View allAll Photos Tagged Humiliated
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
This now-rare installment in the "Corean Customs" series of postcards shows a type of cangue punishment, likely in conjunction with public humiliation. A handful of other "criminal" cards depict the trial process--i.e., justice meted out swiftly--and public hangings.
'The Humiliated' at the Salaspils Concentration Camp Site, outside of Riga, Latvia.
William and I are ready to go trick or treating.....
(Truth: William is not talking to me! hee hee he is completely humiliated and offended)
From Wikipedia:
The Sultan Ahmed Mosque (Turkish: Sultanahmet Camii) is the national mosque of Turkey, and is a historical mosque in Istanbul, the largest city in Turkey and the capital of the Ottoman Empire (from 1453 to 1923). The mosque is one of several mosques known as the Blue Mosque for the blue tiles adorning the walls of its interior. It was built between 1609 and 1616, during the rule of Ahmed I. Like many other mosques, it also comprises a tomb of the founder, a madrasah and a hospice. The Sultan Ahmed Mosque has become one of the greatest tourist attractions of Istanbul.
After the humiliating Peace of Zsitvatorok and the unfavourable result of the wars with Persia, Sultan Ahmed I decided to build a large mosque in Istanbul to placate Allah. This would be the first imperial mosque in more than forty years. Whereas his predecessors had paid for their mosques with their war booty, Sultan Ahmed I had to withdraw the funds from the treasury, because he had not won any notable victories. This provoked the anger of the ulema, the Muslim legal scholars.
The mosque was to be built on the site of the palace of the Byzantine emperors, facing the Hagia Sophia (at that time the most venerated mosque in Istanbul) and the hippodrome, a site of great symbolic significance. Large parts of the southern side of the mosque rest on the foundations, the vaults and the undercrofts of the Great Palace. Several palaces, already built on the same spot, had to be bought (at considerable price) and pulled down, especially the palace of Sokollu Mehmet Paşa, and large parts of the Sphendone (curved tribune with U-shaped structure of the hippodrome).
Construction of the mosque started in August 1609 when the sultan himself came to break the first sod. It was his intention that this would become the first mosque of his empire. He appointed his royal architect Sedefhar Mehmet Ağa, a pupil and senior assistant of the famous architect Sinan as the architect in charge of the construction. The organization of the work was described in meticulous detail in eight volumes, now in the library of the Topkapı Palace. The opening ceremonies were held in 1617 (although the gate of the mosque records 1616) and the sultan was able to pray in the royal box (hünkâr mahfil). But the building wasn't finished yet in this last year of his reign, as the last accounts were signed by his successor Mustafa I. Known as the Blue Mosque, Sultan Ahmet Mosque is one of the most impressive monuments in the world. It is one of the elements included in the complex built by Ahmed I to compete with Ayasofya.
The design of the Sultan Ahmed Mosque is the culmination of two centuries of both Ottoman mosque and Byzantine church development. It incorporates some Byzantine elements of the neighboring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. The architect has ably synthesized the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour, but the interior lacks his creative thinking. During the rule of Ahmed I, Sultan Ahmet mosque was built between 1609 and 1616 CE. Designed by architect Sedefkar Mehmet Aga, the Sultan Ahmet Mosque is considered to be the last example of classical Ottoman architecture.
Mehmet Paşa used large quantities of materials for the construction, in particular stone and marble, draining away supplies for other important works. The layout of the mosque is irregular, as the architect had to take into account the existing constraints of the site. Its major façade, serving as the entrance, faces the hippodrome. The architect based his plan on the Ṣehzade Mosque (1543-1548) in Istanbul, the first major large-scale work of Sinan, with the same square-based symmetrical quatrefoil plan and a spacious forecourt. This prayer hall is topped by an ascending system of domes and semi-domes, each supported by three exedrae, culminating in the huge encompassing central dome, which is 23.5 meters in diameter and 43 meters high at its central point. The domes are supported by four massive piers that recall those of the Selimiye Mosque in Edirne, another masterpiece of Sinan. It is obvious that Mehmet Paşa was overcautious by taking this inflated margin of safety, damaging the elegant proportions of the dome by their oppressive size. These "elephant feet" consist of multiple convex marble grooves at their base, while the upper half is painted, separated from the base by an inscriptive band with gilded words. Seen from the court, the profile of the mosque becomes a smooth succession of domes and semi-domes. The overall effect of the exterior on the visitor is one of perfect visual harmony, leading the eye up to the peak of the central dome.
The façade of the spacious forecourt was built in the same manner as the façade of the Süleymaniye Mosque, except for the addition of the turrets on the corner domes. The court is about as large as the mosque itself and is surrounded by a continuous, rather monotonous, vaulted arcade (revak). It has ablution facilities on both sides. The central hexagonal fountain is rather small in contrast with the dimensions of the courtyard. The monumental but narrow gateway to the courtyard stands out architecturally from the arcade. Its semi-dome has a fine stalactite structure, crowned by a rather small ribbed dome on a tall drum.
A heavy iron chain hangs in the upper part of the court entrance on the western side. Only the sultan was allowed to enter the court of the mosque on horseback. The chain was put there, so that the sultan had to lower his head every time he entered the court in order not to get hit. This was done as a symbolic gesture, to ensure the humility (smallness) of the ruler in the face of the divine.
he many lamps that light the interior was once covered with gold and gems [8]. Among the glass bowls one could find ostrich eggs and crystal balls. All these decorations have been removed or pillaged for museums.
The great tablets on the walls are inscribed with the names of the caliphs and verses from the Quran, originally by the great 17th-century calligrapher Ametli Kasım Gubarım, but they have frequently been restored.
The Sultan Ahmed Mosque is one of the two mosques in Turkey that has six minarets, the other is in Adana. When the number of minarets was revealed, the Sultan was criticized for presumption, since this was, at the time, the same number as at the mosque of the Ka'aba in Mecca. He overcame this problem by paying for a seventh minaret at the Mecca mosque.
Four minarets stand at the corners of the mosque. Each of these fluted, pencil-shaped minarets has three balconies (ṣerefe) with stalactite corbels, while the two others at the end of the forecourt only have two balconies.
Until recently the muezzin or prayer-caller had to climb a narrow spiral staircase five times a day to announce the call to prayer. Today a public address system is used, and the call can be heard across the old part of the city, echoed by other mosques in the vicinity. Large crowds of both Turks and tourists gather at sunset in the park facing the mosque to hear the call to evening prayers, as the sun sets and the mosque is brilliantly illuminated by coloured floodlights.
Russian postcard by Dynamo, no. MB 22975-86, 1954.
Russian opera singer Feodor Chaliapin (1873–1938) was an international sensation and is considered as the greatest Russian singer of the twentieth century, as well as the greatest male operatic actor ever. The possessor of a large, deep and expressive basso profundo, he was celebrated at major opera houses all over the world and established the tradition of naturalistic acting in operas. The only sound film which shows his acting style is Don Quixote (Georg Wilhelm Pabst, 1933).
Feodor Ivanovich Chaliapin (Russian: Фёдор Ива́нович Шаля́пин, or Fyodor Ivanovich Shalyapin) was born in 1873, into a poor peasant family in Omet Tawi, near Kazan, Russia. His childhood was full of suffering, hunger, and humiliation. From the age of 10, he worked as an apprentice to a shoemaker, a sales clerk, a carpenter, and a lowly clerk in a district court before joining, at age 17, a local operetta company. In 1890, Chaliapin was hired to sing in a choir at the Semenov-Samarsky private theatre in Ufa. There he began singing solo parts. In 1891, he toured Russia with the Dergach Opera. In 1892, he settled in Tiflis (now Tbilisi, Georgia), because he found a good teacher, Dmitri Usatov, who gave Chaliapin free professional opera training for one year. He also sang at the St. Aleksandr Nevsky Cathedral in Tbilisi. In 1893, he began his career at the Tbilisi Opera, and a year later, he moved to Moscow upon recommendation of Dmitri Usatov. In 1895 ,Chaliapin debuted at the Imperial Mariinsky Theatre as Mephistopheles in Charles Gounod’s Faust, in which he was a considerable success. In 1896 he also joined Mamontovs Private Russian Opera in Moscow, where he mastered the Russian, French, and Italian roles that made him famous. Savva Mamontov was a Russian industrialist and philanthropist, who staged the operas, conducted the orchestra, trained the actors, taught them singing and paid all the expenses. At Mamontov's, he met in 1897 Sergei Rachmaninoff, who started as an assistant conductor there. The two men remained friends for life. With Rachmaninoff he learned the title role of Modest Mussorgsky's Boris Godunov, which became his signature character. Rachmaninoff taught him much about musicianship, including how to analyse a music score, and insisted that Chaliapin learn not only his own roles but also all the other roles in the operas in which he was scheduled to appear. When Chaliapin became dissatisfied with his performances, Chaliapin began to attend straight dramatic plays to learn the art of acting. His approach revolutionised acting in opera. In 1896, Savva Mamontov introduced Chaliapin to a young Italian ballerina Iola Tornagi, who came to Moscow for a stage career. She quit dancing and devoted herself to family life with Chaliapin. He was very happy in this marriage. From 1899 until 1914, he also performed regularly at the Bolshoi Theatre in Moscow. The couple settled in Moscow and had six children. Their first boy died at the age of 4, causing Chaliapin a nervous breakdown.
In 1901, Feodor Chaliapin made his sensational debut at La Scala in the role of the devil in Mefistofele by Arrigo Boito under the baton of conductor Arturo Toscanini. Other famous roles were Boris Godunov in Mussorgsky's opera, King Philip in Giuseppe Verdi's Don Carlos. Bertram in Giacomo Meyerbeer's Robert le Diable, and Ivan the Terrible in The Maid of Pskov by Nikolai Rimsky-Korsakov. His great comic characterizations were Don Basilio in Gioachino Rossini’s Il barbiere di Siviglia and Leporello in Wolfgang Amadeus Mozart’s Don Giovanni. In 1906, Chaliapin started a civil union with Maria Valentinovna Petzhold (also called: Maria Augusta Eluchen) in St. Petersburg, Russia. She had three daughters with Chaliapin in addition to 2 other children from her previous family. He could not legalize his second family, because his first wife would not give him a divorce. Chaliapin even applied to the Emperor Tsar Nicholas II with a request of registering his three daughters under his last name. His request was not satisfied. In 1913, Chaliapin was introduced to London and Paris by the brilliant entrepreneur Sergei Diaghilev. He began giving well-received solo recitals in Paris in which he sang traditional Russian folk songs as well as more serious fare, and also performed at the Paris Opera. His acting and singing was sensational to the western audiences. He made many sound recordings, of which the 1913 recordings of the Russian folk songs Vdol po Piterskoi and The Song of the Volga Boatmen are best known. In 1915, he made his film debut as Czar Ivan IV the Terrible in the silent Russian film Tsar Ivan Vasilevich Groznyy/Czar Ivan the Terrible (Aleksandr Ivanov-Gai, 1915) opposite the later director Richard Boleslawski. Fourteen years later, he appeared in another silent film, the German-Czech coproduction Aufruhr des Blutes/Riot of the blood (Victor Trivas, 1929) with Vera Voronina and Oscar Marion.
Feodor Chaliapin was torn between his two families for many years, living with one in Moscow, and with another in St. Petersburg. With Maria Petzhold and their three daughters, he left Russia in 1922 as part of an extended tour of western Europe. They would never return. Ther family settled in Paris. A man of lower-class origins, Chaliapin was not unsympathetic to the Bolshevik Revolution and his emigration from Russia was painful. Although he had left Russia for good, he remained a tax-paying citizen of Soviet Russia for several years. Finally he could divorce in 1927 and marry Maria Petzhold. Chaliapin worked for impresario Sol Hurok and from 1921 on, he sang for eight seasons at the Metropolitan Opera in New York. His debut at the Met in the 1907 season had been disappointing due to the unprecedented frankness of his stage acting. In 1921, the public in New York had grown more broad-minded and the eight seasons were a huge success. According to Steve Shelokhonov at IMDb, Chaliapin was the undisputed best basso in the first half of the 20th century. He had revolutionised opera by bringing serious acting in combination with great singing. His first open break with the Soviet regime occurred in 1927 when the government, as part of its campaign to pressure him into returning to Russia, stripped him of his title of 'The First People’s Artist of the Soviet Republic' and threatened to deprive him of Soviet citizenship. Prodded by Joseph Stalin, Maxim Gorky, Chaliapin’s longtime friend, tried to persuade him to return to Russia. Gorky broke with him after Chaliapin published his memoirs, Man and Mask: Forty Years in the Life of a Singer (Maska i dusha, 1932), in which he denounced the lack of freedom under the Bolsheviks.
The only sound film which shows Chaliapin's acting style is Don Quixote/Adventures of Don Quixote (Georg Wilhelm Pabst, 1933). He had also starred onstage as the knight in Jules Massenet's 1910 opera, Don Quichotte, but the 1933 film does not use Massenet's music, and is more faithful to Miguel de Cervantes' novel than the opera. In fact there were three versions of this early sound film. Georg Wilhelm Pabst shot simultaneously with the German language version also English and French versions. Feodor Chaliapin Sr. starred in all three versions of Don Quixote, but with a different supporting cast. Sancho Pansa was played by Dorville in the German and French versions but by George Robey in the English version. Benoit A. Racine at IMDb: "These films (the French, English and German versions) were an attempt to capture his legendary stage performance of this character even though the songs are by Jacques Ibert. Ravel had also been asked to compose the songs for the film but he missed the deadline and his songs survive on their own with texts that are different from those found here. The interplay between the French and English versions is fascinating. Some scenes are done exactly the same for better or worse, some use the same footage, re-cut to edit out performance problems, while others have slight variants in staging and dialogue. (The English version was doctored by Australian-born scriptwriter and director John Farrow, Mia's father, by the way.) Even though the films are short and they transform, reduce and simplify considerably the original novel, they still manage to carry the themes and the feeling that would make Man of La Mancha a hit several decades later and to be evocative of Cervantes' Spain." In the late 1930s, Feodor Chaliapin Sr. suffered from leukaemia and kidney ailment. In 1937, he died in Paris, France. He was laid to rest is the Novodevichy Monastery Cemetery in Moscow. Chaliapin was awarded a Star on the Hollywood Walk of Fame for Recording at 6770 Hollywood Boulevard in Hollywood, California. In 1998, the TV film Chaliapin: The Enchanter (Elisabeth Kapnist, 1998) followed. His son Boris Chaliapin became a famous painter. who painted the portraits used on 414 covers of the Time magazine between 1942 and 1970. Another son Feodor Chaliapin Jr. became a film actor, who appeared in character roles in such films as the Western Buffalo Bill, l'eroe del far west/Buffalo Bill (Mario Costa, 1965) with Gordon Scott, and Der Name der Rose/The Name of the Rose (Jean-Jacques Annaud, 1986), starring Sean Connery. His first wife, Iola Tornagi, lived in the Soviet Union until 1959, when Nikita Khrushchev brought the 'Thaw'. Tornagi was allowed to leave the Soviet Union and reunited with her son Feodor Chaliapin Jr, in Rome, Italy.
Sources: Steve Shelokhonov (IMDb), Benoit A. Racine (IMDb), Encyclopaedia Britannica, Wikipedia and IMDb.
This was meant to take on the world this was, but sadly it didn’t get very far! The Rover 800 had so many possibilities, so many variants could have been derived from it, but unfortunately the management was once again very quick to nip this beautiful car in the bud, and the Rover 800 would join that long line of ‘what-could-have-been’ motors that seem to pave British motoring history.
The origin of the Rover 800 goes back to the late 1970’s, when nationalised British car manufacturer and all around general failure British Leyland was absolutely desperate to fix its seemingly endless list of problems. The company had now garnered a reputation for creating some of the worst, most outdated cars of all time, the likes of the Morris Marina, the Austin Allegro and the Triumph TR7 being derided in both critical and customer reviews. A mixture of strike action by uncontrollable Trade Unions led by the infamous Red Robbo had meant that cars were only put together for a few hours per day on a three day week. As such, reliability was atrocious on a biblical scale, be it mechanical, cosmetic or electrical.
As such, in 1979, British Leyland began talks with Japanese car manufacturer Honda to try and help improve the reliability of their machines. The pioneer of this brave new deal was the Triumph Acclaim of 1980, BL’s first reliable car and not a bad little runabout. Basically a rebadged Honda Ballade, the Acclaim wasn’t meant to set the world ablaze, but it certainly helped get the company back onto people’s driveways, selling reasonably well thanks to its reliable mechanics (even if rust was something of an issue). As such, BL decided that from now on it would give its fleet a complete overhaul, basing their new models on Japanese equivalents. From 1984, the Rover 200 arrived on the scene, again, a rebadged Honda Ballade, while the Maestro and the Montego ranges also took on several tips from their Japanese counterparts, though they were primarily based on British underpinnings.
The Rover 800 however spawned quite early on, in 1981 to be exact. Following the catastrophic failure of the Rover SD1 in the American market, which only sold 774 cars before Rover removed itself from the USA altogether, the company was desperate to get another foothold across the pond. As such, the new project, dubbed project XX, would be the icing on the cake in terms of British Leyland’s fleet overhaul, a smooth and sophisticated executive saloon to conquer the world. However, plans were pushed back after the launch of the Montego and the Maestro, and thus project XX wouldn’t see the light of day again until about 1984.
Still in production and suffering from being long-in-the-tooth, the Rover SD1 was now coming up on 10 years old, and though a sublime car in terms of style and performance, it was now struggling in sales. Rover really needed to replace this golden oldie, and thus project XX was back on. In the usual fashion, Honda was consulted, and it was decided that the car would be based on that company’s own executive saloon, the Honda Legend. Jointly developed at Rover’s Cowley plant and Honda’s Tochigi development centre, both cars shared the same core structure and floorplan, but they each had their own unique exterior bodywork and interior. Under the agreement, Honda would supply the V6 petrol engine, both automatic and manual transmissions and the chassis design, whilst BL would provide the 4-cylinder petrol engine and much of the electrical systems. The agreement also included that UK-market Honda Legends would be built at the Cowley Plant, and the presence of the Legend in the UK would be smaller than that of the Rover 800, with profits from the 800 shared between the two companies.
Launched on July 10th, 1986, the Rover 800 was welcomed with warm reviews regarding its style, its performance and its reliability. Though driving performance was pretty much the same as the Honda Legend, what put the Rover above its Japanese counterpart was its sheer internal elegance and beauty, combined with a differing external design that borrowed cues from the outgoing SD1. The 800 also provided the company with some much-needed optimism, especially following the gradual breakup of British Leyland by the Thatcher Government between 1980 and 1986.
Following her election in 1979, Prime Minister Margaret Thatcher took a no nonsense attitude to the striking unions, and the best form of defence was attack. To shave millions from the deficit, she reduced government spending on nationalised companies such as British Airways, British Coal Board, British Steel and British Leyland by selling them to private ownership. For British Leyland, the slow breakup of the company started with the sale of Leyland Trucks and Buses to DAF of Holland and Volvo, respectively. 1984 saw Jaguar made independent and later bought by Ford, but when rumours circulated that the remains of British Leyland would be sold to foreign ownership, share prices crashed, and the company was privatised and put into the hands of British Aerospace on the strict understanding that the company could not be sold again for four years. With this move, British Leyland was renamed Rover Group, the Austin badge being dropped, and the only remaining brands left being the eponymous Rover and sporty MG.
In the light of this tumultuous period, many of Rover and MG’s projects had to be scrapped in light of turbulent share prices and income, these projects including the Austin AR16 family car range (based largely off the Rover 800) and the MG EX-E supercar. The Rover 800 however was the first model to be released by the company following privatisation, and doing well initially in terms of sales, hopes were high that the Rover 800 would herald the end of the company’s troubled spell under British Leyland. The Rover 800 was planned to spearhead multiple Rover ventures, including a return to the US-market in the form of the Sterling, and a coupe concept to beat the world, the sublime Rover CCV.
However, British Leyland may have been gone, but their management and its incompetence remained. Rather than taking the formation of Rover Group as a golden opportunity to clean up the company’s act, to the management it was business as usual, and the Rover 800 began to suffer as a consequence. A lack of proper quality control and a cost-cutting attitude meant that despite all the Japanese reliability that had been layered on these machines in the design stage, the cars were still highly unreliable when they left the factory.
Perhaps the biggest sentiment to the 800’s failure was the Sterling in America. The Sterling had been named as such due to Rover’s reputation being tarnished by the failure of the unreliable SD1. Initial sales were very promising with the Sterling, a simple design with oodles of luxury that was price competitive with family sedan’s such as the Ford LTD and the Chevy Caprice. However, once the problems with reliability and quality began to rear their heads, sales plummeted and the Sterling very quickly fell short of its sales quota, only selling 14,000 of the forecast 30,000 cars per annum. Sales dropped year by year until eventually the Sterling brand was axed in 1991.
With the death of the Sterling came the death of the CCV, a luxury motor that had already won over investors in both Europe and the USA. The fantastic design that had wooed the American market and was ready to go on sale across the States was axed unceremoniously in 1987, and with it any attempt to try and capture the American market ever again.
In 1991, Rover Group, seeing their sales were still tumbling, and with unreliable callbacks to British Leyland like the Maestro and Montego still on sale, the company decided to have yet another shakeup to try and refresh its image. The project, dubbed R17, went back to the company’s roots of grand old England, and the Rover 800 was the first to feel its touch. The R17 facelift saw the 800’s angular lines smoothed with revised light-clusters, a low-smooth body, and the addition of a grille, attempting to harp back to the likes of the luxurious Rover P5 of the 1960’s. Engines were also updated, with the previous M16 Honda engine being replaced by a crisp 2.0L T16, which gave the car some good performance. The car was also made available in a set of additional ranges, including a coupe and the sport Vitesse, complete with a higher performance engine.
Early reviews of the R17 800 were favourable, many critics lauding its design changes and luxurious interior, especially given its price competitiveness against comparable machines such as the Vauxhall Omega and the Ford Mondeo. Even Jeremy Clarkson, a man who fervently hated Rover and everything it stood for, couldn’t help but give it a good review on Top Gear. However, motoring critics were quick to point out the fact that by this time Honda was really starting to sell heavily in the UK and Europe, and people now asked themselves why they’d want to buy the Rover 800, a near carbon-copy of the Honda Legend, for twice the price but equal performance. Wood and leather furnishings are very nice, but not all motorists are interested in that, some are just interested in a reliable and practical machine to run around in.
As such, the Rover 800’s sales domestically were very good, it becoming the best-selling car in the UK for 1992, but in Europe not so much. Though Rover 800’s did make it across the Channel, the BMW 5-Series and other contemporary European models had the market sown up clean, and the Rover 800 never truly made an impact internationally. On average, the car sold well in the early 1990’s, but as time went on the car’s place in the market fell to just over 10,000 per year by 1995. Rover needed another shake-up, and the Rover 75 did just that.
In 1994, Rover Group was sold to BMW, and their brave new star to get the company back in the good books of the motoring public was the Rover 75, an executive saloon to beat the world. With this new face in the company’s showrooms, the Rover 800 and its 10 year old design was put out to grass following its launch in 1998. Selling only around 6,500 cars in its final full year of production, the Rover 800 finished sales in 1999 and disappeared, the last relic of the British Leyland/Honda tie up from the 1980’s.
Today the Rover 800 finds itself under a mixed reception. While some argue that it was the last true Rover before the BMW buyout, others will fervently deride it as a Honda with a Rover badge, a humiliation of a Rover, and truly the point where the company lost its identity. I personally believe it to be a magnificent car, a car with purpose, a car with promise, but none of those promises fulfilled. It could have truly been the face of a new Rover in the late 1980’s, and could have returned the company to the front line of the motoring world, at least in Britain. But sadly, management incompetence won again for the British motor industry, and the Rover 800 ended its days a lukewarm reminder that we really didn’t know a good thing until it was gone.
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Josh Baskin had been humiliated earlier while trying to impress an older girl. Both had been at a local carnival but his attempts to dazzle this particular beauty had failed miserably. Now, Josh found himself feeling dispirited and frustrated. He felt angry, not at the girl, of course, but at the insurmountability of his problem.
You see, for young Josh Baskin, the culprit for his ignominy was clearly a lack of accumulated years. Had he been older, his attempt to make a lasting (and positive) impression on the young lady would have likely been a more successful endeavor.
Age is funny that way - too little of it and we want more, too much of it and we want less.
As fate (and Hollywood) would have it, even the most insuperable problem can be tackled, however. Thus, while wandering around the carnival grounds, Josh stumbles upon a Zoltar machine. Magically drawn by Zoltar - a mixture of an Indian Guru and an Ottoman Caliphe of yesteryear - Josh slowly approaches the mechanical fortuneteller and finds himself dropping a shiny Quarter into its coin slot.
Said Quarter quickly appears upon a small, mobile ramp that can be manipulated by Josh to aim at Zoltar's animated mouth. As the mouth opens and closes ever so slowly, Josh awaits the right moment to release the coin and, being successful, sees it disappear into the innards of the humanoid automaton. Thus, Josh Baskin, a mere 12 years old, is granted a wish - and there is only one wish that he has : "I wish I were big!"
And with that simple act, Zoltar fortuneteller machines entered the cultural mainstream in the year 1988 when the movie "BIG," starring Tom Hanks, was released.
I never forgot about them - although my memory slowly faded as the years went by. My surprise was both real and joyous when I spotted the magical Zoltar at Bayside in Miami...
Downtown Miami, Florida, USA.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Sometimes attrocities such as the holocaust and other large scale murders are so large that it is difficult to consider beyond the dehumanising event. In doing so, the depersonalisation of the inhuman act continues in the memorial to the victims and the event is remembered without the personal stories. The Stolpersteine (or stumbling blocks) in Berlin and throughout Europe aim to reintroduce the person. These stones stopped me in my tracks and brought a lump to my throat. Three members of the same family, Arthur, Charlotte and Meta Kroner worked in the building by the plaques. Arthur and Charlotte were "humiliated and disenfranchised and sent to their deaths on 31.1.1943 and 2.4.1943" whilst Meta was "deported and then murdered in Auschwitz in 1943".
Surely humans can only perform such ghastly acts on other humans by depersonalising the event. Lets reintroduce the human victim to ensure that we learn from history and don't allow the scale of the attrocity to overwhelm the personal tragedy.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
ghosted me
came back pathetically
inconsinstently
then suddenly desperately
with occiasional apathy
because I'm not biting
there's not a lot I'm missing
quick to anger, you've got a temper
whoever you thought you knew, I don't know her
and I'm glad you never truly met her
you don't deserve the company
or to experience the greatest parts of me
you don't deserve much of anything
and I sure wish you'd stumble into therapy
and out of my inbox depressingly telling me everything
without even asking me how I've been
I'm not your lover, I'm not your fucking friend
not sure if I was ever both, even back then
I'm not here to drunk dial pathetically
telling me bullshit about loving me
how humiliating
that you aren't even humiliated
because you should be
get off your fucking knees
step up and meet me
look me in the eyes
I will not kneel to meet you at yours
I'll never be anything more to you
than what I currently am
keep me at a distance man
you're in my fucking way
(december 9, 2019)
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Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
FILM
torture is torture and humiliation is humiliation only when you choose to suffer
Taken from CHOKE: written by Chuck Palahniuk
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
Ozzie was the toughest one to wrangle into a cat carrier. As soon as I scooped him up and attempted to shove him in, he became all legs, feet and claws. I finally had to wrap him in a towel, put the carrier on it's end and stuff him quickly in, like a sausage and slam the door shut before he flew back out.
I only suffered minor injury, one good scratch on my hand before I could get the door locked!
By the time the car ride was over and he was on the dreaded metal table he was sufficiently freaked out and too scared to put up a fight. He succumbed to the strangers manhandling him and didn't give them a fight, and he was anxious to get back in the box when they were done!
-->> ..
The Foot Clan has been in a state of heavy 'restructuring' ..a term used by top Foot Analysts. Advertising,recruitment,munitions,payoffs & bribes,top secret labs,weapon development,underground facilities, and hi-security projects. The Foot ,while well established for centuries and by far one of the wealthiest organizations in the solar system..it's budget has been ever increasing especially with close encounters of the Turt- kind :four particular enemy mutant terrapins. In the late 1980s and early '90s.. strange and intergalactic allegiances had been made. Some as far as Dimension X. Technodromes,robots,odd and massive weapons,looney vehicles,alien terrorism,wasted resources on petty vendettas became the foil to the Foot's reputation. Within the humiliation..desperate moves called for desprate displeasures and mutants became all the rage. Name a battle and place.. and name a mutant (and money)the Foot hasn't thrown at the enemy Turtles. Bebop and Rocksteady had a monster army all their own and the boss couldn't help but use every single flesh and blood genetically engineered goon as his pawn. At the dawn of the new millennium
things were getting out of hand and at the ultimate disappearance
of the beloved buisiness leader : Oroku Saki, the schizms felt thru'out the entire organization were beyond tremendous. Mutants just weren't a priority and several major Foot genetic labs were broken up and eliminated entirly or spit into several small more manageable labs.
However ..freek incidents such as one involving the Turtle's friends: Quarry.Stonebiter, and Razorfist..much like the Shredder's great defeat are quickly covered-up and are considered 'accidents'. These labs also serve as baby-sitting vicinities
..if you will , for a few more well known but somewhat forgotten Foot lackies..such as tOkKa. tOkK tho' was more of a floater..and hot potato. Bouncing around different labs within the Clan until one two many red lights went off and Karai ordered tOkKa caged far far away.. west..some obscure,long lost and forgotten 'Foot' dive and storgae facility. For discipline and re-evaluation of tOkKa's potential. Reeducation ..and general guinea pig status. tOkKa was left in the subterranean prison to rot and be lab moused by wayward and demented Foot Techs. He'd be lucky if Baxter Stockman gave a suprise 2 minute spot check for fire violations on electro-pizza munster capacitors. O' to be human.. peoples never have to face such disaters.
And well cr4p..this was was'll pretty heavy for the toddler terror. Knockin' tOkKa down a few pegs seems what this monster-mash of snapper-lifestyle could afford him. But he was startin' to 'un'-sbap..that's not a good thing when yir an unwanted alligator snapper and only 'wanted' by posters in 9 of 50 states. All this former child star's exposure was limited to a couple of posters in a posta office in some mosquiter-ridden down far south of Omaha.Things get pretty lame when your best friend leaves. Rahzar had made a point of not stickin' around.. after a short burst of inspiration by watching a 48 hour marathon of what consisted no less than a bunch of old 'Barney' tapes & 1 rerun of 'Newsradio'. Next thing ya know..Rahz was inspired & joined the Peace Corps on humanitarian efforts to fill pot holes in Uganda. tOkK just had to realize these werne't the good ol' monster-mutant pizza stompin' n' Turtle smashin' times him n' his pal had back in the junkyard. Things were looser. Playing catch with rusty radiators and hide n' seek in the partn'parked junk cars was all so fun. Rahzar always won at hide n' seek. tOkK never tried hard enuff'.. and a 9 foot snapper is gonna have to hide a little bit better than under a pile of one tire. Yep..the 'Secret of the Ooze' was out. And strategy to defeat the enemy was in. Simply throwing a couple of monsters at the Turtles doesn't cut' it anymore. Evil schemes used to be much more simpler back in the day.
Late one night in his dusty,dirty, and cat-pee smellin' cage ..tOkKa was rather rotten feeling. After a distrubing night from sleepin' in his own vomit and a relaitve ill left in his tummy from too much of the daily gruel his cage masters left..(usually a bowl of stale-surplus Pizza Crunchabungas from the abandoned warehouse and rusty water)summin was going down. tOkK into into a deep disturbing sleep. Drooling a bit more excessively than normal. The taste of donust but a distant memory. ..ever so slightly the scent of evaporated rain began to fill his lowly dungeon..and eerie most warmth slowly re-woke the snapper to the vision of prehensile,near translucent fingers coming tword him. An increasingly bright white light and the temptation to "Bright White Light" three times fast filled tOkKie's sad-sorry bubbly baby brain. Three gaunt and noiseless figures of pale complexion and large black n' hallow eyes seemed to be floating into the old giant cage.
The light became brighter. And suddenly tOkKa was gone to a 'nowhere' land. Strangely the desire to sing about a'Nowhere Man' was in his beaky beetle vocabulary at the time. What tOkKa could see.. was nothing but bright light.. but as if fading into existence from a fine mist.. his three visitors returned. These were the Sons of Silence ,enigmatic creatures from well beyond Dimension X and the bane Utrom scientists everywhere. Such prejudices even lead to fractured and biased science. The same kind of bias that lead many to believe that the evil Krang WASN'T an utrom. O'please. Back from the ramble.. the 3 visitors presented tOkKa a magical orb. Small little voices inside tOkKa's head gently invited tOkKa to touch this 'Turn Stone' ..and these werne't his regular voices in his head neither. They was like real creepy ones too !! tOkK of coarse usually listens to his stomach first and the voices second. And what sure had set shockwaves thru'out this vast limbo.
tOkK wrapped his beaky baby lips around the magical ball..and in one full sshlloopp**~~of his snake like tounge..::the snapper devoured the Turn Stone whole !!
The limbo at once became pitch black..then ..
chaos..!!
tOkK .. laying ing in a near fetal position lifted himself up on very wobbly ground. Something didn't feel right. Lotsa things didn't. He peered straight
down. His tyrannosaur toes were now socked-soaked footsies. Not unlike that of the feets he saw on the naked humans in the movies ..but still somehow still his ol' familiar stompers. It got weirder. Aside from the backof his neck and teenie-weeny hairs his eyes were to beady to see and his noodle was too stoopit to care about..he saw through his new yet familiar eyes that teenie-tiny hairs were all over. Mostly on his new egg-shaped noggin'. Greesy blackish n' dirty blonde hairs were all over in his face. His beak seemed like it feel off..instead he had what the human peoples called a 'noid'. Er summin'. This new beak felt freeky.. and the front of it felt bumpy but smooth. The scales all over were smoother.
The two little slits on his face could smell things. And not his frsh icky,mud-moist he was so used to. This was a sticky peoples smell. He smelled like the Foot Clan's footlocker.. and icky human under arm shirt thingies.Things were danglin' in places he really hadn't thought about before..and he seemed to have adopted a helmet with the frontal lobe of one of the enemy..::Donatello. He stood erecter-er than he used to..and this new body's shell was light as it's frame. Spikies were there..and his claws were too..but these new claws reminded him of the gorrillas and he somehow grew a couple of what the humanies called 'thumbs' and 'fingerners'. These new claws were big and bulky but he could prolly hold a big crayon if he wanted. They grasped odd versions of the weapons of his enemies. The big stick was the easiest for him to play with. He fwacked and whacked and batted it about like a slugger at the Yankees. He tried to do a fancy maneuver like in the ninja movies and the fighting the Feets Soldiers did. But the warrior 'never-to-be' ..he fell flat on his new beak and flatter on the place where his plastron once was. He slowly lifted himself back up with his monkey paws and noticed his surroundings. The white of the limbo was gone scattered moving images surrounded like his faintest memories and things he'd never knew he's ever notice. As if the inside of his cranium had cracked open and spilt out into enire air. It was all to much for him to consume. At the bottom of his new ol' heart.. he felt summin' real bad.
Fear ..
But pea-brains think pea-sized thoughts. tOkKa wasn't sure what he was thinkin'..but if he could he would have asked questions.
"I am i a pal to my enemies ?? Am i a heretic or hero ?? Fan or Fiend ?? Freind or foe ?? Was this the spurt of one or a collective of many ideas from many creators ?? Was this a different dimension..was this body a guise he'd adopted on some other plain ?? Or had someone simply adopted him ?? His best pal Rahzar ?? What of him..would he ever get to play telephone pole tag with him and get throw eggs at mayor's office again ?? What about his enemy and four-coarse meal ticket ?? Would he ever get to bite the bandana off the one called Mickerangerlo..the one that teased and tickled him when tOkKa had fallen in battle ?? And the other three: Donteteller,Leonerdo, and Nerfael ?? Would he ever get to rip them to shreds like a puppy with a cheap chew-toy ?? And the Rat ??
Will i ever see my mum again ??
..the questions were to big.. his mind was too small..the questions never came. They would have..but just didn't. The chaos over came him. The snapper was reduced to a quivering inferno of pain. The images increased and the noise became to loud. He smacked the stick in half with his now sharpless teeth !! He wanted to run !! His new set of spikes meant nuthin'..he wished himself tucked back into his shell never to come out again.
tOkKa started to miss NYC..and the junkyard. He became to weak to think anymore & curled back into a fetal position and started to cry. The chaos around him started to evolve into shadows. The fear had crippled tOkKa ..and his new body seemed more of a scam. The soft voices returned..the chaos beacme more grey..and the scent of evaporated rain returned. The Sons seemed to be stating that they sought out intresting minds in all worlds,all dimensions, and in all galaxies. This is to learn and gain for whatever purposes they deem would serve their goals. Their intention was not to harm but extract and seek information. The after effects with tOkKa's mergance with the 'Turn Stone' was unintended. They seemed to be sorry for the erratic disruption. The Turn Stone seemed to have digested itself or something. The ball floated out of the shadows tword tOkKa feet. It spoke !!
"Don't cry tOkKa.. you fear things you need not !! Your family and friends are still here." ..
The turtle's insides warmerd.
"Soon you will be back to where you once were. Somehow you will not ever forget the dualies and multi-alities of what you have just seen. You will always be part of a chaos you can not ever understand. And perhaps you don't need to. Somehow you shall remember that you are part of a chaos that is so much larger and more beautiful than you could possibly imagine !! I'm so sorry for your pain and how we may have fractured your heart even more. But now you must go from this everything-nothing. Goodbye, my friend. "
tOkKa became very sleepy in his fetus state. He didn' understand anything. The heavier he felt the more like the grey was dissipating . He could feel his hunch returning..even the bad after taste of steel and rancid lettuce in his mouth. He could feel his spikies and his claws were becoming more inverted as they were. His dinosaur foots and stubbly;clubby toes turned back into a raptors. For a split second he could feel the millions of years of evolution and the struggles of his reptilian snapper ancestors. He could feel the evolution. But it became to heavy..and the warm rain scent became colder and colder. The wetness became colder..almost like snow. The snapper had returned..and things became pitch black one more time. Too much for baby..too too much.
RADICALACTIVE !!
The quiet of the lab and the darkness was alit once again ..the old light fixture overhead flickered and buzzed. The low 'Foot Tech' came in ready to feed the beast with morsels and and watered slime. The Tech was armed and fearless incase the beast was ready to strike at the less than generous portions provided. The Tech was ready to prod the snapper with painful electricals if need be.
..but the big cage at the far end of the room was empty. The cheap lock system was broken..as if bitten off. A large string of near gigantic foot prints shown as if something retile like had merely stumbled out of the cage upon closer inspection. The Tech dropped the tray.Then the tracks merely disappeared at the foot of the entry way. Suddenly frantic and angry at such substandard security. Now fearful for the consequences..for loosing one of the Shredder's beasts. The Tech filed a report that the mutant had merely died due to poor nutrition. A fairly simple and common trait of the decades of continual abuse in the Foot Genetics divisions.
"The body of the creature has been properly disposed of."
..
epilogue .. :
Far away someplace deep & beyond the city..in a junk yard :2 beastly things ..one like a very large wolf-man and his companion ..a creepy and Gamera like beast are playing Radiator catch. Those who witnesses claim of the pure terror that surrounds just a glimpse of the bumbling characters. The evolution of the junkyard defeats and hides the evidence of proof in such sightings. Most huamnies and workers at the junk yard attribute these sightings to hallucinations. Some homeless persons claim to here the shreiks of a dragon-baby crying for his 'Mama'.The schiz0-snapper is still out there.. not understanding the chaos.. but somehow frenetic & uneasily content that something amazing is always around the corner. and donuts, and turtles, and Rahzar, and spikies !! To paraphrase an argument between a prickly-puppy and a dead pickle-puss that did not happen ..::
Shakespeare: What are these
So wither'd and so wild in their attire,That look not like the inhabitants o' the earth,
And yet are on 't?
tOkKa: "GRAHH!!"
Shakespeare: Say, from whence You owe this strange intelligence? Or why
Upon this blasted heath you stop our way With such prophetic greeting?
tOkKa: "Master say .. 'Have Fun' ..
..me am tOkKa !! ..me think, ther'for ..my Yam !!"
..inks,magic marker,design markers,crayons,colour pencils and Ph.shop,Fireworks,alien technology- 18, May 2006
©2006 - 2007 Dave b.2 a.k.a. tOkKa,terrible2z.com ..all other elements © their much respected owners..please respect the copyrights..
Dreadful, Humiliated, Massacred. Many words spring to mind as a result of England's lamentable 1st innings in the 3rd Ashes Test in Leeds. It was worse than awful. I've seen England hammered all over the world but this was especially embarrassing on a decent pitch in relativelty batting-friendly conditions.
Just so you know, he isn't always so charming. He didn't like his snowball outfit.
I wonder what he's thinking?
Threepio: The almighty Jabba is pleased by your new outfit and commands you to sit at his side now as his slave. You will dance for him and provide him with any other pleasures he demands of you. My word! I'm terribly sorry to have to tell this to you, Your Highness!
Leia: Don't worry about it, Threepio. Tell him that I won't have to suffer this indignity for very long, my powerful friends will tear this place apart until they have either rescued us, or avenged us.
Jabba: (in Huttese) Such spirit! I have a feeling you will provide me with much entertainment before you have outlived your usefulness. GUARDS!! See that she is fitted with a chain and brought back to me immediately!
Here I am in the photo she showed all the ladies from her bridge club and threatened to post on line if I didn’t cooperate with said ladies who sleep over just to have me warm the bed and them
Tipu Sultan ( Urdu:ٹیپو سلطان, Kannada : ಟಿಪ್ಪು ಸುಲ್ತಾನ್ ) (20 November 1750 – 4 May 1799), (Sultan Fateh Ali Khan Shahab) also known as the Tiger of Mysore, and Tipu Sahib, was a ruler of the Kingdom of Mysore. He was the eldest son of Sultan Hyder Ali of Mysore. Tipu introduced a number of administrative innovations during his rule, including his coinage, a new Mauludi lunisolar calendar, and a new land revenue system which initiated the growth of Mysore silk industry. Tipu expanded the iron-cased Mysorean rockets and wrote the military manual Fathul Mujahidin, considered a pioneer in the use of rocket artillery. He deployed the rockets against advances of British forces and their allies in their 1792 and 1799 Siege of Srirangapatna.
Tipu engaged in expansionist attacks against his neighbours. He remained an implacable enemy of the British East India Company, bringing them into renewed conflict with his attack on British-allied Travancore in 1789. In the Third Anglo-Mysore War, Tipu was forced into the humiliating Treaty of Seringapatam, losing a number of previously conquered territories, including Malabar and Mangalore. He sent emissaries to foreign states, including the Ottoman Turkey, Afghanistan, and France, in an attempt to rally opposition to the British. In the Fourth Anglo-Mysore War, the forces of the British East India Company, supported by the Marathas and the Nizam of Hyderabad, defeated Tipu and he was killed on 4 May 1799 while defending his fort of Srirangapatna. Tipu Sultan's image in India is complicated where he is regarded both as a secular ruler who fought against British colonialism as well as an anti-Hindu tyrant.
EARLY YEARS OF TIPU SULTAN
CHILDHOOD
Tipu Sultan was born on 20 November 1750 (Friday, 20th Dhu al-Hijjah, 1163 AH) at Devanahalli, in present-day Bengaluru Rural district, about 33 km north of Bengaluru city. He was named "Tipu Sultan" after the saint Tipu Mastan Aulia of Arcot. Tipu was also called "Fath Ali" after his grandfather Fatah Muhammad. Tipu was born at Devanhalli, the son of Haidar Ali. Himself illiterate, Haidar was very particular in giving his eldest son a prince's education and a very early exposure to military and political affairs. From the age of 17 Tipu was given independent charge of important diplomatic and military missions. He was his father's right arm in the wars from which Haidar emerged as the most powerful ruler of southern India.
Tipu's father, Hyder Ali, was a military officer in service to the Kingdom of Mysore; he rapidly rose in power, and became the de facto ruler of Mysore in 1761.
SECOND ANGLO-MYSORE WAR
In 1779, the British captured the French-controlled port of Mahé, which Tipu had placed under his protection, providing some troops for its defence. In response, Hyder launched an invasion of the Carnatic, with the aim of driving the British out of Madras.[13] During this campaign in September 1780, Tipu Sultan was dispatched by Hyder Ali with 10,000 men and 18 guns to intercept Colonel Baillie who was on his way to join Sir Hector Munro. In the Battle of Pollilur, Tipu decisively defeated Baillie. Out of 360 Europeans, about 200 were captured alive, and the sepoys, who were about 3800 men, suffered very high casualties. Munro was moving south with a separate force to join Baillie, but on hearing the news of the defeat he was forced to retreat to Madras, abandoning his artillery in a water tank at Kanchipuram.
Tipu Sultan defeated Colonel Braithwaite at Annagudi near Tanjore on 18 February 1782. Braithwaite's forces, consisting of 100 Europeans, 300 cavalry, 1400 sepoys and 10 field pieces, was the standard size of the colonial armies. Tipu Sultan seized all the guns and took the entire detachment prisoner. In December 1781 Tipu Sultan successfully seized Chittur from the British. Tipu Sultan had thus gained sufficient military experience by the time Hyder Ali died on Friday, 6 December 1782 – some historians put it at 2 or 3 days later or before, (Hijri date being 1 Muharram, 1197 as per some records in Persian – there may be a difference of 1 to 3 days due to the Lunar Calendar). Tipu Sultan realised that the British were a new kind of threat in India. He became the ruler of Mysore on Sunday, 22 December 1782 (The inscriptions in some of Tipu's regalia showing it as 20 Muharram, 1197 Hijri – Sunday), in a simple coronation ceremony. He then worked to check the advances of the British by making alliances with the Marathas and the Mughals.
The Second Mysore War came to an end with the 1784 Treaty of Mangalore. It was the last occasion when an Indian king dictated terms to the British, and the treaty is a prestigious document in the history of India.
RULER OF THE MYSORE STATE
Muhammad Falak Ali taught Tipu how to fight. While leading a predominantly Hindu country, Tipu remained strong in his Muslim faith, going daily to say his prayers and paying special attention to mosques in the area.
During his rule, he completed the project of Lal Bagh started by his father Hyder Ali, and built roads, public buildings, and ports in his kingdom. His dominion extended throughout North Bangalore including the Nandi Hills and Chickballapur. His trade extended to countries such as Sri Lanka, Oman, Durrani Afghanistan, France, Ottoman Turkey and Iran. Under his leadership, the Mysore army proved to be a school of military science to Indian princes. The serious blows that Tipu Sultan inflicted on the British in the First and Second Mysore Wars affected their reputation as an invincible power.
Dr APJ Abdul Kalam, the former President of India, in his Tipu Sultan Shaheed Memorial Lecture in Bangalore (30 November 1991), called Tipu Sultan the innovator of the world's first war rocket. Two of these rockets, captured by the British at Srirangapatna, are displayed in the Royal Artillery Museum in London. According to historian Dr Dulari Qureshi Tipu Sultan was a fierce warrior king and was so quick in his movement that it seemed to the enemy that he was fighting on many fronts at the same time. Tipu managed to subdue all the petty kingdoms in the south. He defeated the Nizams and was also one of the few Indian rulers to have defeated British armies. He is said to have started a new coinage, calendar, and a new system of weights and measures mainly based on the methods introduced by French technicians. He was well versed in Kannada, Urdu, Persian, Arabic, English and French. Tipu was supposed to become a Sufi, but his father Hyder Ali insisted he become a capable soldier and leader.
FOREIGN RELATIONS
Both Hyder Ali ismaael and Tipu Sultan were independent rulers of Mysore, but claimed some degree of loyalty to the Mughal Emperor Shah Alam II. Both of them are known to have maintained correspondence with the Mughal emperor. Unlike the Nawab of Carnatic, neither owed any allegiance to the Nizam of Hyderabad and often instead chose direct contact and relations with the Mughal emperor.
In the year 1787, Tipu Sultan sent an embassy to the Ottoman capital Istanbul, to the Ottoman Sultan Abdul Hamid I requesting urgent assistance against the British East India Company and had proposed an offensive and defensive consortium. Tipu Sultan requested the Ottoman Sultan to send him troops and military experts. Furthermore, Tipu Sultan also requested permission from the Ottomans to contribute to the maintenance of the Islamic shrines in Mecca, Medina, Najaf and Karbala. However, the Ottomans were themselves at crisis and still recuperating from the devastating Austro-Ottoman War and a new conflict with the Russian Empire had begun, for which Ottoman Turkey needed British alliance to keep off the Russians, hence it could not risk being hostile to the British in the Indian theatre. Due to the Ottoman-inability to organise a fleet in the Indian Ocean, Tipu Sultan's ambassadors returned home only with gifts from their Ottoman allies, this event caused his defeat and loss of much territory by the year 1792. Nevertheless, Tipu Sultan's correspondence with the Ottoman Turkish Empire and particularly it's new Sultan Selim III continued till his final battle in the year 1799.
Tipu sought support from the French, who had been his traditional allies, aimed at driving his main rivals, the British East India Company, out of the subcontinent. But back in France, the French revolution had broken out, the ruling Bourbon family was executed and the country was in chaos, hence the French did not support him. Napoleon, while still not the Emperor of France, sought an alliance with Tipu Sultan. Napoleon came as far as conquering Egypt in an attempt to link with Tipu Sultan against the British, their common enemy. In February 1798, Napoleon wrote a letter to Tipu Sultan appreciating his efforts of resisting the British annexation and plans, but this letter never reached Tipu and was seized by a British spy in Muscat. The idea of a possible Tipu-Napoleon alliance alarmed the British Governor General Sir Richard Wellesley (also known as Lord Wellesley) so much that he immediately started large scale preparations for a final battle against Tipu Sultan.
Both Tipu Sultan and Emperor Napoleon Bonaparte were defeated by the same person. In the Final siege and fall of Srirangapatna in 1799, General Arthur Wellesley led the British army into the City after the fall of Tipu Sultan. Arthur was the younger brother of Richard Wellesley, and was one of the British Generals in the Fourth Mysore War. Several years later in Europe, the same Arthur Wellesley, now the Duke of Wellington, led the armies of the Seventh Coalition and defeated the Imperial French army led by Napoleon Bonaparte in the Battle of Waterloo in 1815.
Like his father before him, Tipu Sultan maintained many embassies and made several contacts with Mohammad Ali Khan, ruler of the Zand Dynasty in Persia. Tipu Sultan also maintained correspondence with Hamad bin Said, the ruler of the Sultanate of Oman.
Regional interests and clever British diplomacy left Tipu with more enemies and betrayers, but no allies when he needed them the most – the final showdown with the British in the Fourth Mysore War.
WAR AGAINST THE MARATHA CONFEDERACY
The Maratha Empire, under its new Peshwa Madhavrao I, regained most of Indian subcontinent, twice defeating Tipu's father, who was forced to accept Maratha Empire as the supreme power in 1764 and then in 1767. In 1767 Maratha Peshwa Madhavrao defeated both Hyder Ali and Tipu Sultan and entered Srirangapatna, the capital of Mysore. Hyder Ali accepted the authority of Madhavrao who gave him the title of Nawab of Mysore. However Tipu Sultan wanted to escape from the treaty of Marathas and therefore tried to take some Maratha forts in southern India. This brought Tipu in direct conflict with the Marathas, who sent an army towards Mysore under leadership of General Nana Phadnavis. The Marathas took many forts of Tipu Sultan in the Mysore region Badami, Kittur, and Gajendragad in June 1786. By the victory in this war, the border of the Maratha territory was extended to the Tungabhadra river. This forced Tipu to open negotiations with the Maratha leadership. He sent two of his agents to the Maratha capital of Pune. The deal that was finalised resulted in the Marathas recovering their territories which had been invaded by Mysore. Furthermore, the Nizam of Hyderabad received Adoni and Mysore was obligated to pay 4.8 million rupees as a war cost to the Marathas, and an annual tribute of 1.2 million rupees; in return the Marathas recognised the rule of Tipu in the Mysore region.
The Malabar Invasion of Sultanate of Mysore (1766–1790)
In 1766, when Tipu Sultan was just 15 years old, he got the chance to apply his military training in battle for the first time, when he accompanied his father on an invasion of Malabar. After the incident- Siege of Tellicherry in Thalassery in North Malabar, Hyder Ali started losing his territories in Malabar. Tipu came from Mysore to reinstate the authority over Malabar. After the Battle of the Nedumkotta (1789), due to the monsoon flood, the stiff resistance of the Travancore forces and news about the attack of British in Srirangapatnam he went back.
THIRD ANGLO-MYSORE-WAR
In 1789, Tipu Sultan disputed the acquisition by Dharma Raja of Travancore of two Dutch-held fortresses in Cochin. In December 1789 he massed troops at Coimbatore, and on 28 December made an attack on the lines of Travancore, knowing that Travancore was (according to the Treaty of Mangalore) an ally of the British East India Company. On account of the staunch resistance by the Travancore army, Tipu was unable to break through the Tranvancore lines and the Maharajah of Travancore appealed to the East India Company for help. In response, Lord Cornwallis mobilised company and British military forces, and formed alliances with the Marathas and the Nizam of Hyderabad to oppose Tipu. In 1790 the company forces advanced, taking control of much of the Coimbatore district. Tipu counterattacked, regaining much of the territory, although the British continued to hold Coimbatore itself. He then descended into the Carnatic, eventually reaching Pondicherry, where he attempted without success to draw the French into the conflict.In 1791 his opponents advanced on all fronts, with the main British force under Cornwallis taking Bangalore and threatening Srirangapatna. Tipu harassed the British supply and communication and embarked on a "scorched earth" policy of denying local resources to the invaders. In this last effort he was successful, as the lack of provisions forced Cornwallis to withdraw to Bangalore rather than attempt a siege of Srirangapatna. Following the withdrawal, Tipu sent forces to Coimbatore, which they retook after a lengthy siege.
The 1792 campaign was a failure for Tipu. The allied army was well-supplied, and Tipu was unable to prevent the junction of forces from Bangalore and Bombay before Srirangapatna. After about two weeks of siege, Tipu opened negotiations for terms of surrender. In the ensuing treaty, he was forced to cede half his territories to the allies, and deliver two of his sons as hostages until he paid in full three crores and thirty lakhs rupees fixed as war indemnity to the British for the campaign against him. He paid the amount in two instalments and got back his sons from Madras.
NAPOLEON´S ATTEMPT AT A JUNCTION
In 1794, with the support of French Republican officers, Tipu helped found the Jacobin Club of Mysore for 'framing laws comfortable with the laws of the Republic' He planted a Liberty Tree and declared himself Citizen Tipoo.
One of the motivations of Napoleon's Invasion of Egypt was to establish a junction with India against the British. Bonaparte wished to establish a French presence in the Middle East, with the ultimate dream of linking with Tippoo Sahib. Napoleon assured to the French Directory that "as soon as he had conquered Egypt, he will establish relations with the Indian princes and, together with them, attack the English in their possessions." According to a 13 February 1798 report by Talleyrand: "Having occupied and fortified Egypt, we shall send a force of 15,000 men from Suez to India, to join the forces of Tipu-Sahib and drive away the English." Napoleon was unsuccessful in this strategy, losing the Siege of Acre in 1799, and at the Battle of Abukir in 1801.
“Although I never supposed that he (Napoleon) possessed, allowing for some difference of education, the liberality of conduct and political views which were sometimes exhibited by old Hyder Ali, yet I did think he might have shown the same resolved and dogged spirit of resolution which induced Tipu Sahib to die manfully upon the breach of his capital city with his sabre clenched in his hand.”
— Sir Walter Scott, commenting on the abdication of Napoleon Bonaparte in 1814
DEATH
FOURTH ANGLO-MYSORE WAR
After Horatio Nelson had defeated François-Paul Brueys D'Aigalliers at the Battle of the Nile in Egypt in 1798, three armies, one from Bombay, and two British (one of which included Arthur Wellesley), marched into Mysore in 1799 and besieged the capital Srirangapatna in the Fourth Mysore War.
There were over 26,000 soldiers of the British East India Company comprising about 4000 Europeans and the rest Indians. A column was supplied by the Nizam of Hyderabad consisting of ten battalions and over 16,000 cavalry, and many soldiers were sent by the Marathas. Thus the soldiers in the British force numbered over 50,000 soldiers whereas Tipu Sultan had only about 30,000 soldiers. The British broke through the city walls, French Military advisers advised Tipu Sultan to escape from secret passages and live to fight another day but to their astonishment Tipu replied "One day of life as a Tiger is far better than thousand years of living as a Sheep". Tipu Sultan died defending his capital on 4 May. When the fallen Tipu was identified, Wellesley felt his pulse and confirmed that he was dead. Next to him, underneath his palankeen, was one of his most confidential servants, Rajah Cawn. Rajah was able to identify Tipu for the soldiers. Tipu Sultan was killed at the Hoally (Diddy) Gateway, which was located 270 m from the N.E. Angle of the Srirangapatna Fort. Tipu was buried the next afternoon, at the Gumaz, next to the grave of his father. In the midst of his burial, a great storm struck, with massive winds and rains. As Lieutenant Richard Bayly of the British 12th regiment wrote,
I have experienced hurricanes, typhoons, and gales of wind at sea, but never in the whole course of my existence had I seen anything comparable to this desolating visitation.Immediately after the death of Tipu Sultan many members of the British East India Company believed that Umdat Ul-Umra, the Nawab of Carnatic, secretly provided assistance to Tipu Sultan during the war and immediately sought his deposition after the year 1799.
LEADERSHIP, POLICY AND INNOVATIONS
Tipu introduced a new calendar, new coinage, and seven new government departments, during his reign, and made military innovations in the use of rocketry.
MYSOREAN ROCKETS
Tipu Sultan's father had expanded on Mysore's use of rocketry, making critical innovations in the rockets themselves and the military logistics of their use. He deployed as many as 1,200 specialised troops in his army to operate rocket launchers. These men were skilled in operating the weapons and were trained to launch their rockets at an angle calculated from the diameter of the cylinder and the distance to the target. The rockets had blades mounted on them, and could wreak significant damage when fired en masse against a large army. Tipu greatly expanded the use of rockets after Hyder's death, deploying as many as 5,000 rocketeers at a time. The rockets deployed by Tipu during the Battle of Pollilur were much more advanced than those the British East India Company had previously seen, chiefly because of the use of iron tubes for holding the propellant; this enabled higher thrust and longer range for the missiles (up to 2 km range).
British accounts describe the use of the rockets during the third and fourth wars. During the climactic battle at Srirangapatna in 1799, British shells struck a magazine containing rockets, causing it to explode and send a towering cloud of black smoke with cascades of exploding white light rising up from the battlements. After Tipu's defeat in the fourth war the British captured a number of the Mysorean rockets. These became influential in British rocket development, inspiring the Congreve rocket, which was soon put into use in the Napoleonic Wars.
RELIGIOUS POLICY
As a Muslim ruler in a largely Hindu domain, Tipu Sultan faced problems in establishing the legitimacy of his rule, and in reconciling his desire to be seen as a devout Islamic ruler with the need to be pragmatic to avoid antagonising the majority of his subjects. His religious legacy has become a source of considerable controversy in the subcontinent. Some groups proclaim him a great warrior for the faith or Ghazi, while others revile him as a bigot who massacred Hindus.
In 1780, he declared himself to be the Badshah or Emperor of Mysore, and struck coinage in his own name without reference to the reigning Mughal Emperor Shah Alam II. H. D. Sharma writes that, in his correspondence with other Islamic rulers such as Zaman Shah of the Afghan Durrani Empire, Tipu Sultan used this title and declared that he intended to establish an Islamic empire in the entire country, along the lines of the Mughal Empire, which was at its decline during the period in question. He even invited Zaman Shah to invade India to help achieve this mission. His alliance with the French was supposedly aimed at achieving this goal by driving his main rivals, the British, out of the subcontinent. During the early period of Tipu Sultan's reign in particular, he appears to have been as strict as his father against any non-Muslim accused of collaboration with the British East India Company or the Maratha.
ATTITUDE TOWARDS HINDUS
CNVERSIONS OF HINDUS OUTSIDE MYSORE TO ISLAM
KODAGU (COORG)
The battles between Kodavas and Tippu Sultan is one of the most bitter rivalries in South India. There were repeated attempts to capture Kodagu by the sultan and his father Hyder Ali before him. The primary reason for sultan's interest in Kodagu because annexing Kodagu would provide access to Mangalore port. The Kodavas knew their lands and mountains very well which made them excellent at guerrilla warfare. Kodavas were outnumbered 3 to 1 in most of Tippu's attempts to annex Kodagu but they managed to beat back Tippu most of the times by drawing his army towards hilly regions of their land. On few occasions Tippu's army managed to reach Madikeri(Capital of Kodagu) but the Kodavas always ambushed the contingent left behind by Tippu. Kodavas refusal to bow to the sultan was primarily because throughout their history they enjoyed independence, though there were Rajahs ruling over them, governance of the land mainly rested with Kodavas. After capturing Kodagu on another occasion, Tippu proclaimed, "If you ever dare to ambush my men again, I will honor everyone of you with Islam", undeterred, the resilient Kodavas ambushed his men yet again and drove them back to Mysore. By now Tippu realized conventional warfare would never yield him Kodagu. He devised a plan to annex Kodagu by offering his friendship. His offer of friendship was welcomed by Kodavas as the battles with the Sultan over the years had cost them dearly. When Kodavas welcomed Sultan to their land in the name of friendship, the Sultan and his men attacked them and took thousands as prisoners. Tipu got Runmust Khan, the Nawab of Kurnool, to launch a surprise attack upon the Kodava Hindus who were besieged by the invading Muslim army. 500 were killed and over 40,000 Kodavas fled to the woods and concealed themselves in the mountains. Thousands of Kodavas were seized along with the Raja and held captive at Seringapatam. Aguably, they were thought to be subjected to forcible conversions to Islam, death, and torture.
In Seringapatam, the young men were all forcibly circumcised and incorporated into the Ahmedy Corps, and were formed into eight Risalas or regiments. The actual number of Kodavas that were captured in the operation is unclear. The British administrator Mark Wilks gives it as 70,000, Historian Lewis Rice arrives at the figure of 85,000, while Mir Kirmani's score for the Coorg campaign is 80,000 men, women and child prisoners.
Mohibbul Hasan, Prof. Sheikh Ali, and other historians cast great doubt on the scale of the deportations and forced conversions in Coorg in particular. Hassan says that it is difficult to estimate the real number of Coorgs captured by Tipu.
MALABAR
NORTH MALABAR
In 1788, Tipu entered into Malabar to quell a rebellion. Nairs were surrounded with offers of death or circumcision. Chirakkal's Nair Raja who was received with distinctions for surrendering voluntarily was later hanged. Tipu then divided Malabar into districts, with three officers in each district given the task of numbering productive trees, collecting revenue and giving religious orders to Nairs.
INSCRIPTIONS
On the handle of the sword presented by Tipu to Marquess Wellesley was the following inscription:
"My victorious sabre is lightning for the destruction of the unbelievers. Ali, the Emir of the Faithful, is victorious for my advantage, and moreover, he destroyed the wicked race who were unbelievers. Praise be to him (God), who is the Lord of the Worlds! Thou art our Lord, support us against the people who are unbelievers. He to whom the Lord giveth victory prevails over all (mankind). Oh Lord, make him victorious, who promoteth the faith of Muhammad. Confound him, who refuseth the faith of Muhammad; and withhold us from those who are so inclined from the true faith. The Lord is predominant over his own works. Victory and conquest are from the Almighty. Bring happy tidings, Oh Muhammad, to the faithful; for God is the kind protector and is the most merciful of the merciful. If God assists thee, thou will prosper. May the Lord God assist thee, Oh Muhammad, with a mighty great victory."
During a search of his palace in 1795, some gold medals were found in the palace, on which the following was inscribed on one side in Persian: "Of God the bestower of blessings", and the other: "victory and conquest are from the Almighty". These were carved in commemoration of a victory after the war of 1780. The following is a translation of an inscription on the stone found at Seringapatam, which was situated in a conspicuous place in the fort:
"Oh Almighty God! dispose the whole body of infidels! Scatter their tribe, cause their feet to stagger! Overthrow their councils, change their state, destroy their very root! Cause death to be near them, cut off from them the means of sustenance! Shorten their days! Be their bodies the constant object of their cares (i.e., infest them with diseases), deprive their eyes of sight, make black their faces (i.e., bring shame)."
TEMPLES AND OFFICERS IN MYSORE
Tipu Sultan's treasurer was Krishna Rao, Shamaiya Iyengar was his Minister of Post and Police, his brother Ranga Iyengar was also an officer, and Purnaiya held the very important post of "Mir Asaf". Moolchand and Sujan Rai were his chief agents at the Mughal court, and his chief "Peshkar", Suba Rao, was also a Hindu. Editor of Mysore Gazettes Srikantaiah has listed 156 temples to which Tipu regularly paid annual grants. There is such evidence as grant deeds, and correspondence between his court and temples, and his having donated jewellery and deeded land grants to several temples, which some claim he was compelled to do to make alliances with Hindu rulers. Between 1782 and 1799 Tipu Sultan issued 34 "Sanads" (deeds) of endowment to temples in his domain, while also presenting many of them with gifts of silver and gold plate. The Srikanteswara Temple in Nanjangud still possesses a jewelled cup presented by the Sultan. He also gave a greenish linga; to Ranganatha temple at Srirangapatna he donated seven silver cups and a silver camphor burner. This temple was hardly a stone's throw from his palace from where he would listen with equal respect to the ringing of temple bells and the muezzin's call from the mosque; to the Lakshmikanta Temple at Kalale he gifted four cups, a plate and Spitoon in silver.
SRINGERI INCIDENT
In 1791, Maratha army raided the temple and matha of Sringeri Shankaracharya, killing and wounding many, and plundering the monastery of all its valuable possessions. The incumbent Shankaracharya petitioned Tipu Sultan for help. A bunch of about 30 letters written in Kannada, which were exchanged between Tipu Sultan's court and the Sringeri Shankaracharya were discovered in 1916 by the Director of Archaeology in Mysore. Tipu Sultan expressed his indignation and grief at the news of the raid:
"People who have sinned against such a holy place are sure to suffer the consequences of their misdeeds at no distant date in this Kali age in accordance with the verse: "Hasadbhih kriyate karma rudadbhir-anubhuyate" (People do [evil] deeds smilingly but suffer the consequences crying)."
He immediately ordered the Asaf of Bednur to supply the Swami with 200 rahatis (fanams) in cash and other gifts and articles. Tipu Sultan's interest in the Sringeri temple continued for many years, and he was still writing to the Swami in the 1790s CE.
CONTROVERSIAL FIGURE
In light of this and other events, B.A. Saletare has described Tipu Sultan as a defender of the Hindu dharma, who also patronised other temples including one at Melkote, for which he issued a Kannada decree that the Shrivaishnava invocatory verses there should be recited in the traditional form. The temple at Melkote still has gold and silver vessels with inscriptions indicating that they were presented by the Sultan. Tipu Sultan also presented four silver cups to the Lakshmikanta Temple at Kalale. Tipu Sultan does seem to have repossessed unauthorised grants of land made to Brahmins and temples, but those which had proper sanads were not. It was a normal practice for any ruler, Muslim or Hindu, on his accession or on the conquest of new territory. The portrayal of Tipu Sultan as a secular leader is disputed, and some sources, largely left-leaning scholars from the 20th century, suggest that he in fact often embraced religious pluralism.
Historian C. Hayavadana Rao wrote about Tipu in his encyclopaedic court history of Mysore. He asserted that Tipu's "religious fanaticism and the excesses committed in the name of religion, both in Mysore and in the provinces, stand condemned for all time. His bigotry, indeed, was so great that it precluded all ideas of toleration". He further asserts that the acts of Tipu that were constructive towards Hindus were largely political and ostentatious rather than an indication of genuine tolerance.
ATTITUDE TOWARDS CHRISTIANS
Tipu is regarded to be anti-Christian by some historians. The captivity of Mangalorean Catholics at Seringapatam, which began on 24 February 1784 and ended on 4 May 1799, remains the most disconsolate memory in their history.
The Barcoor Manuscript reports him as having said: "All Musalmans should unite together, and considering the annihilation of infidels as a sacred duty, labour to the utmost of their power, to accomplish that subject." Soon after the Treaty of Mangalore in 1784, Tipu gained control of Canara. He issued orders to seize the Christians in Canara, confiscate their estates, and deport them to Seringapatam, the capital of his empire, through the Jamalabad fort route. However, there were no priests among the captives. Together with Fr. Miranda, all the 21 arrested priests were issued orders of expulsion to Goa, fined Rupees 200,000, and threatened death by hanging if they ever returned.
Tipu ordered the destruction of 27 Catholic churches, all beautifully carved with statues depicting various saints. Among them included the Church of Nossa Senhora de Rosario Milagres at Mangalore, Fr Miranda's Seminary at Monte Mariano, Church of Jesu Marie Jose at Omzoor, Chapel at Bolar, Church of Merces at Ullal, Imaculata Conceicão at Mulki, San Jose at Perar, Nossa Senhora dos Remedios at Kirem, Sao Lawrence at Karkal, Rosario at Barkur, Immaculata Conceição at Baidnur. All were razed to the ground, with the exception of The Church of Holy Cross at Hospet, owing to the friendly offices of the Chauta Raja of Moodbidri.
According to Thomas Munro, a Scottish soldier and the first collector of Canara, around 60,000 people, nearly 92 percent of the entire Mangalorean Catholic community, were captured; only 7,000 escaped. Francis Buchanan gives the numbers as 70,000 captured, from a population of 80,000, with 10,000 escaping. They were forced to climb nearly 1,200 m through the jungles of the Western Ghat mountain ranges. It was 340 km from Mangalore to Seringapatam, and the journey took six weeks. According to British Government records, 20,000 of them died on the march to Seringapatam. According to James Scurry, a British officer, who was held captive along with Mangalorean Catholics, 30,000 of them were forcibly converted to Islam. The young women and girls were forcibly made wives of the Muslims living there. The young men who offered resistance were disfigured by cutting their noses, upper lips, and ears. According to Mr. Silva of Gangolim, a survivor of the captivity, if a person who had escaped from Seringapatam was found, the punishment under the orders of Tipu was the cutting off of the ears, nose, the feet and one hand. Gazetteer of South India describes Tipu Sultan forcibly circumcising 30,000 West Coast Christians and deporting them to Mysore
Tipu's persecution of Christians even extended to captured British soldiers. For instance, there were a significant number of forced conversions of British captives between 1780 and 1784. Following their disastrous defeat at the 1780 Battle of Pollilur, 7,000 British men along with an unknown number of women were held captive by Tipu in the fortress of Seringapatnam. Of these, over 300 were circumcised and given Muslim names and clothes and several British regimental drummer boys were made to wear ghagra cholis and entertain the court as nautch girls or dancing girls. After the 10-year-long captivity ended, James Scurry, one of those prisoners, recounted that he had forgotten how to sit in a chair and use a knife and fork. His English was broken and stilted, having lost all his vernacular idiom. His skin had darkened to the swarthy complexion of negroes, and moreover, he had developed an aversion to wearing European clothes.
During the surrender of the Mangalore fort which was delivered in an armistice by the British and their subsequent withdrawal, all the Mestizos and remaining non-British foreigners were killed, together with 5,600 Mangalorean Catholics. Those condemned by Tipu Sultan for treachery were hanged instantly, the gibbets being weighed down by the number of bodies they carried. The Netravati River was so putrid with the stench of dying bodies, that the local residents were forced to leave their riverside homes.
The Archbishop of Goa wrote in 1800, "It is notoriously known in all Asia and all other parts of the globe of the oppression and sufferings experienced by the Christians in the Dominion of the King of Kanara, during the usurpation of that country by Tipu Sultan from an implacable hatred he had against them who professed Christianity."
Tipu Sultan's invasion of the Malabar had an adverse impact on the Syrian Malabar Nasrani community of the Malabar coast. Many churches in the Malabar and Cochin were damaged. The old Syrian Nasrani seminary at Angamaly which had been the center of Catholic religious education for several centuries was razed to the ground by Tipu's soldiers. A lot of centuries old religious manuscripts were lost forever. The church was later relocated to Kottayam where it still exists to this date. The Mor Sabor church at Akaparambu and the Martha Mariam Church attached to the seminary were destroyed as well. Tipu's army set fire to the church at Palayoor and attacked the Ollur Church in 1790. Furthernmore, the Arthat church and the Ambazhakkad seminary was also destroyed. Over the course of this invasion, many Syrian Malabar Nasrani were killed or forcibly converted to Islam. Most of the coconut, arecanut, pepper and cashew plantations held by the Syrian Malabar farmers were also indiscriminately destroyed by the invading army. As a result, when Tipu's army invaded Guruvayur and adjacent areas, the Syrian Christian community fled Calicut and small towns like Arthat to new centres like Kunnamkulam, Chalakudi, Ennakadu, Cheppadu, Kannankode, Mavelikkara, etc. where there were already Christians. They were given refuge by Sakthan Tamburan, the ruler of Cochin and Karthika Thirunal, the ruler of Travancore, who gave them lands, plantations and encouraged their businesses. Colonel Macqulay, the British resident of Travancore also helped them.
TREATMENT OF PRISONERS
According to historian Professor Sheikh Ali, Tipu "took his stand on the bedrock of humanity, regarding all his subjects as equal citizen to live in peace, harmony and concord." However, during the storming of Srirangapatna by the British in 1799, thirteen murdered British prisoners were discovered, killed by either having their necks broken or nails driven into their skulls.
Tipu's palace in Seringapatam had a strictly guarded Zenana quarters for women. Many of the women in his Hareem were daughters of native princes and Brahmins, who had been abducted in infancy and brought up Muslim. In the same palace, the legitimate Wadiyar king Chamaraja Wodeyar IX was held captive. The prince having no children had adopted his relative, who was also imprisoned by the Sultan. The palaces and temples raised by the earlier Wadiyar kings were also pulled down by Tipu, on the pretext of strengthening the fortress.
LEGACY
Tipu Sultan was one of the first Indian kings to be martyred on the battlefield while defending his Kingdom against the Colonial British. In India, While many historians generally take a favourable view of his reign, others portray him as a Muslim fanatic. Tipu has been officially recognized by the Government of India as a freedom fighter. The 1990 Television Series The Sword of Tipu Sultan directed by Sanjay Khan was based on the Life and events of Tipu Sultan.
Tipu Sultan is held in high esteem in Pakistan which considers Tipu Sultan as a hero of the Indian independence movement. The country has honoured him by naming Pakistan Navy ship PNS Tippu Sultan after Tipu Sultan. Pakistan television aired a drama on Tipu Sultan directed by Qasim Jalali.
Tipu had several wives. Tipu Sultan's family was sent to Calcutta by the British. A descendent of one of Tipu Sultan's uncles Noor Inayat Khan was a British Special Operations Executive agent during the Second World War, murdered in the German Dachau concentration camp in 1944.
SWORD AND TIGER
Tipu Sultan had lost his sword in a war with the Nairs of Travancore during the Battle of the Nedumkotta (1789), in which he was forced to withdraw due to the severe joint attack from Travancore army and British army. The Nair army under the leadership of Raja Kesavadas again defeated the Mysore army near Aluva. The Maharaja, Dharma Raja, gave the famous sword to the Nawab of Arcot, from where the sword went to London. The sword was on display at the Wallace Collection, No. 1 Manchester Square, London.
Tipu was commonly known as the Tiger of Mysore and adopted this animal as the symbol (bubri/ babri) of his rule. It is said that Tipu Sultan was hunting in the forest with a French friend. He came face to face with a tiger. His gun did not work, and his dagger fell on the ground as the tiger jumped on him. He reached for the dagger, picked it up, and killed the tiger with it. That earned him the name "the Tiger of Mysore". He even had French engineers build a mechanical tiger for his palace. The device, known as Tipu's Tiger, is on display in the Victoria and Albert Museum, London. Not only did Tipu place relics of tigers around his palace and domain, but also had the emblem of a tiger on his banners and some arms and weapons. Sometimes this tiger was very ornate and had inscriptions within the drawing, alluding to Tipu's faith. Historian Alexander Beatson reported that "in his palace was found a great variety of curious swords, daggers, fusils, pistols, and blunderbusses; some were of exquisite workmanship, mounted with gold, or silver, and beautifully inlaid and ornamented with tigers' heads and stripes, or with Persian and Arabic verses".
The last sword used by Tipu in his last battle, at Sri Rangapatnam, and the ring worn by him were taken by the British forces as war trophies. Till April 2004, they were kept on display at the British Museum London as gifts to the museum from Maj-Gen Augustus W.H. Meyrick and Nancy Dowager.
At an auction in London in April 2004, Vijay Mallya purchased the sword of Tipu Sultan and some other historical artefacts, and brought them back to India.
In October 2013, another sword owned by Tipu Sultan and decorated with his babri (tiger stripe motif) surfaced and was auctioned by Sotheby's. It was purchased for 98,500 £ by a bidder on the phone.
WIKIPEDIA
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
As a boy I felt demeaned , belittled and humiliated , now here in the park , men smile at me , even give a little appreciative whistle , to which I smile shyly , women admire me , envy even , the sheer gossamer thin silky panties feel divine , the bra induces a realistic cleavage , hence the open neck on my cool , divinely feminine , silk blouse , the skirt most men , like me would love to wear when “en femme” the nylons cling so divinely to my smooth , waxed, legs oh these high heels feel , look , oh yes and “sound” so feminine too , yes my hair and makeup suggest I’m a boy , but as a bespoke sissy , i love all the attention I get too , they’re not quite sure , but having said that they all want me in their bed tonight , my hybrid , sexual reputation goes before me , giggle , in more ways than one ! Trust me , once I seduce them they stay seduced and always come back for more !
Rescuing some more old stuff from brickshelf.
This was my first ever MOC to enter the interwebz. Only 19 months ago, but already it feels like ages. Everything was new to me: brown Lego, Brickshelf, figuring out how to set the bloody focus of my camera right....
The whole thing looks slightly odd now, but I still like that it's both steam- and monkey-powered. Also the use of the monkey as a centerpiece to which everything else is connected. That never gets old.