View allAll Photos Tagged Guilty
Carmel, Indiana.
Model: Jeinny Burgos
Twitter: twitter.com/TheJennire
Instagram (Photographyl): www.instagram.com/jennirenarvaezphotography/
Instagram (Personal): instagram.com/thejennire
TikTok: www.tiktok.com/@thejennire
Shot by Jeinny Burgos.
Edited by Me.
Twitter: twitter.com/TheJennire
Instagram (Photographyl): www.instagram.com/jennirenarvaezphotography/
Instagram (Personal): instagram.com/thejennire
TikTok: www.tiktok.com/@thejennire
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P.S. This has the extra effect of looking different depending on the angle you view your screen at! At some angles her face is almost invisible!
Guilty m'lud…I do like a nice neon sign.
Seen in Manchester.
Part of my
Red,
Signs That I Like,
Lettering of Some Kind,
davekpcv's Manchester,
Selective Colour,
and
Northern England...
...Flickr albums.
Carmel, Indiana.
Model: Jeinny Burgos
Twitter: twitter.com/TheJennire
Instagram (Photographyl): www.instagram.com/jennirenarvaezphotography/
Instagram (Personal): instagram.com/thejennire
TikTok: www.tiktok.com/@thejennire
Vogelsang IP
The former Nazi “Ordensburg” Vogelsang is not only one of the largest constructions of National Socialism, but also an expression of its arrogance and contempt for mankind. Through the military use as "Camp Vogelsang" after the Second World War, the location also reflects the path from the "Cold War" to the Europe of today. Since 2006, a new location has been developing here: Vogelsang IP as an "international place" for tolerance, diversity and peaceful coexistence. The lessons from history are seen as both a duty and an opportunity. Appreciation, dialogue and openness are attitudes to which all facilities at the location are dedicated.
The permanent exhibition at Vogelsang IP focuses on the young men who were selected to be moulded into a future leadership elite of the National Socialist regime. The example of Vogelsang demonstrates the large extent to which architecture was used to document power and control of the Party.
The Ordensburgen were always both training centres and stages for the self-projection of the NSDAP leaders. At the same time, they were characterized by an air of incompleteness and haste: many things appeared to be improvised and driven by restlessness. This applies above all for the educational curricula of the courses, which were constantly changed and criticised within the Party.
Nevertheless, the Ordensjunker, (knights of the Order), as they called themselves, were presented to the German people as the new party elite. Many of them actually felt as if they were just that. With their entry into the Ordensburgen they believed that they had found a way to achieve social advancement and a professional career. The male association into which they were accepted promised them safety and protection and the comradeship of like-minded men.
Their minds were ideologically moulded by lectures and seminars but also by physical training with military drills and many kinds of sports. Particularly in the courses on “racial studies”, the image of their alleged superiority was constantly reinforced. A National Socialist substitute religion with rites and solemn ceremonies helped the Ordensjunker believe that they were participating in the creation of a “new race” of the future.
With this ideological background, the men of the Ordensburgen initially went as soldiers into a war which was, particularly in the east, a war of racial extermination. Several hundred of them were deployed to Poland, the Baltic States, Belarus and the Ukraine like modern colonisers. Many of them were involved in the National Socialist crimes in these regions. It took a very long time before post-war society and ultimately the judicial system began to take an interest in individual perpetrators.
At the conclusion of the exhibition, questions remain that deliberately reach beyond the history of National Socialism: What would we have thought ourselves? How would we have acted had we been alive in a similar time and given a similar task? Are there any comparable situations in the today’s world? What do democracy and plurality mean to us in our society today?
This time i adjusted the brightness and contrast with photoshop and cropped it from the original shot..
Lytistic i know i said i dont photomanipulate but this was a request from someone so it's not me =P
Copyright 2006 - Abdulla (ThE~uNiQuE or UNIQMEZ)
ALL RIGHT RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission
Model : Natalia ghiani
Mua : Natalia ghiani
Photo, Lights, Editing by : Giacomo macis
strobist info : a canon 430 EX II at full power on camera right triggered with cactus v2s wireless system
.......midnight strikes, hunters prowl
seeking which is forbidden
in true convict style
indulgence wins
so begins mutilation
no battle was fought
the work of beast unfolds
keep the secret close or die
guilty of innocence, guilty of
innocent
pure perversion
truth kept, tightly wrapped,
shrouded in, devils breath
trembling, twisted, trapped
the smell of torment
fills the room
so still, deathly silence
the victims future crumbles......
Photo taken and edit on iphone3gs, apps: Hipstamatic, VintageScene, AfterGlow, IcoloramaS, Superimpose, Photo Power.
IG and EyeEm: @adesantora
"Fine, it was me who destroyed your sofa, and I am sorry for that, it just the scratching board you bought, is not good for me anymore......"
Forbes Magazine: "There have always been charges of excess in the art world, and Dakis Joannou has a simple answer to them: Guilty. His irreverently named 115-foot luxury craft is a fantastical collaboration between superstar American artist Jeff Koons and Italian yacht designer Ivana Porfiri. Although the colorful exterior brings to mind the Pop paintings of Roy Lichtenstein, Guilty' s bold geometric designs--alternating yellow rhombuses, pink triangles and blue polygons--were actually inspired by British naval camouflage from World War I. But there is no hiding the 72-year-old Greek-Cypriot industrialist's super-yacht--it is a floating piece of art."
(I'm guilty - of hating it!)
Shot taken for Saturday Self Challenge 25/07/2020 -
"Guilty Pleasures"
"Something pleasurable that induces a usually minor feeling of guilt" It can include TV shows, movies, food/drinks, books, clothes, collections, etc.
Well , hands up - I do like trawling through photography kit sites checking out all sorts of gear I would not really need and certainly would not be able to afford !!
On some of the pages above in the collage there are 3 or 4 bits of kit I have an eye on that are not as dramatically priced as some - question is as always , can it really be justified !! Reckon my kit bag will never have a red dot in it !!
As you can see there are some items above that are just way out of most folk's reach !!
Now looking above we see a tripod on one of the pages
and tripods are the bringers of war !! For Sight & Sound ---------