View allAll Photos Tagged Hasselblad_2000FCW,

ANGENIEUX PARIS TYPE X1 100mm F3.5

foto de la Hasselblad 500 C/M, a través del visor de la Hasselblad FCW2000

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Shot on Bergger Pancro 400 at EI 200.

Black and white negative film in 120 format as 6x6.

Orange 21 filter, Hasselblad Planar F 80 F/2.8, Pyrocat-HD 1:2:100

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Large version at: emulsive.org/photography/medium-format/way-bergger-pancro...

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Filed under: #Medium_format, #Photography, #120_Format_Film, #2017_September, #6X6, #Bergger, #Bergger_Pancro_400, #Black_And_White_Negative_Film, #EI_200, #EI_400, #EMULSIVE_Daily_Photo, #Filter__Orange_21, #Hasselblad, #Hasselblad_2000FCW, #Hasselblad_Planar_F_80_28, #ISO_200, #ISO_400, #PyrocatHD

Kilfitt Zoomar Mucnchen Macro Zoomatar 90mm F2.8

2014/01/20 Izumi

Hooded Crane

(Nabezuru)

Hasselblad 2000FCW+Tele Tessar C500mm f8

Provia 100 hand hold

K-01 Copy

ALDIS BROTHERS BIRMINGHAM ANASTIGMAT No.2 5.75 inch F6.3

Hasselblad 2000FCW

Sinaron Digital Distagon 4/40 ZH

Sinaron Digital Makro-Planar 4/120 ZH

Film : Kodak Professional T-Max 100

Photo Lab : 爵士影像

Scan by Imacon Flextight Photo

 

Light :

Elinchrom ELC 1000 Flash Head with Portalite Square Softbox 66 x 66 cm

Elinchrom ELC 1000 Flash Head with 21cm reflector

OT1pro Optical Snoot + 50mm f1.8

Hasselblad Carl Zeiss Distagon C 60mm F3.5 T*

UNKNOWN BRASS LENS 5 INCH F8

Hasselblad Carl Zeiss Planar F 110mm F2 T*

Hasselblad 2000FCW

150mm Sonnar F f/2.8

Fuji Acros 100

Rodinal Stand, 1+100, 1hr

Distagon 60mm

Disparada a 400 asa, revelada con HC110 B durante 5 min, 20º.

 

ALDIS-BUTCHER ANASTIGMAT 4 INCH F3.4

Hasselblad 2000FCW

150mm Sonnar F f/2.8

Kodak Tri-X @ 200

Rodinal 1+50, 10% reduction dev time

 

This picture is #54 in my 100 strangers project . Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page.

 

I found Norm reading outside a coffee shop in downtown Littleton, CO. I was having kind of a dry day, and was considering throwing in the towel. I passed Norm once, and thought "I like that hat, so maybe I'll ask this guy for a portrait". A few steps later, I turned around and asked him.

 

He agreed right away, and immediately identified the Hasselblad hanging across my chest. So naturally, we got right into a photography discussion. I asked if he had shot a Hasselblad in the past, and he said "no, but I had a Leica M3 and a Nikon FE, but now I shoot digital". So we discussed the convenience factor of digital (and that's really all it is, folks -- convenience) vs film, and the different way that each medium renders light.

 

Norm is shooting an Olympus C-8080 camera, at 8.0MP. Norm, if you read this, and were confused by my puzzled reaction when you said Olympus C-8080, I was reacting because Nikon had a film model called the N8080. I was momentarily crossed-up!

 

Anyway, one interesting thing Norm mentioned is that he's gotten very large prints (24x30" --or even larger?) from 5.0MP cameras using interpolation software to resize the image while keeping the detail reasonably smooth.

 

Tech Notes

This shot is with the insanely good 150mm Sonnar F. I may have shot this wide-open at f/2.8, but I suspect not because the DoF is truly paper-thin at close distances, and there's is pretty reasonable DoF in this shot (at least the plane of Norm's face is fully in focus).

 

My development regime here was a little different than usual. When shooting in sunny/contrasty conditions, I normally shoot Tri-X at EI 200 and cut development by 20%. I cut it only by 10% this time since I shot this roll in pretty mixed lighting and I didn't want the shady shots to come out too dull (this shot was in open shade).

ALDIS BROTHERS BIRMINGHAM ANASTIGMAT No.2 5.75 inch F6.3

ZOOMAR MUENCHEN MACRO-ZOOMATAR 1:1 90mm F2.8

ALDIS-BUTCHER ANASTIGMAT 4 INCH F3.4

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Shot on Bergger Pancro 400 at EI 200.

Black and white negative film in 120 format as 6x6.

Orange 21 filter, Hasselblad Planar F 80 F/2.8, Pyrocat-HD 1:2:100

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Large version at: emulsive.org/photography/medium-format/jumper-bergger-pan...

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Filed under: #Medium_format, #Photography, #120_Format_Film, #2017_September, #6X6, #Bergger, #Bergger_Pancro_400, #Black_And_White_Negative_Film, #EI_200, #EI_400, #EMULSIVE_Daily_Photo, #Filter__Orange_21, #Hasselblad, #Hasselblad_2000FCW, #Hasselblad_Planar_F_80_28, #ISO_200, #ISO_400, #PyrocatHD

Hasselblad 2000FCW

Carl Zeiss T* F Distagon 50mm 2.8

Fuji Velvia 50

Cambodia Dec 2012

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Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100

Color reversal (slide) film shot as 6x6

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Large version at: emulsive.org/photography/medium-format/derased-kodak-ekta...

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Filed under: #Medium_format, #Photography, #120_Format_Film, #2017_August, #6X6, #Color_Reversal_Slide_Film, #Cross_Processing, #EI_100, #EMULSIVE_Daily_Photo, #Hasselblad, #Hasselblad_2000FCW, #Hasselblad_Planar_F_80_28, #ISO_100, #Kodak, #Kodak_EKTACHROME_100VS

Hasselblad 2000FCW

150mm Sonnar CF

Kodak Portra 160

Lab Dev/Scan

 

This picture is #38 in my 100 strangers project . Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page.

 

I found David taking a break outside the Fat Frog Cafe where he's a waiter. The Fat Frog is in downtown Littleton, CO, which as I've said before, is one of my favorite photo haunts. He agreed to take part in the project right away, which I always appreciate. He's been waiting at the Fat Frog for a couple of months, when it converted from the Fat Frog Bar to the Fat Frog Cafe.

 

I hope you like your portrait, David, and thanks for taking part in 100 Strangers!

   

BOYER PARIS SAPHIR 300mm F4.5

Hasselblad 2000FCW

F Planar 110/2

Fuji 160NS

Hasselblad Carl Zeiss Planar F 80mm F2.8 T*

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Shot on ILFORD PAN F PLUS at EI 32.

Black and white negative film in 120 format shot as 6x6.

Over-developed 2/3 stop.

Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4.

  

Read on at: emulsive.org/photography/medium-format/stand-alone-shot-o...

 

Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018September, #6X6, #BlackAndWhiteNegativeFilm, #EI32, #EI50, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #HasselbladDistagonCFi50MmF4, #ILFORD, #ILFORDPanFPLUS, #ISO32, #ISO50, #PushProcessing, #PushingFilm

#shootfilmbenice #filmphotography #believeinfilm

CARL ZEISS JENA TELE TESSAR 32cm F6.3

ALDIS BROTHERS BIRMINGHAM ANASTIGMAT No.2 5.75 inch F6.3

Hasselblad 2000FCW

Sinar M Zeiss Distagon 40/4 IF

Kodak Portra 800(Expired 2014/04)

Photo Lab : Whatevergraphy電影底片工作室

Hasselblad Carl Zeiss Planar F 110mm F2 T*

Hasselblad 2000FCW

Sinaron Digital Makro-Planar T* 4/120 ZH

Film : Kodak Portra 160 (Expired 2014/11)

Photo Lab : 樹林揚禾沖掃

Hasselblad 2000fcw, distagon 50/4, velvia 50.

Hasselblad 2000FCW

150mm Sonnar F f/2.8

Fuji Acros 100

Rodinal Stand, 1+100, 1hr

Aldis-butcher anastigmat 7 inch f3.4

Planar 110mm

Kodak Portra 160 new revelada en procesadora Jobo con Kit de tetenal.

ZOOMAR MUENCHEN MACRO-ZOOMATAR 1:1 90mm F2.8 (異常型端紫斑蝶)

Hasselblad 2000FCW

Sinar M Zeiss Distagon 40/4 IF

Kodak Portra 800(Expired 2014/04)

Photo Lab : Whatevergraphy電影底片工作室

Hasselblad 2000FCW

Carl Zeiss T* F Distagon 50mm f/2.8

Fuji Velvia 50

Cambodia Dec 2012

ALDIS BROTHERS BIRMINGHAM ANASTIGMAT No.2 5.75 inch F6.3

ALDIS-BUTCHER ANASTIGMAT 7 INCH F3.4

WRAY LONDON LUSTRAR 184mm F4.5

ZOOMAR MUENCHEN Pan-Tele-Kilar 300mm F4

Hasselblad 2000FCW

80mm Planar

Fuji Acros 100

Rodinal 1+50

 

This picture is #21 in my 100 strangers project . Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page.

 

This is the beautiful and friendly Dimity. She was walking with Ian (#20) when I approached them about taking part in the project. She was very warm and outgoing once we got to talking. Dimity was very curious about the project and wanted to know more about it and why I was taking part in it. I explained that I don't normally shoot people, and don't really interact with strangers normally, so she tagged me as introverted (and she is correct).

 

She was concerned that she hadn't "prepped properly" for a portrait, but I assured her that she needed no prepping whatsoever (a little friendly flirting never hurt anybody, eh?). I think anyone that sees this photo would agree she's quite photo-ready :-).

 

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