View allAll Photos Tagged HandDrawing
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Intricate animal illustration from Indian Zoology (1830-1834) by John Edward Gray (1800-1875), keeper of the zoological department of the British Museum. Gray selected illustrations by both native and English artists in India from the collections of Major-General Hardwicke introducing the fascinating wildlife of the east to an English audience.
Illustration of The New York Public Library
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Intricate animal illustration from Indian Zoology (1830-1834) by John Edward Gray (1800-1875), keeper of the zoological department of the British Museum. Gray selected illustrations by both native and English artists in India from the collections of Major-General Hardwicke introducing the fascinating wildlife of the east to an English audience.
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Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
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Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
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Digital hand drawing illustration of a malachite sunbird, nectarinia famosa, adult male, feeding on a aloe flower. Reference photography by Marcel Holyoak flic.kr/ps/vTc7j
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This Julie de Graag collection is a compilation of human portraits, sketches and graphic arts from the 19th century by Julie de Graag (1877-1924), a Dutch graphic artist and painter. She mainly produced graphic works in a Art Nouveau style which has been described as being both sober yet refined.
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Illustration of The New York Public Library
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Illustration by George Shaw
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Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
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Illustration of The New York Public Library
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Public Domain image from The Rijksmuseum. Digitally enhanced by rawpixel.
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Diseño de identidad, diseño web y servicios de impresión de /// Identity, web design and printing by El Calotipo
Cliente /// Client Buenavista&Co ·natural weddings·
www.buenavistaandco.com/ — en El Calotipo.
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Graphic Minutes
By Barie Fez-Barringten
After Earth Day one and founding Earth Day twowe created and built the loft housing Laboratories for Metaphoric Environments (LME) in Manhattan’s east sixty eight street just across form Avadon’s (the world famous fashion photographer) studios and in a building owned by Mr. Fernandez who ran a high end commercial bakery on the ground floor. In Union Square I had met Adam Alexander who at time was special assistant to Mayor Lindsay. Adam lived on the West side and had several doctorates in mathematics. He somehow decided to collaborate with me to form LME and so from 1971 till 1973 when we left New York for Jackson Tennessee we had conversations which I documented with words and sketches.
What I later called word grams (after the DaDa movement) were my cognitive responses to reify these subjects through my fascination with geometry, graphics, design, drafting, and isometrics extrapolations. Adam knew I was doing this and after looking at my work sheet often would interrupt and say: “yes, that’s right” or ask “is that what you think”?
The previous year I did much the same thing with a graduate student from City College named Phil Winters who would document our conversations into his thesis based on a system he called: “TAG” (trust, authority and guidance). When Adam was not at the lab Henry Classon and I would likewise converse so that he could write the prospectus for LME.
It was only when I was writing and managing trainees and consultants for ARAMCO in Saudi Arabia did I then mount all 63 word grams on cardboard and then with dry mount film glazed each to the cardboard. In 1981 I thought these would eventually be exhibited as relics of the times.
Sadly, Adam disappeared, as had Phil and so many others from this very creative time. In 1972, after packing Plexiglas sculptures, pen and ink sketches, paintings and our personal effects Christina joined me as I assumed directing the architecture department for an insurance company where I designed two Tennessee cities and one village in Belmopan. At that time a local gallery owner invited us to exhibit our art and even a gallery in Memphis exhibited and sold many of my Sheba pen and ink fantasy drawings.
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Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
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Original (one of a kind) collage of artist's hand drawings and vintage technical drawings cut into tiny squares and mounted on watercolor paper. Original art by Tricia McKellar.
The Diagram series is a mix of my hand drawings of plans, schemes, machines, devices and technical drawings cut from a vintage book. Each collage is an exploration of order and chance.
© 2008 Tricia McKellar, all rights reserved
Graphic Minutes
By Barie Fez-Barringten
After Earth Day one and founding Earth Day twowe created and built the loft housing Laboratories for Metaphoric Environments (LME) in Manhattan’s east sixty eight street just across form Avadon’s (the world famous fashion photographer) studios and in a building owned by Mr. Fernandez who ran a high end commercial bakery on the ground floor. In Union Square I had met Adam Alexander who at time was special assistant to Mayor Lindsay. Adam lived on the West side and had several doctorates in mathematics. He somehow decided to collaborate with me to form LME and so from 1971 till 1973 when we left New York for Jackson Tennessee we had conversations which I documented with words and sketches.
What I later called word grams (after the DaDa movement) were my cognitive responses to reify these subjects through my fascination with geometry, graphics, design, drafting, and isometrics extrapolations. Adam knew I was doing this and after looking at my work sheet often would interrupt and say: “yes, that’s right” or ask “is that what you think”?
The previous year I did much the same thing with a graduate student from City College named Phil Winters who would document our conversations into his thesis based on a system he called: “TAG” (trust, authority and guidance). When Adam was not at the lab Henry Classon and I would likewise converse so that he could write the prospectus for LME.
It was only when I was writing and managing trainees and consultants for ARAMCO in Saudi Arabia did I then mount all 63 word grams on cardboard and then with dry mount film glazed each to the cardboard. In 1981 I thought these would eventually be exhibited as relics of the times.
Sadly, Adam disappeared, as had Phil and so many others from this very creative time. In 1972, after packing Plexiglas sculptures, pen and ink sketches, paintings and our personal effects Christina joined me as I assumed directing the architecture department for an insurance company where I designed two Tennessee cities and one village in Belmopan. At that time a local gallery owner invited us to exhibit our art and even a gallery in Memphis exhibited and sold many of my Sheba pen and ink fantasy drawings.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/category/53/public-domain
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
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Intricate animal illustration from Indian Zoology (1830-1834) by John Edward Gray (1800-1875), keeper of the zoological department of the British Museum. Gray selected illustrations by both native and English artists in India from the collections of Major-General Hardwicke introducing the fascinating wildlife of the east to an English audience.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/481252/jean-bernard
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
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Exterior view of the two temples at Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).
Illustration of The New York Public Library
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Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/481252/jean-bernard
View of the ruins of Ombos and adjacent country illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
This Julie de Graag collection is a compilation of human portraits, sketches and graphic arts from the 19th century by Julie de Graag (1877-1924), a Dutch graphic artist and painter. She mainly produced graphic works in a Art Nouveau style which has been described as being both sober yet refined.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/466593
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Jean Bernard (1775-1833) was a Dutch art collector and painter. His portraits of people, nature and animals are drawn mostly with charcoal and colored crayons and beautifully capture the intricate details of his varied subjects
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/481252/jean-bernard
Entrance of the temple at Luxor showing one of two colossal stature of Rameses II illustration by David Roberts (1796-1864).
Illustration from Bairei Gakan by Kōno Bairei.
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Public Domain image from The Rijksmuseum. Digitally enhanced by rawpixel.
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Illustration from Charles Melville Scammon.
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VCAD's Interior Design program allows you to develop a skill set that compliments your creative vision so you can excel in interior design. The program introduces students to design principles, color theory, space planning, drafting and industry-standard software.
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