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Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Gold 200
Bellini Foto C-41
Scan from negative film
Classic on the racks. The Hassie shot with the Zuiko 55/1.2 - to test the DOF. Minimum focus and trying to keep still during the snap is unnerving.
Olympus OM2, G-Zuiko 55mm F1.2, Ilford FP4+ 125, Rated @400ASA, Pushed, "Home-Development", T-max Developer @ 1/4th, 8 1/2 minutes, Aggitation @ 1 minute, 2 minute wash, 6 minutes fix, Ilford Rapidfix 1/4th, Wide Open
Minolta XD-s, MC Tele Rokkor 135, Rollei Infrared 400, Haida 720 filter. Adonal 1+50. Early november, midday. Aperture priority.
Fashion shot in the studio with film and the medium format = huge fun!!
♫♬♪ Satu, dua, tiga DoReMi
Apa dah jadi
AIlf Ba Taa A, B, C ♫♬♮♯
Strobe:
2 nos. 550 strobe head in two softboxes - left and right, face level.
1 Nos SB600 on high mount - top left. 1/32 on manual mode.
1 Nos SB800 on Kiev88, 1/32 on manual mode - master flash trigger.
KIEV88, Arsat B 80mm F2.8, Fujifilm Neopan Across 100, Home Development, Kodak TMax Developer @ 1/4, 6 minutes 30 seconds @ agitation every minute, 2 minutes stop bath, 6 minutes fixing, F11
Kodak Tmax 400 developed in Agfa Rodinal 1+50
Mamiya 645
Mamiya- Sekor C 80mm F/1.9
This shot pretty much summarizes my saturday. Yesterday I picked up a new lens. I finally have a Mamiya Sekor-C 80mm F/1.9.
The lens itself is in superb condition. The glass is clear; no dust, no scratches and no fungus. Focusing goes really smooth and the aperture blades move swiftly. The only damage I could find was a small scratch on the exterior.
There's just one "downside" to this lens. It was attached to another Mamiya 645 with WLF and AE prism. So by buying this lens, I extended my collection with another camera!;) Luckily it's in better shape than my first M645! So I'm thinking about selling my first m645...
Yesterday I developed my first black and white films. The first two were FP4+ film and the third one was Kodak Tmax 400. The first film seems to be failed. The second and third look better. But as you can see here; I made a lot of rookie mistakes. There's still a lot to learn!!
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Rollei RPX 100
Kodak D76 1+0
12 min 20°C
Scan from negative film
Leica M6 TTL
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Portra 160
Tetenal Colortec C-41
Scan from negative film
Leica M6 TTL
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Portra 160
Tetenal Colortec C-41
Scan from negative film
Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Fujicolor C200
Bellini Foto C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Tetenal Colortec C-41
Scan from negative film
Leica M6 TTL
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Gold 200
Tetenal Colortec C-41
Scan from negative film
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Kodak Ektar 100
Bellini Foto C-41
Scan from negative film
Taken on a cold morning in Wädenswil, Lake Zurich.
Camera: home-made "Blackbox" pinhole camera. Exposure approx. 3 sec. Film: Rollei Scanfilm CN 400 PRO, home-developed with the Tetenal Colortec C-41 Rapid Negative Kit.
Ok, now I have to do something against the light leak (film counter window)!
Two things struck me as odd about this shot. Firstly, I can't actually remember taking it, and have no idea where it was taken. Secondly, the cross, which I'm assuming is part of some sort of cemetary or grave yard or monument, is exposed more than the rest of the shot. Odd.
OK. Figured out this was taken in Almondsbury, just where the road tips downwards by the garden centre.
Taken on a Holga with Ilford Delta 400 film and home developed using Fotospeed chemicals.