View allAll Photos Tagged GraflexSpeedGraphic,
I start with lithprinting again. This is one of the first serie that I have done, this time.
They are not that great - but still I like to show them.
This is an enlargement. The original image here on Foma 100 4x5 inch with F/2.5 and as you can see a very very small Dof.
Paper Ilfomar gr 2, 1981
Moersch SE5, Exp F/8. 40sec, dev.6.30
Test shot from mini Speed Graphic build. Zeiss Jena Tessar 210mm f4.5 large format barrel lens mated to a miniature Speed Graphic utilizing its focal plane shutter. 120 roll film used via an Adapt-A-Roll 620 film holder.
Test shot from mini Speed Graphic build. Zeiss Jena Tessar 210mm f4.5 large format barrel lens mated to a miniature Speed Graphic utilizing its focal plane shutter. 120 roll film used via an Adapt-A-Roll 620 film holder.
Graflex Speed Graphic 4x5, 127mm
Ilford Delta 100
Kodak HC-110(B)
Bowens Gemini 750
Beauty Dish Camera Left
Rim Light
Hair Light
In a distant town, an old car and a weathered table stood together, silently enduring time's relentless march. Despite their aged appearances, they embodied enduring perseverance.
I’m convinced some places hold magic, this is one of them.
Then again. Maybe it’s not the places but the people you share them with that hold that magic.
Maris & Tõnu, Naadiaed 2008
Graflex Speed Graphic, 9x12cm,
Schneider Kreutznach Xenar 135mm,
EFKE PL 100
Developed in Rodinal, 1+25, 6min
carbon lens board for copal #3 shutter
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Graflex Speed Graphic
Schneider Xenotar 150mm/F2.8
訂做的碳纖維鏡頭版終於到了！
copal3 快門真是大顆，整個靜頭版都擋住了XDDD
鏡頭加相機好像有3KG 健身的好工具!
不過終於不是用厚紙板當鏡頭版，
可以扎扎實實的把鏡頭裝上去的敢結真好！！
i shifted a bit upward and forgot to refocus, so because of the shallow depth of field at f/4.7 there are just the balconys on the sides in focus and the rest of the room is blurred...
Graflex Speed Graphic / Kodak Ektar 127mm f/4.7
Agfa Agfachrome RSX 100 (4x5), expired for 13 years
Wiblingen, Bavaria, Germany
Really flattered to share a weekly project I'm working on with a great group of photographers. Cass said it best so I'll just copy and paste:
"As yet another year slipped away and 2014 dawned, a group of photographers came together, linked by a common desire to slow down time, just a little, and to capture what remained of their children's childhoods before they were all grown up and gone. Realising we needed a little extra encouragement to pick up and dust off our cameras, we created Let the Wild Rumpus Last and committed to taking and posting at least one picture every week for a whole year. Welcome to our journeys. We hope you'll enjoy the ride."
You can find us here:
Foma 400 - Xtol 1-2
Dev: Rollei RPW 1-9
Paper: Fomabrom Variant III
Toning Carbon
Serie: The Lady becomes photographer: 3/5
Graflex Speed Graphic / Kodak Ektar 127mm 4.7
Ektachrome 100 Plus (4x5), expired for 11 years
Branderschrofen, Füssen, Bavaria
The photo that was made in the ttv I posted to Instagram.Graflex speed graphic with Kodak Aero-ektar 178mm 2.5, ilford hp5, patient child.
participation pour l'exposition organisée par les Black Cat Bones dans leur BCB Café à Mexico pour les 20 ans de la série Twin Peaks
Merli, Ardu 2008
Graflex Speed Graphic, 9x12cm,
Schneider Kreutznach Xenar 135mm,
Svema FN-64 (expired 1990)
Developed in Rodinal 1+50, 15min
Moersch lith SE5,
Silver Bromide paper, pal paper, 1975?
A bit pepperkorn, perhaps better paper for toning not for lith. (beautiful glow at the paper)
Here is an attempt to bleach out and scan a Fuji FP-100c negative. This is a film I've been shooting for years, but have always been weary of the steps needed to make a scan of these negatives. But not any more.
I don't quite have the process down, but I'm liking how this is working thus far.
Some weird voids in the center right and lower left. I suppose it is a little bit of the emulsion that I failed to clean off of the other side? Hard to say. I'm working it out, though.