View allAll Photos Tagged GraflexSpeedGraphic,
dreamy klo
Graflex Speed Graphic with the Kodak Aero-Ektar. I developed it in hc110 thinking I was using ddx. Used the times and ratios for ddx. Whoops. Love how forgiving black and white film is is.
Imagine what would happen if the stars aligned and I got EVERYTHING right in a photo out of this thing. Maybe one day.
Graflex Speed Graphic 4x5 | Kodak Aero Ektar 178mm | Fomapan 100|
Wife working a bit faster with her Nikon D750
We've been trying to get to Yosemite the past month or so but have been waiting out for a good snow fall to get double the fun. Maybe we should stop waiting and just go.
I wouldn't say landscapes are my thing but once in a great while it works.
Speed Graphic, Aero-Ektar, Acros 100
Founder of Shannnam (www.shannnam.com/)
Visited her shop and I took the suitcase in shop as the props.
My last sheet of FP4+. One of my favorite portrait film.
Website: www.johanniels.com
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Shot last week, with the Graflex Speed Graphic and Kodak Aero-Ektar 2.5/178mm lens. Tilted the lens to get a more shallow DOF. This was shot at f5.6 and 1/1000th on Fomapan 200. Developed in D76. Scanned with the Umax Powerlook 1000 scanner, which can do 2400dpi optical on a 4x5 inch negative.
Obviously I got some work to do: clean the scanners internals to get rid of the stripes!
The lower, curved 'stripes' actually are powerlines so those are supposed to be there...
file:20151018-45Fomapan200-1.jpg
Fomapan 100 asa, 4x5 inch
Graflex Speed Graphic. Kodak Aero Ektar Lens
Moersch Lith 1-20, Exp. F8 45 sec., developing (a bit too long) 8 min.
Paper Agfa Record Rapid from 1981
@aoyama graveyard/tokyo
*Graflex Speed Graphics
+Zeiss Jena Tessar 165mm f2.7
+Fujifilm PN160NC
*Accidental Double Exposed...
After watching Borut Peterlin's blog, I bought the above to attempt some wet plates using a different camera. The result is here www.flickr.com/photos/duncanholley/50694917887/in/datepos... and next on my page.
3:26 #2 Same time, same film, same subject, different camera. #polaroidweek #sx70film #graflex #graflexspeedgraphic #roidweek #polaroidweek2021 #roidweek2021 #polaroidorginals #polaroidphotography #impossbileproject #imstantfilm #instantdreams #instantfilmsociety
almost there. the aero project minus lensboard from JOLO. kodak 7-inch f/2.6 Aero Ektar on a 4x5 Graflex Speedgraphic Pacemaker. Thorium enhanced ! WHOA ! photocorylum.wordpress.com/
Amazing Larry steals another nap in the sun...
If you're in the Long Beach area and are looking for a sleepy dog of your own, don't miss this!
- Amazing Larry - Mar 3, 1996 - Aug 11, 2010
what with lockdown and the shortest day approaching, it was nice to see the sun come out this morning, albeit for only a couple of hours, exposure in my back garden was about 7-8 seconds.
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Kodak Portra 400VC shot at EI 320.
Color negative film in 120 format shot as 6x12.
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6x12 film back.
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Read on at: emulsive.org/photography/medium-format/oregon-sunset-02-s...
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Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018March, #6X12, #ColorNegativeFilm, #EI320, #EI400, #EMULSIVEDailyPhoto, #Graflex, #GraflexSpeedGraphic, #ISO400, #Kodak, #KodakAeroEktar178MmF25, #KodakPortra400VC
#shootfilmbenice #filmphotography #believeinfilm
It has long been a photographic ambition to produce an image on a tin plate using collodion and silver nitrate – a photographic process developed in the 1850s. But it was never really viable because hardly anyone practised this old (and if not handled correctly, dangerous) process to teach me – certainly not in this country. But over the last 10-15 years, and originating in the States, some intrepid photographers have started to experiment and the “craze” has come to Europe. Portrait photographers are particularly keen to join the action as this method produces startling results. Watching a grainless (unlike film) image suddenly appear on a 4”x5” (or bigger if you really want to be brave) piece of tin while it floats in a tray of fixer quickly becomes addictive.
I eventually found someone in Manchester and did a two-day course never imagining I could set up my own dark room and mix my own chemicals let alone learn how to handle a large format camera with plate holders to hold the tin plate. But I was fortunate that there was a girl called Bex in Southampton who was knowledgeable about the process using her own dark room (she had also attended the same course in Manchester) and she has kindly given me a couple of days “work experience” which finally gave me the confidence to try and “go solo”.
There was a lot to do – source a large format camera and lens – duly done from the States, install a dark room in my cellar and buy all the equipment and most frighteningly, the pre-mixed chemicals. It’s not a cheap hobby and I had to sell my Leica camera to finance it. Yesterday was the day of reckoning with my first attempts and it was a frustrating day as so many things can go wrong but I am proud to say I did end up with some images although there is plenty of room for improvement.
These are two tin plates side by side, I tinted one later in PS for effect!