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Gradient mesh exercise done using Illustrator CS5

I have 3 layout ideas - I was wondering what the group liked the best? I have the cool colors in one corner and the warm in the other.

The leaves are starting to change

33/365

inspired by my sketchbook page, Angie's Garden (in my Amber book) - used up leftover paint on the right side, then mimicked the gradient with gelatos on the left

Great lighting behind the walls at the new opera house in Bjørvika, oslo.

i want see what i could do with gmic starting from a little render of a simple gradient

 

and i got almost lost i could do much more then i hoped and i love some of them almost as selfstanding images

And with this picture I found out that my camera isn't crystal clear! T_T

This one might seem a new-age thingie, but it's actualy another planetshot i've created from an early morning pano made some weeks ago right in front of my door. It should portret the 'view' we've chosen to live in. After the renovation of the house this should be our early sunrise morning view from within our bed - in stretched mode instead of planet offcourse. Sure share me your thoughts on this one!

Last glow, with evening flight.

Over Golden Gate Park

Gradient design

 

Design created using resources from graphicxtras.com (c) 2010 Andrew Buckle

Hancock Shaker Village, Hancock MA

not even Photoshop has a gradient tool like Mother Nature :)

 

I may not visit Flickr very often, please contact my email: nothing0740@qq.com if you need any help. ^^

A Sri Lankan Weekend

1st successful attempt at a selective gradient. After trying with layers, I applied the gradient to the whole image and just erased around the stone to project the perception of greater clarity. Applied lens blur to the gradient to synthesize depth of field.

Not really happy with extreme edges and the subtle halo over the stone.

Original image was a faux IR from RAW. Any tips / suggestions are welcome.

architecture in barcelona.

working on avoiding the dreaded Photoshop banding through custom noise-based brushes. I like to have a Curve Adjustment Layer to see the true nits and grits of the gradient. This processial image has a pleasing aesthetic. Ultimately it will not serve my intended end purpose. The defined edge is unacceptable for a gradient. However, the topographical nature has an end to itself worthy of sharing.

I love the white-blue to dark blue gradient after the sun sets. And you can see two stars in the top corner!

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