View allAll Photos Tagged Hadith
Sayyidunā Salmān Fārsī has narrated that the Noble Prophet صلی اللہ علیہ وسلم said, ‘There is a day and a night in the month of Rajab; if a person fasts during the day and stands (for worship) in the night, it will be as if he observes fasts for one hundred years. This is the 27th of Rajab.’
(Shu’ Abul Iman vol.3, pp.374, Hadis 3811)
A fasting person until he performs #Iftar. (Sunan Ibn Majah, Hadith 1752, pp. 2581)
A patient until he gets healthy.
And a Haji (pilgrim) until he returns. (Shu'ab-ul-Iman lil-Bayhaqi, Hadis 1125, vol. 2, pp. 46)
The Prophet of Rahmah, the Intercessor of Ummah, the Owner of Jannah صلی اللہ علیہ والہ وسلم has said, O people! Spread the Salam (greetings), feed (the poor and needy), behave kindly to your blood relations, offer prayer when others are asleep, and (thus) enter Paradise in peace. (Mishkat al-Masabih, Hadith No. 1907, Volume 1, Page 362)
SEVENTEENTH CENTURY CALIGRAPHY FROM INDIA - CALIGRAPHY AND MANISCRIPTS OF QURAN WERE POPULAR ART FORM AMONG MUSLIMS. IT WAS THE TIME WHEN MUGHAL KING AURENGZEB RULES INDIAN SUB- CONTINENT. Aurangzeb's childhood teachers included Muhammad Saleh Kamboh. Aurangzeb had a keen mind and learned quickly from his reading. He learned the Quran and the hadith very early and could readily quote from them. He mastered Arabic and Persian languages and learned Chagatai Turkic during his tenure at Kandahar Province. Aurangzeb was a prolific writer of letters and commentaries on petitions. He wrote Arabic with a vigorous calligraphy. Two richly bound and illuminated manuscripts written by him are located in Mecca and Medina, with another copy preserved in Nizamuddin Auliya Dargah.
Hadith: Badnigahi Shaitan ke teeron me se Zehar me bujha hua aik teer hy, Jo isey (Yani Bad Nigahi Ko) Mere Khouf se chordeyga me isey iman ata farmaonga jis ki mithas wo apney Dil me mehsoos kareyga.
(Al Mujam ul Kabeer, Hadees: 1362 Jild 10)
offizielle Hompage: www.amantu-billahi.de
Facebook: www.facebook.com/pages/Amantu-billahi/619901244696472?ref=hl
Twitter: www.facebook.com/pages/Amantu-billahi/619901244696472?ref=hl
Google+: plus.google.com/u/0/106992607962523003292/posts
Tumbir: amantu-billahi.tumblr.com
Flickr: www.flickr.com/photos/98705394@N07
Instragram: instagram.com/amantu__billahi
Hadith: Jo Namaz Ky Muamly Me Susti Kareyga Allah Usy 15 Sazaen Deyga. In Me Se 6 Duniya Me, 3 Mout Ky Waqt, 3 Qabar Mey aur 3 Qabar Sy Nikalny Ky Bad Hongi.
Hadith: Jo Koi Allah ke Faraiz se Mutalliq Aik Ya Do Ya Teen Ya Char Ya Panch Kalimat Sikhey aur isey Achi Tarah yaad karle aur phir logon ko sikhaey to wo Jannat me Zaroor Dakhil hoga.
Hadith: Jis ne Bghair Ilm ke Fatwa dia to Aasman o Zameen ke Farishtey us par Lanat bhejtey hen. (Al-Jami-us-Sagheer, Page 517, Hadis 8491)
Prayer was the ultimate joy for the Prophet ﷺ; it was his source of relief and happiness. Allah’s Apostle ﷺ loved to offer prayer and claimed it as a resource of his comfort and relief. He ﷺ used to stand in prayers for long hours besides the five obligatory prayers.
Read More At: blog.dawntravels.com
For my final piece, I picked three big canvas based on the Hadith where The Prophet Muhammad (PBUH) recited triple times that The mother is our best companion.
The first canvas (right),from what you can see, the colours that I used are almost dark colours like black, burnt umber, dark red and dark blue. I drew a foetus in a womb living peacefully in darkness with pure innocence. The foetus cannot see, cannot hear and unknown to what lies ahead in the future, but there is someone who really loves and understanding, protecting and looking after her or him, who is of course ‘the mother’, the shelter provider of the foetus. Sometimes the mother talks a lot to her unborn baby although the unborn baby cannot hear her voice. But here you can see that the mother is the best companion, a good loving and friendly companion who really loves her unborn baby. Dark red shows how the mother feels when she gives birth to her lovely baby. I know how painful it was when I got just a toothache but can you imagine the time when the mother give birth and how painful it is.
The second canvas (middle) shows of the stage o childhood This is the moment when the mother gives even more of her love to her child. The time when the mother nourishes her cute daughter with softness and love. Here I adopted the style of Rabi Khan and used yellow, brown and orange to express the warmth or parental love. In this period the mother’s role is to teach the child to be a kind humble person, guide and give advice about the beautiful and sometimes chaotic world. As you can see mother and child are holding hands and the reason why I chose blue colour is because most children will feel calm and protected when they hold their mother’s hand.
The third canvas (left) is about adulthood. This is when a daughter becomes a mature woman. Of course when the time is comes, the daughter will get married. In Brunei Darussalam’s cultural and Islam’s view, when the daughter gets married, that is the time when the daughter shifts her love and responsibility to her husband. I drew the mother and her daughter wearing green wedding dressed hugging each other ( green is Islamic colour) and a flower background in the style of O’Keeffe. I used bright and soft colour such as red, pink, light orange, brown and light brown to indicate the love between mother and her daughter at that single moment, the embrace represents goodbye.
I used Wall Putty and shaped The Diwani style of calligraphy to indicate the softness and I chose gold colour to tell people that the mother is always the closest to the child, giving unconditional love,who will guide and teach the child to become a good parent in the future, the next Cycle of life.
ca. 1500; Ottoman
Signed by Hamdullah ibn Mustafa Dede
Turkey (Istanbul)
Ink, colors, and gold on paper; marbled paper, leather binding; W. 12 5/8 in. (32.1 cm), H. 9 3/8 in. (23.8 cm)
Purchase, Edwin Binney 3rd and Edward Ablat Gifts, 1982 (1982.120.3)
This album consists of calligraphic works of hadith (prophetic traditions) by one of the most celebrated Ottoman Turkish calligraphers, Shaikh Hamdullah (died 1519), who developed the naskh and thuluth styles from the masters of the past to suit Ottoman taste. Shaikh Hamdullah, son of Mustafa Dede, came from a family of mystics in Amasya, Turkey. When his former pupil Bayezid II ascended the throne in 1481, Hamdullah followed him to Istanbul and was greatly honored by him. These pages demonstrate his mature phase and show control, exactitude, gentle flow, but also exaggeration of certain letters that create a lively rhythmic pattern. Marbleized paper developed in Turkey and came to be much favored for calligraphic works.
Image and Info From: www.metmuseum.org/
Hadith Pak:
Jo Shakhs Jhoot bolna chor dai aur woh batil hai (ya'ani Jhoot chorne ki cheez hi hai) Uske liye Jannat ka kanaray main Makan banaya jaega aur jisne jhagra karna chora aur woh Haq per hai ya'ani bawajood haq per hone k jhagra nahi karta, uske liye wast-e-jannat main Makan banaya jaega aur jisne apne akhlaq achay kiye, uske liye Jannat k Aala Darjay main Makan banaya jaega.
(Sunan Tirmizi, Hadis 2000, Jild 3, Page 400)
Hadith: Tum me se koi burey Ghulam ki tarha na baney k Agar ke Khaufzada hoto Amal karay aur Bai Khauf hoto Amal na karay aur na hi tum me se koi bury Mazdoor ki tarah banay agar ziada ujrat na miley to kaam na karey. (Ittahaf-ul-Sadat-ul-Mutaqeen, Jild 12, Page 348)
The Prophet of Rahmah, the Intercessor of Ummah, the Owner of Jannah صلی اللہ علیہ والہ وسلم has said, The best things that a man can leave behind are three: A righteous son who will pray for him, ongoing charity whose reward will reach him, and knowledge which is acted upon after his death. (Sunan Ibne Maja, Hadith 241, Volume 1, Page 157)