View allAll Photos Tagged Humankindness
The Moon is humankind's closest sidekick in our movements in space and the main divine body that we have gotten the opportunity to really visit. In any case, regardless of its relative closeness and recognition, our satellite keeps on holding many fascinating insider facts. From its logical...
Read full article here 📄 👉 bit.ly/2LEezXl
#Facts, #List, #Moon, #Planets, #Science, #Space, #Top6, #Universe #Sci/Tech
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
This is from a wedding where I had the privilege of being official photographer.
Slightly odd pose because the groom is holding my flashgun behind his back, as I was first out of church, and had no-one else to hand it to...
SAN FRANCISCO, CA - May 22 - Janet Reilly and Steve Bowdry attend Humankindness Gala on May 22nd 2024 at San Francisco City Hall in San Francisco, CA (Photo - Drew Altizer Photography)
- Camera phone upload powered by ShoZu
- This really made me stand up and take notice on my commute home. Please tell me it had the same effect on many, many others. Now we just need to take action...
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
Amemo (Mask of Humankind) - 2010
El Anatsui - (Ghanaian, born 1944))
The Detroit Institute of Arts has one of the largest and most significant art collections in the United States. With more than 65,000 artworks that date from the earliest civilizations to the present, the museum offers visitors an encounter with human creativity from all over the world.
www.youtube.com/watch?v=M2E8t-aPwo4
________________________________________________
The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA's collection is known for its quality, range, and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
www.michigan.org/property/detroit-institute-arts
Detroit Institute of Arts, art museum in Detroit, Michigan, U.S., noted for its collection of American paintings from the 19th century and its Dutch, Flemish, and Italian paintings from the Renaissance through the Baroque period. It is also known for a large collection of arts of antiquity and of the Islamic world, based on works acquired by pharmaceutical magnate Frederick Stearns. The Greek, Roman, Egyptian, and ancient Persian holdings have been augmented by artifacts from western Europe, Mesopotamia, and ancient Arabia. The museum also houses traditional Asian, African, Oceanian, and Native American works and contemporary art from around the world.
The museum was founded in 1885 by a group of Detroit citizens. It was given to the city in 1919 and moved into its present Neoclassical-style structure in 1927. It was enlarged by additions completed in 1966 and 1971. The museum’s central courtyard is decorated with a series of 27 murals by the Mexican painter Diego Rivera that depict the automobile industry. In 2001 the museum created a new department, the General Motors Center for African American Art, and in 2010 it opened a gallery dedicated to Islamic art.
www.britannica.com/topic/Detroit-Institute-of-Arts
...
Cradle of Humankind, Maropeng, South Africa. Dec/2012. O Berço da Humanidade. África do Sul. Dez/2012
1 - Bosquet de l'Arc de Triomphe
MARGUERITE HUMEAU
RIDDLES (Sphinx Otto Protecting Earth from Humankind) (2017)
Peau artificielle (gelcoat, résine teintée, poudre de marbre, fibre de verre) ossature acier, plantes sélectionnées parmi les recettes de magie noire (dont Cornus Sanguinea, Cornus alba Siberica, Salix Alba Chermesina, Hamamelis, Sedum
Marguerite Humeau est née en 1986 à Cholet, France, vit et travaille à Londres, Royaume-Uni.
Le Bosquet de l'Arc de Triomphe est le premier du parcours du Voyage d'Hiver, qui s'ouvre avec l'installation de Marguerite Humeau titrée Riddles (Sphinx Otto Protecting Earth from Humankind). Le Sphinx fut la première sculpture installée dans le jardin par Louis XIV, comme pour indiquer une mise en garde; l'omniprésence de l'énigme du vivant en ces lieux. Métaphore des dispositifs sécuritaires contemporains, le Sphinx Otto protège la planète des dangers et menaces provoqués par les humains. Le visiteur parcourt un labyrinthe végétal aux couleurs sanguines et à la chair empoisonnée pour faire face à une énigme totale et silencieuse, celle de notre humanité et de ses cyvles, de la condition de nos existences, de l’équilibre fragile de notre rapport au monde
(D'après la notice de l'Exposition)
On July 20, 1969, Apollo 11 touched down on the lunar surface, safely delivering Neil Armstrong and Buzz Aldrin — the first humans to land on the moon. The Swiss Solar Wind Composition Experiment, of the University of Bern and the Swiss National Science Foundation, was the only non-American experiment to be part of the Apollo landings. Where do we stand after 50 years, and where are we headed? We gathered with astronauts, scientists, and artists to discuss the past, the future, and our inspiration for the unknown space.
This event was a collaboration of the Consulate General of Switzerland’s Swiss Touch campaign with swissnex San Francisco and the Exploratorium, and presented as part of swissnex San Francisco’s SciComm Studio series.
PHOTOS BY BARAK SHRAMA FOR THE CONSULATE GENERAL OF SWITZERLAND IN SAN FRANCISCO / SWISSNEX SF
Watercolour on wove paper
Painted during an 1873 visit to the village of Gloucester, Massachusetts, the smaller figure here appears to eye the dead shark ahead, while his older companion looks back, while his older companion looks back, seemingly at the sailboat behind them. Such details subtly allude to threats the youth of this fishing village might someday face at sea.
[National Gallery]
Taken in the Exhibition
Winslow Homer: Force of Nature
(September 2022 – January 2023)
[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.
Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.
From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.
After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.
Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.
With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.
[National Gallery]
.
=~il .
.Of.
UALITY.
13.10.08 .
'Humankind cannot bear too much reality', T.S. Eliot observed in an immortal line. Tbc political establishmems along h:.
YO_UT FO E .
)f( .
Jr .
perpetrators of these atrocities on dalit. Many in the political establishment and in the mainstream journalism activt"ly twisted n.
with the elite intellectuals have behaved as if their constituents and audiences cannot bear the reality on atrocity and thr narrative so that the identity of the aggressors remains in obscurity. .
I) .
)I.
Yesterday's communal violence in Andhra Pradesh and Caste Violence in Patna were the testimony of T.S. Eliot's saying. The so called 'backward class movements' in Tamil Nadu had a narrow social base, and was led by an elite Since the 1990s, India has witnessed a spurt in violence against dalits. This physical violence is perpetrated largely by ' ( .
orgcmiz(Jtion of Rajas, zamindars, industrialists, lawyers, and doctors1, from families with gcnercllions of involvcmrnt in the .
J.
government services and the professions behind them2 .
the 'backward ' castes, who claim victim hood under Brahmins but also tum oppressors of dalits. Tamil Nadu, home to the non-I· .
Brahmin movement, has been projected by the political class, social scientists and policy-makers as fertile soil for social .
..( ( .
justice. However, the Dravidian movement'5 empowerment agenda left the dalits -nineteen percent of the population-almost .
heing murdered for contesting local body elections. More than being a consequence of the accumulation of power in the hands untouched. In fact, dalits have been subjected to the worst forms of violence, from being forced to consume human excreta to .
The 'Backward' castes that inmct violence against dalits-especially physical violence -do not possess full-fledged .
of the intermediary castes, such violence would be better understood as an attempt by the 'backward' caste Hindus to test their .
authority in Indian society. Since the parliamentary form of democracy introduced in post-independence India .favored the new found authority on those below them. .
the Brahmins, Maulavis and other priestly class and the Backward Castes were no longer bound to be subservient to these \'lirlding of power by those who are in a majority in society, these backward castes have, over the years, come to comrol .
political power. The ..constitution of 1950 and the introduction of the concept of secularism curtailed the religious authority of .
If we examine the violence against dalits in this context, we will have to come to a different conclusiou alrogerher. .
priestly class. It was only subsequently that economic, administrative and political power devolved to rhe Backward Castes. .
Rather than seemg it a consequence of such accumulation of power among lhe Backward Castes, the violence against dalirs would be better understood as an attempt by Backward Caste Hindus to test thtlir newfound authority on those below them. .
This not to say that the Dalits are not asst!rting their rights3 Since Brahmins have been a n~rnerical minority in Hindu society, their violence has mostly been · symbolic; whereas .
the violence unleashed by the castes which are in a numerical majority is physical in nature. Earlier, the authority to decide Shivaji, the Maratha ruler, in the face of such Brahmin authority is· recent in our collective memory. Toclily. the Brahmins wield .
whether a king could be bestowed with recognition and legitimacy was vested with the Brahmins. The dilemma f'!ced by .
no such authority. The authority that has been concentratedJn the hands of the numerically strong castes has led to their power .
becoming unlimited in scope. .
The Vanniyar Sangam was constituted in 1980 and evolved into the Paauali Mak':al Katchi (PMK) under the districts of TamU Nadu. In 1987, they staged a weeklong roadblock to demand 20 percent reservation for Vanniyars. During this struggle they torched more than a thousand dalit homes. The agitation and its success led to the subsequent political leadership of S. Ramadoss, a medical doctor. Today, the PMK wields tremendous influence in the Vanniar belt-the northem .
.
October 4, 1998 was a black Sunday for th~ people of the coastal Ramanathapuram district in southern Tamil Nadu. .
consolidation of the Vanniyars". Just two days after the nation celebrated the 129th birth annivc!rsary of Ma~ata Gandhi, caste-related violence rocked the .
villages and·towns on either side of the national highway that links this economically backward district with the city of .
Madurai. Eleven persons were killed and several were injured in the violence and the police action that followed. Six of the .
dead were dalits; the five others belonged to the thevar communi:y, a Most Backward Class group. All the victims were from The immediate causP of the violence was provided by a district-level rally at Ramanathapurarn, organized by the .
Thevarkula Kottamaippu (Thevar Federation). According to a senior politician from a neighboring district, the Koottamaippu is among the economically weaker sections. Scores of houses were torched and hundreds of people rendered homeless. Thevar Peravai". The Thevar Peravai is said to have been behind the many instances of violence involving thevars and dalits .
"a conglomeration of unorganized groups of young thevar extremists who have joined the power struggle in the Tamil Nadu .
that have racked the southern disuicts in [he past five years. Its leadership, perceived to be close to AIJ India Anna Dravida .
p.t.o. .
Mennetra Kazhagam general secretary and former Chief Minister 1. Jayalalitha, is now caught up in litigation 1nd has been .
rendered inactive5 .
I Betl'llle, Andre, 1969, Castes Old and New: Essays In «;ocJal Structure and Social Stratification, Bombay: Asia Publishing Housl.', pg. 176. j S. Vlswanathan, Dallt In Dravlclland(2005) this book 11 tomplltd ..·om the repons of Human Rl&ht Watch ami Frontllnl.', Navayana Pub.. l'undiclwrry,J'"· xl-xli. .
Washbrook, D.A., 1977, The Emer1ence of Provincial Politics: The Madru Presidency, 1870-1920, New Delhi: Vlkas Publishing HouSt', I'R· 279. .
.
~ S. Vlsw.tmnhan, Dallt In Dravlclland(200S), thll book 11 complied iron. tht repons of Human.Rlaht Watch anti Fromllnt', Nav;tya'"' Pub.. l'undklu.rry. I'K· xxiii-xX.''CVil. .
S. V"wtRillaan, Dalltln Dravldlll1d(2005), Ibis book II CO~DR.~ICI from rht rwporca of Hum.ut Rlaht Watch and f-rontline, Navayana J»ub., Pundidu'ITy. PI-101. .
Jt-.
ess.
lndnd ve-.
.
) .
I .
,s .
)nS 1\CD .t\CS).
\ne'f \S notnand j does .
,obi\\sin9 .
1\ten hOW .
speaKing .
5 at\e('(\p\s .
o\iticisation.
wdid uda'f .
,\ tnough. ne .
n ac\i\/is\s ot .
jen\s o\ JNU .
:n ac\i\1\s\s as .
.
sh nad ear\\er .
\at\er witn the .
:s between \he .
npro\1\ise wh\ch tneir de,ea\is a .
i\ure in.
~n\ Goromun\\'j ;tic torces and .
· \a·, pS\J, JNU .
.