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Here, our two cats enjoy a period of peace, lounging in the window at the back of our couch.
Our older cat, Lucy, is very loving, but she's also very skittish. She was extremely attached to our former cat, Bob, who died last year, but it takes her a while to warm up to a new face. She has been intrigued by Young Oscar the Cat since his arrival, but Young Oscar is exuberant, and Lucy doesn't like exuberant things. She likes him when he sits still, but he never sits still for long.
We thought maybe Lucy would take on a mothering attitude toward Oscar, but it hasn't worked out that way. I think she feels more like a big sister. She thinks he's cute, and for the most part, she likes him. But she also finds him annoying as Hell.
Editor's Note: It is a well-known fact of cats that black cats are hard to adopt out. That's partly why we got Oscar, because he was the only black cat of his litter, and we thought it might be hard for him to find a home. One of the reasons for the hesitation people have to take in black cats has to do with weird superstitions people have, but in the modern age, I think the bigger reason is that black cats are hard to photograph. Unless the light hits them just right, all a camera gets is a featureless black blob. I'm okay with that, as I don't photograph the cats all that often. But a lot of people in the modern world don't want a pet that won't work easily on Instagram.
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It's the Pixelated gradient texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/13042.html (created by truman)
To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/
Whilst looking for signal wire support brackets, I came across this. not sure what it is, but it could be part of a gradient marker, as the line dropped towards Bath. Can anyone clarify?
Couldn't sleep, so grabbed my camera and went exploring, unfortunately, only caught the last half of golden hour but overall pretty satisfied with this shot.
I felt like getting kinda fancy!
This weekend I pained my nails with OPI Kyoto Pearl (the frosty white base coat here). I felt like making it fancier at the end of the week so I did some gradient glitter tips at the laundromat. :)
The tips are OPI "Teenage Dream," and this was actually super easy! I built it up in 3 coats: first a glitter coat on the tips (like for a french manicure), then a second coat from about halfway down the nail all the way to the tips, then a third coat about 3/4 down the nail to the tips. I tried to make the 3rd coat pretty thin as I started it so it would look gradual. Topcoat on top of everything.
I like it! I'm SUPER INTO glitter nail polish now. Oooh, sparkles. Love. I probably should start cleaning up my nail beds and cuticle areas better after I put polish on.
Also, my problem with bubbling that I was having has mostly gone away. I've noticed that several things made the difference - thin coats are good, but VERY important is waiting for the coats to dry. Honestly, I pretty much need to wait like 10 or 15 minutes between coats which seems excessive, but whatever. The final thing I've noticed is that when I do my nails when it's warm, it's way more likely to bubble. Painting in the early morning or at night is the best.
A black beaded necklace, a clear beaded necklace, and a blue-grey beaded headband are combined into a three-strand gradient necklace.
More details here
This is a bracelet I made for my shop on etsy, to see it and all the other bracelets I may have for sale, please visit my shop at etsy.com/shop/brillosito
Another try at uploading videos of my moving gradient test on my cell phone...
I created a simple clock that is made of moving, colorful gradients on a black background. The purpose of the test was to try to find a way to have gradients merge with each other without unsightly masks removing parts of other gradients. I found a relatively simple way to do that but don't know if it's energy efficient or not (eg, uses too much battery) - I'll need to run tests and gather information first.
This is the debug variation that shows radial lines from the center to each "hand" as well as the integer value of each gradient (converted to clock time). Each gradient's position is a percent of the time around the clock and is continuous, not discrete, which is why the position of the gradients may not match the numbers on each gradient.
beauty beauty sky..Curly clouds..They force me to think that they are a cauliflowers. i don't like cauliflower, but i love this unique sky
Pattern: Smartphone Mittens by me, because I the gradient yarn to flow from top to bottom
Yarn: my own gradient handspun two-ply from FLUFF Rambouillet Combed Top in Ripe Eggplant
Needles: US 7 - 4.5 mm
I wouldn't call these successful yet - this one is the proto-type, and I'll rip and re-knit it. But pretty close!
The color gradients in, “Vivid Chroma Locomotion,” correspond to the speed at which the murals are viewed from the constant and busy streams of traffic along Richmond Avenue. Viewers can expect to be uplifted, surprised and amused by the lively and bright large scale murals. “Vivid Chroma Locomotion,” was commissioned through NYC DOT Art’s signature program, Community Commissions, in which DOT Art collaborates with community-based, nonprofit organizations to commission artists to design and install temporary artwork on DOT property. This is the 8th Community Commissions project to be installed in Staten Island.
NYC DOT Art Program, Community Commissions (2019)
In partnership with Projectivity Group
Vivid Chroma Locomotion by Andrea von Bujdoss (Queen Andrea)
Bridge Wall, Richmond Avenue and Drumgoole Road West, Staten Island