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Posted by Second Life Resident Strawberry Holiday. Visit Burning Life (BIOS).
de.wikipedia.org/wiki/Halde_Schwerin
www.ruhrgebiet-industriekultur.de/halde-schwerin/
Auch mit Sonnenuhr, etwas kleiner als auf der Halde Hoheward...
Also with sundial, somewhat smaller than on the Hoheward spoil tip...
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54 days in to this thing, how am I doing so far? Are there any photos you've loved, or maybe some you've hated? (There's a bucketload I don't like, so don't hold back!) Anything you want to see more of? Anything you want to see less of? Let me know! The main thing making this fun is getting to talk to all of you while I do it hehe :D
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Τα έτη πολλά και Παναγιοσκέπαστα!
My Board “Karditsa countryard” on gettyimages
My photos for sale on gettyimages
Album
Ι.Μ.Παναγίας Πελεκητής H.M.Virgin Mary Rusticated
on my blog ΛΟΓΕΙΚΩΝ Logikon
Παναγία Πελεκητή: Η «βασίλισσα» των Αγράφων
Είναι ένα από τα μοναστήρια που ξεχωρίζουν. Το τοπίο, η αρχιτεκτονική του, η ιστορία του καθιστούν την Ιερά Μονή της Παναγίας Πελεκητής προσκυνηματικό κέντρο. Βρίσκεται κτισμένη πάνω από την τεχνητή λίμνη Πλαστήρα στην Καρδίτσα και υπάγεται διοικητικά στη Μητρόπολη Φαναριοφερσάλων. Σύμφωνα με τα τελευταία ιστορικά στοιχεία, κτίστηκε πριν από περίπου πέντε αιώνες σε μια απόκρημνη, βραχώδη πλαγιά των Αγράφων, σε υψόμετρο 1.400 μέτρων, βορειοδυτικά του χωριού Καρίτσα.
Η ιστορία της Ιεράς Μονής Παναγίας Πελεκητής έχει συνδεθεί με την πορεία της περιοχής, η οποία συμμετείχε σε όλους τους αγώνες του Έθνους. Κατά την επανάσταση του 1821 η Καρίτσα καταστράφηκε από τους Τούρκους, ενώ το 1943 από τους Γερμανούς. Οι μοναχοί της μονής ήταν εκ των πρωταγωνιστών κατά την απελευθέρωση της Καρίτσας από τους Τούρκους, δημιουργώντας μια διαφορετική σχέση με τους κατοίκους.
Από την ίδρυσή της η μονή δέσποζε στα εκκλησιαστικά πράγματα της περιοχής αφού είχε αναγνωριστεί ως σταυροπηγιακή το 1606 από τον Οικουμενικό Πατριάρχη Ραφαήλ Β΄.
Πελεκητή ονομάστηκε καθώς τα κελιά της δημιουργήθηκαν μέσα στους βράχους σε τέσσερα επίπεδα, όπου οι μοναχοί ζούσαν και λειτουργούσαν το μοναστήρι, ενώ υπήρχε ακόμη και κρυφό σχολειό.
Ο Πορφύριος
Όπως αναφέρει ο Φώτης Κερασιώτης, που έχει ασχοληθεί με την ιστορία της μονής, η ίδρυσή της άρχισε πιθανότατα στα τέλη του 15ου αιώνα από τον Πνευματικό Πορφύριο και ολοκληρώθηκε το 1529 στη σημερινή της μορφή από τον νέο Οσιομάρτυρα Δαμιανό, ο οποίος ιστορείται ως «κτήτωρ» σε δύο τοιχογραφίες της. Το μοναστήρι αγιογραφήθηκε στα μέσα του 17ου αιώνα και έχει δύο ναούς, τον Ναό της Αναλήψεως του Χριστού και τον Ναό της Παναγιάς Φανερωμένης (το Καθολικό).
Το Καθολικό είναι ο κεντρικός και αρχαιότερος ναός, αφιερωμένος στην Ανάληψη του Κυρίου. Είναι μονόκλιτη βασιλική με νάρθηκα, στεγασμένη με κυλινδρική καμάρα, με ενισχυτικό τόξο στο μέσο. Σύμφωνα με σχετική επιγραφή που υπάρχει εντός του ναού, αγιογραφήθηκε το 1654 από τους αγιογράφους Ιωάννη, Νικόλαο Ιερέα και Ιάκωβο Ιερομόναχο.
Ο δεύτερος ναός είναι αφιερωμένος στην Παναγία Φανερωμένη. Είναι αθωνικού ρυθμού, με τρούλο και πλευρικούς χορούς, χωρίς εσωτερικούς κίονες. Οι τοιχογραφίες, όπως προκύπτει από σχετική επιγραφή που υπάρχει επάνω από τη θύρα εισόδου, ιστορήθηκαν το 1666. Ανιστορήθηκαν το 1674 από τον αγιογράφο Ιάκωβο και τον γιο του Δημήτριο.
Γνωστή είναι η μικρή αλλά θαυματουργή εικόνα της Παναγίας Πελεκητής, στην οποία έχει ζωγραφιστεί η Παναγία με τον Χριστό στην αγκαλιά της. Η εικόνα δυστυχώς εκλάπη και αναζητείται για να επιστραφεί στη φυσική της θέση, το μοναστήρι. Ο Ευρυτάνας ιστορικός Πάνος Βασιλείου το 1929 έγραψε τα εξής: «Εκτός της αρίστης Βυζαντινής τέχνης σε τοιχογραφίες, υπάρχει εδώ μια εικόνα (ελαιογραφία 0,04Χ0,03) της Παναγίας με τον Χριστό στην αγκαλιά της, έργο Ραφαηλικής τέχνης. Δεν εξηγείται πώς η μικροσκοπική αυτή εικονίτσα, που θεωρείται και σαν παλαιότερη, αλλά θαυματουργός, βρέθηκε εδώ πάνω. Φέρει χρονολογία 1654.
Η τεχνοτροπία της θυμίζει τον Χριστό του Πρωτάτου του Αγίου Όρους, το γνωστό έργο του Πανσέληνου. Μάλιστα ήταν η εικονίτσα τούτη στολισμένη με 20 πολύτιμες πέτρες από τις οποίες οι 16 αφαιρέθηκαν από… αγνώστους, χωρίς φυσικά τούτου να σημειωθεί σε κανένα, ως τα σήμερα, αστυνομικό δελτίο. Μένουν ακόμα, ευτυχώς, 4 ερυθρόχρωμες πετρούλες στο επαργυρωμένο περίβλημά της που έχει μέγεθος 0,21Χ0,23 μ. και που φέρει επάνω του σκαλισμένα αγγελούδια. Μια απέραντη καλοσύνη ζωγραφίζεται στο χαμογελαστό πρόσωπο της Παναγίας, της οποίας το παιδάκι παρουσιάζει κάτι το αληθινά Θείο και αξιοθαύμαστο για τη χαρούμενη εκφραστικότητά του. Η θαυμάσια αυτή εικόνα της Παναγίας της Πελεκητής θυμίζει Αναγέννηση».
Το μοναστήρι λόγω της περίτεχνης κατασκευής του και της ένδοξης ιστορίας του έχει ανακηρυχθεί «Ιστορικό Διατηρητέο Μνημείο». Δυστυχώς, όμως, από τον πλούτο των εκκλησιαστικών κειμηλίων και της σπάνιας βιβλιοθήκης του ελάχιστα, σήμερα, διασώζονται.
Το μοναστήρι πανηγυρίζει στις 15 Αυγούστου, της Κοιμήσεως της Θεοτόκου. Τα τελευταία χρόνια, ύστερα από σημαντικές πρωτοβουλίες των τοπικών φορέων και άλλων παραγόντων, εξευρέθηκαν τα απαραίτητα χρηματικά ποσά και το μοναστήρι έχει ανακαινισθεί και αξιοποιηθεί, συγκεντρώνοντας πλήθος προσκυνητών από ολόκληρη την ελληνική επικράτεια.
Όταν οι μοναχοί μετακίνησαν τα σύνορα το 1831
Εντύπωση προκαλεί και το εξής περιστατικό: Μετά τη δημιουργία του ελληνικού Κράτους, το 1831, η Καρύτσα (είναι το χωριό κάτω από το μοναστήρι) και ο Μπελεκομύτης βρέθηκαν εκτός ελληνικών συνόρων γιατί καθορίστηκαν επί του Καρυτσιώτη ποταμού, ενώ αυτά τα δύο χωριά βρίσκονται μετά τον ποταμό. Τότε οι μοναχοί μαζί με τους κατοίκους των δύο χωριών μετακίνησαν αυθαίρετα τα σύνορα και τα τοποθέτησαν μετά το μοναστήρι, στο οροπέδιο του Καραμανώλη.
Panagia Pelekiti(rusticated): The "Queen" of Agrafa
It is one of the monasteries that stand out. The landscape, architecture, history make the Holy Monastery of Panayia Pelekiti a pilgrimage center. It is built above the artificial lake Plastira in Karditsa and is administratively subordinated to the Cathedral of Fanariers. According to the latest historical data, it was built about five centuries ago on a steep rocky slope of Agrafa, at an altitude of 1,400 meters, northwest of Karitsa village.
The history of the Holy Monastery of Panagia Pelekiti has been linked to the course of the region, which participated in all the struggles of the Nation. During the revolution of 1821 Karitsa was destroyed by the Turks, while in 1943 by the Germans. The monks of the monastery were among the protagonists in the liberation of Karitsa from the Turks, creating a different relationship with the inhabitants.
Since its founding, the monastery has dominated the ecclesiastical things of the region since it was recognized as a cruciform in 1606 by the Ecumenical Patriarch Raffael II.
Pelekiti was named as its cells were created in the rocks on four levels, where the monks lived and functioned the monastery, while there was even a hidden school.
Porphyrios
According to Fotis Kerassiotis, who has dealt with the history of the monastery, it was probably founded at the end of the 15th century by the Spiritual Porphyry and was completed in 1529 in its present form by the new Omar Martyr Damianos, who is described as a "builder" In two frescoes. The monastery was hagiographed in the middle of the 17th century and has two temples, the Church of the Ascension of Christ and the Church of Panagia Faneromeni (the Catholic).
The Katholikon is the central and most ancient temple, devoted to Ascension of the Lord. It is a one-aisled basilica with a narthex, sheltered by a cylindrical arch, with a reinforcement bow in the middle. According to a relevant inscription inside the temple, it was painted in 1654 by hagiographers Ioannis, Nicholas Priest and Iacob Ieromonas.
The second temple is dedicated to Panagia Faneromeni. It is of the Athonian style, with dome and side dances, without internal columns. The frescoes, as indicated by a relevant inscription above the entrance door, were discovered in 1666. They were painted in 1674 by the icon-painter Iakovos and his son Dimitrios.
Known is the small but miraculous icon of Panagia Pelekiti, in which the Virgin Mary is painted with Christ in her arms. The picture is unfortunately stolen and sought to be returned to its natural place, the monastery. Evrytanas historian Panos Vassiliou wrote in 1929: "In addition to the excellent Byzantine art in frescoes, there is an icon (oil painting 0,04x0,03) of the Virgin Mary with Christ in her arms, a work of Raphael art. It is not explained how this tiny icon, which is considered as an old but miraculous icon, was found here. It dates back to 1654.
The style reminiscent of the Christ of the Protaton of Mount Athos, the well-known work of the Full Moon. In fact, this icon was embellished with 20 precious stones, of which 16 were removed from ... strangers, of course not to mention to anyone, as today, a police record. There are still, fortunately, 4 red-colored petals in its silver-plated casing, which is 0.21 x 0.23 m in size and carved on it with carved angels. An immense kindness is painted on the smiling face of Our Lady, whose child presents something truly divine and admirable for his joyful expressiveness. This magnificent icon of Virgin Mary Pelekite reminds Renaissance. "
The monastery, due to its elaborate construction and its glorious history, has been declared "Historic Preserved Monument". Unfortunately, however, the wealth of ecclesiastical heirlooms and its rare library are scarcely preserved today.
The monastery celebrates on August 15, the Assumption of the Virgin Mary. In recent years, after significant initiatives by local actors and other actors, the necessary money has been found and the monastery has been renovated and exploited, gathering crowds of pilgrims from all over Greece.
When the monks moved the border in 1831
The following incident is also impressed: After the Greek State was founded in 1831, Karytsa (the village under the monastery) and Belekomytis were found outside the Greek border because they were established on the river Karytsiotis, and these two villages are afterwards River. Then the monks, along with the inhabitants of the two villages, arbitrarily moved the borders and placed them after the monastery, on the plateau of Karamanolis.
'Roid Week Spring 2007 Day 3!
not a fantastic pic, but i'm celebrating anyway because this is my first ever in-camera multi-exposure (after a year or more of making stuff like this on the computer)!
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Yo no sé cuanto me quieres
si me extrañas o me engañas
solo sé que vi llover
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Yep, I've been a hopeless flickr friend of late, i'll admit it. Life has been busy busy busy.........and to top it off me and the new 70-200f2.8LII are off to Malaysian Borneo to shoot the orang-utangs in a couple of days. The last time I went i wasn't armed with decent camera gear so i'm heading back to do it properly!
This shot has no blending and is a two second exposure @ around f11 . I got lucky capturing all these cascading waterfalls @ the same time!!!
Catch ya'll soon!
A labor of love with my sister who built Marriage!
We decided to go for a well-known story since... really, how is anyone supposed to develop an entire love story in two MOCs? Have you seen how many preludes W. Navarre has been doing?? XD
What a neat but challenging scale to try out! Credit to my sis for the basic head design and then we both took it in slightly different directions. I built complete figures so those'll are in the extra pictures on my Insta.
And more angles of Toothless of course. Speaking of Toothless... so, I do like building dragons, but I don't like building them in black. XD However, many groans and a trip to a Bricks & Minfigures store later, it came together... It's about twice as big as my last attempt!
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‘’ Le Ciel Nous Tombe Sur La Tête ’’
Parmi les amis – ou du moins les relations – se trouvait un employé de la Banque de Montréal qui m’avait avait fourni des plans des fondations du vénérable siège social de l’institution financière. À la Ville de Montréal, je connaissais aussi une obligeante personne qui s’était arrangée pour me laisser voir un plan des égouts de la métropole. De 7 heures du matin à 4 heures de l’après-midi, durant plus de quatre mois à respirer les miasmes de l’endroit confiné, nous creusions vers le butin. Ce fut un combat constant contre l’humidité, la maladie et l’affaiblissement, on aurait dit que toutes les saloperies qui avaient suinté des bas-fonds de la métropole depuis un siècle s’étaient ramassées là. La rue est droite comme une autoroute, nous avons pu y érigé trois petites digues de retenue pour pouvoir utiliser nos deux Zodiac. Il fallait boiser le tunnel à tous les mètres au moyen de panneaux de contreplaqué de trois quarts de pouce, maintenus par des pièces de 2x4 et par des étais télescopiques en métal. Un système d’éclairage et de ventilation sommaire avait aussi été installé. Nous nous retrouvions le matin vers 5h30 dans un restaurant pour camionneurs à Laprairie, où des filles très peu vêtues et aux charmes fanés nous servaient des petits-déjeuners prétendument érotiques. Vers sept heures, nous installions notre camion au-dessus d’un regard d’égout qui se trouvait près d’un stationnement réservé au corps diplomatique et nous descendions dans notre enfer. Nous savions par notre taupe de Sécur que la money room contenait parfois jusqu’à un demi-milliard en argent. Il nous a fallu 17 heures pour traverser le mur avec une perceuse manuelle. Nous avons su que notre but était atteint lorsqu’un rai de lumière est apparu. Tout semblait aller selon nos plans, Nous avions décidé le coup après les fêtes de 1992 et étions arrivés à Mars 1993. Un beau matin, nous avons constaté que la voûte de notre tunnel s’était effondrée et que l’air frais s’insinuait dans notre excavation. Le bonhomme printemps venait de nous faire regretter pour toujours notre coup qui venait de tomber à l’eau. Vers 7h30, le 5 Avril, une employée de la banque signalait une situation dangereuse sur le trottoir. Un arbre s’était enfoncé d’un bon mètre avec la fonte des neiges. Les curieux confirmèrent la présence d’une odeur pestilentielle qui montait des entrailles de la terre. Si l’arbre avait été convenablement planté, si le sol n’avait pas dégelé, si la chenillette n’avait pas passé, si les cols bleus avait bien planté l’arbre, les choses auraient pris une autre tournure, mais avec des si, on va à Paris. ‘’The agony of defeat…’’
Tiré du livre: Et que ça saute! : Le dernier tunnel tel que raconté à Jean-Louis Morgan
Explored No.1 July 16, 2021
www.flickr.com/explore/2021/07/16
In Flickr Official Gallery - Flickr's Top Photos of 2021
The world is full of beauty, even in the dark, it shines the light…
In the past winter, went to Niagara Falls in the early morning many times (drove in the dark for one hour and 40 minutes one way)... I posted similar one which was taken a week later. You can see the difference between one week, snow began to melt in one week. This one was fully covered with snow, like a fairy tales world. But it was freezing cold in the early morning. 😉
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Huge thanks for the visiting, faves and kind comments! 🙏💕
I appreciated your stopping by. Stay healthy and take care my dear Flickr friends! 🙏
Canon EOS R5; EF100-400mm f/4.5-5.6L IS II USM
ISO100, 241mm, f/9, 4s
If you wish to view more images, of Oxburgh Hall, please click "here"
I would be most grateful if you would refrain from inserting images, and/or group invites; thank you!
Oxburgh Hall is a moated country house in Oxborough, Norfolk, England, today in the hands of the National Trust. Built around 1482 by Sir Edmund Bedingfeld, Oxburgh has always been a family home, not a fortress. The manor of Oxborough came to the Bedingfeld family by marriage before 1446, and the house has been continuously inhabited by them since their construction of it in 1482, the date of Edward Bedingfeld's licence to crenellate. A fine example of a late medieval, inward-facing great house, Oxburgh stands within a square moat about 75 metres on each side, and was originally enclosed; the hall range facing the gatehouse was pulled down in 1772 for Sir Richard Bedingfeld, providing a more open U-shaped house, with the open end of the U facing south. The entrance, reached by a three-arched bridge on the north side, is dramatised by a grand fortified gatehouse, evoking the owner's power and prestige, though as fortification its value is largely symbolic; it is flanked by tall polygonal towers rising in seven tiers, with symmetrical wings extending either side that reveal nothing on the exterior of their differing internal arrangements. About 1835 the open end of the U was filled in with a picturesque, by no means archaeologically correct range that recreated the central courtyard. Other Victorian additions include the Flemish-style stepped gables, the massive southeast tower, the oriel windows overhanging the moat (illustration, left) and terracotta chimneys. Four towers were added to the walled kitchen garden. The hall is well known for its priest hole. Due to the Catholic faith of the Bedingfeld family, a Catholic priest may have had to hide within the small disguised room in the event of a raid. The room is reached via a trapdoor, which when closed blends in with the tiled floor. Unlike many similar priest holes, the one at Oxburgh is open to visitors. The hall is also notable for the Oxburgh Hangings, needlework hangings by Mary, Queen of Scots and Bess of Hardwick. Mary worked on these while imprisoned in England, in the custody of the Earl of Shrewsbury. The estate has a number of woodland walks, including a 'Woodland Explorer' trail. Oxburgh Hall is a popular location for film and television series, including brief appearances in the Dad's Army episode "Museum Piece", and later in You Rang, M'Lord?. It was the major setting for the 1994 television dramatisation of Love on a Branch Line, a novel by John Hadfield. It is a Grade I listed building, the highest-level designation.
The reason why I wanted to visit Gollinger Waterfall in Tennengau (Austria) was an old water mill just below the waterfall. I was so fascinated by the decaying hut which was on it's way back to nature, that I was ready to accept the big distance.
I visited the mill on 24.10.2015 and what could I see? Some wise guy decided to restore the mill and to remove the thicket around it. False decision in my opinion... Well, you have to take what you can get and try to make the best. I hope You still like it.
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If You are interested in a digital copy or a poster of the photograph (or other photographs), please just drop me an Email on b.jordan@gmx.net
*****
Der Grund wieso ich seit Jahren den Gollinger Wasserfall im Tennengau (Österreich) besuchen wollte war eine alte verlassene Wassermühle gleich unterhalb des Wasserfalls. Ich war so fasziniert von den Bildern einer verrotteten Hütte, die dabei war von Natur zurück geholt zu werden, dass ich sogar bereit war die große Entfernung in Kauf zu nehmen.
Am 24.10.2015 habe ich die Mühle besucht und was konnte ich feststellen? Irgendein Schlaumeier hat entschieden die Mühle zu restaurieren und das Dickicht drum herum zu entfernen. Falsche Entscheidung meiner Meinung nach... Na ja, man nimmt halt das was man kriegt und versucht das beste draus zu machen. Hoffe es gefällt.
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Wenn jemand Interesse an einem digitalen Abzug oder einem Poster von dem Foto hat (auch von anderen Fotos von mir), schreibt mir doch eine Email an b.jordan@gmx.net
*** Calendar 2016 - Order ready! ***
More info under: www.flickr.com/photos/borisss1982/21216336483
Alone in Kyoto
Air
Lost in Translation version
Instrumental
EDIT: This picture has been used to produce the following fantastic artworks, I'm so pleased that I made the picture 'public domain':
www.whythealgarve.com/post/the-fruits-of-alone-in-kyoto
Today I missed the direct train home from work and ended up taking a longer route.
None of the following is a complaint. I do, of course, fully understand the need for social distancing measures. I did though want to record how I felt on the journey.
It was a very strange experience: seats taped up ‘out of use’, hardly any passengers at rush hour, lengthy one way systems to navigate. It all felt like landing in a very different country, but with elements of familiarity. It was the most surreal journey I’ve ever made.
The picture was taken at York and shows 802218 with a Newcastle to Liverpool Lime Street service. To be fair, the TPE trains have clear but discrete social distancing signs in the form reservation type labels with a red and cross/green and tick to indicate where to sit.
4th June 2020
Very Beautiful On Black www.youtube.com/watch?v=mRczov1IooM
Imogen Heap - Hide and Seek (Acoustic) Beautiful version^^ !!
Where are we?
what the hell is going on?
the dust has only just begun to form
crop circles in the carpet
sinking feeling
spin me round again
and rub my eyes,
this can't be happening
when busy streets a mess with people
would stop to hold their heads heavy
hide and seek
trains and sewing machines
all those years
they were here first
oily marks appear on walls
where pleasure moments hung before the takeover,
the sweeping insensitivity of this still life
hide and seek
trains and sewing machines (oh, you won't catch me around here)
blood and tears (hearts)
they were here first
Mmmm whatcha say,
Mmm that you only meant well?
well of course you did
Mmmm whatcha say,
Mmmm that it's all for the best?
of course it is
Mmmm whatcha say?
Mmmm that it's just what we need
you decided this
whatcha say?
Mmmm what did she say?
ransom notes keep falling out your mouth
mid-sweet talk, newspaper word cut outs
speak no feeling no I don't believe you
you don't care a bit,
you don't care a bit
This is Second LIfe !! Pic taken at Blossom Elven
Find it at The Warehouse Sale
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- 50 L for singles and 270L for fatpack during event.
TRY THE POSES BEFORE YOU BUY ♥
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Well, last week I asked what you guys thought I should do for my 100th photo (here).
Brian Chu told me to do a nice plain Jane landscape, so here's my boring old landscape (1 day early, got something else planned for tomorrow). The view is a panorama straight off my balcony, featuring Domo
You guys should check out Brian's photos, he's got some killer shots of Melbourne; he really does our lovely city justice. Follow him on Tumblr! mrbrianchu.tumblr.com
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Bruges / Brugge is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium. It is located in the northwest of the country. Bruges has most of its medieval architecture intact. The historic city centre is a prominent World Heritage Site of UNESCO.
Along with a few other canal-based northern cities, such as Amsterdam, it is sometimes referred to as "The Venice of the North".
Model: Canon EOS 5D Mark II; Lens : EF17-40mm f/4L USM, Focal length: 23.00 mm; Aperture: 11, Exposure time: 32.0 s, ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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Another, slight less abstract, photo of one of the beautful concrete stairs inside the Herzog & de Meuron Blavatnik School of Government in Oxford.
Whilst searching for possible entries to this years CIOB 'Art of Building' photo competition I realised I've a whole load of photos of the Blavatnik School of Government that I've never even touched.
Click here to see more of my shots of contemporary architecture in Oxford : www.flickr.com/photos/darrellg/albums/72157636717820925
From Wikipedia "The Blavatnik School of Government is located in the University of Oxford's Radcliffe Observatory Quarter on Woodstock Road, however its main entrance is on Walton Street. The building is designed by architects Herzog & de Meuron to promote open discussion, interaction and collaboration. The central forum is inspired by the idea of openness and transparency and connects all the floors together. Construction work started in autumn 2013, after some controversy, and ended in late 2015. The building is controlled by a combination of systems and technology that helps minimise its environmental impact."
© D.Godliman
Limited Addiction- 2021
Fit for Legacy, Perky, Maitreya, and Petite
1313- Julia Pumps
Fit for Maitreya and Kupra
Anny's Fashion- Wren Socks
BoM
The Bearded Guy- Sodalsia Golden backdrop
Available at Thirsty event through January 10.
The ministry of time
Chapter II: The Mystery of the Incubators
The style card and credits here
Sam found himself alone in the laboratory, the dim lights flickering intermittently over the equipment. A bottle of beer was within his reach as he immersed himself in his thoughts. Recently, an unusual event had shaken his scientific world: the disappearance of a body from the incubators. This act not only defied the laws but also raised serious questions about the integrity of the timeline.
As the golden liquid flowed down his throat, Sam pondered the possible devastating consequences that this incident could unleash. What effect would it have on historical evolution? How would it alter temporal continuity? These questions haunted him, filling his mind with unease and concern.
An even more alarming idea seized his thoughts: Who could have orchestrated this act and for what purpose? Time travel technology was heavily regulated, its illegal use a serious offense. Only a few would have access to it, and none of them would have noble motives to carry out such an action.
As Sam delved into his reflections, a determination grew within him: he must uncover the truth behind this enigma. Not only for the sake of the scientific community and temporal stability but also for his insatiable thirst for knowledge. With determination in his gaze, he promised himself that he would not rest until he found answers and ensured that temporal integrity remained intact.
With the collaboration from:
BIRTH / *Birth* 'Valor' Lelutka EvoX BOM @ UBER EVENT
CHRIS TWO DESIGN / Cyber VR Headset Y.2077 @ in main store
TANAKA /[TNK] GAMER MINI-FRIDGE @ GOTHCORE event
KOKOS-EARRING ROKITI-Gauged XL/S @ menselected
KOKOS-HUD-EARRING ROKITI-Gauged XL Ears(EXTRA) @ menselected
SAM KOKOS- HAIRBASE SAM-EVOX @ GROUP GIFT
[LOB] SPACEX SET @ in main store now
Synnergy.Tavis/Cryo Chamber [360] Backdrop @ Easter offer
www.youtube.com/watch?v=yqjJ8xR1Me4&feature=related
" AUSENCIA "
Se va de ti mi cuerpo gota a gota.
Se va mi cara en un óleo sordo;
se van mis manos en azogue suelto;
se van mis pies en dos tiempos de polvo.
¡Se te va todo, se nos va todo!
Se va mi voz, que te hacía campana
cerrada a cuanto no somos nosotros.
Se van mis gestos que se devanaban,
en lanzaderas, debajo tus ojos.
Y se te va la mirada que entrega,
cuando te mira, el enebro y el olmo.
Me voy de ti con tus mismos alientos:
como humedad de tu cuerpo evaporo.
Me voy de ti con vigilia y con sueño,
y en tu recuerdo más fiel ya me borro.
Y en tu memoria me vuelvo como esos
que no nacieron ni en llanos ni en sotos.
Sangre sería y me fuese en las palmas
de tu labor, y en tu boca de mosto.
Tu entraña fuese, y sería quemada
en marchas tuyas que nunca más oigo,
¡y en tu pasión que retumba en la noche
como demencia de mares solos!
¡Se nos va todo, se nos va todo!
Autor : GABRIELA MISTRAL
Lungo la strada più mondana dell'isola di Capri tra boutiques prestigiose ed alberghi di lusso c'è una piccola porta bianca quasi nascosta, proprio questo è l'ingresso del locale più frequentato delle notti capresi: l'Anema e Core.
Di fama internazionale è il fulcro della movida caprese, all'interno è possibile incontrare personaggi d'ogni tipo dalla popstar al politico, dall'industriale al presentatore televisivo, intellettuali, personaggi sportivi, modelle, perfino esponenti di varie stirpi reali.
L'artefice di questa magia ... Guido Lembo.
'La notte appartiene a lui, autentico stregone di Capri, l'imperatore notturno che comanda supremo sull'isola dalla mezzanotte all'alba, uomo capace di far scatenare il più pudico degli uomini politici in spontanee esibizioni di canto recitate a squarciagola dal palco, o ad incitare la più riservata delle dive ad esercitarsi in balli esotici degni delle danzatrici più energiche. Basta entrare nel suo regno per sciogliere ogni riserbo, e per chi non dovesse riuscirci, ci penserà Guido, l'abilissimo maestro delle cerimonie.'
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Along the way most fashionable island of Capri among prestigious boutiques and luxury hotels is a small white door almost hidden, this is precisely the entry of local busiest nights of Capri: the Anema e Core.
Of international fame is the hub of nightlife in Capri, you can meet people in every type from the pop star to politician, industrialist to television presenters, philosophers, sportsmen, models, even members of various royal lines.
The creator of this magic ... Guido Lembo.
'The night belongs to undisputed ruler of Capri, the emperor who commands the supreme night on the island from midnight dawn, a man capable of unleashing the most modest of politicians in spontaneous performances by singing loudly recited from the stage, or to encourage the more reserved of the stars to practice exotic dance worthy of the most energetic dancers. Just enter his kingdom to lift any restraint, and who fails, we think Guido, skilled master of ceremonies. '
matrixspirt.blogspot.com/2024/03/ms-0986.html
GABRIEL - NEOJAPAN outfit 2024 spring
sale at NEOJAPAN 13round
DURA - Delusion hair
sale at NEOJAPAN 13round
BONDI . Batou Drone
sale at NEOJAPAN 13round
Badwolf - Hell Broken Horns
For Sabbath event
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© All of my photographs are Copyrighted and All Rights Reserved. They may not be used or reproduced in any way without my explicit written permission.
© Toutes mes photographies sont protégées par droit d'auteur et tous droits réservés. Elles ne peuvent pas être utilisées ou reproduites d'aucune manière sans mon autorisation explicite et écrite.
© Tutti i diritti riservati. Non usare le immagini su siti web, blog, altri canali informatici, o qualunque utilizzo senza autorizzazione.
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Please: NO GLITTERY OR BIG AWARDS ! !
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This was the firs day this little guy left the nest. I spent many hours watching this young Red-tailed Hawk.
ISO..!000..Aperture..F/4..Shutter Speed..1/1000..Nikon D3s
Seen in FLICKR BLOG,theme EUZKADI blog.flickr.net/en/2010/08/02/euzkadi/
Berroeta,Navarra,Spain
The Baztan valley is a land of noblemen, indianos who returned after making their fortunes in the Americas, smugglers, shepherds and pilgrims who travelled to Santiago along the alternative route that crosses the valley.
Baztan is an evergreen valley with an Atlantic climate and is also the largest municipality in Navarre, covering 374 square kilometres, 15 towns/villages and dozens of caseríos (farmhouses) that dot a landscape of cultivated fields, woods, and meadows in which livestock graze.
There are several medieval palaces and noble houses in the valley, all of them well kept and of great beauty.
The visitor to Arrraioz is met by the haughty figure of the Palace of Jauregizar, a tower of medieval origin with a wooden platform at the top. The road to Ziga leads up to the belvedere of the Baztan, which offers excellent views over the area.
The commercial and administrative centre of Baztan is Elizondo, with its noble houses, palaces and monumental and religious buildings. Baztan has interesting museums such as the ethnographic museum dedicated to Jorge Oteiza (Elizondo) or the Santxotena sculpture museum (Arizkun). It also has delightful spots such as the Xorroxin waterfall (Erratzu), the dolmens of Izpegi and the megaliths of Erratzu-Aldudes.
On the way to the border with France, a road at the top of the Otsondo pass leads to Urdazubi/Urdax, where you can see a mill, a monastery and the spectacular caves of Ikaburu. A guided tour reveals beautiful formations of stalactites and stalagmites and the flowing waters of the Urtxuma, a stream that runs through the caves.
Caves of Urdazubi/Urdax are linked by road or a signposted path to those of Zugarramurdi, which history and legend have always associated with witchcraft.
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El Valle de Baztan es tierra de hidalgos, de indianos que volvieron de ultramar, de contrabandistas, de pastores y de peregrinos que acudían a Santiago por la ruta alternativa que atraviesa el valle.
El Baztan es un valle siempre verde, de clima cantábrico, el municipio más extenso de Navarra, con 374 kilómetros cuadrados, que incluye 15 pueblos y decenas de caseríos que salpican un paisaje formado por prados en los que pasta el ganado, cultivos y bosques.
Son numerosos los palacios medievales y señoriales que adornan las localidades baztanesas, todas de gran belleza y cuidado caserío.
Arraioz recibe al visitante con la altiva figura del palacio de Jauregizar, una torre de origen medieval con cadalso de madera en la parte superior. Si se toma el desvío a Ziga, se asciende al mirador de Baztan, que ofrece una bella panorámica de la zona.
El centro comercial y administrativo de Baztan es Elizondo, con sus caserones, palacios y edificios monumentales y religiosos. Baztan cuenta con interesantes museos como el etnográfico Jorge Oteiza (Elizondo) o el museo escultórico Santxotena (Arizkun), y con bellos rincones donde perderse como la cascada de Xorroxin (Erratzu), los dólmenes de Izpegi y los megalitos de Erratzu-Aldudes.
En el camino que lleva a la frontera con Francia, un primer desvío en las últimas rampas del puerto de Otsondo conduce hasta Urdazubi/Urdax, donde puede visitarse el molino, el monasterio y la espectacular cueva de Ikaburu. Una visita guiada permite contemplar bellas formaciones de estalactitas y estalagmitas y escuchar el murmullo del Urtxuma, un riachuelo que discurre por el interior de la gruta.
La cuevas de Urdazubi/Urdax está unida por carretera o por una senda señalizada con la de Zugarramurdi, que la historia y la leyenda han ligado para siempre a la brujería.
bighugelabs.com/scout.php?mode=history&id=2559491416
[...] The right to be let alone is indeed the beginning of all freedom [...]
-- Quote by William Orville Douglas
Fiumicino, Italy (June, 2008)
Nikon D70, Tokina 12-24, ND8 filter + Cokin dark tobacco gradual
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Mamiya C330 S and Sekor 80mm f/2.8
Kodak Portra 160