View allAll Photos Tagged Humiliated
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Casey Spooner performs with Fischerspooner at The Regency Ballroom in San Francisco, on March 14th, 2018.
More photos from this show can be seen at The Bay Bridged.
FLICKR IS NOT A PORN SITE!!!!
Increasingly, photographs vulgar, pornographic, degrading and humiliating are published on Flickr!!!
It is shameful and it does not render service to the quality of Flickr.
With such photographs, flickr loses credibility and be barred in many countries!
I like flickr, and I would like the content is commensurate with that I love him!
You too are against pornography on Flickr?
Sign the petition!!!!
www.lapetition.be/sign_petition.php?petid=1705
___________________
FLICKR N' EST PAS UN SITE PORNO!!!!
De plus en plus, des photographies vulgaires, pornographiques, dégradante et humiliante sont publiées sur Flickr
C'est honteux et cela ne rend pas service à la qualité de Flickr.
Avec de telles photographies, flickr perd de sa crédibilité et se voit interdire dans de nombreux pays!!
J'aime flickr, et j'aimerais que le contenu soit à la mesure de l'amour que je lui porte!!!
Vous aussi êtes contre la pornographie sur Flickr??
Signez la pétition
www.lapetition.be/sign_petition.php?petid=1705
______________________________________
FLICKR IS NOT A PORN SITE
Immer mehr Fotos vulgäre, pornografische, demütigend und entwürdigend sind auf Flickr!!
Es ist beschämend, und das macht nicht an der Qualität Dienst Flickr.
Mit solchen Fotos, flickr, verliert an Glaubwürdigkeit, und sieht sich zu verbieten, in vielen Ländern!
Ich liebe flickr, und ich möchte, dass der Inhalt der Lage, die Liebe, die ich ihm Tür!
Sie sind auch gegen Pornographie im Flickr?
Unterschreiben Sie die Petition
www.lapetition.be/sign_petition.php?petid=1705
PLEASE DIFFUSE THIS PICTURE AND THIS DESCRIPTION ON YOUR STREAM!!!! !!!!
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
This contraption is located just off Pillory Street, indicating that its original location was this very spot or nearby. Further info on pillories and stocks: en.wikipedia.org/wiki/Pillory
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
I had a rather long walk (along the residential street that you see behind me) to get back to my vehicle.
I didn't realise that my stocking tops were showing most of the time, especially the view from behind. My dress was sitting a little higher at the rear.
There were a number of senior citizens standing at their house-fronts, chatting with neighbours, looking on. I couldn't help but notice that many of the men were watching me, smirking 😏 smiling and laughing as they chatted.
I felt a sense of both flattery and humiliation as they watched me walking along the street. I enjoyed every moment! Even so, time started to move soooo sloooowly ⏰ lol
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Does he defy description?
Help me out here... Following are 50 types of people (Column B) and 50 descriptors (Column A). Pick the one descriptor from Column A and the one personality type from Column B that you think best describes the Boy President.
COLUMN A
arrogant showing an offensive attitude of superiority
bumptious presumptuously self-assertive
chauvinist superiority toward the opposite sex
coarse crude or unrefined in taste and manners
common lacking refinement
contemptible deserving contempt
contumelious insolently abusive and humiliating
crapulous intemperate eating or drinking
depraved corrupt and evil
dishonest characterized by lack of truth or honesty
disingenuous lacking in candor
dissolute indulgent in things (e.g. promiscuous sex) deemed vices
execrable deserving of or worthy of formal denouncement
feculent full of dregs or fecal matter (i.e., full of shit)
grandiloquent a lofty, extravagantly pompous style or manner
hateful deserving of or arousing hate
ignoble of low birth or common origin
ignorant lacking knowledge or comprehension
immature exhibiting less than an expected degree of maturity
insecure beset by fear and anxiety
insufferable not to be endured
jingoistic extreme nationalism and a belligerent foreign policy
knuckle-headed stupid
loathsome giving rise to loathing
lying marked by or containing untrue statements
monstrous extraordinarily ugly or vicious
narcissistic having an exaggerated sense of self-importance
obese having excessive body or brain fat
perfidious faithless or disloyal
pompous having or exhibiting self-importance
pretentious making usually unjustified or excessive claims
querulous habitually complaining
rapacious given to plundering and robbing others
reprehensible deserving very strong criticism
repugnant extremely distasteful; unacceptable
scurrilous abusive and insulting, especially with coarse language
self-centered concerned solely with one's own desires or interests
shameless insensible to disgrace
sleazy marked by low character or quality
stupid given to unintelligent decisions or acts
truculent defiant and aggressive
unctuous marked by a smug, ingratiating, and false earnestness
untrustworthy not dependable or worthy of confidence
vainglorious boastful
venal showing or motivated by susceptibility to bribery
vulgar ostentatious or excessive in expenditure or display
wanton irresponsible
xenophobic one unduly fearful of Muslims
yellow cowardly
zillionaire bigly rich
COLUMN B
asshole a stupid, annoying, or detestable person
asswipe an idiot or seemingly stupid individual. or someone who is just being an asshole
bastard an offensive or disagreeable person
boor a rude or insensitive person
braggart a loud arrogant boaster
bully one who is cruel to others who are in some way vulnerable
cheater one who deceitfully defrauds another
clown a rude ill-bred person
cocksucker a stupid, annoying, or detestable person
coward one who shows disgraceful fear or timidity
creep an unpleasant or obnoxious person
crook a person who engages in fraudulent or criminal practices
cuck A man who is desperate for approval from women.
degenerate a sexual pervert
deviant a person who differs from what is considered acceptable
dirtball a stupid, annoying, or detestable person
douche-canoe a stupid, annoying, or detestable person
draft-dodger a person who illegally avoids joining the armed forces
failure a person unable to perform a normal function
fraud a person who is not what he or she pretends to be
freak a person who lives in a circus sideshow
fucktard a stupid, annoying, or detestable person
handjob a stupid, annoying, or detestable person
idiot a person affected with extreme mental retardation
imbecile a person affected with extreme mental retardation
imposter pretends to be someone else in order to defraud
liar a person who tells lies
low-life a person of low social status
moron a person affected with extreme mental retardation
nazi someone who has an opinion that is different than my own
pansy a weak or effeminate man or boy
pariah one who is despised or rejected
parvenu a low-born person who has gained wealth or celebrity.
pervert one given to some form of sexual perversion
piece-of-shit a stupid, annoying, or detestable person
piece-of-trash a stupid, annoying, or detestable person
pissant one who is insignificant
racist a white man
scofflaw a contemptuous law violator
scumbag a contemptible or objectionable person.
shit-for-brains a stupid, annoying, or detestable person
shit-stain a stupid, annoying, or detestable person
shitsleeve the lowest portion of the colon before the sphincter
skank a person of low or sleazy character
slacker one who evades military service in time of war
slob a slovenly or boorish person
slumdog a person who lives in dirty conditions like a stray dog.
slumlord a landlord who maintains substandard properties
sodomite a person who has anal sex with another person
sybarite a person who is excessively fond of comfort and luxury
taint the part of a woman's anatomy that touches the bicycle seat
traitor one who is false to an obligation or duty
trencherman a heavy eater
twat a person regarded as stupid or obnoxious
tyro a beginner or novice.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
my pet, enslaved and subdued with his tiny little cock out and on display for once. i like seeing him like this, i hope that you do to.
it turns out i really enjoy pulling down his panties and exposing his sexy little manhood.
he looks just right (and ripe) for a little humiliation and misadventure.
he is just so happy to strut about our home, and in nearby countryside, naked as a jaybird. usually unconcerned about who might happen to catch a quick glimpse of him. i don't think he is actually so proud of his little penis as he is quick an alert, and usually not seen. he does like to cut it close and take some chances though. when i have him as my sub, i like to test the limits of his assumed boldness and keep him permanently small and clit-like. then he’s suitably subdued, i like to show him off, giving those alert neighbours and passerbys a good opportunity to see him like this. first the neighbours and then the world...
if it wasn’t illegal I’d tie him naked to a post downtown with a sign that says "anything goes" hung on his little penis. everyone should get a good look, or a chance to play with it however they like. little dicks are tough and built to take a lot of abuse so it would be alright. I would encourage any kind of play or abuse you can imagine.
to be fair, this little cock seen here has already been worked over to be perfectly submissive. It had been caged and abused and played hard and dirty with. It’s just so easy and doesn’t take any fancy bdsm devices. don’t get me wrong, I like those too, but I tend to keep it simple. I like to smack his balls and cock with a wooden spoon or a stick (like a back scratcher). It’s a bit of a battle as I play with his balls (they are so sensitive when he’s caged) but if his lovely little cock grows at all, i smack the balls harder and harder until his arousal subsides and his cock is tamed. the other night I formed a snow ball around his caged cock while he stood there naked and bound in the darkness of our yard. it was extremely satisfying.
...et Voila! Mon chere. i love the results. do you?
a tiny dick and blue balls too.
i had a water camera and wanted something better than him swimming in his tiny thong. the lake is cold i had him pull his suit aside so i could get at his penis. it was so small, i loved it. perfect for photos. i took some shots then had him give me his bathing suit. i left him out there naked trying to not to be seen. he stayed in for about an hour hoping everyone would leave. the lake really is not warm and when he finally had the balls to come ashore, that's all he had. his penis was smaller than my pinky, sticking straight out and hard as a rock. it was like a little frozen ice cube.
i'll give him credit though, when he finally decided to come in, he just walked up normally. he was in full view of everyone that was still there but just calmly walked up and got his towel to dry off and cover up. the few beachgoers left got a pretty good view of my little man in all his glorious tininess.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Eduard van der Nüll: The Vienna State Opera commemorates the 200th birthday of its architect. Once he was driven to death.
Carmen is stabbed, Tosca jumps to her death and the Bajazzo murders his wife and rival. Much worse - because really true - is the fate of the two men who have built Vienna's State Opera, in which these masterpieces are performed: Eduard van der Nüll hanged himself after the building on the Ring Road had been fiercly criticized, and his partner, August Sicard of Sicardsburg a few weeks later died of a heart attack. The two architects literally perished in the construction of the Vienna Opera House.
The opera was still under construction, as the Viennese already mocked in rhyming form the various architectural epochs summarized here: Sicardsburg and van der Nüll, both have no style, Greek, Gothic, Renaissance, that's all the same to them!
In newspaper reports, the opera was referred to as "Königgrätz of the architecture", which was then, a few years after the most momentous military defeat of the monarchy, a special humiliation. The architects were even more annoyed by the commentary of Emperor Franz Joseph, who called the Hofoper a "sunken box".
Bad planning
In fact, the level of the track of the Opera Ring was one meter higher than the archways of the still unfinished structure. However, Sicardsburg and van der Nüll were not able to do anything. Instead, a misplaced planning by the Hofbauamt (Vienna Court Building Department) meant that the carriageway was laid higher than planned. However, it was clear to the public that the architects of the opera were responsible for the structural catastrophe. The 56-year-old van der Nüll was able to withstand the hostility towards him from all parts of society. He hanged himself on 4 April 1868 in his apartment in Windmühl alley (6th district of Vienna). Two months later, after a heart failure, Sicardsburg collapsed dead over his drawing table. He could not get over the suicide of his friend.
The two architects have been inseparable since their studies at the Vienna Academy of Arts, they had a joint studio and were also closely associated privately. In Internet forums they are referred to as a gay couple, there are guides through the "Gay Vienna", which point to the buildings of Sicardsburg and van der Nülls.
Pregnant
However, van der Nüll had married a year before his death, which gives the suicide another dramatic touch: his wife Maria was in the eighth month pregnant when she found the body of her husband in her apartment. In the Vienna City and State Archives is the estate of van der Nülls, whose letters bear witness to deep love to his wife. "For your loving affection, may God reward you, I can find no words for the recognition that is preserved in my heart," he wrote shortly before his death to her.
Whether the hostility against him and his partner was the sole cause of the tragedy is unclear. It is clear that both were ill: If van der Nüll's suicide in the forensic expert's report with "mental confusion" is explained, this is probably due to the fact that him should be made possible a church funeral. However, the death certificate also shows pulmonary edema. All in all, the illness, the strain of opera building and the public attacks could have led to suicide. And Sicardsburg had been suffering from a long-term illness.
Eduard van der Nüll was - despite the Dutch-sounding name - a genuine Vienna man. Born the illegitimate son of an officer, he grew up modest after the early death of his parents after his guardian had misappropriated most of his family fortune.
Founder time
Just as he and Sicardsburg had completed their study of architecture, Vienna's urban expansion was decided upon, which resulted in an unprecedented building activity. The soon-to-be-prominent architectural duo received numerous contracts in the early days, before he was entrusted with the planning of the six million gulden (= around € 70 million today) expensive Court opera. It was to be the highlight of their work. And became a deadly burden.
On May 25, 1869, about a year after van der Nüll and Sicardsburg's death, the opera was opened in the presence of Emperor Franz Joseph with a festive performance of Mozart's "Don Giovanni". Meanwhile, the level of the roadway had been adapted to the building and the Viennese were enthusiastic about the new magnificent building on the ring road. No one could understand why polemic against the late architects was once so violent.
Least of all Emperor Franz Joseph, who was so shaken by the tragic events surrounding the construction of the opera that he avoided ever again publicly announcing his personal opinion. The now used by him, made famous as meaningless as uncritical phrase "It was very beautiful, I was very happy," is the direct result of the drama to the two architects.
Symbol
Today, the Staatsoper is the landmark and most important symbol of the music metropolis Vienna. Opera director Dominique Meyer appreciates the contribution made by the two creators of the house: on January 9, Eduard van der Nüll's 200th birthday, he lays down a wreath at the architect's honorary grave at Vienna's Central Cemetery
The architects: They built Vienna's opera
Eduard van der Nüll. Born on January 9, 1812 in Vienna as the illegitimate son of Field Marshal von Welden. While studying architecture at the Vienna Art Academy, he met his future partner, August Sicard von Sicardsburg, with whom he founded an architectural office after a three-year joint study tour through Europe. Eduard van der Nüll took his life on April 4, 1868.
August von Sicardsburg. Born on December 6, 1813 in Budapest. Coined the architecture of Viennese Historicism of the Wilhelminian era with van der Nüll. Common buildings: Sophienbad (bath), Carltheater, Arsenal, Haas house on Saint Stephen's square, several noble palais and the Vienna Opera. Sicardsburg died on June 11, 1868 in Weidling near Vienna, only two months after the suicide of his partner.
Eduard van der Nüll: Die Wiener Staatsoper gedenkt des 200. Geburtstags ihres Architekten. Einst wurde er in den Tod getrieben.
Carmen wird erstochen, Tosca springt in den Tod und der Bajazzo ermordet seine Frau samt Nebenbuhler. Viel schlimmer noch – weil wirklich wahr – ist das Schicksal der beiden Männer, die Wiens Staatsoper, in der diese Meisterwerke aufgeführt werden, gebaut haben: Eduard van der Nüll erhängte sich, nachdem man den Prunkbau an der Ringstraße heftig kritisiert hatte, und sein Partner August Sicard von Sicardsburg erlag wenige Wochen danach einem Herzschlag. Die beiden Architekten sind an der Errichtung des Wiener Opernhauses buchstäblich zugrunde gegangen.
Die Oper stand noch im Rohbau, da spotteten die Wiener bereits in Reimform über die verschiedenen hier zusammengefassten Architektur-Epochen: Sicardsburg und van der Nüll, die haben beide keinen Styl, griechisch, gotisch, Renaissance, das is denen alles ans!
In Zeitungsberichten wurde die Oper als „Königgrätz der Baukunst“ bezeichnet, was damals, wenige Jahre nach der folgenschwersten militärischen Niederlage der Monarchie, eine besondere Demütigung war. Als noch ärger empfanden die Architekten den Kommentar Kaiser Franz Josephs, der die Hofoper eine „versunkene Kiste“ nannte.
Fehlplanung
Tatsächlich war das Niveau der Fahrbahn des Opernrings um einen Meter höher als die Torbögen des noch unfertigen Bauwerks. Doch dafür konnten Sicardsburg und van der Nüll nichts, vielmehr hatte eine Fehlplanung des Hofbauamtes dazu geführt, dass die Fahrbahn höher als vorgesehen angelegt wurde. Für die Öffentlichkeit stand aber fest, dass die Architekten der Oper die bauliche Katastrophe zu verantworten hätten. Der 56-jährige van der Nüll war den gegen ihn aus allen Kreisen der Gesellschaft gerichteten Anfeindungen nicht gewachsen. Er erhängte sich am 4. April 1868 in seiner Wohnung in der Windmühlgasse. Zwei Monate später brach Sicardsburg nach einem Herzschlag über seinem Zeichentisch tot zusammen. Er konnte den Selbstmord des Freundes nicht verwinden.
Die beiden Architekten waren seit ihrer Studienzeit an der Wiener Kunstakademie unzertrennlich, sie hatten ein gemeinsames Atelier und waren auch privat eng verbunden. In Internetforen werden sie als homosexuelles Paar bezeichnet, es gibt Reiseführer durch das „Schwule Wien“, die auf die Bauten Sicardsburgs und van der Nülls hinweisen.
Schwanger
Allerdings hatte van der Nüll ein Jahr vor seinem Tod geheiratet, was dem Selbstmord eine weitere dramatische Note verleiht: Seine Frau Maria war, als sie die Leiche ihres Mannes in ihrer Wohnung fand, im achten Monat schwanger. Im Wiener Stadt- und Landesarchiv liegt der Nachlass van der Nülls, dessen Briefe an seine Frau von tiefer Liebe zeugen. „Für Deine liebende Zuneigung möge Gott Dich belohnen, ich finde keine Worte für die Anerkennung, die in meinem Herzen dafür bewahrt ist“, schrieb er ihr noch kurz vor seinem Tod.
Ob die Anfeindungen gegen ihn und seinen Kompagnon der alleinige Grund für die Tragödie waren, ist unklar. Fest steht, dass beide krank waren: Wenn van der Nülls Selbstmord im gerichtsmedizinischen Gutachten mit „geistiger Verwirrung“ erklärt wird, ist das wohl darauf zurückzuführen, dass ihm ein kirchliches Begräbnis ermöglicht werden sollte. Allerdings zeigt das Totenbeschauprotokoll auch ein Lungenödem auf. Alles in allem könnten die Krankheit, die Belastung durch den Opernbau und die Angriffe in der Öffentlichkeit zum Freitod geführt haben. Und Sicardsburg war seit längerem herzleidend.
Eduard van der Nüll war – trotz des holländisch klingenden Namens – ein waschechter Wiener. Als unehelicher Sohn eines Offiziers zur Welt gekommen, wuchs er nach dem frühen Tod der Eltern in bescheidenen Verhältnissen auf, nachdem sein Vormund den Großteil des Familienvermögens veruntreut hatte.
Gründerzeit
Gerade als er und Sicardsburg ihr Architekturstudium beendet hatten, wurde Wiens Stadterweiterung beschlossen, die eine nie dagewesene Bautätigkeit zur Folge hatte. Das bald prominente Architektenduo erhielt in der Gründerzeit zahlreiche Aufträge, ehe ihm die Planung der sechs Millionen Gulden (= heute rund 70 Millionen €) teuren Hofoper anvertraut wurde. Sie sollte zum Höhepunkt ihres Schaffens werden. Und wurde zur tödlichen Belastung.
Am 25. Mai 1869, rund ein Jahr nach van der Nülls und Sicardsburgs Tod, wurde die Oper in Anwesenheit Kaiser Franz Josephs mit einer Festvorstellung von Mozarts „Don Giovanni“ eröffnet. Mittlerweile war das Niveau der Fahrbahn dem Gebäude angeglichen worden und die Wiener waren von dem neuen Prunkbau an der Ringstraße hellauf begeistert. Niemand konnte verstehen, warum gegen die verstorbenen Architekten einst so heftig polemisiert wurde.
Am allerwenigsten Kaiser Franz Joseph, den die tragischen Ereignisse um den Bau der Oper dermaßen erschütterten, dass er es vermied, je wieder öffentlich seine persönliche Meinung kundzutun. Die von ihm ab jetzt verwendete, berühmt gewordene, ebenso nichtssagende wie kritiklose Floskel „Es war sehr schön, es hat mich sehr gefreut“, ist die direkte Folge des Dramas um die beiden Architekten.
Symbol
Heute ist die Staatsoper Wahrzeichen und wichtigstes Symbol der Musikmetropole Wien. Operndirektor Dominique Meyer weiß den Anteil der beiden Schöpfer des Hauses zu schätzen: Er lässt am 9. Jänner, Eduard van der Nülls 200. Geburtstag, am Ehrengrab des Architekten am Wiener Zentralfriedhof einen Kranz niederlege
Die Architekten: Sie bauten Wiens Oper
Eduard van der Nüll Geboren am 9. Jänner 1812 in Wien als unehelicher Sohn des Feldmarschalls von Welden. Lernte während des Architekturstudiums an der Wiener Kunstakademie seinen späteren Partner August Sicard von Sicardsburg kennen, mit dem er nach einer dreijährigen gemeinsamen Studienreise durch Europa ein Architekturbüro gründete. Eduard van der Nüll nahm sich am 4. April 1868 das Leben.
August von Sicardsburg Geboren am 6. Dezember 1813 in Budapest. Prägte mit van der Nüll die Baukunst des Wiener Historismus der Gründerzeit. Gemeinsame Bauten: Sophienbad, Carltheater, Arsenal, Haashaus am Stephansplatz, mehrere Adelspalais und die Wiener Oper. Sicardsburg starb am 11. Juni 1868 in Weidling bei Wien, nur zwei Monate nach dem Selbstmord seines Partners.
+Blair: If you're here to deliver any further humiliation, Dorota can sign for it
-Chuck: Jenny was right. If we keep going we'll both end up dead and I like myself too much to let that happen, I assume you feel the same.
+Blair: About my self? More. What do you suggest?
-Chuck: A truce.
+Blair: Why don't you just skywrite the word double-cross, it would be more suttle.
-Chuck: Look, we can keep blaming each other for what happened that night, or we could admit a harder truth; it was no one's fault. It was fate, tragedy.
+Blair: If Serena hadn't kissed Dan, then Nate wouldn't have been at the hospital looking for her or Jenny wouldn't have come looking for Nate.
-Chuck: If Dorota hadn't gone into labor...
+Blair: Mabye everything would be different. But it's not.
-Chuck: We're holding onto the pain, because that's all we have left. But we don't have to, we have a choice.
+Blair: Truce? You can see yourself out.
-Chuck: I know the way
_______________________________________________________
*Here video: www.youtube.com/watch?v=9E2k_Q6ppS8&rel=0&autoplay=1
About 3,500 serving soldiers from the British troops have been called up at the last moment as replacement security staff for the LONDON 2012.
Initially G4S Secure Solutions (UK) has been appointed official Security Services Provider for the London Games in March 2011. Due to a shortage of adequately trained G4S security staff, the UK Govt announced that 3,500 British troops would be deployed with up to 2,000 more if needed only on July 12 2012, just 15 days before the Games.
G4S plc (formerly Group 4 Securicor) is a British multinational security services company, is the world's largest security company measured by revenues and has operations in more than 125 countries with over 657,000 employees.
Olympics staffing episode, a "humiliating shambles", wiped off £700 million worth of share value from beleaguered security firm G4S.
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
ShareEmpathy Quotes
It has always been a mystery to me how men can feel honoured by the humiliation of their fellow beings.
Reference:
www.brainyquote.com/quotes/quotes/m/mahatmagan160759.html
www.braintrainingtools.org/skills/empathy-quotes-humiliat...
" But the rich should take pride in their humiliation- since they will pass away like a wild flower. " - James 1:10
Cock and ball torture (CBT), penis torture or dick torture is a sexual activity involving application of pain or constriction to the penis or testicles. This may involve directly painful activities, such as genital piercing, wax play, genital spanking, squeezing, ball-busting, genital flogging, urethral play, tickle torture, erotic electrostimulation, kneeing or kicking.[1] The recipient of such activities may receive direct physical pleasure via masochism, or emotional pleasure through erotic humiliation, or knowledge that the play is pleasing to a sadistic dominant. Many of these practices carry significant health risks.[2]
Contents
Devices and practices
Top left: Erotic electrostimulation. Top right: Trampling the penis. Bottom left: Wax play. Bottom right: Chastity piercing.
Similar to many other sexual activities, CBT can be performed using toys and devices to make the penis and testicles more easily accessible for attack, or for foreplay purposes.[3][4]
Ball stretcher
A metal ball stretcher and cock ring, which forces penis' erection.
A ball stretcher is a sex toy that is used to elongate the scrotum and provide a feeling of weight pulling the testicles away from the body. This can be particularly enjoyable for the wearer as it can make an orgasm more intense, as testicles are prevented from moving up. Intended to make one's testicles permanently hang much lower than before (if used regularly for extended periods of time), this sex toy can be potentially harmful to the male genitals as the circulation of blood can be easily cut off if over-tightened.
While leather stretchers are most common, other models consist of an assortment of steel rings that fastens with screws, causing additional but only mildly uncomfortable weight to the wearer's testicles. The length of the stretcher may vary from 1-4 inches.[5] A more dangerous type of ball stretcher can be home-made simply by wrapping rope or string around one's scrotum until it is eventually stretched to the desired length.
Ball crusher
A ball crusher is a device made from either metal or often clear acrylic that squeezes the testicles slowly by turning a nut or screw. How tight it is clamped depends on the pain tolerance of the person it is used on. A ball crusher is often combined with bondage, either with a partner or by oneself.
Parachute
A parachute is a small collar, usually made from leather, which fastens around the scrotum, and from which weights can be hung. It is conical in shape, with three or four short chains hanging beneath, to which weights can be attached.
Used as part of cock and ball torture within a BDSM relationship, the parachute provides a constant drag, and a squeezing effect on the testicles. Moderate weights of 3–5 kg can be suspended, especially during bondage, though occasionally much heavier weights are used. Smaller weights can be used when the male wearing it is free to move; the swinging effect of the weight can restrict sudden movements, as well as providing a visual stimulus for the dominant partner.[citation needed]
Humbler
Man with humbler
A humbler is a BDSM physical restraint device used to restrict the movement of a submissive male participant in a BDSM scene.
The humbler consists of a testicle cuff device that clamps around the base of the scrotum, mounted in the center of a bar that passes behind the thighs at the base of the buttocks. This forces the wearer to keep his legs folded forward, as any attempt to straighten the legs even slightly pulls hard on the scrotum, causing anything from considerable discomfort to extreme pain.
Testicle cuffs
A testicle cuff is a ring-shaped device around the scrotum between the body and the testicles which when closed does not allow the testicles to slide through it. A common type has two connected cuffs, one around the scrotum and the other around the base of the penis. They are just one of many devices to restrain the male genitalia. A standard padlock, which cannot be removed without its key, may also be locked around the scrotum.
Some passive men enjoy the feeling of being "owned", while dominant individuals enjoy the sense of "owning" their partners. Requiring such a man wear testicle cuffs symbolizes that his sexual organs belong to his partner, who may be either male or female. There is a level of humiliation involved, by which they find sexual arousal. The cuffs may even form part of a sexual fetish of the wearer or his partner.[citation needed]
However, these are extreme uses of testicle cuffs. More conventionally, the device pulls down the testicles and keeps them there during stimulation, which has a number of benefits:
Making the penis appear longer. Pulling the testicles down and away from the base of the penis stretches the skin over the base of the penis and pubic bone, exposing the additional inch or so of penile shaft that is normally hidden from view.
Improving sexual arousal. While some men may be aroused by the feeling of being "owned", the physical feeling of stretching the ligaments that suspend the testicles has an effect similar to the more common practice of stretching one's legs and pointing the toes.
Preventing the testicles from lifting up so far that they become lodged under the skin immediately adjacent to the base of the penis, a condition which can be very uncomfortable, especially if the testicle is then squashed by the slap of skin during thrusting in sexual intercourse.
Delaying or intensifying ejaculation by preventing the testicles from rising normally to the "point of no return". It is much harder to reach an orgasm.
Cock harness
A cock harness is a penile sex toy designed to be worn around the penis and scrotum. Its function is similar to that of a cock ring. These devices are often associated with BDSM activities. The Gates of Hell is a male chastity device made up of multiple cock rings that can be used for CBT.[6] Kali's Teeth is a metal bracelet with interior spikes that closes around the penis and can be used for preventing or punishing erections.[7]
Ball busting
Ball busting: A woman kicking male submissive's testicles at Folsom Street Fair, USA
"Ball busting" is the practice of kicking or kneeing men in the testicles. It carries several medical risks, including the danger of testicular rupture from blunt trauma.
CBT in Japan
Tamakeri (玉蹴り) (lit. ball kicking) is a sexual fetish and subgenre of BDSM within which a man's testicles are abused. The genre is also referred to as ballbusting ("bb" for short).[8][9] Tamakeri is the Japanese term, but it is used by many non-Japanese people to describe media where Asian people—mainly women—are participating in it. The dynamics of tamakeri consist of a masochist having their testicles hurt by a sadist.[10] The fetish is popular among heterosexual and homosexual men and women.[11]
Denkianma (電気按摩) (lit. "electric massage") is a popular Japanese prank played between two people where one person puts their foot into the genital area of the other and shakes it in a vibrating motion.[12][13] Often this is done by grabbing the other person's feet, raising them, and then placing one's own foot on their crotch and vibrating it. This is often done between school aged boys as a prank similar to kancho and could be seen by a western audience as a type of bullying. In 2006 the crisps company Doritos released a new flavour of potato chip called "Denkianma".[14]
Safety
This section needs attention from an expert in health. The specific problem is: concerns medical topics, but lacks appropriate citations.
Loss of blood flow is one of the biggest risks in cock and ball torture, which can be seen with loss of color and edemas.[15] Bondage in which the testicles are tied to something else is especially dangerous, increasing the risk of the testicles getting damaged through excessive tension or pulling.
The most serious injuries are testicular rupture, testicular torsion and testicular avulsion, which are medical emergencies that require urgent medical attention.[16]
In memoriam Eduard van der Nüll and August Sicard of Sicardsburg
Eduard van der Nüll: The Vienna State Opera commemorates the 200th birthday of its architect. Once he was driven to death.
Carmen is stabbed, Tosca jumps to her death and the Bajazzo murders his wife and rival. Much worse - because really true - is the fate of the two men who have built Vienna's State Opera, in which these masterpieces are performed: Eduard van der Nüll hanged himself after the building on the Ring Road had been fiercly criticized, and his partner, August Sicard of Sicardsburg a few weeks later died of a heart attack. The two architects literally perished in the construction of the Vienna Opera House.
The opera was still under construction, as the Viennese already mocked in rhyming form the various architectural epochs summarized here: Sicardsburg and van der Nüll, both have no style, Greek, Gothic, Renaissance, that's all the same to them!
In newspaper reports, the opera was referred to as "Königgrätz of the architecture", which was then, a few years after the most momentous military defeat of the monarchy, a special humiliation. The architects were even more annoyed by the commentary of Emperor Franz Joseph, who called the Hofoper a "sunken box".
Bad planning
In fact, the level of the track of the Opera Ring was one meter higher than the archways of the still unfinished structure. However, Sicardsburg and van der Nüll were not able to do anything. Instead, a misplaced planning by the Hofbauamt (Vienna Court Building Department) meant that the carriageway was laid higher than planned. However, it was clear to the public that the architects of the opera were responsible for the structural catastrophe. The 56-year-old van der Nüll was able to withstand the hostility towards him from all parts of society. He hanged himself on 4 April 1868 in his apartment in Windmühl alley (6th district of Vienna). Two months later, after a heart failure, Sicardsburg collapsed dead over his drawing table. He could not get over the suicide of his friend.
The two architects have been inseparable since their studies at the Vienna Academy of Arts, they had a joint studio and were also closely associated privately. In Internet forums they are referred to as a gay couple, there are guides through the "Gay Vienna", which point to the buildings of Sicardsburg and van der Nülls.
Pregnant
However, van der Nüll had married a year before his death, which gives the suicide another dramatic touch: his wife Maria was in the eighth month pregnant when she found the body of her husband in her apartment. In the Vienna City and State Archives is the estate of van der Nülls, whose letters bear witness to deep love to his wife. "For your loving affection, may God reward you, I can find no words for the recognition that is preserved in my heart," he wrote shortly before his death to her.
Whether the hostility against him and his partner was the sole cause of the tragedy is unclear. It is clear that both were ill: If van der Nüll's suicide in the forensic expert's report with "mental confusion" is explained, this is probably due to the fact that him should be made possible a church funeral. However, the death certificate also shows pulmonary edema. All in all, the illness, the strain of opera building and the public attacks could have led to suicide. And Sicardsburg had been suffering from a long-term illness.
Eduard van der Nüll was - despite the Dutch-sounding name - a genuine Vienna man. Born the illegitimate son of an officer, he grew up modest after the early death of his parents after his guardian had misappropriated most of his family fortune.
Founder time
Just as he and Sicardsburg had completed their study of architecture, Vienna's urban expansion was decided upon, which resulted in an unprecedented building activity. The soon-to-be-prominent architectural duo received numerous contracts in the early days, before he was entrusted with the planning of the six million gulden (= around € 70 million today) expensive Court opera. It was to be the highlight of their work. And became a deadly burden.
On May 25, 1869, about a year after van der Nüll and Sicardsburg's death, the opera was opened in the presence of Emperor Franz Joseph with a festive performance of Mozart's "Don Giovanni". Meanwhile, the level of the roadway had been adapted to the building and the Viennese were enthusiastic about the new magnificent building on the ring road. No one could understand why polemic against the late architects was once so violent.
Least of all Emperor Franz Joseph, who was so shaken by the tragic events surrounding the construction of the opera that he avoided ever again publicly announcing his personal opinion. The now used by him, made famous as meaningless as uncritical phrase "It was very beautiful, I was very happy," is the direct result of the drama to the two architects.
Symbol
Today, the Staatsoper is the landmark and most important symbol of the music metropolis Vienna. Opera director Dominique Meyer appreciates the contribution made by the two creators of the house: on January 9, Eduard van der Nüll's 200th birthday, he lays down a wreath at the architect's honorary grave at Vienna's Central Cemetery
The architects: They built Vienna's opera
Eduard van der Nüll. Born on January 9, 1812 in Vienna as the illegitimate son of Field Marshal von Welden. While studying architecture at the Vienna Art Academy, he met his future partner, August Sicard von Sicardsburg, with whom he founded an architectural office after a three-year joint study tour through Europe. Eduard van der Nüll took his life on April 4, 1868.
August von Sicardsburg. Born on December 6, 1813 in Budapest. Coined the architecture of Viennese Historicism of the Wilhelminian era with van der Nüll. Common buildings: Sophienbad (bath), Carltheater, Arsenal, Haas house on Saint Stephen's square, several noble palais and the Vienna Opera. Sicardsburg died on June 11, 1868 in Weidling near Vienna, only two months after the suicide of his partner.
Eduard van der Nüll: Die Wiener Staatsoper gedenkt des 200. Geburtstags ihres Architekten. Einst wurde er in den Tod getrieben.
Carmen wird erstochen, Tosca springt in den Tod und der Bajazzo ermordet seine Frau samt Nebenbuhler. Viel schlimmer noch – weil wirklich wahr – ist das Schicksal der beiden Männer, die Wiens Staatsoper, in der diese Meisterwerke aufgeführt werden, gebaut haben: Eduard van der Nüll erhängte sich, nachdem man den Prunkbau an der Ringstraße heftig kritisiert hatte, und sein Partner August Sicard von Sicardsburg erlag wenige Wochen danach einem Herzschlag. Die beiden Architekten sind an der Errichtung des Wiener Opernhauses buchstäblich zugrunde gegangen.
Die Oper stand noch im Rohbau, da spotteten die Wiener bereits in Reimform über die verschiedenen hier zusammengefassten Architektur-Epochen: Sicardsburg und van der Nüll, die haben beide keinen Styl, griechisch, gotisch, Renaissance, das is denen alles ans!
In Zeitungsberichten wurde die Oper als „Königgrätz der Baukunst“ bezeichnet, was damals, wenige Jahre nach der folgenschwersten militärischen Niederlage der Monarchie, eine besondere Demütigung war. Als noch ärger empfanden die Architekten den Kommentar Kaiser Franz Josephs, der die Hofoper eine „versunkene Kiste“ nannte.
Fehlplanung
Tatsächlich war das Niveau der Fahrbahn des Opernrings um einen Meter höher als die Torbögen des noch unfertigen Bauwerks. Doch dafür konnten Sicardsburg und van der Nüll nichts, vielmehr hatte eine Fehlplanung des Hofbauamtes dazu geführt, dass die Fahrbahn höher als vorgesehen angelegt wurde. Für die Öffentlichkeit stand aber fest, dass die Architekten der Oper die bauliche Katastrophe zu verantworten hätten. Der 56-jährige van der Nüll war den gegen ihn aus allen Kreisen der Gesellschaft gerichteten Anfeindungen nicht gewachsen. Er erhängte sich am 4. April 1868 in seiner Wohnung in der Windmühlgasse. Zwei Monate später brach Sicardsburg nach einem Herzschlag über seinem Zeichentisch tot zusammen. Er konnte den Selbstmord des Freundes nicht verwinden.
Die beiden Architekten waren seit ihrer Studienzeit an der Wiener Kunstakademie unzertrennlich, sie hatten ein gemeinsames Atelier und waren auch privat eng verbunden. In Internetforen werden sie als homosexuelles Paar bezeichnet, es gibt Reiseführer durch das „Schwule Wien“, die auf die Bauten Sicardsburgs und van der Nülls hinweisen.
Schwanger
Allerdings hatte van der Nüll ein Jahr vor seinem Tod geheiratet, was dem Selbstmord eine weitere dramatische Note verleiht: Seine Frau Maria war, als sie die Leiche ihres Mannes in ihrer Wohnung fand, im achten Monat schwanger. Im Wiener Stadt- und Landesarchiv liegt der Nachlass van der Nülls, dessen Briefe an seine Frau von tiefer Liebe zeugen. „Für Deine liebende Zuneigung möge Gott Dich belohnen, ich finde keine Worte für die Anerkennung, die in meinem Herzen dafür bewahrt ist“, schrieb er ihr noch kurz vor seinem Tod.
Ob die Anfeindungen gegen ihn und seinen Kompagnon der alleinige Grund für die Tragödie waren, ist unklar. Fest steht, dass beide krank waren: Wenn van der Nülls Selbstmord im gerichtsmedizinischen Gutachten mit „geistiger Verwirrung“ erklärt wird, ist das wohl darauf zurückzuführen, dass ihm ein kirchliches Begräbnis ermöglicht werden sollte. Allerdings zeigt das Totenbeschauprotokoll auch ein Lungenödem auf. Alles in allem könnten die Krankheit, die Belastung durch den Opernbau und die Angriffe in der Öffentlichkeit zum Freitod geführt haben. Und Sicardsburg war seit längerem herzleidend.
Eduard van der Nüll war – trotz des holländisch klingenden Namens – ein waschechter Wiener. Als unehelicher Sohn eines Offiziers zur Welt gekommen, wuchs er nach dem frühen Tod der Eltern in bescheidenen Verhältnissen auf, nachdem sein Vormund den Großteil des Familienvermögens veruntreut hatte.
Gründerzeit
Gerade als er und Sicardsburg ihr Architekturstudium beendet hatten, wurde Wiens Stadterweiterung beschlossen, die eine nie dagewesene Bautätigkeit zur Folge hatte. Das bald prominente Architektenduo erhielt in der Gründerzeit zahlreiche Aufträge, ehe ihm die Planung der sechs Millionen Gulden (= heute rund 70 Millionen €) teuren Hofoper anvertraut wurde. Sie sollte zum Höhepunkt ihres Schaffens werden. Und wurde zur tödlichen Belastung.
Am 25. Mai 1869, rund ein Jahr nach van der Nülls und Sicardsburgs Tod, wurde die Oper in Anwesenheit Kaiser Franz Josephs mit einer Festvorstellung von Mozarts „Don Giovanni“ eröffnet. Mittlerweile war das Niveau der Fahrbahn dem Gebäude angeglichen worden und die Wiener waren von dem neuen Prunkbau an der Ringstraße hellauf begeistert. Niemand konnte verstehen, warum gegen die verstorbenen Architekten einst so heftig polemisiert wurde.
Am allerwenigsten Kaiser Franz Joseph, den die tragischen Ereignisse um den Bau der Oper dermaßen erschütterten, dass er es vermied, je wieder öffentlich seine persönliche Meinung kundzutun. Die von ihm ab jetzt verwendete, berühmt gewordene, ebenso nichtssagende wie kritiklose Floskel „Es war sehr schön, es hat mich sehr gefreut“, ist die direkte Folge des Dramas um die beiden Architekten.
Symbol
Heute ist die Staatsoper Wahrzeichen und wichtigstes Symbol der Musikmetropole Wien. Operndirektor Dominique Meyer weiß den Anteil der beiden Schöpfer des Hauses zu schätzen: Er lässt am 9. Jänner, Eduard van der Nülls 200. Geburtstag, am Ehrengrab des Architekten am Wiener Zentralfriedhof einen Kranz niederlege
Die Architekten: Sie bauten Wiens Oper
Eduard van der Nüll Geboren am 9. Jänner 1812 in Wien als unehelicher Sohn des Feldmarschalls von Welden. Lernte während des Architekturstudiums an der Wiener Kunstakademie seinen späteren Partner August Sicard von Sicardsburg kennen, mit dem er nach einer dreijährigen gemeinsamen Studienreise durch Europa ein Architekturbüro gründete. Eduard van der Nüll nahm sich am 4. April 1868 das Leben.
August von Sicardsburg Geboren am 6. Dezember 1813 in Budapest. Prägte mit van der Nüll die Baukunst des Wiener Historismus der Gründerzeit. Gemeinsame Bauten: Sophienbad, Carltheater, Arsenal, Haashaus am Stephansplatz, mehrere Adelspalais und die Wiener Oper. Sicardsburg starb am 11. Juni 1868 in Weidling bei Wien, nur zwei Monate nach dem Selbstmord seines Partners.
I love women very much, but even if I love to wear women's underwear and girdles, I don't want to simulate femininity and I don't have transsexual ambitions. (I don't own men's underwear since a long time.) I'm just a fat, effeminate loser, so I expose myself wearing bra, garter belt and women's stockings to my public humiliation. I do this, as seen in some pictures, also in the street and in parks.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
Photographer: facebook.com/mariko.diclonius
Blame me for the edit!
My Facebook for messages, wip and stuff! www.facebook.com/DarkWingsTira
The Sultan Ahmed Mosque (Turkish: Sultanahmet Camii) is a historical mosque in Istanbul, the largest city in Turkey and was the capital of the Ottoman Empire (from 1299 to 1923). The mosque is one of several mosques known as the Blue Mosque for the blue tiles adorning the walls of its interior. It was built between 1609 and 1616, during the rule of Ahmed I. Like many other mosques, it also comprises a tomb of the founder, a madrasah and a hospice. The Sultan Ahmed Mosque has become one of the greatest tourist attractions of Istanbul.
HISTORY
After the humiliating Peace of Zsitvatorok and the unfavourable result of the wars with Persia, Sultan Ahmed I decided to build a large mosque in Istanbul to placate Allah. This would be the first imperial mosque in more than forty years. Whereas his predecessors had paid for their mosques with their war booty, Sultan Ahmed I had to withdraw the funds from the treasury, because he had not won any notable victories. This provoked the anger of the ulema, the Muslim legal scholars.
The mosque was to be built on the site of the palace of the Byzantine emperors, facing the Hagia Sophia (at that time the most venerated mosque in Istanbul) and the hippodrome, a site of great symbolic significance. Large parts of the southern side of the mosque rest on the foundations, the vaults and the undercrofts of the Great Palace. Several palaces, already built on the same spot, had to be bought (at considerable price) and pulled down, especially the palace of Sokollu Mehmet Paşa, and large parts of the Sphendone (curved tribune with U-shaped structure of the hippodrome).
Construction of the mosque started in August 1609 when the sultan himself came to break the first sod. It was his intention that this would become the first mosque of his empire. He appointed his royal architect Sedefhar Mehmet Ağa, a pupil and senior assistant of the famous architect Sinan as the architect in charge of the construction. The organization of the work was described in meticulous detail in eight volumes, now in the library of the Topkapı Palace. The opening ceremonies were held in 1617 (although the gate of the mosque records 1616) and the sultan was able to pray in the royal box (hünkâr mahfil). But the building wasn't finished yet in this last year of his reign, as the last accounts were signed by his successor Mustafa I.
Architecture
The design of the Sultan Ahmed Mosque is the culmination of two centuries of both Ottoman mosque and Byzantine church development. It incorporates some Byzantine elements of the neighboring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. The architect has ably synthesized the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour, but the interior lacks his creative thinking.
Exterior
Mehmet Paşa used large quantities of materials for the construction, in particular stone and marble, draining away supplies for other important works. The layout of the mosque is irregular, as the architect had to take into account the existing constraints of the site. Its major façade, serving as the entrance, faces the hippodrome. The architect based his plan on the Ṣehzade Mosque (1543-1548) in Istanbul, the first major large-scale work of Sinan, with the same square-based symmetrical quatrefoil plan and a spacious forecourt. This prayer hall is topped by an ascending system of domes and semi-domes, each supported by three exedrae, culminating in the huge encompassing central dome, which is 23.5 meters in diameter and 43 meters high at its central point. The domes are supported by four massive piers that recall those of the Selimiye Mosque in Edirne, another masterpiece of Sinan. It is obvious that Mehmet Paşa was overcautious by taking this inflated margin of safety, damaging the elegant proportions of the dome by their oppressive size. These "elephant feet" consist of multiple convex marble grooves at their base, while the upper half is painted, separated from the base by an inscriptive band with gilded words. Seen from the court, the profile of the mosque becomes a smooth succession of domes and semi-domes. The overall effect of the exterior on the visitor is one of perfect visual harmony, leading the eye up to the peak of the central dome.
The façade of the spacious forecourt was built in the same manner as the façade of the Süleymaniye Mosque, except for the addition of the turrets on the corner domes. The court is about as large as the mosque itself and is surrounded by a continuous, rather monotonous, vaulted arcade (revak). It has ablution facilities on both sides. The central hexagonal fountain is rather small in contrast with the dimensions of the courtyard. The monumental but narrow gateway to the courtyard stands out architecturally from the arcade. Its semi-dome has a fine stalactite structure, crowned by a rather small ribbed dome on a tall drum.
A heavy iron chain hangs in the upper part of the court entrance on the western side. Only the sultan was allowed to enter the court of the mosque on horseback. The chain was put there, so that the sultan had to lower his head every time he entered the court in order not to get hit. This was done as a symbolic gesture, to ensure the humility of the ruler in the face of the divine.
Interior
At its lower levels and at every pier, the interior of the mosque is lined with more than 20,000 handmade ceramic tiles, made at Iznik (the ancient Nicaea) in more than fifty different TULIP designs. The tiles at lower levels are traditional in design, while at gallery level their design becomes flamboyant with representations of flowers, fruit and cypresses. More than 20,000 tiles were made under the supervision of the Iznik master potter Kaşıcı Hasan,and Mustafa Mersin Efendi from Avanos(Cappadocia). However, the price the builders were able to pay for tiles was fixed by the sultan's decree, while tile prices increased over time. As a result, the tiles used later in building were of lesser quality. Their colours have faded and changed (red turning into brown and green into blue, mottled whites) and the glazes have dulled. The tiles on the back balcony wall are recycled tiles from the harem in the Topkapı Palace, when it was damaged by fire in 1574.
The upper levels of the interior are dominated by blue paint, but is of poor quality. More than 200 stained glass windows with intricate designs admit natural light, today assisted by chandeliers. On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque by repelling spiders[1]. The decorations include verses from the Qur'an, many of them made by Seyyid Kasim Gubari, regarded as the greatest calligrapher of his time. The floors are covered with carpets, which are donated by faithful people and are regularly replaced as they become worn out. The many spacious windows confer a spacious impression. The casements at floor level are decorated with opus sectile. Each exedra has five windows, some of which are blind. Each semi-dome has 14 windows and the central dome 28 (four of which are blind). The coloured glass for the windows was a gift of the Signoria of Venice to the sultan. Most of these coloured windows have by now been replaced by modern versions with little or no artistic merit.
The most important element in the interior of the mosque is the mihrab, which is made of finely carved and sculptured marble, with a stalactite niche and a double inscriptive panel above it. The adjacent walls are sheathed in ceramic tiles. But the many windows around it make it look less spectacular. To the right of the mihrab is the richly decorated minber, or pulpit, where the Imam stands when he is delivering his sermon at the time of noon prayer on Fridays or on holy days. The mosque has been designed so that even when it is at its most crowded, everyone in the mosque can see and hear the Imam.
The royal kiosk is situated at the south-east corner. It comprises a platform, a loggia and two small retiring rooms. It gives access to the royal loge in the south-east upper gallery of the mosque. These retiring rooms became the headquarters of the Grand Vizier during the suppression of the rebellious Janissary Corps in 1826. The royal loge (hünkâr mahfil) is supported by ten marble columns. It has its own mihrab, that used to be decorated with a jade rose and gilt [2] and one hundred Qurans on inlaid and gilded lecterns. [3]
The many lamps that light the interior was once covered with gold and gems [4]. Among the glass bowls one could find ostrich eggs and crystal balls [5]. All these decorations have been removed or pillaged for museums.
The great tablets on the walls are inscribed with the names of the caliphs and verses from the Quran, originally by the great 17th-century calligrapher Ametli Kasım Gubarım, but they have frequently been restored
Minarets
The Sultan Ahmed Mosque is one of the two mosques in Turkey that has six minarets, the other is in Adana. When the number of minarets was revealed, the Sultan was criticized for presumption, since this was, at the time, the same number as at the mosque of the Ka'aba in Mecca. He overcame this problem by paying for a seventh minaret at the Mecca mosque.
Four minarets stand at the corners of the mosque. Each of these fluted, pencil-shaped minarets has three balconies (ṣerefe) with stalactite corbels, while the two others at the end of the forecourt only have two balconies.
Until recently the muezzin or prayer-caller had to climb a narrow spiral staircase five times a day to announce the call to prayer. Today a public address system is used, and the call can be heard across the old part of the city, echoed by other mosques in the vicinity. Large crowds of both Turks and tourists gather at sunset in the park facing the mosque to hear the call to evening prayers, as the sun sets and the mosque is brilliantly illuminated by coloured floodlights.