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Braby, Fred.k, & Co. Ltd
Frederick Brady & Co. Ltd were aluminium specialists and based in London.
Letter dated 10 December 1931
Ref.: BT_004_182
From the Bill Lind Collection
This is a class project for designing a corp. logo based on my last name. The company is an international freight and shipping company.
Diamond apple
Red diamond is the symbol of forever love.
Apple means peace and happy.
Hope U guys like it and support me !
thank U~~~
German war propoganda poster designed by Hans Rudi Erdt 1916. It looks like a two color run with combinations of screening. If so, its new technology for the printing industry.
Interview with jason Munn of the small stakes at
includes exclusive poster sketches, tour of his studio, inspiration etc.
Trademark for the Gaster supermarket. Designer Claude-Henri Saunier. From Graphis Annual 71/72. (France). Blogged at Aqua-Velvet.
Blacks, green, red, chrome, polished, coated with lethal thorns, dressed in a rainbow of oil.
Queens-eyed fly, females eat the groom, let him die in overnight, ancient priestesses of the cult. We observe, we are studying, from 300 thousand years walking with us covered by shadows. They are watching us, they are studying us. For more than 300 thousand years walking with us covered by shadows.
They were here before us, they will survive. Pupae, moths, mosquitoes, ticks, bees, beetles, ants. They have beautiful and perfect geometries that come to life. They waited and pondered, have opted for silence. Now the wait is over and the time has come. The human being is a fashion, the future belongs to insect.
Insekta is a collection designed by italian studio Kreativehouse
The entire moodboard is completely inspired by the shapes of insects and their world of color. The drawings, taken from original illustrations by Cristian Grossi, were applied to different supports, to create a collection of unique products: a limited edition set of illustrated notebooks in recovered paper, a set of pins and tees.
Become a fan on FB or discover them here
D.F. Bennie Ltd were builders' merchants based in Glasgow. Letter dated 3 January 1957 Ref.:BT_004_135
From the Bill Lind Collection
Lufthansa in Helvetica. Airline graphics have always been of interest to me. I took my first flight alone when I was eleven years old on a United Airlines Boeing DC3 out of Seattle. That was in 1939 and I still remember every detail of the plane, the uniforms, the seating in a compartment, the graphics, it all left a deep impression on my young mind.
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From the moment we are born, we are in one way or the other fleeing or attempting to flee. From inside a mother’s womb, at the first chance we get, as soon as we take that first breath, we reach out and yearn to be in a state other than what we are in. It is the first of countless times that we will have overstayed our welcome and acknowledge that it’s time to move on. It is then that childhood will commence which is actually a long preparation for the next vital individual migration: adulthood. Childhood itself (like life and this essay) will be an anthology of tiny literal and metaphorical movements. At this time we will learn that fleeing, escaping, movement, space for growth—migration: all this will be parts of awkward personal growing pains and ultimately parts of growing pains of civilizations. We will learn that this migration is comparable to the evolution of animal species in the way that it is caused (usually by harmful conditions) and it has effects (adaptations and movement). Migration is a major factor in the the evolution of the human species.
In early ocean-dwelling lifeforms, the need to eject one’s self for safety, nourishment and shelter incited the development of lungs, legs and feet. Further evolution made possible the convenience of flight through the development of feathers and hollow bones in some species.
Fast-forward to a few million years, the need for safety, nourishment and shelter will make humans migrate to follow herds of mammoths. People will migrate to escape hyenas and saber-toothed tigers. They will migrate to escape emaciating droughts and dead cold winters.
Fast-forward a few hundred years, the escape will not be just from the natural world, but from itself as well. Escapes will now also be from murderers, bigots, genocide, dictators, fascists. This migration, characterized by being either forced or voluntary (which many a time is undiscernable), will start having side effects that will result in the exponential complication of the human condition.
By this time, we will have come a long way from uprooting our communities to stalk herds of larger mammals. We now uproot communities to dodge fellow humans who want to annihalate us for worshipping the same imaginary god in a different way (or for worshipping totally different gods, for that matter). We now cross oceans to look for better places to live, then we will systemically displace and mass-murder the people who got there first and we claim their land for our own, erasing them and their history in long broad sweeps. We will now corral massive groups of our fellow humans, stuff them in boats then bring them to other lands to trade as slaves.
We will have short episodes of taming ourselves. We’ll invent imaginary currencies to use in exchange for goods and services and use this to step on each other. Exoduses will occur stemming from the choking off of moneys. Families will be torn apart. New ones will be formed. Tolerances will relax, narrow and relax again. We will invent gadgets to connect each other, but we will end up building more walls instead. War. “Peace”. War. “Peace”.
Fast-forward to the present day. It won’t be just groups of humans that has moved. With the clashing tides and ever-flowing current of humanity will flow information, stories, ideas and persuasions. Along for the ride are life-altering products and technologies and tangible and imagined currencies. With this comes a butterfly effect of more war, peace and war again. Imaginary laws and invisible borders will develop, increasing the tension of human movement. There is now harmony, but mostly dissonance. Migrations generally are symptoms of threats to our existence as individual persons and/or individual communities. It’s either to avoid a hail of bullets, avoid inner demons or to catch a windfall of cash. They are attempts to relieve tensions.
In an impossible utopia, I imagine that there wouldn’t be any more migrations of the forced kind. Migrations would simply be due to a search for the self, an attempt on a different perspectives of selves by changing frames. There would be no running to save a life. There would only be moving to enjoy life.
The only semblance of a utopia we can attain at the moment is that hopefully when we die, we would find ourselves in a different place from where we started. A better one. I’m not holding my breath.
#Immigrants is a digital #collage of visual elements that simulates events and people that have influenced and are currently influencing migrations. It is a visual narrative on the push and pull of circumstances that broke up and put together new communities thus contributing to the proverbial ethnoscape.
Graphic Design for a new packaging Branding for a Malt Beverage. This piece is part of my portfolio of Graphic Designer, Art Director and Creative Director.
Presentation board showing a master plan for school expansion on the site with elevation studies to show how massing and style of buildings will look.
Rendering work done from CAD drawings in Photoshop... Texture, color, layout, everthing
Anselll Jones & Co. Ltd were block & tackle engineers based in Birmingham. Letter dated 12 April 1928 Ref.: BT_004_52
From the Bill Lind Collection
More less is more.
San serif capitals set tightly packed. Unheard of! And look at that asymmetric layout with all that empty space! What's the visual world coming to???
An 11-month journey through my own design work, with a metric ton of tinkering, fiddling, agonizing, and compiling. The covers are acrylic, with a stainless steel binding and aluminum posts. The interior covers are laser-cut, wood veneer.
Trademark for Pininfarina. Designer Stephen Smith. From Graphic Design Britain 70. Blogged at Aqua-Velvet.