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Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
INOCULATION ETERNITY is a story about a place called Eternity. It is my imagination about what life might have been like before humankind ever existed. We all have this hope that when we die we go to a perfect place called Heaven. In this book I paint a picture of a similar place where there is no time, sickness or war. Its essence beholds perfection and pure happiness. The entire story evolves around the life of Archangel Lucifer, who is the Master of Ceremony for the Gathering.
The Gathering could be likened to a church service, but far greater. Its purpose is to recharge everyone's spirit in what I reference in the book as life's resurgence. Everything was perfect until something happens at the latest Gathering service. This something has to do with Lucifer. It begins a wind of change that rocks the core of Eternity and everyone's existence. You will witness how Lucifer's unleashed emotions assimilate negative potential. As the story progresses, readers will witness how many of Eternity's inhabitants who are witnessing the changes, become determined to understand what is happening. Amongst them evolves a certain sect of creatures who begin to enjoy their newfound knowledge. Different sensations are experienced as new emotions surface, which were hidden from them since the beginning of their existence.
Gabriel, who is another principal character is one determined to understand what is happening. Prior to these dysphonic eruptions everything was all good. Now another realm appears on the horizon. His concern for Lucifer and scientific interests beckon him to go in search of a remedy.
Ancient of Days' is my version of God. He is the center of all moral consciousness and the animator for life. He doesn't even attempt to explain what is happening or what has caused the eruption in the first place. Some begin to wonder why. His expression of love for His creation is to stand back and allow them the freedom to choose their own destiny. It is His desire that they trust Him. He encourages them to govern themselves. He lends them support and intervenes only when it is absolutely necessary. With an infinite space ahead of them, He is in no hurry to stop what appears to be a disaster.
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
Every year on 18 April, The humankind celebrates the “International Day for Monuments and Sites”, which was approved by the 22nd UNESCO General Conference in 1983.
The International Day aims to encourage visiting Monuments and Sites in local communities and individuals throughout the world to consider the importance of cultural heritage to their lives, identities, promoting awareness of how to protect and conserve the antiquities.
According to UNESCO World Heritage list, there are 981 monuments; Egypt in this list has 7 sites:
Abu Mena
Ancient Thebes with its Necropolis
Historic Cairo
Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur
Nubian Monuments from Abu Simbel to Philae
Saint Catherine Area
Wadi Al-Hitan (Whale Valley)
The photos show Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur, precisely The Pyramid of Djoser (or Zoser), or step pyramid which is located in the Saqqara necropolis. It was built during the 27th century BC for the burial of Pharaoh Djoser. Zoser Pyramid is considered the first Egyptian pyramid consisted of six mastabas built atop one another in what were clearly revisions and developments of the original plan.
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
Oil on canvas
This remarkably bold oil sketch of a Cullercoats scene was likely produced after Homer's return to the US. (At Cullercoats, he painted almost exclusively in watercolour) Homer deeply admired the local volunteer lifesaving crews that he witnessed in action there. Here, the rescue team anticipates their encounter with a roiling sea. Broadly painted and pared down to essential details, this depiction of imminent danger echoes Homer's Civil War paintins such as Sharpshooter and Defiance.
[National Gallery]
Taken in the Exhibition
Winslow Homer: Force of Nature
(September 2022 – January 2023)
[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.
Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.
From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.
After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.
Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.
With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.
[National Gallery]
One of my favorites I've ever taken. A classic portrait style like The Last Supper and the tree are the apostles. In this case, the subtle irony that raw nature is subordinated to a human structure (a parking garage where i was working in 2001). Like an exhibit in a futuristic museum that would have a placard, "...trees once grew in the wild ...". Notice the vines are actually crawling back into the garage -- fighting back? co-existing?
Watercolour and selective scraping with touches of gouache, over graphite on textured cream wove watercolour paper.
In the late 19th century, The Bahamas encouraged tourism. The Caribbean had previously been seen in the US as a disease-filled 'torrid zone'. Advertising aimed at wealthy North American visitors rebranded The Bahamas as a tripical paradise with a restorative climate. Intended for viewers back home, Homer's watercolour celebrates the verdant landscape. But it also suggests the exclusion of Black islanders from aspects of Bahamian society. The coral and limestone wall, traditionally used to enclose the gardens of Nassau's wealthy private residences, separates the child from the landscape beyond.
[National Gallery]
Taken in the Exhibition
Winslow Homer: Force of Nature
(September 2022 – January 2023)
[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.
Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.
From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.
After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.
Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.
With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.
[National Gallery]
Every year on 18 April, The humankind celebrates the “International Day for Monuments and Sites”, which was approved by the 22nd UNESCO General Conference in 1983.
The International Day aims to encourage visiting Monuments and Sites in local communities and individuals throughout the world to consider the importance of cultural heritage to their lives, identities, promoting awareness of how to protect and conserve the antiquities.
According to UNESCO World Heritage list, there are 981 monuments; Egypt in this list has 7 sites:
Abu Mena
Ancient Thebes with its Necropolis
Historic Cairo
Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur
Nubian Monuments from Abu Simbel to Philae
Saint Catherine Area
Wadi Al-Hitan (Whale Valley)
The photos show Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur, precisely The Pyramid of Djoser (or Zoser), or step pyramid which is located in the Saqqara necropolis. It was built during the 27th century BC for the burial of Pharaoh Djoser. Zoser Pyramid is considered the first Egyptian pyramid consisted of six mastabas built atop one another in what were clearly revisions and developments of the original plan.
WE ALL CAME OUT OF AFRICA
Based on mitochondrial DNA testing results, the maternal lineages of all humans come from Lucy, from the Cradle of Humankind in South Africa.
Lucy dates back to 200, 000 years ago, this was the beginning of mankind and from there we spread all over the world.
Every year on 18 April, The humankind celebrates the “International Day for Monuments and Sites”, which was approved by the 22nd UNESCO General Conference in 1983.
The International Day aims to encourage visiting Monuments and Sites in local communities and individuals throughout the world to consider the importance of cultural heritage to their lives, identities, promoting awareness of how to protect and conserve the antiquities.
According to UNESCO World Heritage list, there are 981 monuments; Egypt in this list has 7 sites:
Abu Mena
Ancient Thebes with its Necropolis
Historic Cairo
Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur
Nubian Monuments from Abu Simbel to Philae
Saint Catherine Area
Wadi Al-Hitan (Whale Valley)
The photos show Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur, precisely The Pyramid of Djoser (or Zoser), or step pyramid which is located in the Saqqara necropolis. It was built during the 27th century BC for the burial of Pharaoh Djoser. Zoser Pyramid is considered the first Egyptian pyramid consisted of six mastabas built atop one another in what were clearly revisions and developments of the original plan.
by Pinsoft Studios Web Design Company Statue at Cradle Of Humankind Restaurant
Hope
Skin twitched—
Fate gave humankind
life;
with the hum of a chord,
hope was born.
Once blurred,
photographs glow
with smoky-orange vibrance.
Humanity grasps light,
peeks from crumbled-corners
of a monotone dirge.
We scrape surface,
kiss air,
leave shadows to dust.
Craving incandescence,
we drift toward the sun.
When skies growl
and rain sears skin,
we shrink to soil;
recede in silence.
But like fresh October dawn,
we’ll taste light again.
Flame-pulse
forever flickers,
decaying earth
bleeds brilliant hues.
For every storm
that drowns the land,
we’ll yawp for faith,
bellow change,
roar for Hope.
Watercolour and graphite on off-white wove paper
This composition accentuates the towering height of the central palm tree. Storm clouds approach. Wind whirls around the tree, whose branches bend right. The red flag in the background - signalling a coming hurricane or squall - blows in the opposite direction, implying a complex weather event with contrary winds. Tropical storms and hurricanes are a devastating reality for Caribbean people from June to November every year.
[National Gallery]
Taken in the Exhibition
Winslow Homer: Force of Nature
(September 2022 – January 2023)
[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.
Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.
From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.
After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.
Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.
With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.
[National Gallery]
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
Plain tiger description
KingdomAnimalia
PhylumArthropoda
ClassInsecta
OrderLepidoptera
FamilyNymphalidae
GenusDanaus (1)
This beautifully bright butterfly has captivated humankind’s attention since it was first depicted in an Egyptian tomb 3,500 years ago, making it the first ever butterfly to be recorded in history. Its striking tawny-orange colouration serves as a warning to predators that this species is distasteful, which ultimately deters predators from attacking (3). Framing the startlingly orange hues is a bold black border interlaced with white specks. At first sight the sexes appear very similar, although upon closer inspection one can see the males are slightly smaller than the females. The males can also be distinguished by the presence of a black scent-producing pouch located in the lower-centre of the hind wing; on the underside of the wing it appears as a white-centred black patch. In addition, the males have a pair of brush-like organs hidden within the abdomen, which are used in reproduction (2).
Similar to the adult butterfly, the plain tiger caterpillar has extremely vivid colouration which also acts as a warning signal protecting it from bird attacks. As the caterpillar grows it attains ten horizontal black bands interspersed with paired yellow spots, as well as acquiring three pairs of long, black, tentacle-like appendages, which sometimes become a deep crimson at the base (4). The fully grown caterpillar then forms a pupa which can range from a green-brown colour in a normal environment to a pink colour if the surroundings are dry or unnatural. A horizontal band of miniscule black and golden specks decorate the abdominal segment of the pupa (5).
Also known as African monarch, Lesser wanderer.
Size
Wingspan: 6 – 8 cm (2)
Last Day in S.A. - Cradle of Humankind in Maropeng, South Africa. Pictures from the Cradle of Humankind "Museum"
Watercolour and graphite on off-white wove paper
Dark clouds threaten, while several tall palms are lashed by violent winds. Homer's attention to stormy weather distinguishes this from the more idyllic images he produced during his earlier trip to The Bahamas, in 1884-5. He signals the archipelago's status as a Crown colony by including the Red Ensign. This detail combined with the tempestuous weather may evoke the geopolitical turmoil elsewhere in the Caribbean that year, specifically the US military occupation of Cuba and Puerto Rico.
[National Gallery]
Taken in the Exhibition
Winslow Homer: Force of Nature
(September 2022 – January 2023)
[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.
Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.
From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.
After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.
Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.
With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.
[National Gallery]
Watercolour and graphite on off-white wove paper
Dark clouds threaten, while several tall palms are lashed by violent winds. Homer's attention to stormy weather distinguishes this from the more idyllic images he produced during his earlier trip to The Bahamas, in 1884-5. He signals the archipelago's status as a Crown colony by including the Red Ensign. This detail combined with the tempestuous weather may evoke the geopolitical turmoil elsewhere in the Caribbean that year, specifically the US military occupation of Cuba and Puerto Rico.
[National Gallery]
Taken in the Exhibition
Winslow Homer: Force of Nature
(September 2022 – January 2023)
[A]n overview of Winslow Homer (1836–1910), the great American Realist painter who confronted the leading issues facing the United States, and its relationship with both Europe and the Caribbean world, in the final decades of the 19th century.
Homer’s career spanned a turning point in North American history. He lived through the American Civil War and the abolition of slavery, so-called Reconstruction, and war with the last colonial European power in the Americas, Spain.
From his sketches of battle and camp life, to dazzling tropical views and darker restless seascapes, the works reflect Homer’s interest in the pressing issues of his time; conflict, race, and the relationship between humankind and the environment – issues still relevant for us today.
After the war, Homer’s subject became the lives of Americans in the wake of the war and abolition with a focus on the lives of formerly enslaved African Americans.
Homer travelled to France, England, the Bahamas, Cuba and Bermuda. In England, he painted scenes of heroism and resilience that he saw while staying in Cullercoats, a town on the North East coast. In the Caribbean, his paintings became more vivid as he painted the transparent turquoise waters and lush vegetation. His interest in conflict remained constant and he often explored the issue through painting the life and struggles of Black people.
With more than fifty paintings, covering over forty years of Homer’s career, 'Winslow Homer: Force of Nature' is part of a programme of exhibitions that introduce major American artists to a UK and European audience and follows on from our exhibitions about George Bellows and the Ashcan painters, Frederic Church and Thomas Cole.
[National Gallery]