View allAll Photos Tagged HighKey

Photo: Joakim Wall

 

Model and Idea: Joel Andersson

Strobist info: one softbox behind the subject @1/2 and a YN565 at 45° top/right @1/4

Canon 350D Canon EF-S 18-55 18mm 1/60 f22 ISO 1600

 

I was looking for another photo when I found this remarkable high key one. It didn't even need post processing beyond a straight BW conversion.

 

Cathedral in Toledo - IMG_7839

The lovely and beloved Johanna, from a photoshoot several weeks ago. This is my first attempt at a highkey portrait, and it establishes another milestone as well; this happens to be my 2000th upload to Flickr. So it honors Johanna in more ways than one, although she honored me far more by posing for me in this photoshoot. Someday soon I hope to do another one with her.

Bronica ETRSi, Fuji Neopan Acros

 

This is Stevi.

blue and pink flowers highkey

A couple of high key photos of Blondy. Oneofmy favourite models to work with.

5dm2 | 85mm | f/1.6 | Iso 500 | 1/6400 | hand held |

playing around trying to get a highkey look, it's so fiddly to blend it into the white background and not blow everything else up, so to speak.

صباح / مساء الخيــرات

هذي تجربة لتقنية الـ"هاي كي" مع شوية بهارات للنكهه :) هع

أتمنى أن تنال على إستحسانكم

مودتي,,,,,

This was a tough, but fun, challenge to undertake. I don't have any external flash units which most traditional high key shots utilize (according to what I found on the internet), so I had to improvise. I do have a DIY light box, which is primarily used for my wife's food shots, so, I had my little one stand in front of it (very difficult to explain to her to stand still) and I cranked up the ISO and used my pop-up flash to illuminate her face while the lightbox allowed the background to be overblown white.

 

The only post processing I used was a crop and "I'm feeling lucky" in picasa.

Attempt at a "high-key" image.

 

Eyes brought back in photoshop

Penelope shows me how she pumps to swing super high.

This example of high-key lighting tends to show my skills at using professional studio lightning equipment. It was very challenging to get the light right. There were about 4 lights with different spots, hitting different areas and again an assistan who was helping me with blowing her hair.

Week 34 - Intentional Overexposure - at Compositionally Challenged

 

365 day 236

 

The intention here is to convey the sense of looking ahead, not only in distance, but in time. The model is my ginger cat, Charlie.

Shot with a 60x60 softbox behind her head.

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