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SAN FRANCISCO, CA - May 10 - Paul Rubinstein and Mary Beth Wilding attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Alexandra Malek for Drew Altizer Photography)

SAN FRANCISCO, CA - May 10 - Atmosphere at Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

SAN FRANCISCO, CA - May 16 - Sr. Carol Keehan and Lloyd Dean attend Dignity Health Founadtion's Humankindness Gala at City Hall in San Francisco, CA. (Photo - Andrew Caulfield for Drew Altizer Photography)

SAN FRANCISCO, CA - May 10 - Jorene Malin, Suzanne Aubry and Ray Aubry attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

SAN FRANCISCO, CA - May 10 - Victoria Lovato, Holly Gibbs and Ben Gibbs attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

Cradle of Humankind, Maropeng, South Africa. Dec/2012. O Berço da Humanidade. África do Sul. Dez/2012

Prometheus

White marble sarcophagus

The scene on the sarcophagus depicts the creation of humankind by Prometheus.

Numerous deities are included in the scene.

Puteoli, from the mausoleum known as the mausoleum of Prometheus

Early 4th century AD

 

The Campania in the Roman era exhibition recently opened on the ground floor opposite the impressive Farnese collection. The 20 rooms are filled with sculptures and paintings from the 2nd century BC to the 3rd century that decorated public buildings in Naples and southern Italy (including some from Pompeii and Herculaneum).

 

→ See also Visit the National Museum of Archaeology in Naples for more on one of the finest collections of antiquities in the world, including the marvelous Farnese sculptures (including Hercules at Rest and the Farnese Toro) and the best artworks, mosaics, as well as frescoes from the excavations of Pompeii and Herculaneum.

SAN FRANCISCO, CA - May 10 - Atmosphere at Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Alexandra Malek for Drew Altizer Photography)

SAN FRANCISCO, CA - May 10 - Antoinette Myer and Kimberly Goode attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Alexandra Malek for Drew Altizer Photography)

Humankind has advanced pretty far, all things considered. We have self-driving cars. We’ve (kind of) developed male birth control. We invented Oreo pudding-filled donuts. But that pesky common cold? Still no cure.

Thankfully, there are certainly ways to kick this illness’ inevitable...

 

chooselife.me/everything-actually-beat-cold/

Planet Earth Needs your Help. If you are interested in saving the planet for our feathered friends, wild flowers, wild animals and nature areas, as well as humankind follow the links below to articles I and my girlfriend have published. Each article explains in mostly layman terms what scientist are observing and forecasting about climate change as well as offering things an individual can do to help reduce global warming.

Latest Article

Our third article in our series on climate tipping points is on the melting of the world’s permafrost and its consequence to the planet. Here is the link. planetearthneedsyou.blogspot.com/2021/01/melting-permafro...

  

All Previous Articles

planetearthneedsyou.blogspot.com/

 

Plato realizes that the general run of humankind can think, and speak, etc., without (so far as they acknowledge) any awareness of his realm of Forms.

 

The allegory of the cave is supposed to explain this.

 

In the allegory, Plato likens people untutored in the Theory of Forms to prisoners chained in a cave, unable to turn their heads. All they can see is the wall of the cave. Behind them burns a fire. Between the fire and the prisoners there is a parapet, along which puppeteers can walk. The puppeteers, who are behind the prisoners, hold up puppets that cast shadows on the wall of the cave. The prisoners are unable to see these puppets, the real objects, that pass behind them. What the prisoners see and hear are shadows and echoes cast by objects that they do not see. Here is an illustration of Plato’s Cave:

   

From Great Dialogues of Plato: Complete Texts of the Republic, Apology, Crito Phaido, Ion, and Meno, Vol. 1. (Warmington and Rouse, eds.) New York, Signet Classics: 1999. p. 316.

  

Such prisoners would mistake appearance for reality. They would think the things they see on the wall (the shadows) were real; they would know nothing of the real causes of the shadows.

 

So when the prisoners talk, what are they talking about? If an object (a book, let us say) is carried past behind them, and it casts a shadow on the wall, and a prisoner says “I see a book,” what is he talking about?

He thinks he is talking about a book, but he is really talking about a shadow. But he uses the word “book.” What does that refer to?

  

Plato gives his answer at line (515b2). The text here has puzzled many editors, and it has been frequently emended. The translation in Grube/Reeve gets the point correctly:

“And if they could talk to one another, don’t you think they’d suppose that the names they used applied to the things they see passing before them?”

 

Plato’s point is that the prisoners would be mistaken. For they would be taking the terms in their language to refer to the shadows that pass before their eyes, rather than (as is correct, in Plato’s view) to the real things that cast the shadows.

If a prisoner says “That’s a book” he thinks that the word “book” refers to the very thing he is looking at. But he would be wrong. He’s only looking at a shadow. The real referent of the word “book” he cannot see. To see it, he would have to turn his head around.

  

Plato’s point: the general terms of our language are not “names” of the physical objects that we can see. They are actually names of things that we cannot see, things that we can only grasp with the mind.

 

When the prisoners are released, they can turn their heads and see the real objects. Then they realize their error. What can we do that is analogous to turning our heads and seeing the causes of the shadows? We can come to grasp the Forms with our minds.

 

Plato’s aim in the Republic is to describe what is necessary for us to achieve this reflective understanding. But even without it, it remains true that our very ability to think and to speak depends on the Forms. For the terms of the language we use get their meaning by “naming” the Forms that the objects we perceive participate in.

 

The prisoners may learn what a book is by their experience with shadows of books. But they would be mistaken if they thought that the word “book” refers to something that any of them has ever seen.

Likewise, we may acquire concepts by our perceptual experience of physical objects. But we would be mistaken if we thought that the concepts that we grasp were on the same level as the things we perceive.

   

As you emerge from the depths of the caves there is this bust of Dr Robert Broom - the man who found the skull of the famous "Mrs Ples"

 

Rub his hand for wisdom, and his nose for luck. But never both at the same time.

 

For more info on the importance of the Cradle of Humankind: www.maropeng.co.za/index.php/exhibition_guide/important/

 

SAN FRANCISCO, CA - May 10 - Ben Loanzon, Jolyna Loanzon, Annie Zhang and Dan Morrissette attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Alexandra Malek for Drew Altizer Photography)

Event: Jlehsiek's Fall 2013 Collection Showcase

Location: LeRoy Neiman Arts Center, Harlem, NY

February 22, 2013

 

Jlehsiek, by Keishel Williams, presents 'Reveal', the Fall 2013 Collection.

 

For more information on Jlehsiek visit: www.Jlehsiek.com

 

Special thanks to Nikkia McClain, of Tené Nicole Marketing and Public Relations.

 

This is Revenge Fashion Magazine, fashion for all humankind.

 

Revenge Fashion Magazine

Fashion for all humankind

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SAN FRANCISCO, CA - May 10 - Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

SAN FRANCISCO, CA - May 16 - Jed York attends Dignity Health Foundation's Humankindness Gala at City Hall in San Francisco, CA. (Photo - Andrew Caulfield for Drew Altizer Photography)

SAN FRANCISCO, CA - May 10 - Don Stracke and Norina Pang attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

How can humankind arrive at an eminently livable future? Which pioneers are already blazing trails in that direction and can make it accessible to all? These questions are being posed by the 2014 Ars Electronica Festival, and there’ll be no shortage of potential answers to them either!

 

Credit: tom mesic

SAN FRANCISCO, CA - May 16 - Peggy Hires, Doug Hires, Pat Webb, and Al Webb attend Dignity Health Foundation's Humankindness Gala at City Hall in San Francisco, CA. (Photo - Andrew Caulfield for Drew Altizer Photography)

Oil on canvas

 

The painting embodies the tension between grief and hope after the war. Homer completed it following the surrender of Confederate General Robert E Lee and the assassination of President Lincoln. A discarded Union Army jacket at lower right identifies the farmer as a veteran. The 'new field' of the title reminds us of his old one, the battlefield. This return to productive, peaceful pursuits echoes the biblical passage from Isaiah 2:4, 'They shall beat their swords into plowshares'. While the harvest signifies renewal, the single-bladed scythe evokes the Grim Reaper.

[National Gallery]

 

Taken in the Exhibition

  

Winslow Homer: Force of Nature

(September 2022 – January 2023)

 

[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.

Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.

From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.

After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.

Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.

With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.

[National Gallery]

Photo taken at the "STUDIO(dys)TOPIA – At the Peak of Humankind" Exhibition.

 

Photo: Florian Voggeneder

SAN FRANCISCO, CA - May 10 - Chris Nowling and Brooke Nowling attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

Cradle of Humankind, Maropeng, South Africa. Dec/2012. O Berço da Humanidade. África do Sul. Dez/2012

Gauteng, South Africa '11

Cradle of Humankind, Maropeng, South Africa. Dec/2012. O Berço da Humanidade. África do Sul. Dez/2012

SAN FRANCISCO, CA - May 18 - Yermiyah Khan attends CommonSpirit's Humankindness Gala 2023 on May 18th 2023 at San Francisco in San Francisco, CA (Photo - Drew Altizer)

SAN FRANCISCO, CA - May 10 - Lindsay Bolton and Michael Lopez attend Humankindness Gala 2018 on May 10th 2018 at San Francisco City Hall in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)

SAN FRANCISCO, CA - May 16 - Dignity Health Foundation's Humankindness Gala at City Hall in San Francisco, CA. (Photo - Arthur Kobin for Drew Altizer Photography)

SAN FRANCISCO, CA - May 16 - Dignity Health Foundation's Humankindness Gala at City Hall in San Francisco, CA. (Photo - Arthur Kobin for Drew Altizer Photography)

Taking a breather at the John Wood Infants School Disco/Fancy Dress. One little girl looks a ever-so-slightly argumentative?

 

[ This is the second disinterred Kodachrome ]

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