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Cháchara is a talk at a given place and time. We invite people to share things that don't (or do) have anything to do with their practice. We spend the afternoon eating quiche.
Cháchara is a talk at a given place and time. We invite people to share things that don't (or do) have anything to do with their practice. We spend the afternoon eating quiche.
Cháchara is a talk at a given place and time. We invite people to share things that don't (or do) have anything to do with their practice. We spend the afternoon eating quiche.
Cháchara is a talk at a given place and time. We invite people to share things that don't (or do) have anything to do with their practice. We spend the afternoon eating quiche.
Cháchara is a talk at a given place and time. We invite people to share things that don't (or do) have anything to do with their practice. We spend the afternoon eating quiche.
EN
Cháchara describes itself as "a talk at a given place and time". Homesession is glad to be this given place and to receive, with Cháchara's organizers, three British artists on Thursday, February 9: Maurice Carlin, Gary Leddington and David Price share an afternoon with us, just at the beginning of their residency at La Escocesa, to talk about their interests.
Like in every Cháchara, we invite people to share things that don't relate with their practice at all (or maybe they do) and we'll spend the afternoon eating delicious quiches.
CAT
Cháchara es defineix com "una xerrada en algún lloc i en algún moment". Homesession té el plaer de ser aquest lloc i, amb els organitzadors de Cháchara, d'acollir dijous 9 de febrer a tres artistes brità nics: Maurice Carlin, Gary Leddington i David Price ens acompanyen una tarda per parlar dels seus interessos, aprofitant l'inici de la seva residència a La Escocesa.
Com per les altres chácharas, invitem la gent a compartir algunes coses que no tinguin que veure amb allò seu (o potser sÃ) i passarem la tarda compartint delicioses quiche!
ES
Cháchara se define como "una charla en algún lugar y en algún momento". Homesession tiene el placer de ser ese lugar y, con los organizadores de Cháchara, de acoger el jueves 9 de febrero a tres artistas británicos: Maurice Carlin, Gary Leddington y David Price nos acompañan una tarde para charlar de sus intereses, aprovechando el inicio de su residencia en La Escocesa.
Como en las demás chácharas, invitamos la gente a compartir algunas cosas que no tengan que ver con lo suyo (o sÃ) y pasaremos la tarde compartiendo deliciosas quiches.
September 18th 2011
The formal work of Julien Gardair radically transcends the materials, cutting and combining them in a practice that merges sculpture, performance and installation, establishing a vivid dialogue between the space and the piece. Camera Locus, Julien Gardair's site-specific installations, explore an abstract material: the light. It applies Julien Gardair's usual processes though, such as cutting, composition and linkages with the space: be it conceived for the former factory of the Invisible Dog art center in New York or for Gallery of the french Gobelins National Manufactory of tapestry, the starting point of each of these installations is an architecturally-significant context. Camera Locus 4 in turn reinvents a singular space, the homesession domestic space, with the same economy of means and adapting itself to the new challenges that this place creates.
September 18th 2011
The formal work of Julien Gardair radically transcends the materials, cutting and combining them in a practice that merges sculpture, performance and installation, establishing a vivid dialogue between the space and the piece. Camera Locus, Julien Gardair's site-specific installations, explore an abstract material: the light. It applies Julien Gardair's usual processes though, such as cutting, composition and linkages with the space: be it conceived for the former factory of the Invisible Dog art center in New York or for Gallery of the french Gobelins National Manufactory of tapestry, the starting point of each of these installations is an architecturally-significant context. Camera Locus 4 in turn reinvents a singular space, the homesession domestic space, with the same economy of means and adapting itself to the new challenges that this place creates.
September 18th 2011
The formal work of Julien Gardair radically transcends the materials, cutting and combining them in a practice that merges sculpture, performance and installation, establishing a vivid dialogue between the space and the piece. Camera Locus, Julien Gardair's site-specific installations, explore an abstract material: the light. It applies Julien Gardair's usual processes though, such as cutting, composition and linkages with the space: be it conceived for the former factory of the Invisible Dog art center in New York or for Gallery of the french Gobelins National Manufactory of tapestry, the starting point of each of these installations is an architecturally-significant context. Camera Locus 4 in turn reinvents a singular space, the homesession domestic space, with the same economy of means and adapting itself to the new challenges that this place creates.