View allAll Photos Tagged Gradient
Gradiente feita com esponja amarela de cozinha.
Usei como base o Jordana boy oh boy, esponjei com o OPI its up to blue, OPI purple with a purpose, e o Orly fowl play. Para terminar uma camada de Seche Vite top coat.
Adorei o efeito :)
Tentem fazer em casa, recomendo.
This is a combination of four images that I have stiched together. They show the gradient profile charts that are pinned high up on the wall inside Exeter Panel Signal Box.
22nd May 2019
Best viewed 'Original' size.
What I do when I'm bored at three in the morning.
Reaching the 200 mark, need to get damned pro now.
I colored Fimo translucent with alcohol ink to get the color gradient that makes up this bracelet.
I used alcohol inks to get the bright colors and created this bracelet without a pasta machine, without using cutters, and with no skinner blends. There's a link to the tutorial on my website.
Copyright © 2013 by Ginger Davis Allman The Blue Bottle Tree, all rights reserved.
The Golden Gate Bridge glows orange against the predawn darkness, its iconic towers and suspension cables illuminated while fog wraps around the Marin Headlands beyond.
Photographed from Twin Peaks looking west, this panoramic view captures San Francisco in that liminal moment between night and day when the city's lights still sparkle but natural light begins painting the sky in subtle gradients of blue and pink.The bridge itself commands the middle distance, its distinctive International Orange color standing out even in low light thanks to the decorative lighting that traces its towers and cables. Those twin towers rising 746 feet above the water have become synonymous with San Francisco itself, perhaps the most photographed and recognizable bridge in the world.
Opened in 1937 after four years of construction, the Golden Gate Bridge was an engineering marvel that many said couldn't be built—spanning 4,200 feet across the strait connecting San Francisco Bay to the Pacific Ocean, withstanding powerful currents, deep water, and frequent fog.
The foreground reveals San Francisco's residential fabric spreading across the city's western neighborhoods. This elevated vantage from Twin Peaks—roughly 900 feet above sea level—allows you to see the gridded street pattern, the mix of housing types, and the tree canopy that softens the urban density. The Richmond and Sunset districts dominate this western side of the city, their orderly blocks of single-family homes, small apartment buildings, and neighborhood commercial corridors representing post-earthquake development and the city's mid-century suburban expansion within city limits.
Look at how the city lights create different patterns. Bright commercial zones—likely the Richmond District's Geary Boulevard and the Sunset's Irving Street—cut horizontal paths through residential areas where warmer, more diffuse lighting suggests homes and local businesses. The Presidio's darker areas on the left preserve the former military base's forest and open space, while Golden Gate Park's dark band running through the middle of the frame shows how that three-mile-long urban forest creates a natural break in the city's development pattern.
The atmospheric conditions are quintessentially San Francisco. That thick bank of fog sitting over the Marin Headlands and threatening to spill through the Golden Gate represents the marine layer that gives the Bay Area its temperate climate and famously unpredictable weather.
The bridge's towers emerge from the fog like sentinels, while the low cloud deck above creates a muted sky that will likely give way to sunshine or remain overcast depending on how that marine layer behaves over the next few hours.The bay waters beyond the bridge show as a dark band separating San Francisco from Marin County.
This strait has always been treacherous—strong tidal currents, cold water temperatures, and frequent fog made navigation challenging long before the bridge existed. Ships entering San Francisco Bay had to time their passage carefully, and countless vessels met disaster on the rocks.
The bridge transformed regional transportation, connecting San Francisco to the North Bay and beyond, enabling suburban development in Marin and Sonoma counties that fundamentally reshaped the region's geography.
From this elevated perspective, you can appreciate San Francisco's unique urban form. This is a city that refused to be limited by its hilly topography. Those neighborhoods spreading across the western slopes represent generations of San Franciscans who carved streets into steep hillsides, built homes on challenging lots, and created communities in every available space. The density is impressive—this is one of America's most densely populated cities—yet the scale remains human. Few high-rises interrupt the horizon, preserving view corridors and maintaining neighborhood character.
The lighting in this photograph creates layers of depth and atmosphere. The cool predawn sky gradates from darker blue overhead to lighter tones near the horizon, while the warm city lights provide contrast and detail in the foreground. The bridge's orange glow becomes the visual anchor, drawing the eye across the frame while the scattered lights of Marin communities beyond suggest the broader metropolitan region connected by this single span.
San Francisco's relationship with the Golden Gate Bridge is complicated. It's simultaneously the city's most beloved symbol and a barrier some never cross. The bridge connects but also divides—creating a psychological boundary between city and suburbs, between urban San Francisco and the less dense communities to the north.
For tourists, it's a must-see attraction. For locals, it's infrastructure—a commute route, a running path, a beloved but familiar landmark that becomes invisible through daily exposure until you see it like this, at dawn, and remember why people photograph it obsessively.
This is an image of which I am very proud. It looks like just a cool gradient, a cool processing trick but it is much more to me. Life look different every time you look at it, even in twelve minute intervals.
This week has been warm and perfect summer weather for time at the beach; it was as warm and perfect as it appears here. This is the Balboa Pier in Newport. Newport Pier is much more popular (with those from Riverside County) but Balboa is much more pleasant and enjoyable. Each successive exposure is twelve minutes apart. I am planning on doing an image like this again but with an even more frequent exposures.
I've wanted to do this for a while but got the idea to do it this week from a friend of mine who had to come to the beach as well. I got the idea for this image from another image I saw like it. I searched for it but could not find it - I'd love to credit it as the original inspiration.
I've really been thinking about Disney a lot lately since we are starting to plan our California vacation which includes my first trip to Disneyland. That's made me start looking through old WDW photos I haven't posted. A little TLC went a long way with this one and I was able to save it a bit. Please let me know what you all think as any suggestions are welcomed and appreciated. Enjoy!
Oi meninas, tudo bem?
Hoje quis fazer uma gradiente rosa só com holográficos. Pena que não são tão holo assim, ia ficar mais bonito... Apesar de que tenho que dizer que a câmera foi injusta. Ficou muito mais lindo do que parece na foto! Na próxima vez que fizer gradiente vou deixar o tom mais claro na ponta da unha, pra ficar diferente. No anelar uma tatuagem da Sindy Francesinhas. Só não sei o código. Muito fofinha essa tatuagem!
Beijos, lindonas!
Usei:
Base Colorama verdinha
Delírio Rosa, Jade (3x)
Gradiente com Georgina e Carrie, Rivka e Delírio Rosa, Jade
Tatuagem da HK da Sindy Francesinhas
TC Colorama
Olá meninas!
Hoje me arrisquei a fazer uma mani que eu nunca tinha feito. Não ficou tudo aquilo que eu já vi por aqui mas eu gostei bastante do resultado. Usei:
Delicada - Dote
Céu - Guga
Quadrado Azul - Colorama
Wedding Dress - Penélope Luz
Top Coat - Vefic
O WD finalizou muito bem o gradiente, acho que foi o que deu mais charme. Espero que gostem.
Ahhh já ia me esquecendo de contar, antes de tirar o Cutie Pie passei Cobertura Fosca nele pra ver como ficava, gente ficou lindo demais, até tirei foto mas como a pontinha já tava gasta, num ficou muito decente, da proxima vez vou usar ele assim e posto aqui pra vcs verem.
Beijos!