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kern invite 08 - varsity by ralls by AndyNoise.Com

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Kern Invite - 11/01/08

Hart Park - Bakersfield, CA

www.andynoise.com/kernxcinvite08.html

Varsity Girls - 2008 Kern County Cross Country

Championships

School Athlete Time Overall Scoring Team

1. Ridgeview Tijerra Lynch 18:58.24 1 1 1

2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1

3. Garces Monica Guzman 19:15.89 3 3 1

4. North Celilia Lopez 19:21.87 4 4 1

5. Ridgeview Ashley Duran 19:23.47 5 5 2

6. Ridgeview Jessica Huizar 19:25.81 6 6 3

7. Foothill Natalie Fernandez 19:35.65 7 7 1

8. East Lucia Garcia 19:46.20 8 x 1

9. Stockdale Amber Nelson 19:59.40 9 8 1

10. Taft Megan Thompson 20:01.34 10 x 1

11. Stockdale Carolin Haney 20:01.70 11 9 2

12. Stockdale Shelbe Pennel 20:03.86 12 10 3

13. Shafter Moriah Milwee 20:05.23 13 11 2

14. Ridgeview Desiree Armendariz 20:08.00 14 12 4

15. Arvin Tanya Hernandez 20:10.02 15 x 1

16. Highland Nichole Berry 20:19:01 16 13 1

17. BHS Sarah Baker 20:25.37 17 14 1

18. North Medeline Maier 20:29.38 18 15 2

19. Ridgeview Monica Lazo 20:33.39 19 16 5

20. Shafter Lindsee Handel 20:36.70 20 17 3

21. Centennial Jessica Folsom 20:41.80 21 18 1

22. BHS Emily Shuford 20:45.35 22 19 2

23. Ridgeview Linda Gonzalez 20:58:28 23 20 6

24. BHS Gabrielle Lerma 21:03.97 24 21 3

25. Stockdale Courtney Moore 21:06.02 25 22 4

26. North Meagan Menzel 21:10.17 26 23 3

27. BHS Gracie Garcia 21:11.76 27 24 4

28. Foothill Perla Veloz 21:13.21 28 25 2

29. Foothill Crystal Rodriguez 21:20.30 29 26 3

30. Independence Katelynn Webb 21:21.51 30 27 1

31. Golden Valley Karina Rocha 21:23.57 31 28 1

32. Shafter Katerina Plaza 21:27.21 32 29 4

33. North Blanca Perez 21:27.98 33 30 4

34. Wasco Amanda Castellon 21:28.25 34 31 1

35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4

36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1

37. Highland Gabi Rodier 21:34.56 37 34 2

38. Centennial Margaret Martinez 21:35.39 38 35 2

39. Stockdale Cynthia Lopez 21:35.61 39 36 5

40. Centennial Jessica Crowe 21:43.49 40 37 3

41. Highland Hilaria Vasquez 21:43.76 41 38 3

42. North Yadira Perez 21:49.62 42 39 5

43. Foothill Erica Castro 21:53.39 43 40 5

44. Centennial Stephanie Dittman 21:55.56 44 41 4

45. Independence Natalie Ambriz 22:08.45 45 42 2

46. Stockdale Madison Schutzner 22:14.92 46 43 6

47. Highland Katherine Mayberry 22:16.42 47 44 4

48. Centennial Jorey Braughton 22:18.95 48 45 5

49. North Kaylee Meyer 22:20.98 49 46 6

50. Garces Lauren Brown 22:21.19 50 47 2

51. Golden Valley Denise Silva 22:23.90 51 48 2

52. Foothill Violeta Quintanar 22:24.92 52 49 6

53. Highland Desiree Martinez 22:25.59 53 50 5

54. Independence Sara Sullivan 22:25.95 54 51 3

55. Garces Lizbeth Lopez 22:28.11 55 52 3

56. Garces Tammy Vu 22:35.68 56 53 4

57. West Selam Habebo 22:39.75 57 x 1

58. Shafter Leana Lara 22:51.69 58 54 5

59. Independence Carlie Croxton 22:55.06 59 55 4

60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1

61. Foothill Maria Zepeda 22:57.55 61 56 7

62. Garces Marissa Machado 22:57.92 62 57 5

63. Shafter Mayra Torres 23:00.88 63 58 6

64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3

65. Ridgeview M. Salgado 23:14.56 65 60 7

66. Golden Valley Anna Avina 23:20.23 66 61 4

67. Golden Valley Ninive Alveno 23:26.73 67 62 6

68. Golden Valley Mercedes Salgado 23:26.73 68 63 5

69. Centennial Paige Anderson 23:30.27 69 64 6

70. Garces Sammie Lobardo 23:34.37 70 65 6

71. Arvin Bianca Quinonez 23:41.85 71 x 2

72. Kern Valley S. Hinkey 23:42.47 72 x 1

73. Frontier Ariel Driskill 23:43.12 73 66 1

74. Centennial J. Estrada 23:50.91 74 67 7

75. Kern Valley S. Hazzard 23:51.80 75 x 2

76. Garces G. Ortiz 23:54.66 76 68 7

77. North Priscilla Cruz 23:55.51 77 69 7

78. BHS Kristina Logan 24:04.10 78 70 5

79. Frontier Jasmine Mattos 24:05.42 79 71 2

80. Stockdale Delilah Diaz 24:10.83 80 72 7

81. West Wennie Agbalog 24:28.90 81 x 2

82. Wasco Anna Orozco 24:29.57 82 73 2

83. Wasco Ruby Jacabo 24:30.22 83 74 3

84. Tehachapi Anna Duke 24:33.57 84 75 2

85. Wasco S. Castellon 24:42.66 85 76 6

86. Independence Shelby Woolf 24:58.35 86 77 6

87. BHS Sarah Stidham 24:58.76 87 78 6

88. Arvin Gaby Gomez 25:04.17 88 x 3

89. Highland Cristina Valenzuela 25:05.21 89 79 6

90. McFarland Monica Gonzalez 25:42.30 90 x 1

91. Tehachapi Susie Cuevas 25:57.15 91 x 3

92. Wasco B. Medina 26:00.11 92 80 4

93. Cesar Chavez Shannan Albay 26:00.32 93 x 2

94. BC Tiffany Rodriguez 26:26.77 94 x 1

95. Tehachapi Ariel Deval 26:50.73 95 81 4

96. Wasco A. Rios 27:14.74 96 82 5

97. Independence Samantha Antu 27:17.44 97 83 5

98. Tehachapi L. Shoemaker 27:44.92 98 84 5

99. BC Victoria Wheeler 28:09.47 99 x 2

100. Tehachapi J. Bahera 29:20:93 100 85 6

101. Frontier T. See 29:29.12 101 86 3

102. Frontier Savanah Olson 30:18.04 102 87 4

103. Frontier A. Rojas NT 103 88 5

Church wrecked by German shells [Laventie, France]. Photographer: H. D. Girdwood. by British Library

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Reference: Photo 24/(226)

From the Girdwood Collection held by the British Library.

This image is part of the Europeana Collections 1914-1918

Date: 4 Aug 1915

Further reading

Hickley, Catherine (2021-06-18). "This Show Sets the Direction of Art. Its Past Mirrored a Changing World". The New York Times.

Nancy Marmer, "Documenta 8: The Social Dimension?" Art in America, vol. 75, September 1987, pp. 128–138, 197–199.

other biennales :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

www.emergencyrooms.org

www.colonel.dk/

lumbung

Short concept by ruangrupa for documenta 15

"We want to create a globally oriented, cooperative, interdisciplinary art and culture platform that will remain effective beyond the 100 days of documenta fifteen. Our curatorial approach aims at a different kind of collaborative model of resource use—economically, but also in terms of ideas, knowledge, programs, and innovation."

ruangrupa’s central curatorial approach for documenta fifteen is based on the principles of collectivity, resource building, and equal sharing. They aim to appeal not just to an art audience but to a variety of communities, and to promote local commitment and participation. Their approach is based on an international network of local, community-based organizations from the art and other cultural contexts and can be outlined by the Indonesian term lumbung. lumbung, directly translatable as “rice barn,” is a collective pot or accumulation system used in rural areas of Indonesia, where crops produced by a community are stored as a future shared common resource and distributed according to jointly determind criteria. Using lumbung as a model, documenta fifteen is a collective resource pot, operating under the logics of the commons. It is an agglomeration of ideas, stories, (wo)manpower, time, and other shareable resources. At the center of lumbung is the imagination and the building of these collective, shared resources into new models of sustainable ideas and cultural practices. This will be fostered by residencies, assemblies, public activities, and the development of tools.

Interdisciplinarity is key in this process. It is where art meets activism, management, and networking to gather support, understand environments, and identify local resources. These elements then create actions and spaces, intertwine social relations and transactions; they slowly grow and organically find a public form. This is a strategy “to live in and with society.” It imagines the relations an art institution has with its community by being an active constituent of it. Strategies are then developed based on proximity and shared desires.

The main principles of the process are:

• Providing space to gather and explore ideas

• Collective decision making

• Non-centralization

• Playing between formalities and informalities

• Practicing assembly and meeting points

• Architectural awareness

• Being spatially active to promote conversation

• A melting pot for and from everyone’s thoughts, energies, and ideas

#documentakassel

#documenta

#documenta15

#artformat

#formatart

#rundebate

#thierrygeoffroy

#Colonel

#CriticalRun

#venicebiennale

#documentafifteen

#formatart

#documentacritic

#biennalist

#ultracontemporary art

#protestart

( 360º interactiva ) Cáceres - Plaza Santa María by Juan Ignacio Llana Ugalde

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versión interactiva - immersion view

Pincha sobre las letras azules - Click on the blue letters

Para moveros por la panorámica 360º el ratón es la mejor opción. La rueda central es el zoom. Con el botón izquierdo pulsado, movéis el ratón a la derecha, izquierda, arriba o abajo, y os desplazaréis por la panorámica en esas direcciones. Mejor visualizarla a pantalla completa pulsando el botón que está más a la derecha.

USA, San Francisco, StreetArt by balavenise

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www.sfcityguides.org/public_guidelines.html?article=505&a...

Jack Kerouac Alley Mural

by Sue Walsh

Perhaps as you stroll along Columbus Avenue in North Beach, you pay little attention to the sixty-foot-long Jack Kerouac Alley, aptly situated between the landmark City Lights Bookstore and legendary Vesuvio Café. The passageway that served as a transportation shortcut from Chinatown to North Beach was once a refuge for back-alley drinkers and rotting garbage. Today, Jack Kerouac Alley is transformed into an inviting pedestrian-only thoroughfare complete with decorative lampposts and poetry from eastern and western cultures inscribed on the brick walkway connecting the two neighborhoods. The renovated alley was opened to the public on March 31, 2007, under the funding and direction of the Chinatown Alleyway Improvement Project.

Pre and post alley renovation, since October 1999 the mural Vida y sueños de la cañada Perla (Life and Dreams of the Perla River Valley) has adorned the wall of the City Lights Bookstore that faces Jack Kerouac Alley. This mural is a reproduction of Mexico City artist Sergio Valdéz Rubalcaba’s original work that was painted in the jungle village of Taniperla, home to the Tzeltal Mayan indigenous people in Chiapas, Mexico.

Depicted in the painting are revolutionary leaders Emiliano Zapata and Ricardo Flores Magon and ski-masked rebels observing routine daily life activities in the community. The mural represents local autonomy of this indigenous group and was painted on the wall of the new municipal headquarters for the Zapatista National Liberation Army (EZLN) in the village of Taniperla. EZLN fought for indigenous land rights, education, and social welfare in the late 1990s.

At dawn on April 11, 1998, one thousand Mexican Army troops stormed the village of Taniperla and occupied the territory. Cornfields, coffee plantations, and houses were burned; local leaders were arrested. Artist Sergio Valdéz Rubalcaba was among those arrested and beaten. The mural was destroyed by the Mexican Army. Charged with rebellion, Rubalcaba was sentenced to nine years in prison for designing the mural. Due to international protests and pressure from human rights groups, he was released from prison after a year and a half and did not complete his full sentence.

In solidarity with the indigenous people’s fight for justice and dignity, global human rights workers who witnessed the demolition of the original mural and invasion of Taniperla canvassed locations throughout the world to paint reproductions of Vida y sueños de la cañada Perla. In addition to the location on the outside wall of City Lights Bookstore, other reproductions may be found in Oakland; Barcelona, Madrid, and Bilbao, Spain; Florence, Italy; and Mexico City.

City Guide Sue Walsh leads the North Beach by Night and Ferry Building tours.

ROBERT CRUMB

Mr. Natural's Creator Visits the World of Art

By RANDY KENNEDY

"The R. Crumb Handbook," by R. Crumb and Peter Poplaski (MQ Publications, Ltd.)

Still truckin': "The R. Crumb Handbook," a memoir, was published this month.

Joe Tabacca for The New York Times

R. Crumb, whose memoir was written with Peter Poplaski, listening to a question at the New York Public Library.

The cartoonist R. Crumb has never been sure what to make of praise for his work from the noncomics art world. He once drew a pitiful buck-toothed portrait of himself wearing a beret and a bewildered look, exclaiming in a half-literate word bubble: "Broigul I ain't ... Let's face it." And his view of most fine art is equally dismissive: he calls it a land of "cake eaters," rolling his eyes behind his trademark Coke-bottle glasses.

But in a rare public appearance on Thursday night at the New York Public Library, Mr. Crumb took the stage with one of the more famous cake eaters in the art world, the critic Robert Hughes, who has compared Mr. Crumb not only to Bruegel but also to Goya, one of Mr. Hughes's favorite artists and the subject of his latest book. In 1994 Mr. Hughes appeared as a talking head, a kind of lone voice from the establishment art world, in Terry Zwigoff's hit documentary "Crumb," but until Thursday night, the two men had never met. Introduced as "two very naughty boys" before a sold-out crowd, they made an odd couple.

Mr. Hughes, 66, barrel-chested and blustery, commanded the stage and in a mostly dogged manner tried to plumb the depths of the funny, disturbing cartoons that have honestly and bleakly chronicled Mr. Crumb's own life. Mr. Crumb, 61, still as thin and gangly as his cartoons portray him, often slumped in his chair, politely made fun of himself, Mr. Hughes and the whole pretense of an art discussion, and occasionally fumbled with his tie, making his clip microphone emit a loud thump that caused him to jump comically.

But as different as the men were, they discovered that they had a lot of common ground in their disdain for much of contemporary art. In fact, despite his subversive, counterculture reputation, Mr. Crumb came off as even more conservative in his opinions about art than Mr. Hughes, who generally likes his art "cake" well aged.

"I thought that nobody hated Warhol and what he stood for more than me," Mr. Hughes said at one point, "but my, oh my, you do."

The discussion was Mr. Crumb's only public speaking appearance in the United States to promote his new book, "The R. Crumb Handbook," a memoir in collaboration with his friend, Peter Poplaski, published this month. While Mr. Crumb, who now lives in southern France, has often shunned popular culture (he famously turned down offers to be the host of "Saturday Night Live" and to design an album cover for the Rolling Stones, saying he hated that band), he has ventured much further into public in recent years, partly because of the urging of his wife, the cartoonist Aline Kominsky-Crumb.

Mr. Crumb, who has said he loathes the fashion world, recently helped the designer Stella McCartney make a limited-edition T-shirt with his comics on the front that sells for more than $150. He has appeared at lavish parties for the T-shirt in London and New York. He now has a Web site, www.crumbproducts.com, where fans can buy a Mr. Natural table lamp for $825. And to promote the new book, its publisher, MQ Publications of London, is conducting an R. Crumb look-alike contest in the United States. (The winner gets a "date" with Ms. Kominsky-Crumb.)

During the discussion with Mr. Hughes - which did not stint on classic Crumb references to fellatio, beheaded nuns, near-severed penises and throwing up while on LSD - Mr. Crumb often seemed to be of two minds about his fame and increasing acceptance in the gallery-art world, which ignored him for so long. He said that as a disaffected young man, if he had not had the outlet of drawing, he probably would have ended up sketching his lurid, big-bottomed female characters "on some prison wall or in a lunatic asylum someplace, or I'd be dead."

"Now I'm better," he said, adding that "getting famous helped." But then he immediately countered that it could be "hell on earth," and in one exchange with the audience - which included his fellow cartoonists Art Spiegelman and Bill Griffith - he mocked his contradictory needs.

"I want everyone to love me," he said, half-mockingly, after explaining that he was once shocked to learn that the racial stereotypes and violence toward women he portrayed in his work were hurtful to many people. "Please love me," Mr. Crumb added.

A woman in the audience then shouted, "We love you!," and Mr. Crumb held up his hands, cringing, to stop the applause.

"O.K., you love me," he responded, laughing. "You're killing me, you love me so much. You're choking me. Now back off."

After the discussion, Mr. Crumb quickly ducked out of the library, avoiding a throng of fans, and later joined Mr. Hughes for dinner, where they took a while to warm up to each other, but by the end were in a spirited discussion about Hitler's architect, Albert Speer, whom Mr. Hughes interviewed in the late 1970's.

Mr. Hughes told about an exchange in which Speer said that architecture was certainly one way to unite a people, but that if the Nazis had had television, there would have been no stopping them.

Mr. Crumb, finishing his plate of baked chicken, beamed. "Oh, that's great," he said. "It's true."

Art in Review

By ROBERTA SMITH

Published: December 17, 1993

R. Crumb Alexander Gallery 980 Madison Avenue (near 76th Street) Through Jan. 15 (closed Dec. 24 to Jan. 4)

This exhibition confirms the influential, obsessive, self-flagellating and highly productive talent of R. Crumb, one of the grandfathers of underground cartooning. It is not definitive, but with nearly 200 works -- ranging from the early 1960's, when Mr. Crumb was a talented teen-age malcontent in Cleveland, to the present -- it will give most people interested in his work more than enough to look at.

The show includes finished and published strips, erotica, and pages and pages from Mr. Crumb's many notebooks and sketch pads. It also has less familiar items, like some unsuccessful attempts at what he considered fine art (for his first exhibition, at an art center in Peoria, Ill.) and examples of his work for American Greeting Cards in Cleveland, his first job.

Especially noteworthy are several examples of the handmade comic book Arcade, the letters in the form of comics that Mr. Crumb sent to his best friend and mentor, Marty Pahls, after Mr. Pahls went away to college. They are interesting because they show Mr. Crumb using color, which is rare, and using it well, and because they indicate he was something of a prodigy.

The show's one incontestable masterpiece is "The Big Yum-Yum Book," the small bound book, each page meticulously drawn and colored, that Mr. Crumb gave to his first wife. ROBERTA SMITH

Art Review | R. Crumb

Mr. Natural Goes to the Museum

Article Tools Sponsored By

By KEN JOHNSON

Published: September 4, 2008

PHILADELPHIA — What a long, strange trip it’s been. Over the course of his five-decade career the comic artist R. Crumb has gone from hero of the hippie underground to toast of the international art world. Founder of the deliriously psychedelic and ribald Zap Comix during the Haight-Ashbury wonder years, he has more recently contributed comic strips made in collaboration with his wife, Aline Kominsky Crumb, to The New Yorker. In 2004 he was included in the Carnegie International and had a career retrospective at the Ludwig Museum in Cologne, Germany.

Courtesy of Denis Kitchen Art Agency

R. Crumb’s Underground One of the more than 100 works in this exhibition at the Institute of Contemporary Art in Philadelphia.

Now the Institute of Contemporary Art here offers “R. Crumb’s Underground,” an excellent opportunity to ponder Mr. Crumb’s incredible journey. This enthralling selection of more than 100 works from all phases of his career was organized by Todd Hignite, the publisher and editor of Comic Art magazine, for the Yerba Buena Center for the Arts in San Francisco, where it was on view in 2007.

Mr. Crumb is not the only artist to cross over from the comic-book ghetto to the fine-art museum. Gary Panter, Chris Ware and Daniel Clowes are just three of the better-known contemporary cartoonists who have helped to make the comic book a form to be taken seriously by sophisticated adults. But Mr. Crumb — a draftsman of transcendent skill, inventiveness and versatility, a fearlessly irreverent, excruciatingly funny satirist of all things modern and progressively high-minded, and an intrepid explorer of his own twisted psyche — remains the genre’s gold standard.

Born in Philadelphia in 1943, Mr. Crumb (first name, Robert) never went to art school. He learned to draw under the tutelage of his older brother, Charles, also an aspiring comic artist. In the early 1960s he designed greeting cards for the American Greetings Corporation in Cleveland. In 1967 he moved to San Francisco, where he would create some of the most memorable characters in cartoon history, including the irascible guru Mr. Natural and his hapless foil Flakey Foont; the suave, shamelessly randy Fritz the Cat; the angry amazon Devil Girl; and R. Crumb himself, a figure comparable to the autobiographical alter egos of Woody Allen and Philip Roth. Since the early 1990s Mr. Crumb and his wife have lived in the South of France.

The exhibition is full of wild sex. Mr. Crumb makes no bones about his lust for big, muscular women, and his uncensored erotic fantasy life is not only entertaining but also liberating. See “How to Have Fun With a Strong Girl” (2002), a suite of 12 drawings in which the scrawny Mr. Crumb climbs like a monkey all over a powerfully built young woman. We should all be so open to, and forgiving of, our libidinous fantasies.

But sex is not Mr. Crumb’s only preoccupation. He is also a great lover of early-20th-century popular music and a fanatical collector of old 78-r.p.m. records. A section of the exhibition devoted to his musical interests includes extended narratives about the sadly foreshortened lives of the blues musicians Charlie Patton and Tommy Grady. There is a humane, deeply moving tenderness to these works.

The influence of LSD, which Mr. Crumb has called his “road to Damascus,” is evident in works of funky surrealism from the ’60s and ’70s. The classic “Meatball” (1967), in which ordinary people from all walks of life are hit from out of the blue by consciousness-altering meatballs, is mysteriously trippy.

But what is also appealing in Mr. Crumb’s work is how often it is grounded in mundane reality. “Lap o’ Luxury” (1977), at 10 pages one of his longer productions, tells in detail all the events in one afternoon in the life of a little boy at home with his mom and his pesky younger brother. At one point he becomes sexually aroused by the cowboy boots on a woman who comes for a brief visit, but otherwise it is all good, clean fun.

Viewers should set aside two or three hours to take in this show. It requires a lot of reading, which brings up another of Mr. Crumb’s virtues: he is a gifted writer with a great ear for vernacular speech. An argument can be made that Mr. Crumb’s work is best consumed in book form. But there really is no substitute for seeing the original drawings, most of which are made with a fine black Rapidograph pen. The liveliness of his curiously old-fashioned draftsmanship comes across in print, but no reproduction can capture his subtlety of touch and alertness to the act of drawing.

Whatever the aesthetic and formal attractions of his work, Mr. Crumb’s penchant for barging past the limits of good taste and political correctness into psychologically juicy and dangerously complicated territory is still the main draw. His most amazingly provocative creation is Angelfood McSpade, a young, inky black, big-breasted African woman in a palm leaf skirt who was inspired by racist caricatures of the ’20s and ’30s. Sweet-tempered and dimwitted, the long-suffering Angelfood is subjected to all kinds of sexual abuse in various episodes Mr. Crumb has drawn. In one hilarious strip in the exhibition she is abducted and molested by aliens in a U.F.O.

Mr. Crumb’s outrageous play with the Angelfood character hinges on a theory that all people are at least unconsciously racist and that bringing racist fantasies fully to light is the best way to expose how stupid and cruel yet insidiously compelling they can be, especially when mixed with sexual fantasies. Kara Walker and Robert Colescott have toyed with racist stereotypes to similar ends.

But Angelfood represents something else for Mr. Crumb too. At the end of a zanily eventful four-page narrative from 1968 we see her dancing in the forest. “She spends her time bopping around in the jungle,” reads the caption, “just a simple, primitive creature! But if you dig her, go get her! If you dare!” In the final panel a man in a suit and tie hurries along a path in the opposite direction from a sign pointing to “Schmarvard Law School.” The words on his suitcase say, “Darkest Africa or Bust!”

Angelfood, in other words, is a symbol of modern man’s yearning for reconnection to his own misplaced instinctual life. In a sense that has been Mr. Crumb’s own lifelong mission: to stay imaginatively alive to his own deepest and most urgent desires, however embarrassing, distasteful or offensive they may appear to polite society. Angelfood is R. Crumb’s soul.

“R. Crumb’s Underground” continues through Dec. 7 at the Institute of Contemporary Art, 118 South 36th Street, Philadelphia; (215) 898-7108, icaphila.org.

Does a Church Appearing Fervent Mean That It Has the Work of the Holy Spirit? by x ming

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Reflection for Today: Does a Church Appearing Fervent Mean That It Has the Work of the Holy Spirit?

Several months ago, I witnessed the pastors in our church vying with each other for the sake of fame and gain and jockeying for position, so much so that they even verbally attacked and disparaged each other during sermons. Their sermons were not enjoyable to listen to, and our spirits went unnourished. Furthermore, there was widespread cooling of the faith of brothers and sisters; they pursued wealth, they coveted physical pleasures and they followed worldly trends, giving all their attention to eating, drinking and having fun. Most of the time, some brothers and sisters simply did not attend gatherings, but instead only came when a disaster occurred in their lives or when there was some important holiday … Faced with this situation in our church, I left to look for a church that had the work of the Holy Spirit . I searched in many places, however, and discovered that most churches were just the same, and I began to lose hope. I recently found a church, however, which often put on shows and held events, and it even had pastors come from overseas to give sermons. The atmosphere in this church was very warm and enthusiastic, and many people attended each gathering. Looking at this church that was so ardent and at the brothers and sisters who attended gatherings so enthusiastically, I thought this must be a church that had the work of the Holy Spirit. It wasn’t long, however, before I discovered that, although appeared ardent, the sermons preached by the pastors were unable to provide benefits for the lives of brothers and sisters and were unable to satisfy our spirits. The singing and dancing that went on only had the effect of changing the atmosphere in the church—while it was going on, we all felt very energetic, but as soon as we sat down to listen to a pastor give a sermon, we would begin to doze off. Moreover, brothers and sisters were always trying to outdo each other with donations and prayers. Whoever donated a lot was considered to be someone who loved , and whoever prayed for a long time and said nice words in their prayers was considered to be a spiritual person…. In this kind of church, the brothers and sisters not only had no honesty or humility but, on the contrary, their vanity just got stronger and stronger and they became more and more hypocritical. They focused on expressing themselves and showing off in front of others and were exceedingly self-righteous and arrogant. Whenever they encountered an issue, they just dealt with it however they wanted, and they didn’t listen to anyone else—they were just not keeping to the Lord’s teachings at all. Faced with this kind of situation in the church, I couldn’t help but wonder: Could such a church that appears to be so fervent from the outside have the work of the Holy Spirit? This question has always perplexed me, so I’d like to ask if you could answer it for me.

recommenda to you: what is the holy spirit

Orange Panna Cotta with Earl Grey Cardamom Sauce by pastrystudio

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pastrystudio.blogspot.com/2011/02/orange-panna-cotta-with...

Gina's keepsake jewelry - earrings Blogged about this set of polymer clay WIP Earrings here... http://palumbojewelry.blogspot.com/2010/07/gina-keepsake-jewelry-special-jewelry.html . by Jill Palumbo

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I have a tutorial for the matching bracelet on my blog at palumbojewelry.blogspot.com/2010/07/keepsake-jewelry-bead...

Design Inspiration: Fascinating Residence Located Below the Hollywood Sign by Design Inspiration Gallery

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Fascinating Residence Located Below the Hollywood Sign... All daily inspiration

The Wall by Gamma Infinity

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From A Noise Within's web site:

"Constructed in the mid-fifties, the Stuart Pharmaceutical building was listed on the National Register in 1998. As provided in the National Register Registration Form, the property is significant at the state level "as an outstanding example of mid-century modern architecture in California, one of the earliest expressions... of the New Formalist (or Neo-Formal) style and of architect Edward Durell Stone's philosophy and work."

In 1958, The Stuart Pharmaceutical Building won the American Institute of Architecture's (AIA) prestigious Honor Award and appeared on the cover of Time Magazine alongside architect Edward Durell Stone. Noteworthy for its dramatic perforated facade screen, golden columns, reflecting pools and fountains, cantilevered eves, light filled atrium, and ingenious landscaping (designed by Thomas Church), the building operated under the ownership of Stuart Pharmaceutical Company until 1993.

Thomas Dolliver Church (1902-1978) was a pioneer in American landscape design and opened the door to the modern movement in landscape architecture with what came to be known as the "California Style." In 1951, Church received the Fine Arts Medal of the American Institute of Architects in recognition of his contribution to modern landscape architecture. "

The new theater was therefore built behind the existing facade, and its low to the ground construction preserves the look of the property. The old wall is now one side of a really neat breezeway, with sliding glass doors on the other side. You can sit out there. This, too, is very Old Socal.

Compared to the former venue in The Monolith, which was essentially a Masonic mastaba, the openness of this venue is most striking.

I like it.

EMERGENCY MOBILE @ warm up for COPENHAGEN ULTRACONTEMPORARY BIENNALE by Thierry Geoffroy / Colonel : Artist

2

13/3/2015 a group of artists exhibited NOW about the NOW as warm up for

COPENHAGEN ULTRACONTEMPORARY BIENNALE

main : copenhagenbiennale.org/

www.facebook.com/CopenhagenBiennale

www.emergencyrooms.org/formats.html

www.emergencyrooms.org/

www.emergencyrooms.org/biennalist.html

--- a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---

menawhile contemparary art will be shownn by

ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe

ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane

AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo

AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo

ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto

BALOJI, Sammy BARBA, Rosa

BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra

BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian

BONVICINI, Monica BOYCE, Sonia

BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania

BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei

CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany

COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT

DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene

E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun

EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily

FRIEDL, Peter FUSCO, Coco FUSINATO, Marco

GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora

GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina

GULF LABOR GURSKY, Andreas HAACKE, Hans

HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay

HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert

IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya

JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung

KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David

LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim

MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris

MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve

MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar

MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf

OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian

PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE

(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili

RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa

SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi

SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael

SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW

TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

www.vitraria.com

www.inversomundus.com

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

www.llull.cat

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

www.mmoma.ru/

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

www.villaempain.com

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

www.em15venice.co.uk

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

www.bioarchitettura.it

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

www.frontiersreimagined.org

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

www.hermitagemuseum.org

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

www.scotlandandvenice.com

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

www.unive.it/csar

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

www.walesinvenice.org.uk

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

www.hbmoa.com

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

www.himalayasmuseum.org

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

www.arsculture.org/

www.eyeofthunderstorm.com

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.arsculture.org/

www.dialogueoffire.org

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.arsculture.org/

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.westkowloon.hk/en/mplus

www.hkadc.org.hk

www.venicebiennale.hk

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

Xanadu

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Dream Amsterdam Foundation

www.dreamamsterdam.nl

www.nikunja.org/xanadu

Universities and Associations that have joined the project

Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna

Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena

Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale

Bice Curiger Massimiliano Gioni

A Parliament for a Biennale

Paolo Baratta, President of la Biennale di Venezia

Okwui Enwezor the ARENA Karl Marx’s Das Kapital

Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara

Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial

other Biennale :(Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

EMERGENCY MOBILE @ warm up for COPENHAGEN ULTRACONTEMPORARY BIENNALE by Thierry Geoffroy / Colonel : Artist

2

3/3/2015 a group of artists exhibited NOW about the NOW as warm up for

COPENHAGEN ULTRACONTEMPORARY BIENNALE

main : copenhagenbiennale.org/

www.facebook.com/CopenhagenBiennale

www.emergencyrooms.org/formats.html

www.emergencyrooms.org/

www.emergencyrooms.org/biennalist.html

--- a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---

check date and place here www.facebook.com/CopenhagenBiennale

meanwhile contemparary art will be shownn by