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Crazy Tuesday group theme for Oct. 21 is "handle with care." I offer you a still life with alcohol and a surrendered car key fob.
A neat table scrap technique that combines zip line handles and a sword.
The connection is quite reliable; the only problem being that the sword is slightly bent, however, it's flexible as well so that could be fixed if needed. I can definitely see this being used as some sort of sci-fi greeble if put on its side. I would love to hear if you have any other ideas!
Have a good day
Terminal 1 was closed down due to minimized Flight Traffic in MUC in November 2020. All Traffic is handled now via Terminal 2. Re-opening of Terminal 1 for Check-in Purposes scheduled for May 19.
Taken on March 1, 2021 with Sony ILCE-7M2 and the Sony FE 16-35mm F4 ZA OSS at F=8.0.
Thought I'd update you on the latest member of my furry 4-legged family - little hammie's been with me just over a week now. I named him "Pippin" (after the hobbit in Lord of the Rings, it just suited him - he's an adventurous little thing!). I'm so pleased with how well he's settled in... I'd been told in the shop he wasn't yet tame and worried he'd be shy. However, whoever bred him handled him well (or he's just an exceptionally confident little hammie!) cause from the start he's been a happy and nosy little character... After 24hrs, I started stroking him, then a little while later, gently scooping him up in my hands]. At first, he scurried off quickly, but now he will happily sit or walk over my hands for a few minutes at a time. He's never once tried to bite or anything :)
He goes out for little adventures each evening in his ball. Of course it's hard to tell with such a tiny creature but I think he really enjoys the explorations around our downstairs. He rolls up and down the hall, the living room and the kitchen, stopping only to sniff an interesting item in his path, give his face a quick wash... or, to investigate Barney!! I'd originally planned to keep dog and hamster apart, particularly when Pippin was in his ball - as Barney is ball obsessed and also a hunter of voles when we're on walks (albeit a very ineffective one!). However as Pip likes to roll everywhere on the ground floor, it wasn't really feasible, so I've taught Barney to be very quiet and calm when Pip's rolling around.
After one quiet but firm "settle down" from me, (he looked a bit too interested on the first evening) he has been good as gold. He actually tries to keep away from Pippin but there's no escape! Pip will spy Barney from up the hall and make a beeline straight for the big dog. He will then sit right up against Barney, sniffing at his paws and fur with obvious interest. Pippin doesn't seem scared, he's happy to groom right next to either dog and doesn't freeze or try and run off... In fact, if I move him away, he often rolls straight back to Barney! Barney lies quietly, deliberately not looking at the hammie and gently moving his paws out the way from time to time. Don't like everything the "Dog Whisperer" says but to use his phrase, Barney's the model of a dog in a "calm, submissive state". Obviously, I wouldn't leave them alone though, it's nice they seem to be co-existing but I wouldn't want Pippin to get hurt...
Anyway, Pippin seems happy in his new home, the dogs have accepted him and he's being very friendly and confident. All going very well really, now, if I can just clicker train him to pose for the camera.... ;-) Haha, will try getting some nicer pics soon, maybe of the odd pair together, reminds me of Bolt and Rhino (if you've seen "Bolt", you'll know what I'm talking about!)
No. 311 and a mate handle two reefers and a string of converted woodchip boxcars at Wisconsin Rapids. J. David Ingles, Brian M. Schmidt collection
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Gimsøya, Lofoten, Norway
December 2025
Camera: Nikon FM2n
Film/Film Format: 35mm film Ilford HP5 Plus 400, Push 2
Lens: Nikkor (pancake) 50mm f/1.8 AI-s
Scanner: Noritsu scanner, 16-base (from a local lab in Singapore)
"Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbors.’
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn't love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbors.’"
Robert Frost, Mending Wall
Copyright Rebecca Ang 2026. All Rights Reserved.
Do not copy, reproduce, download or use in any way without permission.
El tema de esta semana (25 de Noviembre) es "Asa de Taza"
The theme for this week (on November 25) is "Mug Handle"
7DOS furniture Monday
365#176
One of a pair of handles on the drawer of my needlework cabinet. It's the oldest piece of furniture I own - made by my dad as a gift for my mum.
The theme for Macro Mondays is Handle With Care, so I did a two-fer - a dirty box cutter blade in a crystal bowl.
At the south side portal of the cathedral
To all who visit and view, and – especially – express support and satisfaction: you are much appreciated!
Der äußerer Türgriff links
The glass handle on the glass lid of on old crock pot. We don't use it for cooking, we use it to store unshelled peanuts in. My wife found me with my camera, in a dark room, hunched over the lid that was balanced on top of a flashlight. She just rolled her eyes, sighed and said with resignation, "Just don't break the thing,."
Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm
Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.
The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.
Why?
I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.
The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.
I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.
One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.
Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.
Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.
It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.
Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.
Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.
In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.
As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.
Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.
Mr. Llewellyn, I extend this offer:
if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.
The possibilities are limitless:
I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.
Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.
Thank you,
Casual Clicks
A BIT OF BACKGROUND:
Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.
I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.
I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.
As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.
Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.
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SHARPENING OH WHY?!
Why I didn't use my 50mm for this, I don't even know.
I'll be putting up some funny outtakes on my facebook page from this shoot in the comments.
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