that if they wanted control over electrical distribution they would have to do the job themselves. Beck went as an observer to the first meeting of this group, the Berlin Convention of February 1903, a gathering of 67 delegates representing all of the main towns and cities in southwestern Ontario; he came away an active convert to municipal intervention. In response to this public pressure, in June the Ross government passed legislation (drafted by Snider) authorizing a commission of investigation to explore the possibilities of cooperative municipal action and a statutory framework within which the municipalities could create a permanent commission to operate a distribution system. Snider was the obvious choice as chair of this Ontario Power Commission, which more frequently went by his name. Beck along with Philip William Ellis, a Toronto jewellery manufacturer and wholesaler, and William Foster Cockshutt, a Brantford farm-implements manufacturer, were chosen by the municipal delegates to serve with Snider as commissioners. Thus, in the fall of 1903, Beck began a crash course on the power question. It was a subject ideally suited to his developing temperament, and he could readily identify with the professed goals: economic electrical light and power, equity between the different manufacturing regions, and the welfare of the common people. The vision of sensible, non-partisan, and public-spirited businessmen and municipal leaders (such as himself) appealed to Beck. He could also subscribe to the implicit attack on monopoly, social privilege, and finance capitalism. This was a moral universe in which he felt right at home.
As the Snider commission began working out the details of a municipally owned hydroelectric distribution system in 1904, Beck sensed the weakness of the voluntary, cooperative structure. It lacked the authority to order the power companies to surrender sensitive information vital to the enterprise, and the municipalities could not agree on much for long. Financing a collective municipal enterprise without provincial backing would be fraught with difficulties. The more he studied the question the more he became convinced that the province would have to play a major role, not just facilitate municipal activity. This growing conviction coincided with a major shift in the political landscape. The Liberal party was losing its hold over the electorate. Rooted in rural Ontario, it had trouble coming to grips with issues important to the rapidly growing urban constituencies. The Conservatives had crept to within three seats of upsetting the Liberals in 1902. In January 1905 Whitney’s Conservatives swept to a landslide victory, capturing 69 of the 98 seats. In London, the increasingly popular Adam Beck won with a plurality of 566 votes.
The hydroelectric question had not figured prominently in the campaign. The change in government, however, catapulted Beck into a position of some influence provincially. On 8 February he was made a minister without portfolio in the new administration. After the election, Whitney grandly promised that the water-power of Niagara “should be as free as air” and be developed for the public good. “It is the duty of the Government,” Beck insisted in his populist fashion, “to see that development is not hindered by permitting a handful of people to enrich themselves out of these treasures at the expense of the general public.” To that end Whitney cancelled an eleventh-hour water-power concession granted by the Ross government and on 5 July he appointed Beck to head a hydroelectric commission of inquiry. It was empowered to take an inventory of available water-power sites, gather information on existing companies in terms of their capital costs, their operating expenses, and the prices they charged, and recommend an appropriate provincial policy with respect to the generation and distribution of hydroelectricity. Beck continued to be a member of the Snider commission but clearly he had moved on to a broader conception of the power question; he now wielded a much more powerful regulatory and investigative instrument and could act with the authority of the province. Henceforth he would be the undisputed leader of the hydro movement.
The Snider commission, which reported first, in March 1906, recommended the construction of a cooperatively owned hydroelectric system linking the major municipal utilities to generating facilities at Niagara under the control of a permanent power commission financed and managed by the subscribing municipalities. In the weeks that followed, the Beck commission, in the first of its five regional reports, and more particularly the activities of Beck himself, superseded the Snider notion of a municipal cooperative. Beck’s initial report, on Niagara and southwest Ontario, prepared the way instead for provincial action by pointing out the excessive rates charged by private power companies, and the inherent difficulties of government regulation. He gave an important speech in Guelph urging direct provincial intervention. He inspired a mass meeting of municipal representatives at Toronto city hall and, on 11 April, a demonstration on the lawn of the legislature demanding that the province empower a commission to generate, transmit, and sell power to the municipalities at the lowest possible cost, and regulate the prices charged by the private providers. Beck also orchestrated a deluge of petitions from the municipal councils. All of this effort was intended to soften up his colleagues in cabinet, most of whom harboured deep suspicions about public ownership in general and Beck’s movement in particular. The strategy worked. The Whitney government hesitantly introduced legislation on 7 May (Act to provide for the transmission of electrical power to municipalities) which, in effect, created a three-member provincial crown corporation (though it was not called that), the Hydro-Electric Power Commission. Operating outside the usual civil service constraints and with extensive powers of expropriation, this body would have full powers to purchase, lease, or build transmission facilities financed by provincial bonds. Local utilities could buy power from the commission only after municipal voters had approved the contract and the enabling financial by-law. Astonishingly, Beck’s extraparliamentary organization cowed even the opposition: the bill passed unanimously in less than a week.
In organizational terms Beck had pushed on beyond an unwieldy municipal cooperative to a provincial crown agency. In doing so he had alienated some of his friends, especially in the way he had shoved Snider aside and unilaterally appropriated studies done by the Snider commission for his own investigation. Nonetheless he had created a broad coalition of municipal activists behind his determination to build a publicly owned, provincial system. But there were many possible forms, involving different degrees of state intervention, that the organization might take. The government remained ambivalent, guarded, and internally divided. What eventually emerged as Ontario Hydro, however, was Beck’s creation over the opposition of his cabinet colleagues. On 7 June 1906 Whitney appointed Beck chairman of the new commission, as expected. Needed engineering expertise would come from Cecil Brunswick Smith. And to balance Beck’s populism and rein in his enthusiasms, Whitney also persuaded a reluctant John Strathearn Hendrie of Hamilton to serve, Beck’s peer as a horseman, a man of his wife’s class, and a known supporter of the private power companies, among them the Hamilton Electric Light and Cataract Power Company Limited [see John Patterson*].
The private interests, especially the group promoting the only Canadian firm at Niagara, the Electrical Development Company of Ontario Limited from Toronto, having failed in their first attempts to derail Beck, now bent their minds to seeking some reasonable accommodation with the government. There were many in the cabinet, the premier included, who were sympathetic to this point of view. The Electrical Development Company was in a precarious financial position; a collapse would be a costly blot on the province. Whitney insisted that every consideration be given the company in negotiating the contract for power in early 1907 with the winning bidder, the American-based Ontario Power Company, and then with respect to the construction of the transmission line. In each case negotiations failed. The premier did not conceive of his policy as a guerre à outrance against the private interests. He believed in talking tough, but in the end was willing to come to terms. Unlike Beck, Whitney was a practitioner of brokerage politics. Beck, a newly formed ideologue, was not prepared to bargain away what had formed in his mind as a just alternative to private control. It was possible that neither of them knew the truth about themselves, though in time they came to a realization of their honest differences. For his part Beck had to manoeuvre against the wishes of his premier and colleagues in cabinet. From their point of view he could be unpleasant, ruthless, even unprincipled. He would change his mind without notice, withhold information, go back on deals, and alternately retreat in a sulk or play the rude bully.
Beck proved a formidable champion. The Toronto market was a key element in his grand scheme. Without access, which the city wanted, he could not deliver cheap electricity to southwestern towns, but Toronto’s system was controlled by the Electrical Development Company. In the resulting contest over a proposed by-law to fund a municipal network powered by Hydro, Beck’s emotional, simplistic rhetoric was a telling factor. He also profited from the ineptitude and arrogance of his corporate opponents in Electrical Development, Frederic Nicholls, Sir Henry Mill Pellatt*, and William Mackenzie, whose financial reputations had already taken a beating from the royal commission on life insurance in 1906. During the winter of 1907-8 by-laws endorsing the contracts with Ontario Hydro were approved by municipal ratepayers with huge majorities in Toronto and elsewhere. Hydro policy also proved extremely popular in the election of June 1908, in which the government increased both its popular vote and its number of seats. Beck now had a dual mandate from the municipal and provincial electorates. When a desperate Mackenzie amalgamated several enterprises into one utility in 1908 and then belatedly attempted to forestall provincial ownership with a counterproposal to build the system and distribute power under government regulation, the offer came too late. The government had gone so far it could not safely turn back; a publicly owned transmission company would have to be created. Mackenzie and his colleagues had played the game badly and when they lost, after having been given every possible consideration, they turned viciously on Beck and the government. Their quixotic campaign to undermine provincial credit in British financial circles, and then to seek disallowance in Ottawa of key Hydro legislation, served only to bring Whitney and Beck closer together and solidify the political foundations of Ontario Hydro.
Using electricity generated by the Ontario Power Company, the Hydro-Electric Power Commission became an operating entity in a series of theatrical turning-on ceremonies that began in the fall of 1910 and continued into 1911 as successive towns and cities were wired into the grid. Each of these civic festivals became an opportunity for Beck to recount the triumph of public power over private greed. His hostility towards the private power companies, who were now his competitors, and his shameless self-promotion as the champion of “The People’s Power,” deeply troubled his colleagues. Moreover, his independent conduct raised awkward questions about the precise relationship between the management of Hydro and the government. Before the election of December 1911 Whitney floated a trial balloon, suggesting that the time had come to make Hydro a department of government, under the full control of the cabinet. Beck did not openly attack the proposal, but once he was acclaimed in his own seat and the government was re-elected, his municipal allies, acting through the Ontario Municipal Electric Association, formed in early 1912, launched an aggressive campaign on his behalf; it not only supported Beck as chairman of a quasi-independent commission, but also (in February) brought him a handsome $6,000 salary, without requiring his resignation from the legislature.
With this vote of confidence from the people and somewhat more reluctantly from the premier, Beck struggled within a competitive environment to build Hydro through dramatic price cutting and political showmanship. In his campaign to expand consumption Beck became an electrical Messiah: in speeches and publicity he extolled the power of abundant cheap light to brighten the homes of working people; cheap electricity would create more jobs in the factories of the province; hydro would lighten the drudgery of the barn and the household; and electric railways radiating out from the cities into the countryside would create more prosperous, progressive farms even as light and power made brighter, cleaner cities. With his famous travelling exhibits of the latest electrical appliances (popularly called circuses), rural tests, and local Hydro stores (where household appliances were on display), and in parade floats, newspaper and magazine advertisements, and a host of speeches, Beck presented public hydro as an elixir, but he was no snake-oil salesman. He understood the economics of the electric industry better than his competitors or his critics. Along with utilities magnate Samuel Insull of Chicago, Beck realized that the more electricity he could sell, the cheaper it would cost to acquire. It was a difficult lesson to teach. He even had to browbeat some of the more fiscally conservative municipal utilities, most notably the Toronto Hydro-Electric Power Commission, to pass the lower rates on to consumers. In the process he continued to expand his publicly owned system at the expense of his private competitors.
In Toronto and across the province, Beck acquired a more ardent following than the government itself. At home he and his family continued to rise in public esteem. London’s municipal electric utility, which received its first hydro from Niagara in 1910, became a model for progressive business promotion and Beck loyalism. Personally Beck maintained an active interest in civic politics. When the water commissioners proposed a treatment facility to take more water from the tainted Thames River, he boldly promised to find enough clean fresh water in artesian wells. The city took him up on this offer, voting $10,000 for the purpose. In 1910 Beck drilled the wells, installed electrical pumps, and brought the project in on time and on budget, or rather, he absorbed the excess costs himself. In two grand gestures Beck brought light and water to the growing city in the same year.
However, it was in the field of public health that the Becks made their greatest contribution. Sometime in l907 or 1908 the Becks’ young daughter, Marion Auria, contracted tuberculosis. Her worried parents sought out the best specialists in America and in Europe. Mercifully her case responded to treatment. But the Becks became concerned for those families in their community who lacked the means to provide their children with medical care. Everyone, they believed, ought to have close access to first-class tuberculosis facilities. Accordingly, in 1909 Adam and Lillian Beck organized the London Health Association to provide a sanatorium. From local individuals and organizations they raised $10,000 (led by their own donation of $1,200), the city contributed $5,000, and the province added $4,000. On 5 April 1910 Governor General Lord Grey* opened the Queen Alexandra Sanatorium in the village of Byron, west of the city. For the rest of their lives the Becks remained deeply attached to this sanatorium and made its maintenance and expansion their passion. As president from its inception to his death in 1925 and a sometimes overbearing physical presence on the weekends, Adam Beck personally oversaw all major and even many minor renovations.
A society beauty, Lillian Beck also continued to be a fiercely competitive horsewoman. The Beck stables produced a string of outstanding hunter-class horses that won Adam and Lillian international recognition. In 1907 they competed in the Olympia Horse Show in London, England, where Lillian’s horse My Fellow won its class. To remain competitive, the Becks leased an estate in England in 1913 to maintain their equestrian operation at the highest international standards. From that time onward Lillian and Marion lived about half the year in England; Adam paid extended visits when his schedule permitted. In 1914 their prize-winning horses Melrose, Sir Edward, and Sir James were counted among the finest middleweight and heavyweight hunters in the world. The Becks also competed regularly at the National Horse Show in New York City where, in 1915, Lillian was named a judge over chauvinist protests, famously breaking down the barriers of this once exclusively male domain.
Adam Beck’s contribution to London had been publicly recognized in an unprecedented dinner given in his honour on 25 Nov. 1913. At this glittering affair, attended by 500 in the Masonic Temple, Anglican bishop David Williams* proclaimed him “incorrupt and incorruptible”; Roman Catholic bishop Michael Francis Fallon* eulogized his vision, character, and charitable works; and the mayor and city council gave him a silver candelabra and tray. While the ladies looked on from the galleries, the head-table guests were served their dinners from a small electric railway. According to the London Free Press, this banquet was “the most remarkable and spontaneous demonstration of affection and regard ever tendered a public man in London.” Visibly moved, Beck spoke briefly of his satisfaction at lightening the load of the poor, the housewife, the farmer, the merchant, and afflicted children, and pledged to carry on the fight to create a renewed citizenship based upon “service, progress and righteousness.” These local honours were crowned the following year when he received a knighthood in the king’s June honours list. He was now Sir Adam, the Power Knight, and Lillian formally became what she had long been in style, Lady Beck. Charging at fences on horseback, or driving the rapidly growing Hydro system forward, Sir Adam Beck was at the height of his power in 1914.
Re-elected by a large majority in the general election of 29 June 1914, Beck directed a major structural transformation of Hydro during his next term with fewer constraints than in the past. Whitney, who died in September, was replaced by a less adept premier, William Howard Hearst*. Beck’s nemesis, John Hendrie, resigned from the Hydro-Electric Power Commission to become lieutenant governor. Beck thus had a much freer rein, though Hearst did not include him in his cabinet. Hydro’s head set about expanding his organization with a powerful lobby, the Ontario Municipal Electric Association, zealously behind him. Beck and the regional municipalities fixed upon electric radial railways as a major force for modernization and rural reconstruction. In 1913 the Hydro Electric Railway Act and amendments to the Ontario Railway Act had prepared the way legislatively. A web of light lines that connected farms, towns, and cities and delivered transportation at cost under a public authority had enormous appeal and Beck became its most ardent hot gospeller. He managed to have the abject London and Port Stanley Railway electrified as a glowing prototype. Coincidentally the baseload of the proposed railways would greatly increase electric consumption and drive Hydro to a new stage of development as a fully integrated regional monopoly that provided hydroelectric generation, transmission, and distribution services as well as high-speed transportation. This grandiose vision of electrical modernization had commensurate costs, which Beck somewhat disingenuously managed to minimize.
In 1914 Hydro and the municipalities received legislative permission, subject to ratepayer approval, to enter into the inter-city electric railway business. By stages Hydro acquired the legal authority to generate power as well as distribute it through the purchase of a utility (Big Chute) on the Severn River and the construction of regional power stations in 1914-15 at Wasdell Falls, also on the Severn, and Eugenia Falls, near Flesherton. These were sideshows, however; the centrepiece of the proposed integrated system remained Niagara. In 1914 Hydro quietly began planning for a massive hydroelectric station there, but there was precious little water left at Niagara to turn the turbines. A treaty negotiated with the United States in 1908 limited the amount that might be diverted for power purposes; the three existing private companies at Niagara had already acquired, between them, the rights to most of the Canadian quota. Beck had made the development of the hydroelectric system into the central issue on the Ontario political agenda when conflict broke out in Europe in August 1914.
The Becks threw themselves wholeheartedly into the war effort. In 1912 the military authorities had cleverly put Adam’s organizing talents and his knowledge of horses together by naming him to a remount committee. At the outset of the war he took charge of acquiring horses for the Canadian army in the territory from Halifax to the Lakehead. In June 1915 he assumed this responsibility for the British army as well, an appointment that brought him an honorary colonelcy. Inevitably, allegations arose that his agency either paid too much for horses or acquired unsuitable remounts, but the claims were not substantiated upon investigation. Together Adam and Lillian Beck also made personal contributions to the war effort, donating all of their champion horses to the cause. General Edwin Alfred Hervey Alderson, for example, rode Sir James, Adam’s most famous horse. Lady Beck, in England for most of the war, working with the Canadian Red Cross Society, devoted herself particularly to ensuring that wounded veterans were welcomed into British country homes for their convalescence. The Queen Alexandra Sanatorium in Ontario was expanded in 1917-18 to accommodate the rehabilitation of wounded returnees. The arrangement worked well, but in the later stages of the war battle-hardened veterans began to complain about the hospital’s stern regimen, much of which was attributed to Sir Adam’s “Germanic” direction. In 1916, for his local and patriotic help, Beck had received an lld from the Western University of London, which he served as a director and later as chancellor.
At first the war had relatively little impact on Beck’s plans for Hydro. The municipal elections of January 1917, for example, revolved around the approval of by-laws for Hydro radials and vague authorization for the future generation of power at Niagara. Then the rapidly increasing power demands of wartime industrialization provided the overriding urgency, later in 1917, to overcome opposition to the purchase of one of the power companies at Niagara (Ontario Power) and forge ahead with the construction of a large diversion canal and a world-scale plant at Queenston, which would make much more efficient use of the available water. Shamelessly using the moral purpose of the war, Beck hemmed in his private competitors even more, setting the stage for their eventual acquisition, though the negotiations would be unduly drawn out, litigious, and embittered. However, war, inflation, railway nationalization, and the demands of automotive technology for better roads combined to damp enthusiasm for the radial railway project. Moreover, the problem for the Hydro-Electric Commission now was not finding ways of selling surplus power, but rather keeping up with galloping industrial, commercial, municipal, and domestic demand. When the war ended, Hydro’s transformation into an integrated utility producing as well as transmitting its own power was much closer to realization. Its corresponding administrative growth had been grandly marked by the ornate office building begun on University Avenue in Toronto in 1914 and occupied in 1916. Sir Adam had a good war, but he emerged from it a wounded politician.
From the very beginning there had been critics of the Hydro project and Beck’s management of it. Canadian private producers and British investors placed obstacles in the way during the early stages. As Hydro advanced, it attracted new critics: private power advocates from the United States, who viewed the progress of public ownership in Ontario with alarm. In 1912 a New York State committee of investigation, the Ferris committee, issued a sharply critical report. A year later a prominent American hydroelectric expert, Reginald Pelham Bolton, denounced the unorthodox financing of Hydro in An expensive experiment . . . (New York). Between 15 July and 23 Dec. 1916 James Mavor, a professor of political economy at the University of Toronto, published a devastating critique of Hydro’s lack of accountability, dictatorial methods, and tendency to subvert democracy in a series of articles in the Financial Post (Toronto), later reprinted as Niagara in politics . . . (New York, 1925).
In the final analysis Beck was his own worst enemy. His authoritarian management style invited criticism. In 1916 the provincial auditor, James Clancy, threw up his hands at Hydro’s accounting practices. Beck embarrassed his premier and government with surprises. He was not one to compromise, even with his friends. A scrapper and sometimes a bully, he intimidated his staff and his municipal allies, and regarded the government and the legislature with disdain. He was more popular and more powerful than the premier, and he acted as if he knew it. Hydro, in his mind, was bigger than any government and he was the personal embodiment of Hydro. Cautious people who wanted to know in advance how much projects would cost were battered into submission and put on his list of enemies; when the bills added up to two or three times the initial estimates, there were always convoluted exculpatory explanations. Dismissing his censors, Beck stormed ahead, fuming with rage at the conspiracies mounted against him and bristling with indignation at the slightest criticism. Even Beck’s defenders tired of his haughty, domineering ways. A frustrated Hearst, when accused by Beck of hindering Hydro’s development in the spring of 1919, rebuked Sir Adam for never taking him into his confidence, for his presumptuous attitude towards parliament, and for saddling others with responsibility for Hydro’s mounting debt. Beck responded by withdrawing his support from the government and by announcing his intention to run independently in the upcoming election.
The election of October 1919 came as a devastating blow to Beck and, potentially, to his project. As an independent in London, he was defeated by his sole opponent, Dr Hugh Allan Stevenson, the Labour candidate, who benefited from disaffected Tory votes, some nastiness about Beck’s ethnic background, and a vocal uprising amongst the returned soldiers in the Queen Alexandra Sanatorium. The timing could not have been worse. Beck’s massive Queenston hydroelectric station lay only half completed and the radial railway scheme had stalled; however, Beck’s enormous popularity, which transcended party lines, saved him. The victorious but leaderless United Farmers of Ontario initially sounded him out as a possible premier, but both sides quickly thought better of it. Although Labour strongly supported Hydro, the UFO were much more reserved, especially about Beck’s radial-railway enthusiasms; they preferred improved roads. As chairman of the Hydro-Electric Power Commission, Beck had also been an mpp and, for much of the time, a minister without portfolio. The election broke that political connection with the government in power. The eventual premier, Ernest Charles Drury*, had little choice but to keep Beck on as chairman, but he appointed a tough ex-soldier, Lieutenant-Colonel Dougall Carmichael, to the commission to keep him in line.
Over the next four years the new government and the tempestuous Power Knight remained locked in combat. For much of the time William Rothwell Plewman, a reporter for the Toronto Daily Star, acted as unofficial mediator between Hydro and the premier, who was determined that Hydro do the government’s bidding and not the other way around. On 6 July 1920 the government announced a royal commission to reconsider Beck’s radial program in light of the rising costs, disappointing experience in other jurisdictions, and technological change. Beck immediately orchestrated a campaign of resistance. In emergency meetings on the 8th at Toronto city hall and the Hydro building, for instance, the Hydro-Electric Radial Association registered its “strong disapproval” of the commission. Provincial treasurer Peter Smith responded for the government that it would not be stampeded. In July 1921 the commission, chaired by Robert Franklin Sutherland, produced a report that was highly critical of radials and recommended construction of only a much reduced system. Meanwhile, Beck had wasted valuable political capital in an acrimonious takeover of Sir William Mackenzie’s Toronto Power Company Limited and its related electric and radial companies and in fighting the City of Toronto over an eight-track entry corridor for a mammoth radial system. Characteristically, he condemned the Sutherland report in an intemperate pamphlet and urged the municipalities not to let up in their campaign. The adverse report, a hostile provincial government, and defeats for radial by-laws (particularly in Toronto) in the municipal elections of January 1922 effectively put an end to Beck’s radial dream.
Drury, concerned at the spiralling costs of the Queenston hydroelectric plant, wanted an inquiry into this project as well. At first Beck agreed. However, when his hand-picked expert, Hugh L. Cooper, questioned the design, recalculated the costs upward, and insisted upon changes in the power canal to enhance capacity, Beck rejected his advice and appointed another consulting engineer. The turbines had begun to turn on the first phase of this huge project on 29 Dec. 1921, but there seemed to be no relation between the estimates Beck presented and the mounting bills; in one year the difference amounted to $20 million. Unable to explain the situation, Colonel Carmichael offered his resignation, which the premier refused. The cost of the undertaking, now much larger, had ballooned from the initial $20 million to $84 million and counting. Drury, who had to guarantee the bonds for the over-budget project and take political responsibility for it, insisted upon a commission of inquiry with a sweeping mandate to examine the overall operations of Hydro, not just Queenston. This commission, appointed in April 1922 and chaired by Liberal lawyer Walter Dymond Gregory, became in effect an adversarial audit of Beck’s management that involved scores of witnesses, produced thousands of pages of testimony, and ran into the middle of 1923.
These political setbacks were, in some respects, the least of his problems. On 17 Oct. 1921 his beloved wife had died from complications following surgery for pancreatitis. Sir Adam and Lady Beck had been a deeply devoted couple despite their often long absences from one another. Living in the Alexandra apartments next to the Hydro building, they had only just begun to settle into life together in Toronto society. Moreover, she had been the one mellowing influence in his life. He was devastated by the loss. A widower, he was now also the single parent of a fiercely independent teenager. With the check upon his temper in a Hamilton grave, he became more difficult and erratic in the face of his daughter’s defiance and the ascendancy of those he considered to be his political enemies. These were the years of Beck’s towering, black rages.
Beck had run Hydro as a private corporation. Honest and incorruptible personally, he nevertheless paid scant attention to the niceties of accounting. He would routinely spend funds authorized for one purpose on any project he deemed in the interests of Hydro, including local by-law campaigns. For Beck the ends justified the means. Meanwhile, his vision of a provincial, publicly owned hydroelectric monopoly that served the municipal utilities and provided power at the lowest possible cost had been largely realized. In 1923 Hydro served 393 municipalities and distributed 685,000 horsepower using facilities in which over $170 million had been invested. Beck was a magnificent builder. There could be no denying his accomplishments, though, as the hearings of the Gregory commission showed, his management style, planning, political methods, and accountability to the legislature could be questioned.
The vexations suffered at the hands of the UFO government eventually drew Beck back to the bosom of the Conservative party in self-defence. In the election of June 1923 he stood as a Conservative in his old London riding. The irony of a civil servant running as a candidate in opposition to the government was not lost on Drury or the Farmers’ Sun (Toronto), but Beck managed to get away with it. This time he won with a plurality of more than 7,000 votes – a wonderful personal vindication. George Howard Ferguson*’s Conservatives swept the province, and Beck returned to cabinet in July as a minister without portfolio. Ferguson brought the Gregory inquiry to an abrupt conclusion and made much of the fact that Sir Adam’s general stewardship of Hydro had been supported in the commission’s voluminous evidence and summary reports. Beck’s probity could be stressed while quietly the government used the critical aspects of Gregory’s reports to bring Hydro more fully within the framework of financial and political accountability.
Then, just when it seemed these clouds had passed over, Beck’s personal integrity came under attack from an unexpected source. Hydro secretary E. Clarence Settell absconded with $30,000 in Hydro funds and left a blackmailing letter itemizing Sir Adam’s alleged misdeeds. When he was apprehended in October 1924 heading for the border with his mistress, he added further charges to the indictment. Wounded by Settell’s treachery, and by now a very sick man, Beck had to endure yet another inquiry as judge Colin George Snider conducted an investigation of more than 40 specific allegations having to do with the private use of automobiles, misappropriation of public money, unauthorized expenditures, conflicts of interest in tendering, and irregularities in expense records. Issued in December, Snider’s report condemned Isaac Benson Lucas’s management of Hydro’s legal department and Frederick Arthur Gaby’s conflict of interest in a dredging contract within the engineering department, but it found no evidence of serious wrongdoing by Beck. Save for a few petty mistakes in his expense accounts, the commission exonerated him. Settell went to jail for three years. Although another attempt “to get” Sir Adam, in the words of the Toronto Globe, had failed, the critics continued the battle of the books against Hydro. Beck thundered back with vigorous refutations in pamphlets that put his fighting spirit on full display. Returning to London one night by train, he gestured in some excitement to his travelling companion and long-time ally Edward Victor Buchanan, head of London’s utilities: “Look out there! The lights in the farms. That’s what I’ve been fighting for.”
The political struggle and quarrels with his daughter over her determination to marry Strathearn Hay, whom he deemed unsuitable in part because he was related to the Hendrie family, exhausted Beck, whose health and mental outlook deteriorated. It took Howard Ferguson’s intervention to persuade him to attend Marion’s wedding in January 1925. Ordered to rest by his doctors, who had diagnosed his illness as pernicious anaemia, Beck went to South Carolina for a holiday in February, and then he underwent transfusion treatment at Johns Hopkins Hospital in Baltimore. There he brooded about his beloved Hydro, strategies for the hydroelectric development of the St Lawrence River, and the continuing machinations of the private power interests, and he grumbled that the premier and his colleagues in government were neglecting him. He was a broken man by his own admission.
In May, Beck quietly slipped back to his home in London, where he attempted to conduct Hydro business by telephone from his bedroom. He weakened rapidly over the summer and died on 15 Aug. 1925 in his 69th year. Beck’s passing shocked the province; the seriousness of his condition had not been widely understood. The death announcement occasioned a spontaneous outpouring of grief, with eulogies pouring in from every quarter. His obituaries filled pages in the newspapers. “Canada has not produced a greater man than the late Sir Adam Beck,” declared Saturday Night (Toronto) as it enshrined him in the national pantheon along with Sir John A. Macdonald*, Lord Mount Stephen [Stephen], and Sir William Cornelius Van Horne*. Ontario city halls were draped in black, the Hydro shops and offices closed in tribute, and in London business ceased for an hour. Thousands lined the streets for his funeral cortège. The ceremony at St Paul’s Anglican Cathedral, attended by all the major political figures of the province, was also broadcast over the radio. As his funeral train mournfully passed from London across Beck’s political heartland to Hamilton, where he was to be interred in Greenwood Cemetery under a granite cross beside his wife, farmers and their families paused from their toil and men swept their hats from their heads. The entire Toronto City Council attended his burial. It is a small irony that Beck lies in what he would have considered enemy ground, Hamilton, the last bastion of private power. But for once his wish to be beside his wife overcame his prejudices.
Sir Adam Beck’s death marked the end of an unusual period in Ontario politics, one in which the chairman of Hydro had exercised greater power and influence than the premier and commanded a broad-based, populist political following much stronger than any political party. In building Hydro, Beck almost succeeded in creating an institution that was a law unto itself and for a long time it would continue to demonstrate some of the characteristics of independence. He died a wealthy man with an estate valued at more than $627,000, although his manufacturing business had been in decline for some years. His salary from his chairmanship of Hydro over 20 years totalled $197,000. Some of his wealth may have come to him from his wife. After making numerous small bequests to relatives and charities, he left a trust fund of approximately half a million dollars to his daughter and her heirs.
Beck’s memory was kept alive by the Ontario Municipal Electric Association, Hydro, and the citizens of London. In 1934 Toronto and the Hydro municipalities raised a splendid monument to him that still commands University Avenue. This brooding statue, by Emanuel Otto Hahn*, and Beck’s grave in Hamilton became sites of regular pilgrimages and wreath-laying ceremonies by the heirs and successors to the OMEA as they struggled to perpetuate the notion of Hydro as a municipal cooperative. Hydro publications regularly stressed the vision and legacy of Beck during the era of growth after World War I; eventually the much enlarged power stations at Queenston were renamed Beck No.1 and Beck No.2 in his honour. In London a new collegiate was named after him and a nearby public school was named after Lady Beck. The Women’s Sanatorium Aid Society of London built a charming chapel, St Luke’s in the Garden, across from the Queen Alexandra Sanatorium in memory of the Becks in 1932. The sanatorium itself became the Beck Memorial Sanatorium in 1948. In print, W. R. Plewman’s vivid 1947 biography captured the greatness of Beck and the tempestuous nature of his personality. Merrill Denison*’s commissioned history of Hydro in 1960 established continuity between the transcendent hero figure at the beginning and the transforming, province-girdling corporation Hydro had become in the postwar era.
As the obituaries noted, Hydro itself was Beck’s greatest monument. He worried on his deathbed that political partisanship would overcome it and that Hydro as an independent entity would not survive. But in his absence it continued to flourish, firmly rooted in the towns and cities, along the back concessions, and amongst the merchants, workers, farmers, and homemakers of the province. Hydroelectricity generated and delivered by a crown corporation to municipally owned utilities at the lowest cost had become an Ontario institution that would outlive changing governments and passing ideologies. That had largely been Sir Adam Beck’s doing.
(My great niece after the humiliating loss the Brazilian futebol suffered yesterday).We must realize that great expectations create major disappointments, which eventually become life lessons. It is what it is. The end. - From the beginning I thought we did not stand a chance because the team was immature and unprepared. The worst part is watching the aftermath of the ONE thing Brazilians love the most (along with music) and are proud of- fall apart in front of millions of viewers. So be it! Congrats to Germany that has the best futebol I have seen in years, the true jogo bonito we once had. www.youtube.com/watch?v=tFkNjwzo950#t=167
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
Take a look here and you’ll see Paul David Landry or better know online as paulasissypants she’s just begging to be exposed and humiliated I mean just look at her.
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
I love women very much, but even if I love to wear women's underwear and girdles, I don't want to simulate femininity and I don't have transsexual ambitions. (I don't own men's underwear since a long time.) I'm just a fat, effeminate loser, so I expose myself wearing bra, garter belt and women's stockings to my public humiliation. I do this, as seen in some pictures, also in the street and in parks.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
"I found it very humiliating and the whole experience quite shocking." Pauline Konopka.
At 6.00pm on Friday 12 June 2015, employees of Clerys department store in Dublin were told that the business was closing. They were given an hour to gather personal belongings and were then escorted to the exit by hired security personnel.
Clerys—dating back 162 years and owned since 2012 by Gordon Brothers Group, an American venture capital company—had been secretly sold in the dead of night. The business was split into retail and property sections prior to the deal going through. The retail section was sold for €1 and duly declared bankrupt, thus denying the employees and others of their rightful dues. The Clerys building was then sold separately.
Gordon Brothers Group walked away with a handsome profit from the property transaction and instantly washed their hands of all responsibility for their former employees. Those employees—some of whom had spent a lifetime in Clerys—lost all of their accumulated redundancy entitlements and were eventually paid minimum statutory redundancy by the Irish government.
The Clerys building was bought by Natrium Ltd. (a consortium consisting of D2 Private, controlled by property developer Deirdre Foley, with John Skelly and Ronan Daly) and Cheyne Capital, London. Both companies have steadfastly refused to meet the former Clerys employees or government representatives.
The former Clerys employees are now campaigning for a change in the law that will protect others who may find themselves in a similar situation.
Justice for Clerys Workers: www.facebook.com/justiceforclerysworkers
This portrait was taken as part of the Certificate in Photography and Digital Imaging evening course at the National College of Art and Design (NCAD) in Dublin.
Lens: Pentax SMC 75mm
Film: Kodak Tri-X 400 pushed to 800.
...his humiliation is complete. We bought him a harness and leash, and are going to try taking him up to starbucks next time its nice out. We're hoping he lays down on the table in the sunlight.
William and I are ready to go trick or treating.....
(Truth: William is not talking to me! hee hee he is completely humiliated and offended)
Coco in her sexy bikini. I think she was kind of embarrassed because she hasn't been working out lately. I mean, geez, look at her muffin top. No shame, Coco, no shame.
I love women very much, but even if I love to wear women's underwear and girdles, I don't want to simulate femininity and I don't have transsexual ambitions. (I don't own men's underwear since a long time.) I'm just a fat, effeminate loser, so I expose myself wearing bra, garter belt and women's stockings to my public humiliation. I do this, as seen in some pictures, also in the street and in parks.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love women very much, but even if I love to wear women's underwear and girdles, I don't want to simulate femininity and I don't have transsexual ambitions. (I don't own men's underwear since a long time.) I'm just a fat, effeminate loser, so I expose myself wearing bra, garter belt and women's stockings to my public humiliation. I do this, as seen in some pictures, also in the street and in parks.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
The Hollywood Walk of Fame is a landmark which consists of more than 2,773 five-pointed terrazzo-and-brass stars embedded in the sidewalks along 15 blocks of Hollywood Boulevard and three blocks of Vine Street in Hollywood, California. The stars are monuments to achievement in the entertainment industry, bearing the names of a mix of actors, directors, producers, musicians, theatrical/musical groups, fictional characters, and others.
The Walk of Fame is administered by the Hollywood Chamber of Commerce, who hold the trademark rights, and maintained by the self-financing Hollywood Historic Trust. It is a popular tourist attraction, receiving an estimated 10 million annual visitors in 2010.
The Walk of Fame runs 1.3 miles (2.1 km) east to west on Hollywood Boulevard, from Gower Street to the Hollywood and La Brea Gateway at La Brea Avenue, plus a short segment on Marshfield Way that runs diagonally between Hollywood Boulevard and La Brea; and 0.4 miles (0.64 km) north to south on Vine Street between Yucca Street and Sunset Boulevard. According to a 2003 report by the market research firm NPO Plog Research, the Walk attracts about 10 million visitors annually—more than the Sunset Strip, the TCL Chinese Theatre (formerly Grauman's), the Queen Mary, and the Los Angeles County Museum of Art combined—and has played an important role in making tourism the largest industry in Los Angeles County.
As of 2023, the Walk of Fame comprises 2,752 stars, which are spaced at 6-foot (1.8 m) intervals. The monuments are coral-pink terrazzo five-point stars rimmed with brass (not bronze, an oft-repeated inaccuracy) inlaid into a charcoal-colored terrazzo background. The name of the honoree is inlaid in brass block letters in the upper portion of each star. Below the inscription, in the lower half of the star field, a round inlaid brass emblem indicates the category of the honoree's contributions. The emblems symbolize six categories within the entertainment industry:
Circular 4-inch brass plaque showing a side view of a classic movie camera. Classic film camera representing motion pictures.
Circular 4-inch brass plaque with a tube-type television with twin aerials. Television receiver representing broadcast television.
Circular 4-inch brass plaque with a top view of phonograph disc and pickup arm. Phonograph record representing audio recording or music.
Circular 4-inch brass plaque with an antique studio-style microphone. Radio microphone representing broadcast radio.
Circular 4-inch brass plaque with the classic theatrical comedy/tragedy masks. Comedy/tragedy masks representing theater/live performance (added in 1984).
[image needed] Athletic trophy representing sports entertainment (added in 2023).
Of all the stars on the Walk to date, 47% have been awarded in the motion pictures category, 24% in television, 17% in audio recording or music, 10% in radio, fewer than 2% in theater/live performance, and fewer than 1% in sports entertainment. According to the Hollywood Chamber of Commerce, approximately 20 new stars are added to the Walk each year.
Locations of individual stars are not necessarily arbitrary. Stars of many particularly well-known celebrities are found in front of the TCL (formerly Grauman's) Chinese Theatre. Oscar-winners' stars are usually placed near the Dolby Theatre,[citation needed] site of the annual Academy Awards presentations. Locations are occasionally chosen for ironic or humorous reasons: Mike Myers's star lies in front of an adult store called the International Love Boutique, an association with his Austin Powers roles; Roger Moore's star and Daniel Craig's star are located at 7007 Hollywood Boulevard in recognition of their titular role in the James Bond 007 film series; Ed O'Neill's star is located outside a shoe store in reference to his character's occupation on the TV show Married ... with Children; and The Dead End Kids' star is located at the corner of LaBrea and Hollywood Boulevard.
Honorees may request a specific location for their star, although final decisions remain with the Chamber. Jay Leno, for example, requested a spot near the corner of Hollywood Blvd. and Highland Ave. because he was twice picked up at that location by police for vagrancy (though never actually charged) shortly after his arrival in Hollywood. George Carlin chose to have his star placed in front of the KDAY radio station near the corner of Sunset Blvd. and Vine St., where he first gained national recognition. Lin-Manuel Miranda chose a site in front of the Pantages Theatre where his musicals, In The Heights and Hamilton, played. Carol Burnett explained her choice in her 1986 memoir: While working as an usherette at the historic Warner Brothers Theatre (now the Hollywood Pacific Theatre) during the 1951 run of Alfred Hitchcock's film Strangers on a Train, she took it upon herself to advise a couple arriving during the final few minutes of a showing to wait for the next showing, to avoid seeing (and spoiling) the ending. The theater manager fired her on the spot for "insubordination" and humiliated her by stripping the epaulets from her uniform in the theater lobby. Twenty-six years later, at her request, Burnett's star was placed at the corner of Hollywood and Wilcox—in front of the theater.
Special category stars recognize various contributions by corporate entities, service organizations, and special honorees, and display emblems unique to those honorees. For example, former Los Angeles mayor Tom Bradley's star displays the Seal of the City of Los Angeles; the Los Angeles Police Department (LAPD) star emblem is a replica of a Hollywood Division badge; and stars representing corporations, such as Victoria's Secret and the Los Angeles Dodgers, display the honoree's corporate logo. The "Friends of the Walk of Fame" monuments are charcoal terrazzo squares rimmed by miniature pink terrazzo stars displaying the five standard category emblems, along with the sponsor's corporate logo, with the sponsor's name and contribution in inlaid brass block lettering. Special stars and Friends monuments are granted by the Hollywood Chamber of Commerce or the Hollywood Historic Trust, but are not part of the Walk of Fame proper and are located nearby on private property.
The monuments for the Apollo 11 mission to the Moon are uniquely shaped: Four identical circular moons, each bearing the names of the three astronauts (Neil A. Armstrong, Edwin E. Aldrin Jr., and Michael Collins), the date of the first Moon landing ("7/20/69"), and the words "Apollo XI", are set on each of the four corners of the intersection of Hollywood and Vine.
The Hollywood Chamber of Commerce credits E.M. Stuart, its volunteer president in 1953, with the original idea for creating a Walk of Fame. Stuart reportedly proposed the Walk as a means to "maintain the glory of a community whose name means glamour and excitement in the four corners of the world". Harry Sugarman, another Chamber member and president of the Hollywood Improvement Association, received credit in an independent account. A committee was formed to flesh out the idea, and an architectural firm was retained to develop specific proposals. By 1955, the basic concept and general design had been agreed upon, and plans were submitted to the Los Angeles City Council.
Multiple accounts exist for the origin of the star concept. According to one, the historic Hollywood Hotel, which stood for more than 50 years on Hollywood Boulevard at the site now occupied by the Ovation Hollywood complex and the Dolby (formerly Kodak) Theatre—displayed stars on its dining room ceiling above the tables favored by its most famous celebrity patrons, and that may have served as an early inspiration. By another account, the stars were "inspired ... by Sugarman's Tropics Restaurant drinks menu, which featured celebrity photos framed in gold stars".
In February 1956, a prototype was unveiled featuring a caricature of an example honoree (John Wayne, by some accounts) inside a blue star on a brown background. However, caricatures proved too expensive and difficult to execute in brass with the technology available at the time; and the brown and blue motif was vetoed by Charles E. Toberman, the legendary real estate developer known as "Mr. Hollywood", because the colors clashed with a new building he was erecting on Hollywood Boulevard.
By March 1956, the final design and coral-and-charcoal color scheme had been approved. Between the spring of 1956 and the fall of 1957, 1,558 honorees were selected by committees representing the four major branches of the entertainment industry at that time: motion pictures, television, audio recording, and radio. The committees met at the Brown Derby restaurant,[32] and they included such prominent names as Cecil B. DeMille, Samuel Goldwyn, Jesse L. Lasky, Walt Disney, Hal Roach, Mack Sennett, and Walter Lantz.
A requirement stipulated by the original audio recording committee (and later rescinded) specified minimum sales of one million records or 250,000 albums for all music category nominees. The committee soon realized that many important recording artists would be excluded from the Walk by that requirement. As a result, the National Academy of Recording Arts and Sciences was formed to create a separate award for the music industry, leading to the first Grammy Awards in 1959.
Construction of the Walk began in 1958, but two lawsuits delayed completion. The first lawsuit was filed by local property owners challenging the legality of the $1.25 million tax assessment (equivalent to $13 million in 2022) levied upon them to pay for the Walk, along with new street lighting and trees. In October 1959, the assessment was ruled legal. The second lawsuit, filed by Charles Chaplin Jr., sought damages for the exclusion of his father, whose nomination had been withdrawn due to pressure from multiple quarters (see Controversial additions). Chaplin's suit was dismissed in 1960, paving the way for completion of the project.
While Joanne Woodward is often singled out as the first person to receive a star on the Walk of Fame—possibly because she was the first to be photographed with it—the original stars were installed as a continuous project, with no individual ceremonies. Woodward's name was one of eight drawn at random from the original 1,558 and inscribed on eight prototype stars that were built while litigation was holding up permanent construction. The eight prototypes were installed temporarily on the northwest corner of Hollywood Boulevard and Highland Avenue in August 1958 to generate publicity and to demonstrate how the Walk would eventually look. The other seven names were Olive Borden, Ronald Colman, Louise Fazenda, Preston Foster, Burt Lancaster, Edward Sedgwick, and Ernest Torrence. Official groundbreaking took place on February 8, 1960. On March 28, 1960, the first permanent star, director Stanley Kramer's, was completed on the easternmost end of the new Walk near the intersection of Hollywood and Gower.
Although the Walk was originally conceived in part to encourage redevelopment of Hollywood Boulevard, the 1960s and 1970s were periods of protracted urban decay in the Hollywood area as residents moved to nearby suburbs. After the initial installation of approximately 1,500 stars in 1960 and 1961, eight years passed without the addition of a new star. In 1962, the Los Angeles City Council passed an ordinance naming the Hollywood Chamber of Commerce "the agent to advise the City" about adding names to the Walk, and the Chamber, over the following six years, devised rules, procedures, and financing methods to do so. In December 1968, Richard D. Zanuck was awarded the first star in eight years in a presentation ceremony hosted by Danny Thomas. In July 1978, the city of Los Angeles designated the Hollywood Walk of Fame a Los Angeles Historic-Cultural Monument.
Radio personality, television producer, and Chamber member Johnny Grant is generally credited with implementing the changes that resuscitated the Walk and established it as a significant tourist attraction. Beginning in 1968, Grant stimulated publicity and encouraged international press coverage by requiring that each recipient personally attend his or her star's unveiling ceremony. Grant later recalled that "it was tough to get people to come accept a star" until the neighborhood finally began its recovery in the 1980s.
In 1980, Grant instituted a fee of $2,500 (equivalent to $8,879 in 2022), payable by the person or entity nominating the recipient, to fund the Walk of Fame's upkeep and minimize further taxpayer burden. The fee has increased incrementally over time. By 2002, it had reached $15,000 (equivalent to $24,405 in 2022), and stood at $30,000 in 2012 (equivalent to $38,240 in 2022). As of 2023, the fee was $75,000, about nine times the original amount adjusted for inflation.
Grant was himself awarded a star in 1980 for his television work. In 2002, he received a second star in the "special" category to acknowledge his pivotal role in improving and popularizing the Walk. He was also named chairman of the Selection Committee and Honorary Mayor of Hollywood (a ceremonial position previously held by Art Linkletter and Monty Hall, among others). He remained in both offices from 1980 until his death in 2008 and hosted the great majority of unveiling ceremonies during that period. His unique special-category star, with its emblem depicting a stylized "Great Seal of the City of Hollywood", is located at the entrance to the Dolby Theatre adjacent to Johnny Grant Way.
In 1984, a fifth category, Live Theatre, was added to acknowledge contributions from the live performance branch of the entertainment industry, and a second row of stars was created on each sidewalk to alternate with the existing stars.
In 1994, the Walk of Fame was extended one block to the west on Hollywood Boulevard, from Sycamore Avenue to North LaBrea Avenue (plus the short segment of Marshfield Way that connects Hollywood and La Brea), where it now ends at the silver "Four Ladies of Hollywood" gazebo and the special "Walk of Fame" star. At the same time, Sophia Loren was honored with the 2,000th star on the Walk.
During construction of tunnels for the Los Angeles subway system in 1996, the Metropolitan Transportation Authority (MTA) removed and stored more than 300 stars. Controversy arose when the MTA proposed a money-saving measure of jackhammering the 3-by-3-foot terrazzo pads, preserving only the brass lettering, surrounds, and medallions, then pouring new terrazzo after the tunnels were completed; but the Cultural Heritage Commission ruled that the star pads were to be removed intact.
In 2023, a sixth category, Sports Entertainment, was added to acknowledge contributions of athletes to the entertainment industry.
In 2008, a long-term restoration project began with an evaluation of all 2,365 stars on the Walk at the time, each receiving a letter grade of A, B, C, D, or F. Honorees whose stars received F grades, indicating the most severe damage, were Joan Collins, Peter Frampton, Dick Van Patten, Paul Douglas, Andrew L. Stone, Willard Waterman, Richard Boleslavsky, Ellen Drew, Frank Crumit, and Bobby Sherwood. Fifty celebrities' stars received "D" grades. The damage ranged from minor cosmetic flaws caused by normal weathering to holes and fissures severe enough to constitute a walking hazard. Plans were made to repair or replace at least 778 stars at an estimated cost of over $4 million.
The restoration is a collaboration among the Hollywood Chamber of Commerce and various Los Angeles city and county governmental offices, along with the MTA, which operates the Metro B Line that runs beneath the Walk, since earth movement due to the presence of the subway line is thought to be partly responsible for the damage.
To encourage supplemental funding for the project by corporate sponsors, the "Friends of Walk of Fame" program was inaugurated, with donors recognized through honorary plaques adjacent to the Walk of Fame in front of the Dolby Theatre. The program has received some criticism; Alana Semuels of the Los Angeles Times described it as "just the latest corporate attempt to buy some good buzz", and quoted a brand strategist who said, "I think Johnny Grant would roll over in his grave".
Los Angeles introduced the "Heart of Hollywood Master Plan", which promotes the idea of closing Hollywood Boulevard to traffic and creating a pedestrian zone from La Brea Avenue to Highland Avenue, citing an increase in pedestrian traffic including tourism, weekly movie premieres and award shows closures, including ten days for the Academy Award ceremony at the Dolby Theatre. In June 2019, the city of Los Angeles commissioned Gensler Architects to provide a master plan for a $4 million renovation to improve and "update the streetscape concept" for the Walk of Fame. Los Angeles city councilmember Mitch O'Farrell released the draft master plan designed by Gensler and Studio-MLA in January 2020. It proposed widening the sidewalks, adding bike lanes, new landscaping, sidewalk dining, removing lanes of car traffic and street parking between the Pantages Theater (Gower Street) at the east and The Emerson Theatre (La Brea Avenue) at the west end of the boulevard. The approved phase one includes removing the parking lanes between Orange Drive and Gower Street, adding street furnishings with benches, tables and chairs with sidewalk widening. Phase two is in the schematic stage. Phase two is planned for 2024 and will include closing down the boulevard to two lanes, adding landscaping with shade trees and five public plazas made up of art deco designed street pavers and kiosks. Planned to be completed by 2026, funding is being raised for the $50 million project.
Each year an average of 200 nominations are submitted to the Hollywood Chamber of Commerce Walk of Fame selection committee. Anyone, including fans, can nominate anyone active in the field of entertainment as long as the nominee or their management approves the nomination. Nominees must have a minimum of five years' experience in the category for which they are nominated and a history of "charitable contributions". Posthumous nominees must have been deceased at least five years. At a meeting each June, the committee selects approximately 20 to 24 celebrities to receive stars on the Walk of Fame. One posthumous award is given each year as well. The nominations of those not selected are rolled over to the following year for reconsideration; those not selected two years in a row are dropped, and must be renominated to receive further consideration. Living recipients must agree to personally attend a presentation ceremony within two years of selection. If the ceremony is not scheduled within two years, a new application must be submitted. A relative of deceased recipients must attend posthumous presentations. Presentation ceremonies are open to the public.
A fee of $75,000 (as of 2023), payable at time of selection, is collected to pay for the creation and installation of the star, as well as general maintenance of the Walk of Fame. The fee is usually paid by the nominating organization, which may be a fan club, film studio, record company, broadcaster, or other sponsor involved with the prospective honoree. The Starz cable network, for example, paid for Dennis Hopper's star as part of the promotion for its series Crash.
Actor Matt Damon's star under construction, showing the brass star-shaped rim, exposed wire grid foundation, brass letters attached to two horizontal brackets, and the Motion Picture emblem, prior to pouring of pink terrazzo
Actor Matt Damon's star under construction, August 2007
Traditionally, the identities of selection committee members, other than its chairman, have not been made public in order to minimize conflicts of interest and to discourage lobbying by celebrities and their representatives (a significant problem during the original selections in the late 1950s). However, in 1999, in response to intensifying charges of secrecy in the selection process, the Chamber disclosed the members' names: Johnny Grant, the longtime chair and representative of the television category; Earl Lestz, president of Paramount Studio Group (motion pictures); Stan Spero, retired manager with broadcast stations KMPC and KABC (radio); Kate Nelson, owner of the Palace Theatre (live performance); and Mary Lou Dudas, vice president of A&M Records (recording industry). Since that 1999 announcement, the chamber has revealed only that Lestz (who received his own star in 2004) became chairman after Grant died in 2008. Their current official position is that "each of the five categories is represented by someone with expertise in that field".
In 2010, Lestz was replaced as chairman by John Pavlik, former Director of Communications for the Academy of Motion Picture Arts and Sciences. While no public announcement was made to that effect, he was identified as chairman in the Chamber's press release announcing the 2011 star recipients. In 2016, the chair, according to the Chamber's 2016 selection announcement, was film producer Maureen Schultz. In 2023, the selection committee chair was radio personality Ellen K.
Moon Landing monument, with square pink terrazzo surround (not the usual charcoal color), with light gray terrazzo Moon disk showing TV emblem at top and the brass lettering "Neil A. Armstrong, Edwin E. Aldrin and Michael Collins, 7/20/69, Apollo XI"
One of the four monuments recognizing the Apollo 11 astronauts at the corners of Hollywood and Vine
Walk of Fame rules prohibit consideration of nominees whose contributions fall outside the six major entertainment categories, but the selection committee has been known to adjust interpretations of its rules to justify a selection. The Walk's four round Moon landing monuments at the corners of Hollywood and Vine, for example, officially recognize the Apollo 11 astronauts for "contributions to the television industry." Johnny Grant acknowledged, in 2005, that classifying the first Moon landing as a television entertainment event was "a bit of a stretch". Magic Johnson was added to the motion picture category based on his ownership of the Magic Johnson Theatre chain, citing as precedent Sid Grauman, builder of Grauman's Chinese Theatre.
Muhammad Ali's star was granted after the committee decided that boxing could be considered a form of "live performance". Its placement on a wall of the Dolby Theatre makes it the only star mounted on a vertical surface, acceding to Ali's request that his name not be walked upon, as he shared his name with the Prophet Muhammad.
All living honorees have been required since 1968 to personally attend their star's unveiling, and approximately 40 have declined the honor due to this condition. The only recipient to date who failed to appear after agreeing to do so was Barbra Streisand, in 1976. Her star was unveiled anyway, near the intersection of Hollywood and Highland. Streisand did attend when her husband, James Brolin, unveiled his star in 1998 two blocks to the east.
Entertainers with multiple stars
The original selection committees chose to recognize some notable entertainers' contributions in multiple categories with multiple stars.
Gene Autry is the only honoree with stars in all five categories.
Bob Hope, Mickey Rooney, Roy Rogers, and Tony Martin each have stars in four categories; Rooney has three of his own and a fourth with his eighth wife, Jan Chamberlin,[87][88] while Rogers also has three of his own, and a fourth with his band, Sons of the Pioneers.
Thirty-three honorees, including Bing Crosby, Frank Sinatra, Jo Stafford, Dean Martin, Dinah Shore, Gale Storm, Danny Kaye, Douglas Fairbanks Jr., and Jack Benny, have stars in three categories.
Over a dozen have two stars:
Dolly Parton, for her solo work and part of the trio made up of her, Emmylou Harris and Linda Ronstadt;[91]
Michael Jackson, as a soloist and as a member of The Jacksons;
Diana Ross, as a member of The Supremes and for her solo work;
Smokey Robinson, as a solo artist and as a member of The Miracles;
John Lennon, Paul McCartney, George Harrison, and Ringo Starr as individuals and as members of The Beatles.
George Eastman is the only honoree with two stars in the same category for the same achievement, the invention of roll film.
Walt Disney, has stars in two different categories for his work in both film and television; in addition, Mickey Mouse (who was originally voiced by Walt Disney) and Disneyland have stars.
Bette Davis has one star each for film and television.
Alfred Hitchcock has stars in two different categories for his work in both film and television.
Jean Hersholt, for film and radio
Hattie McDaniel, for film and radio
Judy Garland, one for motion pictures and another for recording
Arlene Francis, for radio and television
Cass Daley, for radio and television
Kermit the Frog, has an individual star for television and as a member of The Muppets for film.
Cher forfeited her opportunity to join this list by declining to schedule the mandatory personal appearance when she was selected in 1983. She did, however, attend the unveiling of the Sonny & Cher star in 1998, as a tribute to her recently deceased ex-husband, Sonny Bono.
Sixteen stars are identified with a one-word stage name (e.g., Liberace, Pink, Roseanne, and Slash). Clayton Moore is so inextricably linked with his Lone Ranger character, even though he played other roles during his career, that he is one of only two actors to have his character's name alongside his own on his star. The other is Tommy Riggs, whose star references his Betty Lou character. The largest group of individuals represented by a single star is the estimated 122 adults and 12 children collectively known as the Munchkins, from the landmark 1939 film The Wizard of Oz.
Two pairs of stars share identical names representing different people. There are two Harrison Ford stars, honoring the silent film actor (at 6665 Hollywood Boulevard), and the present-day actor (in front of the Dolby Theatre at 6801 Hollywood Boulevard). Two Michael Jackson stars represent the pop singer (at 6927 Hollywood Boulevard), and the radio personality (at 1597 Vine Street).
The Westmores received the first star honoring contributions in theatrical make-up.[citation needed] Other make-up artists on the walk are Max Factor, John Chambers and Rick Baker. Three stars recognize experts in special effects: Ray Harryhausen, Dennis Muren, and Stan Winston. Only two costume designers have received a star: eight-time Academy Award Winner Edith Head, and the first African-American to win an Oscar for costume design, Ruth E. Carter.
Sidney Sheldon is one of two novelists with a star, which he earned for writing screenplays for such films as The Bachelor and the Bobby-Soxer (1947) before becoming a novelist. The other is Ray Bradbury, whose books and stories have formed the basis of dozens of movies and television programs over a nearly 60-year period.
Nine inventors have stars on the Walk: George Eastman, inventor of roll film; Thomas Edison, inventor of the first true film projector and holder of numerous patents related to motion-picture technology; Lee de Forest, inventor of the triode vacuum tube, which played an important role in the development of radio and television broadcasts, and Phonofilm, which made sound films possible; Herbert Kalmus, inventor of Technicolor; Auguste and Louis Lumière, inventors of important components of the motion picture camera; Mark Serrurier, inventor of the technology used for film editing; Hedy Lamarr, co-inventor of a frequency-hopping radio guidance system that was a precursor to Wi-Fi networks and cellular telephone systems; and Ray Dolby, co-developer of the first video tape recorder and inventor of the Dolby noise-reduction system.
A few star recipients moved on after their entertainment careers to political notability. Two Presidents of the United States, Ronald Reagan (40th President) and Donald Trump (45th President), have stars on the Walk. Reagan is also one of two Governors of California with a star; the other is Arnold Schwarzenegger. One U.S. senator (George Murphy) and two members of the U.S. House of Representatives (Helen Gahagan and Sonny Bono) have stars. Ignacy Paderewski, who served as Prime Minister of Poland between the World Wars, is the only European head of government represented. Film and stage actor Albert Dekker served one term in the California State Assembly during the 1940s.
On its 50th anniversary in 2005, Disneyland received a star near Disney's Soda Fountain on Hollywood Boulevard. Stars for commercial organizations are only considered for those with a Hollywood show business connection of at least 50 years' duration. While not technically part of the Walk itself (a city ordinance prohibits placing corporate names on sidewalks), the star was installed adjacent to it.
There are three dogs represented on the walk, Lassie, Rin Tin Tin, and Strongheart.
Charlie Chaplin is the only honoree to be selected twice for the same star on the Walk. He was unanimously voted into the initial group of 500 in 1956, but the Selection Committee ultimately excluded him, ostensibly due to questions regarding his morals (he had been charged with violating the Mann Act—and exonerated—during the White Slavery hysteria of the 1940s), but more likely due to his left-leaning political views. The rebuke prompted an unsuccessful lawsuit by his son, Charles Chaplin Jr. Chaplin's star was finally added to the Walk in 1972, the same year he received his Academy Award. Even then, 16 years later, the Chamber of Commerce received angry letters from across the country protesting its decision to include him.
The committee's Chaplin difficulties reportedly contributed to its decision in 1978 against awarding a star to Paul Robeson, the controversial opera singer, actor, athlete, writer, lawyer, and social activist. The resulting outcry from the entertainment industry, civic circles, local and national politicians, and many other quarters was so intense that the decision was reversed and Robeson was awarded a star in 1979.
In 1978, in honor of his 50th anniversary, Mickey Mouse became the first animated character to receive a star, and nearly twenty more followed over the next decades. Other fictional characters on the Walk include the Munchkins, the kaiju Godzilla, the live-action dog named Lassie, Pee-Wee Herman as portrayed by Paul Reubens, animated film characters such as Shrek and Snow White, and animated television characters including the Simpsons and the Rugrats.
Jim Henson is one of four puppeteers to have a star, but also has a further three stars dedicated to his creations: one for The Muppets as a whole, one for Kermit the Frog and one for Big Bird.
In 2010, Julia Louis-Dreyfus' star was constructed with the name "Julia Luis Dreyfus". The actress was reportedly amused, and the error was corrected. A similar mistake was made on Dick Van Dyke's star in 1993 ("Vandyke"), and rectified. Film and television actor Don Haggerty's star originally displayed the first name "Dan". The mistake was fixed, but years later the television actor Dan Haggerty (of Grizzly Adams fame, no relation to Don) also received a star. The confusion eventually sprouted an urban legend that Dan Haggerty was the only honoree to have a star removed from the Walk of Fame. For 28 years, the star intended to honor Mauritz Stiller, the Helsinki-born pioneer of Swedish film who brought Greta Garbo to the United States, read "Maurice Diller", possibly due to mistranscription of verbal dictation. The star was finally remade with the correct name in 1988.
Monty Woolley's star, showing a "TV" emblem, even though his category is "Motion Pictures"
"Motion Picture" category, "TV" emblem
Four stars remain misspelled: the opera star Lotte Lehmann (spelled "Lottie"); King Kong creator, director, and producer and Cinerama pioneer Merian C. Cooper ("Meriam"); cinematography pioneer Auguste Lumière ("August"); and radio comedienne Mary Livingstone ("Livingston").
Monty Woolley, the veteran film and stage actor best known for The Man Who Came to Dinner (1942) and the line "Time flies when you're having fun", is officially listed in the motion picture category, but his star on the Walk of Fame bears the television emblem. Woolley did appear on the small screen late in his career, but his TV contributions were eclipsed by his extensive stage, film, and radio work. Similarly, the star of film actress Carmen Miranda bears the TV emblem, although her official category is motion pictures. Radio and television talk show host Larry King is officially a television honoree, but his star displays a film camera.
Acts of vandalism on the Walk of Fame have ranged from profanity and political statements written on stars with markers and paint to damage with heavy tools. Vandals have also tried to chisel out the brass category emblems embedded in the stars below the names, and have even stolen a statue component of The Four Ladies of Hollywood. Closed circuit surveillance cameras have been installed on the stretch of Hollywood Boulevard between La Brea Avenue and Vine Street in an effort to discourage mischievous activities.
Four of the stars, which weigh about 300 pounds (140 kg) each, have been stolen from the Walk of Fame. In 2000, James Stewart's and Kirk Douglas' stars disappeared from their locations near the intersection of Hollywood and Vine, where they had been temporarily removed for a construction project. Police recovered them in the suburban community of South Gate when they arrested a man involved in an incident there and searched his house. The suspect was a construction worker employed on the Hollywood and Vine project. The stars had been badly damaged and had to be remade. One of Gene Autry's five stars was also stolen from a construction area. Another theft occurred in 2005 when thieves used a concrete saw to remove Gregory Peck's star from its Hollywood Boulevard site at the intersection of North El Centro Avenue, near North Gower. The star was replaced almost immediately, but the original was never recovered and the perpetrators never caught.
Donald Trump's star, obtained for his work as owner and producer of the Miss Universe pageant, has been vandalized multiple times. During the 2016 presidential election, a man named James Otis, who claims to be an heir to the Otis Elevator Company fortune, used a sledgehammer and a pickaxe to destroy all of the star's brass inlays. He readily admitted to the vandalism and was arrested and sentenced to three years' probation. The star was repaired and served as a site of pro-Trump demonstrations until it was destroyed a second time in July 2018 by a man named Austin Clay. Clay later surrendered himself to the police and was bailed out by James Otis. Clay was sentenced to one day in jail, three years of probation, and 20 days of community service. He also was ordered to attend psychological counseling and pay restitution of $9,404.46 to the Hollywood Chamber of Commerce. On December 18, 2018, the star was defaced with swastikas and other graffiti drawn in permanent marker, and it was vandalized yet again on October 2, 2020.
In August 2018, the West Hollywood City Council unanimously passed a resolution requesting permanent removal of the star due to repeated vandalism, according to Mayor John Duran. The resolution was completely symbolic, as West Hollywood has no jurisdiction over the Walk. Activist groups have also called for the removal of stars honoring individuals whose public and professional lives have become controversial, including Trump, Bill Cosby, Kevin Spacey, and Brett Ratner. In answer to these campaigns, the Hollywood Chamber of Commerce announced that because the Walk is a historical landmark, "once a star has been added ... it is considered a part of the historic fabric of the Hollywood Walk of Fame" and cannot be removed.
The Hollywood and La Brea Gateway is a 1993 cast stainless steel public art installation by architect Catherine Hardwicke.[ The sculpture, popularly known as The Four Ladies of Hollywood, was commissioned by the Los Angeles Community Redevelopment Agency Art Program as a tribute to the multi-ethnic women of the entertainment industry. The installation consists of a square stainless steel Art Deco-style structure or gazebo, with an arched roof supporting a circular dome that is topped by a central obelisk with descending neon block letters spelling "Hollywood" on each of its four sides. Atop the obelisk is a small gilded weather vane-style sculpture of Marilyn Monroe in her iconic billowing skirt pose from The Seven Year Itch. The corners of the domed structure are supported by four caryatids sculpted by Harl West representing African-American actress Dorothy Dandridge, Asian-American actress Anna May Wong, Mexican actress Dolores del Río, and Brooklyn-born actress Mae West. The installation stands at the western end of the Hollywood Walk of Fame at the corner of Hollywood Boulevard and North La Brea Avenue.
The gazebo was dedicated on February 1, 1994, to a mixed reception. Los Angeles Times art critic Christopher Knight called it "the most depressingly awful work of public art in recent years", representing the opposite of Hardwicke's intended tribute to women. "Sex, as a woman's historic gateway to Hollywood", he wrote, "couldn't be more explicitly described".
Independent writer and film producer Gail Choice called it a fitting tribute to a group of pioneering and courageous women who "carried a tremendous burden on their feminine shoulders". "Never in my wildest dreams did I believe I'd ever see women of color immortalized in such a creative and wonderful fashion." Hardwicke contended that critics had missed the "humor and symbolism" of the structure, which "embraces and pokes fun at the glamour, the polished metallic male form of the Oscar, and the pastiche of styles and dreams that pervades Tinseltown."
In June 2019, the Marilyn Monroe statue above the gazebo was stolen by Austin Clay, who had vandalized Donald Trump's star a year earlier.
Recording artist Michael Jackson's star, surrounded by flowers, candles, and cards, as observed about two weeks after his death in 2009
Michael Jackson's star, about two weeks after his death in 2009
Some fans show respect for star recipients both living and dead by laying flowers or other symbolic tributes at their stars. Others show their support in other ways; the star awarded to Julio Iglesias, for example, is kept in "pristine condition a devoted band of elderly women scrub and polish it once a month".
The Hollywood Chamber of Commerce has adopted the tradition of placing flower wreaths at the stars of newly deceased awardees; for example, Bette Davis in 1989, Katharine Hepburn in 2003, and Jackie Cooper in 2011. The stars of other deceased celebrities, such as Michael Jackson, Bruce Lee, Farrah Fawcett, Elizabeth Taylor Charles Aznavour, Richard Pryor, Ricardo Montalbán, James Doohan, Frank Sinatra, Robin Williams, Joan Rivers, George Harrison, Aretha Franklin, Stan Lee, and Betty White have become impromptu memorial and vigil sites as well, and some continue to receive anniversary remembrances.
California is a state in the Western United States, located along the Pacific Coast. With nearly 39.2 million residents across a total area of approximately 163,696 square miles (423,970 km2), it is the most populous U.S. state and the 3rd largest by area. It is also the most populated subnational entity in North America and the 34th most populous in the world. The Greater Los Angeles area and the San Francisco Bay Area are the nation's second and fifth most populous urban regions respectively, with the former having more than 18.7 million residents and the latter having over 9.6 million. Sacramento is the state's capital, while Los Angeles is the most populous city in the state and the second most populous city in the country. San Francisco is the second most densely populated major city in the country. Los Angeles County is the country's most populous, while San Bernardino County is the largest county by area in the country. California borders Oregon to the north, Nevada and Arizona to the east, the Mexican state of Baja California to the south; and has a coastline along the Pacific Ocean to the west.
The economy of the state of California is the largest in the United States, with a $3.4 trillion gross state product (GSP) as of 2022. It is the largest sub-national economy in the world. If California were a sovereign nation, it would rank as the world's fifth-largest economy as of 2022, behind Germany and ahead of India, as well as the 37th most populous. The Greater Los Angeles area and the San Francisco Bay Area are the nation's second- and third-largest urban economies ($1.0 trillion and $0.5 trillion respectively as of 2020). The San Francisco Bay Area Combined Statistical Area had the nation's highest gross domestic product per capita ($106,757) among large primary statistical areas in 2018, and is home to five of the world's ten largest companies by market capitalization and four of the world's ten richest people.
Prior to European colonization, California was one of the most culturally and linguistically diverse areas in pre-Columbian North America and contained the highest Native American population density north of what is now Mexico. European exploration in the 16th and 17th centuries led to the colonization of California by the Spanish Empire. In 1804, it was included in Alta California province within the Viceroyalty of New Spain. The area became a part of Mexico in 1821, following its successful war for independence, but was ceded to the United States in 1848 after the Mexican–American War. The California Gold Rush started in 1848 and led to dramatic social and demographic changes, including large-scale immigration into California, a worldwide economic boom, and the California genocide of indigenous people. The western portion of Alta California was then organized and admitted as the 31st state on September 9, 1850, following the Compromise of 1850.
Notable contributions to popular culture, for example in entertainment and sports, have their origins in California. The state also has made noteworthy contributions in the fields of communication, information, innovation, environmentalism, economics, and politics. It is the home of Hollywood, the oldest and one of the largest film industries in the world, which has had a profound influence upon global entertainment. It is considered the origin of the hippie counterculture, beach and car culture, and the personal computer, among other innovations. The San Francisco Bay Area and the Greater Los Angeles Area are widely seen as the centers of the global technology and film industries, respectively. California's economy is very diverse: 58% of it is based on finance, government, real estate services, technology, and professional, scientific, and technical business services. Although it accounts for only 1.5% of the state's economy, California's agriculture industry has the highest output of any U.S. state. California's ports and harbors handle about a third of all U.S. imports, most originating in Pacific Rim international trade.
The state's extremely diverse geography ranges from the Pacific Coast and metropolitan areas in the west to the Sierra Nevada mountains in the east, and from the redwood and Douglas fir forests in the northwest to the Mojave Desert in the southeast. The Central Valley, a major agricultural area, dominates the state's center. California is well known for its warm Mediterranean climate and monsoon seasonal weather. The large size of the state results in climates that vary from moist temperate rainforest in the north to arid desert in the interior, as well as snowy alpine in the mountains.
Settled by successive waves of arrivals during at least the last 13,000 years, California was one of the most culturally and linguistically diverse areas in pre-Columbian North America. Various estimates of the native population have ranged from 100,000 to 300,000. The indigenous peoples of California included more than 70 distinct ethnic groups, inhabiting environments from mountains and deserts to islands and redwood forests. These groups were also diverse in their political organization, with bands, tribes, villages, and on the resource-rich coasts, large chiefdoms, such as the Chumash, Pomo and Salinan. Trade, intermarriage and military alliances fostered social and economic relationships between many groups.
The first Europeans to explore the coast of California were the members of a Spanish maritime expedition led by Portuguese captain Juan Rodríguez Cabrillo in 1542. Cabrillo was commissioned by Antonio de Mendoza, the Viceroy of New Spain, to lead an expedition up the Pacific coast in search of trade opportunities; they entered San Diego Bay on September 28, 1542, and reached at least as far north as San Miguel Island. Privateer and explorer Francis Drake explored and claimed an undefined portion of the California coast in 1579, landing north of the future city of San Francisco. Sebastián Vizcaíno explored and mapped the coast of California in 1602 for New Spain, putting ashore in Monterey. Despite the on-the-ground explorations of California in the 16th century, Rodríguez's idea of California as an island persisted. Such depictions appeared on many European maps well into the 18th century.
The Portolá expedition of 1769-70 was a pivotal event in the Spanish colonization of California, resulting in the establishment of numerous missions, presidios, and pueblos. The military and civil contingent of the expedition was led by Gaspar de Portolá, who traveled over land from Sonora into California, while the religious component was headed by Junípero Serra, who came by sea from Baja California. In 1769, Portolá and Serra established Mission San Diego de Alcalá and the Presidio of San Diego, the first religious and military settlements founded by the Spanish in California. By the end of the expedition in 1770, they would establish the Presidio of Monterey and Mission San Carlos Borromeo de Carmelo on Monterey Bay.
After the Portolà expedition, Spanish missionaries led by Father-President Serra set out to establish 21 Spanish missions of California along El Camino Real ("The Royal Road") and along the Californian coast, 16 sites of which having been chosen during the Portolá expedition. Numerous major cities in California grew out of missions, including San Francisco (Mission San Francisco de Asís), San Diego (Mission San Diego de Alcalá), Ventura (Mission San Buenaventura), or Santa Barbara (Mission Santa Barbara), among others.
Juan Bautista de Anza led a similarly important expedition throughout California in 1775–76, which would extend deeper into the interior and north of California. The Anza expedition selected numerous sites for missions, presidios, and pueblos, which subsequently would be established by settlers. Gabriel Moraga, a member of the expedition, would also christen many of California's prominent rivers with their names in 1775–1776, such as the Sacramento River and the San Joaquin River. After the expedition, Gabriel's son, José Joaquín Moraga, would found the pueblo of San Jose in 1777, making it the first civilian-established city in California.
The Spanish founded Mission San Juan Capistrano in 1776, the third to be established of the Californian missions.
During this same period, sailors from the Russian Empire explored along the northern coast of California. In 1812, the Russian-American Company established a trading post and small fortification at Fort Ross on the North Coast. Fort Ross was primarily used to supply Russia's Alaskan colonies with food supplies. The settlement did not meet much success, failing to attract settlers or establish long term trade viability, and was abandoned by 1841.
During the War of Mexican Independence, Alta California was largely unaffected and uninvolved in the revolution, though many Californios supported independence from Spain, which many believed had neglected California and limited its development. Spain's trade monopoly on California had limited the trade prospects of Californians. Following Mexican independence, Californian ports were freely able to trade with foreign merchants. Governor Pablo Vicente de Solá presided over the transition from Spanish colonial rule to independent.
In 1821, the Mexican War of Independence gave the Mexican Empire (which included California) independence from Spain. For the next 25 years, Alta California remained a remote, sparsely populated, northwestern administrative district of the newly independent country of Mexico, which shortly after independence became a republic. The missions, which controlled most of the best land in the state, were secularized by 1834 and became the property of the Mexican government. The governor granted many square leagues of land to others with political influence. These huge ranchos or cattle ranches emerged as the dominant institutions of Mexican California. The ranchos developed under ownership by Californios (Hispanics native of California) who traded cowhides and tallow with Boston merchants. Beef did not become a commodity until the 1849 California Gold Rush.
From the 1820s, trappers and settlers from the United States and Canada began to arrive in Northern California. These new arrivals used the Siskiyou Trail, California Trail, Oregon Trail and Old Spanish Trail to cross the rugged mountains and harsh deserts in and surrounding California. The early government of the newly independent Mexico was highly unstable, and in a reflection of this, from 1831 onwards, California also experienced a series of armed disputes, both internal and with the central Mexican government. During this tumultuous political period Juan Bautista Alvarado was able to secure the governorship during 1836–1842. The military action which first brought Alvarado to power had momentarily declared California to be an independent state, and had been aided by Anglo-American residents of California, including Isaac Graham. In 1840, one hundred of those residents who did not have passports were arrested, leading to the Graham Affair, which was resolved in part with the intercession of Royal Navy officials.
One of the largest ranchers in California was John Marsh. After failing to obtain justice against squatters on his land from the Mexican courts, he determined that California should become part of the United States. Marsh conducted a letter-writing campaign espousing the California climate, the soil, and other reasons to settle there, as well as the best route to follow, which became known as "Marsh's route". His letters were read, reread, passed around, and printed in newspapers throughout the country, and started the first wagon trains rolling to California. He invited immigrants to stay on his ranch until they could get settled, and assisted in their obtaining passports.
After ushering in the period of organized emigration to California, Marsh became involved in a military battle between the much-hated Mexican general, Manuel Micheltorena and the California governor he had replaced, Juan Bautista Alvarado. The armies of each met at the Battle of Providencia near Los Angeles. Marsh had been forced against his will to join Micheltorena's army. Ignoring his superiors, during the battle, he signaled the other side for a parley. There were many settlers from the United States fighting on both sides. He convinced these men that they had no reason to be fighting each other. As a result of Marsh's actions, they abandoned the fight, Micheltorena was defeated, and California-born Pio Pico was returned to the governorship. This paved the way to California's ultimate acquisition by the United States.
In 1846, a group of American settlers in and around Sonoma rebelled against Mexican rule during the Bear Flag Revolt. Afterward, rebels raised the Bear Flag (featuring a bear, a star, a red stripe and the words "California Republic") at Sonoma. The Republic's only president was William B. Ide,[65] who played a pivotal role during the Bear Flag Revolt. This revolt by American settlers served as a prelude to the later American military invasion of California and was closely coordinated with nearby American military commanders.
The California Republic was short-lived; the same year marked the outbreak of the Mexican–American War (1846–48).
Commodore John D. Sloat of the United States Navy sailed into Monterey Bay in 1846 and began the U.S. military invasion of California, with Northern California capitulating in less than a month to the United States forces. In Southern California, Californios continued to resist American forces. Notable military engagements of the conquest include the Battle of San Pasqual and the Battle of Dominguez Rancho in Southern California, as well as the Battle of Olómpali and the Battle of Santa Clara in Northern California. After a series of defensive battles in the south, the Treaty of Cahuenga was signed by the Californios on January 13, 1847, securing a censure and establishing de facto American control in California.
Following the Treaty of Guadalupe Hidalgo (February 2, 1848) that ended the war, the westernmost portion of the annexed Mexican territory of Alta California soon became the American state of California, and the remainder of the old territory was then subdivided into the new American Territories of Arizona, Nevada, Colorado and Utah. The even more lightly populated and arid lower region of old Baja California remained as a part of Mexico. In 1846, the total settler population of the western part of the old Alta California had been estimated to be no more than 8,000, plus about 100,000 Native Americans, down from about 300,000 before Hispanic settlement in 1769.
In 1848, only one week before the official American annexation of the area, gold was discovered in California, this being an event which was to forever alter both the state's demographics and its finances. Soon afterward, a massive influx of immigration into the area resulted, as prospectors and miners arrived by the thousands. The population burgeoned with United States citizens, Europeans, Chinese and other immigrants during the great California Gold Rush. By the time of California's application for statehood in 1850, the settler population of California had multiplied to 100,000. By 1854, more than 300,000 settlers had come. Between 1847 and 1870, the population of San Francisco increased from 500 to 150,000.
The seat of government for California under Spanish and later Mexican rule had been located in Monterey from 1777 until 1845. Pio Pico, the last Mexican governor of Alta California, had briefly moved the capital to Los Angeles in 1845. The United States consulate had also been located in Monterey, under consul Thomas O. Larkin.
In 1849, a state Constitutional Convention was first held in Monterey. Among the first tasks of the convention was a decision on a location for the new state capital. The first full legislative sessions were held in San Jose (1850–1851). Subsequent locations included Vallejo (1852–1853), and nearby Benicia (1853–1854); these locations eventually proved to be inadequate as well. The capital has been located in Sacramento since 1854 with only a short break in 1862 when legislative sessions were held in San Francisco due to flooding in Sacramento. Once the state's Constitutional Convention had finalized its state constitution, it applied to the U.S. Congress for admission to statehood. On September 9, 1850, as part of the Compromise of 1850, California became a free state and September 9 a state holiday.
During the American Civil War (1861–1865), California sent gold shipments eastward to Washington in support of the Union. However, due to the existence of a large contingent of pro-South sympathizers within the state, the state was not able to muster any full military regiments to send eastwards to officially serve in the Union war effort. Still, several smaller military units within the Union army were unofficially associated with the state of California, such as the "California 100 Company", due to a majority of their members being from California.
At the time of California's admission into the Union, travel between California and the rest of the continental United States had been a time-consuming and dangerous feat. Nineteen years later, and seven years after it was greenlighted by President Lincoln, the First transcontinental railroad was completed in 1869. California was then reachable from the eastern States in a week's time.
Much of the state was extremely well suited to fruit cultivation and agriculture in general. Vast expanses of wheat, other cereal crops, vegetable crops, cotton, and nut and fruit trees were grown (including oranges in Southern California), and the foundation was laid for the state's prodigious agricultural production in the Central Valley and elsewhere.
In the nineteenth century, a large number of migrants from China traveled to the state as part of the Gold Rush or to seek work. Even though the Chinese proved indispensable in building the transcontinental railroad from California to Utah, perceived job competition with the Chinese led to anti-Chinese riots in the state, and eventually the US ended migration from China partially as a response to pressure from California with the 1882 Chinese Exclusion Act.
Under earlier Spanish and Mexican rule, California's original native population had precipitously declined, above all, from Eurasian diseases to which the indigenous people of California had not yet developed a natural immunity. Under its new American administration, California's harsh governmental policies towards its own indigenous people did not improve. As in other American states, many of the native inhabitants were soon forcibly removed from their lands by incoming American settlers such as miners, ranchers, and farmers. Although California had entered the American union as a free state, the "loitering or orphaned Indians" were de facto enslaved by their new Anglo-American masters under the 1853 Act for the Government and Protection of Indians. There were also massacres in which hundreds of indigenous people were killed.
Between 1850 and 1860, the California state government paid around 1.5 million dollars (some 250,000 of which was reimbursed by the federal government) to hire militias whose purpose was to protect settlers from the indigenous populations. In later decades, the native population was placed in reservations and rancherias, which were often small and isolated and without enough natural resources or funding from the government to sustain the populations living on them. As a result, the rise of California was a calamity for the native inhabitants. Several scholars and Native American activists, including Benjamin Madley and Ed Castillo, have described the actions of the California government as a genocide.
In the twentieth century, thousands of Japanese people migrated to the US and California specifically to attempt to purchase and own land in the state. However, the state in 1913 passed the Alien Land Act, excluding Asian immigrants from owning land. During World War II, Japanese Americans in California were interned in concentration camps such as at Tule Lake and Manzanar. In 2020, California officially apologized for this internment.
Migration to California accelerated during the early 20th century with the completion of major transcontinental highways like the Lincoln Highway and Route 66. In the period from 1900 to 1965, the population grew from fewer than one million to the greatest in the Union. In 1940, the Census Bureau reported California's population as 6.0% Hispanic, 2.4% Asian, and 89.5% non-Hispanic white.
To meet the population's needs, major engineering feats like the California and Los Angeles Aqueducts; the Oroville and Shasta Dams; and the Bay and Golden Gate Bridges were built across the state. The state government also adopted the California Master Plan for Higher Education in 1960 to develop a highly efficient system of public education.
Meanwhile, attracted to the mild Mediterranean climate, cheap land, and the state's wide variety of geography, filmmakers established the studio system in Hollywood in the 1920s. California manufactured 8.7 percent of total United States military armaments produced during World War II, ranking third (behind New York and Michigan) among the 48 states. California however easily ranked first in production of military ships during the war (transport, cargo, [merchant ships] such as Liberty ships, Victory ships, and warships) at drydock facilities in San Diego, Los Angeles, and the San Francisco Bay Area. After World War II, California's economy greatly expanded due to strong aerospace and defense industries, whose size decreased following the end of the Cold War. Stanford University and its Dean of Engineering Frederick Terman began encouraging faculty and graduates to stay in California instead of leaving the state, and develop a high-tech region in the area now known as Silicon Valley. As a result of these efforts, California is regarded as a world center of the entertainment and music industries, of technology, engineering, and the aerospace industry, and as the United States center of agricultural production. Just before the Dot Com Bust, California had the fifth-largest economy in the world among nations.
In the mid and late twentieth century, a number of race-related incidents occurred in the state. Tensions between police and African Americans, combined with unemployment and poverty in inner cities, led to violent riots, such as the 1965 Watts riots and 1992 Rodney King riots. California was also the hub of the Black Panther Party, a group known for arming African Americans to defend against racial injustice and for organizing free breakfast programs for schoolchildren. Additionally, Mexican, Filipino, and other migrant farm workers rallied in the state around Cesar Chavez for better pay in the 1960s and 1970s.
During the 20th century, two great disasters happened in California. The 1906 San Francisco earthquake and 1928 St. Francis Dam flood remain the deadliest in U.S. history.
Although air pollution problems have been reduced, health problems associated with pollution have continued. The brown haze known as "smog" has been substantially abated after the passage of federal and state restrictions on automobile exhaust.
An energy crisis in 2001 led to rolling blackouts, soaring power rates, and the importation of electricity from neighboring states. Southern California Edison and Pacific Gas and Electric Company came under heavy criticism.
Housing prices in urban areas continued to increase; a modest home which in the 1960s cost $25,000 would cost half a million dollars or more in urban areas by 2005. More people commuted longer hours to afford a home in more rural areas while earning larger salaries in the urban areas. Speculators bought houses they never intended to live in, expecting to make a huge profit in a matter of months, then rolling it over by buying more properties. Mortgage companies were compliant, as everyone assumed the prices would keep rising. The bubble burst in 2007–8 as housing prices began to crash and the boom years ended. Hundreds of billions in property values vanished and foreclosures soared as many financial institutions and investors were badly hurt.
In the twenty-first century, droughts and frequent wildfires attributed to climate change have occurred in the state. From 2011 to 2017, a persistent drought was the worst in its recorded history. The 2018 wildfire season was the state's deadliest and most destructive, most notably Camp Fire.
Although air pollution problems have been reduced, health problems associated with pollution have continued. The brown haze that is known as "smog" has been substantially abated thanks to federal and state restrictions on automobile exhaust.
One of the first confirmed COVID-19 cases in the United States that occurred in California was first of which was confirmed on January 26, 2020. Meaning, all of the early confirmed cases were persons who had recently travelled to China in Asia, as testing was restricted to this group. On this January 29, 2020, as disease containment protocols were still being developed, the U.S. Department of State evacuated 195 persons from Wuhan, China aboard a chartered
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Do you find it hard to talk to girls? Do you want to know the secret on how to talk to girls? Are you afraid that you might humiliate yourself while talking to the girl of your dreams? I have always observed that men always find it hard to start a conversation with a woman. If you want to be with a lady, you need to learn the tricks of the trade.
You need to know how to approach women, how to date a girl, how to meet with girls, where to meet women, how to pick up women, the great pick up lines that work and the pick-up lines that don’t, and definitely how to get the girl you want.
These are just a few of the things you need to know if you want to bring home the jackpot.
Remember, first impressions last. You might be wondering, how can I do this? How do they do it? How to talk to girls? So, if you are planning to approach girls, don’t act goofy. Be confident and just be yourself. Think about talking with your best friend. You need to be comfortable when you are approaching a woman because if you’re uncomfortable about it, then she would probably freak out and leave you there without another word. Don’t be afraid of rejection. If you were rejected before, that is totally normal. It just means that she is not the one for you.
When you date a girl, you don’t have to pretend to be someone else. You need to be yourself. Don’t forget that girls love it when a man makes her laugh. Throw a bunch of corny pick up lines just to make her smile. While she’s smiling, tell her that she has a beautiful smile. Trust me, it always works.
You want to meet girls? Then, you need to know where your type of girl hangs out. You need to be specific because you might end up with the wrong kind of girl. If you want the party type of girl, then you can visit some bars and nightclubs. You want the classy type? Go make a reservation at a classy restaurant or visit art galleries. If you want the religious type, then you can probably go to mass every Sunday and spend time with her and with God.
How to meet women
After you ask her out for a date, you definitely need to pick her up. If you have a car, then that’s good. If you don’t, then she just has to accept that. Remember, be yourself. Don’t pretend to be someone else. If you do not have a car and she wants you to have one for your date? Don’t ever see her again. Because that’s not the type of girl you’d like to end up with. Not the kind of girl who’s going to accept you when you don’t have anything fancy left in life. Better keep it low profile.
First date. It’s the first stage and you need to find out the interesting facts about her. You need to listen attentively because if you miss just a tiny yet important bit of information, she will totally shut you down – such as her favorite color, favorite band, favorite flower, even her favorite song. You need to know a lot of information about the girl you like because if she knows that you’re paying attention to what she says, then she probably would like you back.
How to get women? Simple. Give them attention. Women love attention. In fact, they want all the attention in the world but that’s just because men are not making them feel wanted. You need to make a woman feel special every second, minute, and hour of the day. Always make her happy. You need to make them feel special every day and they will give you more than what you have given them, more than what you deserve.
You see? That is how you get the girl of your dreams. You can probably hear your own wedding bells by now. Just be CAESAR. It stands for C-Confident, A-Adorable, E-Enthusiastic, S-Sensitive, A-Attentive and R-Respect. Always remember these 6 easy steps. These will guide you in finding the woman that’s right for you.
Learn to be attractive
Just a tip. Once you have found her, never let her go because she’s a keeper. She could’ve chosen a better man, but she chose you. Never make her feel lonely. Never make her feel one ounce of sadness and she will stay. She will never leave you because the key to a girl’s heart is happiness. Some girls might choose diamonds and money over the men that they love. Others say it’s being practical, but it’s not. Money cannot buy pure and genuine love.
Make her feel special day by day, and night by night. Be adventurous and keep your relationship rolling. Think about the challenges you’ve been through just to get this pretty woman that you almost peed in your pants. So don’t make any stupid decision that will make her leave you. She’s one of a kind. You know that the very moment that you saw her standing by the corner.
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Explore : Jul 11, 2007 #419
After the humiliating Peace of Zsitvatorok and the unfavourable result of the wars with Persia, sultan Ahmed I decided to build a large mosque in Istanbul to placate Allah. This would be the first imperial mosque in more than forty years. Whereas his predecessors had paid for their mosques with their war booty, sultan Ahmed I had to withdraw the funds from the treasury, because he hadn't won any notable victories. This provoked the anger of the ulema, the Muslim legal scholars.
The mosque was to be built on the site of the palace of the Byzantine emperors, facing the Hagia Sophia (at that time the most venerated mosque in Istanbul) and the hippodrome, a site of great symbolic significance. Large parts of the southern side of the mosque rest on the foundations, the vaults and the undercrofts of the Great Palace. Several palaces, already built on the same spot, had to be bought (at considerable price) and pulled down, especially the palace of Sokollu Mehmet Paşa, and large parts of the Sphendone (curved tribune with U-shaped structure of the hippodrome).
Construction of the mosque started in August 1609 when the sultan himself came to break the first sod. It was his intention that this would become the first mosque of his empire. He appointed his royal architect Sedefhar Mehmet Ağa, a pupil and senior assitant of the famous architect Sinan as the architect in charge of the construction. The organization of the work was described in meticulous detail in eight volumes, now in the library of the Topkapı Palace. The opening ceremonies were held in 1617 (although the gate of the mosque records 1616) and the sultan was able to pray in the royal box (hünkâr mahfil). But the building wasn't finished yet in this last year of his reign, as the last accounts were signed by his successor Mustafa I.
The design of the Sultan Ahmed Mosque is the culmination of two centuries of Ottoman mosque development. It is the last great mosque of the classical period. The architect has ably synthesized the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour, but the interior lacks his creative thinking.
Mehmet Paşa used large quantities of materials for the construction, in particular stone and marble, draining away supplies for other important works. The layout of the mosque is irregular, as the architect had to take into account the existing constraints of the site. Its major façade, serving as the entrance, faces the hippodrome. The architect based his plan on the Sehzade Mosque (1543-1548) in Istanbul, the first major large-scale work of Sinan, with the same square-based symmetrical quatrefoil plan and a spacious forecourt. This prayer hall is topped by an ascending system of domes and semi-domes, each supported by three exedrae, culminating in the huge encompassing central dome, which is 23.5 meters in diameter and 43 meters high at its central point. The domes are supported by four massive piers that recall those of the Selimiye Mosque in Edirne, another masterpiece of Sinan. It is obvious that Mehmet Paşa was overcautious by taking this inflated margin of safety, damaging the elegant proportions of the dome by their oppressive size. These "elephant feet" consist of multiple convex marble grooves at their base, while the upper half is painted, separated from the base by an inscriptive band with gilded words. Seen from the court, the profile of the mosque becomes a smooth succession of domes and semi-domes. The overall effect of the exterior on the visitor is one of perfect visual harmony, leading the eye up to the peak of the central dome.
The monotony of the interior is broken by the three galleries surrounding the prayer hall. The southern wall (with the mihrab) lacks recesses, because the buttresses are completely situated at the exterior. On each of the three other walls, the two buttresses jut out into the interior, forming three recesses. Each middle recess consists of three exedrae under a semi-dome.
The façade of the spacious forecourt was built in the same manner as the façade of the Süleymaniye Mosque, except for the addition of the turrets on the corner domes. The court is about as large as the mosque itself and is surrounded by a continuous, rather monotonous, vaulted arcade (revak). It has ablution facilities on both sides. The central hexagonal fountain is rather small in contrast with the dimensions of the courtyard. The monumental but narrow gateway to the courtyard stands out architecturally from the arcade. Its semi-dome has a fine stalactite structure, crowned by a rather small ribbed dome on a tall drum.
At its lower levels and at every pier, the interior of the mosque is lined with more than 20,000 handmade ceramic tiles, made at Iznik (the ancient Nicaea) in more than fifty different designs. The tiles at lower levels are traditional in design, while at gallery level their design becomes flamboyant with representations of flowers, fruit and cypresses. More than 20,000 tiles were made under the supervision of the Iznik master potter Kaşıcı Hasan. However, the price the builders were able to pay for tiles was fixed by the sultan's decree, while tile prices increased over time. As a result, the tiles used later in building were of lesser quality. Their colours have faded and changed (red turning into brown and green into blue, mottled whites) and the glazes have dulled. The tiles on the back balcony wall are recycled tiles from the harem in the Topkapı Palace, when it was damaged by fire in 1574.
The upper levels of the interior are dominated by blue paint, but is of poor quality. More than 200 stained glass windows with intricate designs admit natural light, today assisted by chandeliers. On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque by repelling spiders. The decorations include verses from the Qur'an, many of them made by Seyyid Kasim Gubari, regarded as the greatest calligrapher of his time. The floors are covered with carpets, which are donated by faithful people and are regularly replaced as they become worn out. The many spacious windows confer a spacious impression. The casements at floor level are decorated with opus sectile. Each exedra has five windows, some of which are blind. Each semi-dome has 14 windows and the central dome 28 (four of which are blind). The coloured glass for the windows was a gift of the Signoria of Venice to the sultan. Most of these coloured windows have by now been replaced by modern versions with little or no artistic merit.
The most important element in the interior of the mosque is the mihrab, which is made of finely carved and sculptured marble, with a stalactite niche and a double inscriptive panel above it. The adjacent walls are sheathed in ceramic tiles. But the many windows around it make it look less spectacular. To the right of the mihrab is the richly decorated minber, or pulpit, where the Imam stands when he is delivering his sermon at the time of noon prayer on Fridays or on holy days. The mosque has been designed so that even when it is at its most crowded, everyone in the mosque can see and hear the Imam.
The royal kiosk is situated at the south-east corner. It comprises a platform, a loggia and two small retiring rooms. It gives access to the royal loge in the south-east upper gallery of the mosque. These retiring rooms became the headquarters of the Grand Vizier during the suppression of the rebellious Janissary Corps in 1826. The royal loge (hünkâr mahfil) is supported by ten marble columns. It has its own mihrab, that used to be decorated with a jade rose and gilt and one hundred Korans on inlaid and gilded lecterns.
The many lamps that light the interior was once covered with gold and gems . Among the glass bowls one could find ostrich eggs and crystal balls. All these decorations have been removed or pillaged for museums.
The great tablets on the walls are inscribed with the names of the caliphs and verses from the Koran, originally by the great 17th-century calligrapher Ametli Kasım Gubarım, but they have frequently been restored.
The Sultan Ahmed Mosque is one of the two mosques in Turkey that has six minarets, the other is in Adana. When the number of minarets was revealed, the Sultan was criticized for presumption, since this was, at the time, the same number as at the mosque of the Ka'aba in Mecca. He overcame this problem by paying for a seventh minaret at the Mecca mosque.
Four minarets stand at the corners of the mosque. Each of these fluted, pencil-shaped minarets has three balconies (şerefe) with stalactite corbels, while the two others at the end of the forecourt only have two balconies.
Until recently the muezzin or prayer-caller had to climb a narrow spiral staircase five times a day to announce the call to prayer. Today a public address system is used, and the call can be heard across the old part of the city, echoed by other mosques in the vicinity. Large crowds of both Turks and tourists gather at sunset in the park facing the mosque to hear the call to evening prayers, as the sun sets and the mosque is brilliantly illuminated by coloured floodlights.
I love women very much, but even if I love to wear women's underwear and girdles, I don't want to simulate femininity and I don't have transsexual ambitions. (I don't own men's underwear since a long time.) I'm just a fat, effeminate loser, so I expose myself wearing bra, garter belt and women's stockings to my public humiliation. I do this, as seen in some pictures, also in the street and in parks.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.