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Kachinas are spirit beings in western Pueblo religious beliefs, often represented through masks and dolls, as shown here. This snapshot is from a wonderful book by Barton Wright entitled ‘Kachinas: A Hopi Artist's Documentary’, which Adam got for me in a recent trip to New Mexico. I devoured it from cover to cover — and it’s given me a vision for my next art project: an interactive Kachina World with animatronics dolls. Each of the kachinas depicted in these pictures could be characters in that interactive play, dancing to the music and giving you inspiration about the spirits they represent. It was so nice of Adam to give me this marvelous book — he immediately thought of me and thought I should have it. :)
Learn more about Kachinas:
Learn more about the Kachinas book:
www.goodreads.com/book/show/1966616.Kachinas
View photos of our related Wonderbots experiment:
Kachinas are spirit beings in western Pueblo religious beliefs, often represented through masks and dolls, as shown here. This snapshot is from a wonderful book by Barton Wright entitled ‘Kachinas: A Hopi Artist's Documentary’, which Adam got for me in a recent trip to New Mexico. I devoured it from cover to cover — and it’s given me a vision for my next art project: an interactive Kachina World with animatronics dolls. Each of the kachinas depicted in these pictures could be characters in that interactive play, dancing to the music and giving you inspiration about the spirits they represent. It was so nice of Adam to give me this marvelous book — he immediately thought of me and thought I should have it. :)
Learn more about Kachinas:
Learn more about the Kachinas book:
www.goodreads.com/book/show/1966616.Kachinas
View photos of our related Wonderbots experiment:
This is taken on the street side of the Ransom Gillis House in Brush Park. It is another of the crumbling mansions in the neighborhoodthat has been partially rehabbed with mixed results. The windows are still there, but no fancy double "eyebrows." The treatment at the top of the gableincluding the limestone trim, is also gone, replaced with plain wooden cornice returns. The chimney remains but the roof is covered with cheap-o asphalt shinges instead of slate.
Youtube clip from John Kossik, author of a book on the house:
Bibles and... books.
If you don't like the new Flickr Beta sign this Petition petitions.moveon.org/sign/change-flickr-back?source=c.url...
"The New Nature Library" 1916 Doubleday, Page & Company New York
American food and game fishes : a popular account of all the species found in America, north of the equator, with keys for ready identification, life histories and methods of capture / by David Starr Jordan and Barton Warren Evermann ; with photos. from life by A. Radclyffe Dugmore
entry from Trove...
Reference see. openlibrary.org/
I think this image must get nearly 100 views a day because I have the word "Naked" in the title! Weird! or maybe it is "Everywoman"...
Decided to delete the title with Naked, must be something else that attracts the views, then nobody comments!
deleted Naked to drop the search numbers.... The views keep coming, so I may as well return the title to its rightful place! ."Naked Came I"
P4290287
So honored to have gotten this wonderful review!
www.amazon.com/stores/John-Russell/author/B08HWYTKPT?ref=...
St. Louis, MO (est. 1764. pop. ~300K)
• Chuck Berry House • home of Charles Edward Anderson Berry, aka Chuck Berry (1926-2017), American singer, songwriter & guitarist • single-family red brick dwelling • original 1-story, 3-room portion was constructed in 1910
• purchased in 1950 by Berry & his Mississippi-born wife, Themetta "Toddy" Suggs Berry (b. 1927), 2 yrs. after St. Louis abolished racial housing covenants • "The white family of Dimottios who lived next door welcomed us with open arms, giving us a pot of spaghetti over the backyard fence the third day after we moved in." —" Brown Eyed-Handsome Man: The Life and Hard Times of Chuck Berry"
• Berry added 2 rooms w/ concrete block walls at the rear, 1956 • installed a bedroom & half bath in the full basement so that he & Themetta might live there and rent out the first floor for supplemental income • the bldg. still substantially reflects its appearance during the 1950s & earlier in the 20th c.
"If you tried to give rock ’n’ roll another name, you might call it 'Chuck Berry" —John Lennon
• Chuck Berry purchased his 1st electric guitar from a local musician for $30 & began to seriously study the instrument • apart from his affinity for bluesmen, e.g., Muddy Waters & Elmore James, & country & western singers such as Gene Autry & Hank Williams, Berry idolized Charlie Christian (1916-1942) of the Benny Goodman Sextet [listen] & Carl Hogan (1917-1977) of Louis Jordan’s Tympany Five • these were electric guitar pioneers, and Berry incorporated their styles into the development of his own • lifted his signature opening riff from Hogan’s introduction to “Ain’t That Just Like a Woman” [listen] & his showmanship — including his signature duckwalk— from blues musician T-Bone Walker
• In 1952 boogie-woogie pianist Johnnie Johnson (1924-2005) asked Berry to join his Sir John’s Trio for a New Year’s Eve show at the Cosmopolitan Club in East St. Louis, Illinois • the "Cosmo Club" was an example of what Berry called "salt & pepper clubs," i.e,. they attracted both black & white fans
• Berry’s gig with Sir John’s Trio — which along with Johnson included drummer Ebby Hardy (1913-1983) — was sufficiently successful that club owner Joe Lewis asked Johnson to keep him on as the group’s new lead singer and guitar player. [photo]
• Chuck Berry's big break came in May, 1955 on a trip to Chicago • met Muddy Waters, who recorded for Chess Records • Waters suggested Berry contact Leonard Chess (1917-1969), a Polish Jewish immigrant born Lejzor Szmuel Czyżin who, in 1950, co-founded the company with his brother Phil Chess (1921-2016) and was currently interested in signing an act capable of appealing to both black & white audiences
• On May 21, 1955, at the Chess recording studio, Berry, vocals & guitar, Johnnie Johnson on piano & Ebby Hardy on drums recorded 4 songs including "Ida May," his version of American traditional song Ida Red [listen] • when Leonard Chess suggested changing the title, the band came up with “Maybellene” (inspired either by deliberately misspelled name on a box of mascara or a cow from a childhood storybook) [listen] • released July, 1955 • reached # 1 on Billboard’s Rhythm & Blues chart, # 5 on the Hot 100, one of the first records to be a hit on both • My Ding-a-Ling (1972)
• Berry soon learned about music industry Payola • record in hand for the 1st time, he was surprised that two other individuals, including famed DJ Alan Freed, had been given writing credit, entitling each to a share of the royalties • after a court battle, Berry regained sole writing credit
• Berry family [photo]
• the Berrys lived in this house 8 yrs. during which Chuck became arguably the single most important artist in the history of rock and roll • 1st African-American artist to appeal to both black & white audiences, during a decade of civil rights turmoil & beyond • some critics e.g., Robert Christgau, have suggested that Berry's middle-class upbringing brought him closer to white teenagers than the average black man “both economically...and in spirit.” Berry varied his delivery depending on whether he was singing blues or country & his style was clearly biracial — NRHP Registration Form
• many rock critics have concluded that his best, most influential writing & recording was during the mid- to-late 1950s when he resided here • “[Berry’s] influence is so sprawling that the list of rock greats who owe him a large debt includes virtually everyone in the pantheon.” —Bernard Weinraub, New York Times critic
• located in the Greater Ville, community, which surrounds The Ville neighborhood of north St. Louis • in the late 19th c. The Ville
attracted German & Irish immigrants, along with some African Americans • the community’s first black institution, Elleardsville Colored School No. 8 (later renamed Simmons School), opened in 1873
“We had black educators at the Sumner campus and Turner schools. We had the Tandy Community Center, a hotel, dentists and doctors, hamburger places, shoe repair shops, a store on every corner and several movie theaters,” Moore recalled. “It was a pretty vibrant community. We never had to leave the area to be serviced.
"During the years of restrictive segregated housing and education, The Ville was a solid black community. Thriving institutions like Sumner High School, Antioch Baptist Church, the Annie Malone Children’s Home, and Homer G. Phillips Hospital provided the neighborhood with robust economic activity and senses of safety, pride and stability." —4th Ward Alderman Samuel Moore
• prior to U.S. Civil Rights movement, use of restrictive covenants & other legal restrictions prevented African-Americans from finding housing in many areas of the city, thus the black population became heavily concentrated in and around the less than half sq. mi. Ville • went from 8% to 86% African American 1920-1930 • became cradle of African-American culture & home to many black professionals, athletes, businessmen & entertainers
• also home to important black institutions, including Sumner High School, 1st high school for black students west of the Mississippi River, Lincoln University Law School, Stowe Teachers College, Annie Malone Children’s Home & Homer G. Phillips Hospital, at the time responsible for training more black doctors than any other hospital in the world
• Poro College, a cosmetology school, was founded in St. Louis by businesswoman/ philanthropist/ inventor Annie Turnbo Malone (1869-1957), considered one of the first black female millionaires • Chuck Berry trained as a beautician under the Poro system, graduating in 1952
• The Ville grew to influence the development of black history far outside of the neighborhood’s confines and across the United States developing black doctors, entrepreneurs, educators, and entertainers. —About the Ville
• in the 2000 census, of the 8,189 residents counted (27% decline from 1990), 99% were black • in 2010, the count was down to 6,189 residents
Video: Chuck Berry & Robbie Robertson, "Hail! Hail!"
• part 1 (13:36)
• part 2 (14:46)
• physical & sexual abuse allegations
• Chuck Berry Pictures Facebook
• Chuck Berry House, National Register # 08001179, 2008
I did intend to use just 5 items, but well, you know how it goes. ;)
loved the title latbaskets used on this LO
www.flickr.com/photos/8810568@N08/5409458916/in/faves-cra...
I even use goodreads but never thought of that title!
I find that I take a lot of pics of my guys reading. For one, they're finally sitting still- a captive audience. But secondly, I just love to watch them read and to see what they choose. I just love libraries,too
I intend to have a companion page to this that highlights all the books I read in 2011.
Jackson, MS (est. 1821, pop. 165,000)
• Home Dining Room, owned by Mrs. Robinson • relocated here from across the street post-1954 • catered to churchgoing people & gospel quartets — Church Street: The Sugar Hill of Jackson, Mississippi
The Farish Street Historic District
“but out of the bitterness we wrought an ancient past here in this separate place and made our village here.” —African Village by Margaret Walker (1915-1998)
• during the Reconstruction era that followed the American Civil War, white Southerners struggled to reclaim their lives as millions of black Southerners sought new ones • with the stroke of a pen, the Emancipation Proclamation had transformed African slaves into African Americans & released them into a hostile, vengeful & well-armed white community amid the ruins of a once flourishing society
• the antebellum South had been home to over 262,000 rights-restricted "free blacks" • post-emancipation, its free black population soared to 4.1 million • given that the South had sacrificed 20% of it's white males to the war, blacks now comprised well over half the total population of many southern states • uneducated & penniless, most of the new black Americans depended on the Freedman's Bureau for food & clothing
• the social & political implications of the sudden shift in demographics fueled a violence-laced strain of conventional American racism • in this toxic environment, de facto racial segregation was a given, ordained as Mississippi law in 1890 • with Yankees (the U.S. Army) patrolling the city & Maine-born Republican Adelbert Ames installed in the Governor's Mansion, the Farish Street neighborhood was safe haven for freedmen
• as homeless African American refugees poured into Jackson from all reaches of the devastated state, a black economy flickered to life in the form of a few Farish Street mom-and-pops • unwelcome at white churches, the former slaves built their own, together with an entire neighborhood's worth of buildings, most erected between 1890 & 1930
• by 1908 1/3 of the district was black-owned, & half of the black families were homeowners • the 1913-1914 business directory listed 11 African American attorneys, 4 doctors, 3 dentists, 2 jewelers, 2 loan companies & a bank, all in the Farish St. neighborhood • the community also had 2 hospitals & numerous retail & service stores —City Data
• by mid-20th c. Farish Street, the state's largest economically independent African American community, had become the cultural, political & business hub for central Mississippi's black citizens [photos] • on Saturdays, countryfolk would come to town on special busses to sell produce & enjoy BBQ while they listened to live street music • vendors sold catfish fried in large black kettles over open fires • hot tamales, a Mississippi staple, were also a popular street food —The Farish District, Its Architecture and Cultural Heritage
“I’ve seen pictures. You couldn’t even get up the street. It was a two-way street back then, and it was wall-to-wall folks. It was just jam-packed: people shopping, people going to clubs, people eating, people dancing.” — Geno Lee, owner of the Big Apple Inn
• as Jackson's black economy grew, Farish Street entertainment venues prospered, drawing crowds with live & juke blues music • the musicians found or first recorded in the Neighborhood include Robert Johnson, Sonny Boy Williamson II & Elmore James
• Farish Street was also home to talent scouts & record labels like H.C. Speir, & Trumpet Records, Ace Records • both Speir & Trumpet founder Lillian McMurry were white Farish St. business owners whose furniture stores also housed recording studios • both discovered & promoted local Blues musicians —The Mississippi Encyclopedia
• Richard Henry Beadle (1884-1971), a prominent Jackson photographer, had a studio at 199-1/2 N. Farish • he was the son of Samuel Alfred Beadle (1857-1932), African-American poet & attorney • born the son of a slave, he was the author of 3 published books of poetry & stories
• The Alamo Theatre was mainly a movie theater but periodically presented musical acts such as Nat King Cole, Elmore James & Otis Spann • Wednesday was talent show night • 12 year old Jackson native Dorothy Moore entered the contest, won & went on to a successful recording career, highlighted by her 1976 no. 1 R&B hit, "Misty Blue" [listen] (3:34)
• in their heyday, Farish Street venues featured African American star performers such as Bessie Smith & the Rabbit Foot Minstrels, Louis Armstrong, Count Basie, Duke Ellington & Dinah Washington played Farish Street venues —Farish Street Records
• on 28 May, 1963, John Salter, a mixed race (white/Am. Indian) professor at historically black Tougaloo College, staged a sit-in with 3 African American students at the "Whites Only" Woolworth's lunch counter in downtown Jackson • they were refused service • an estimated 300 white onlookers & reporters filled the store
• police officers arrived but did not intercede as, in the words of student Anne Moody, "all hell broke loose" while she and the other black students at the counter prayed • "A man rushed forward, threw [student] Memphis from his seat and slapped my face. Then another man who worked in the store threw me against an adjoining counter." • this act of civil disobedience is remembered as the the signature event of Jackson's protest movement —L.A. Times
"This was the most violently attacked sit-in during the 1960s and is the most publicized. A huge mob gathered, with open police support while the three of us sat there for three hours. I was attacked with fists, brass knuckles and the broken portions of glass sugar containers, and was burned with cigarettes. I'm covered with blood and we were all covered by salt, sugar, mustard, and various other things." —John Salter
• the Woolworth Sit-in was one of many non-violent protests by blacks against racial segregation in the South • in 1969 integration of Jackson's public schools began • this new era in Jackson history also marked the beginning of Farish Street's decline —The Farish Street Project
"Integration was a great thing for black people, but it was not a great thing for black business... Before integration, Farish Street was the black mecca of Mississippi.” — Geno Lee, Big Apple Inn
• for African Americans, integration offered the possibility to shop outside of the neighborhood at white owned stores • as increasing numbers of black shoppers did so, Farish Street traffic declined, businesses closed & the vacated buildings fell into disrepair
• in 1983, a Farish St. redevelopment plan was presented
• in 1995 the street was designated an endangered historic place by the National Trust for Historic Preservation
• in the 1990s, having redeveloped Memphis' Beale Street, Performa Entertainment Real Estate, was selected to redevelop Farish St
• in 2008, The Farish Street Group took over the project with plans for a B.B. King's Blues Club to anchor the entertainment district
• in 2012, having spent $21 million, the redevelopment — limited to repaving of the street, stabilizating some abandoned buildings & demolishing many of the rest — was stuck in limbo —Michael Minn
• 2017 update:
"Six mayors and 20 years after the City of Jackson became involved in efforts to develop the Farish Street Historic District, in hopes of bringing it back to the bustling state of its heyday, the project sits at a standstill. Recent Mayor Tony Yarber has referred to the district as “an albatross.” In September of 2014, the U.S. Department of Housing and Urban Development sanctioned the City of Jackson, the Jackson Redevelopment Authority, and developers for misspending federal funds directed toward the development of the Farish Street Historic District. Work is at a halt and "not scheduled to resume until December 2018, when the City of Jackson repays HUD $1.5 million." —Mississippi Dept. of Archives & History
• Farish Street Neighborhood Historic District, National Register # 80002245, 1980
Click here for an excellent article on basic income, whether you are curious about it or think it sounds like a fucking stupid idea. :D
Here is how Goodreads.com describes Standing's book "The precariat" (which I read in 2014):
"Neo-liberal policies and institutional changes have produced a huge and growing number of people with sufficiently common experiences to be called an emerging class. In this book Guy Standing introduces what he calls the Precariat - a growing number of people across the world living and working precariously, usually in a series of short-term jobs, without recourse to stable occupational identities, stable social protection or protective regulations relevant to them. They include migrant workers, but also locals.
"Standing argues that this class of people could produce new instabilities in society. They are increasingly frustrated and dangerous because they have no voice, and hence they are vulnerable to the siren calls of extreme political parties. He outlines a new kind of good society, with more people actively involved in civil society and the precariat re-engaged. He goes on to consider one way to a new better society -- an unconditional basic wage for everyone, contributed by the state, which could be topped up through employment.
"This is a topical, and a radical book, which will appeal to a broad market concerned by the increasing problems of job insecurity and civic disengagement."
PS. I found my uglyhat in a dollar store in Amsterdam. I felt more like me when I walked out with it on. :p
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Vegan FAQ! :)
The Web Site the Meat Industry Doesn't Want You to See.
Please watch Earthlings.
Taken a couple years ago. Got his eyes shut too! so cute.
www.goodreads.com/photo/author/14313.James_D_Watson
This image of Dr. James Watson was part of Apple’s "Educators Set", which was printed in 2000 and distributed through its Education Channels. Included with the set was a biography of each person depicted. Here is an excerpt: "Dr. James Watson: ‘Code cracker’. In his late teens, his boyhood passion for bird-watching blossomed into a yearning to understand genetics. After earning a Ph.D. in zoology in the early ‘50s, he and Francis Crick proposed a radical new insight into understanding the structure of the DNA molecule, which contains the genetic code for all life. He was an early leader of the Human Genome Project. He has published five books and numerous scientific papers. And his curriculum vitae includes honorary degrees from 25 universities and 18 awards, including the Nobel Prize in Physiology or Medicine (1962). He is known for the greatest achievement of science in the twentieth century."
A few of you asked what my favorite books were in 2011. I'm happy to answer with a photo. I don't have one favorite book but these were among those I really enjoyed reading. (Of course I enjoyed more than those but you can make the stack only that high - see all the books read in 2011 here)
Here we go, from the top:
fiction
Revolutionary Road by Richard Yates
I saw the movie the year before and liked it. But as it turned out, I liked the book even more.
The Unbearable Lightness of Being by Milan Kundera
I read this while in Prague and it was the perfect place for this book.
Atonement by Ian McEwan
For some reason, I had the hardest time getting into the book (this was probably my 4th attempt to read it) but in the end I'm glad I didn't give up. The language sometimes just slayed me. (Like this sentence: "... moving gently through her thoughts, as one might explore a new garden.")
The Book of Illusions by Paul Auster
This reminded me a little of "What I Loved", maybe one of the reasons I liked it. Later I read "Invisible", also by Paul Auster, which disappointed me.
non-fiction
For the past few years I've been reading mostly fiction but in 2011 I added some more non-fiction books to my list. My history-loving geeky self is making a comeback.
The Body Project by Joan Jacobs Brumberg
I stumbled upon this book rather by accident - a lucky accident. It follows the subject of body image from Victorian times to the 1990s. It was interesting to read how fundamentally the attitude towards weight, physical apperance, menstruation and sex changed in just one century.
Achilles in Vietnam by Jonathan Shay
I partly read this when I was in college and was glad to come back to this insightful and compassionate writing.
Damit wir uns nicht verlieren by Sophie Scholl and Fritz Hartnagel
I don't think there is an English version of the book. The title loosely translates as "So that we don't loose each other". It's a collection of letters from Sophie Scholl (who was executed by the nazis at age 21 for expressing her opinion) and her boyfriend. Her biography had a huge impact on me when I was a teenager and I already knew a good part of her letters but this more extensive collection is fairly new.
The Beauty of Difference by Karen Walrond
If you ever read the Chookooloonks blog, you know this is good. It was even more dear to me because I've been trying to love my "difference" more this year.
"I am convinced that most people do not grow up...We marry and dare to have children and call that growing up. I think what we do is mostly grow old. We carry accumulation of years in our bodies, and on our faces, but generally our real selves, the children inside, are innocent and shy as magnolias."
— Maya Angelou (Letter to My Daughter)
Magnolias blooming in the warm Spring sunshine!
* Pentax K20D and Samsung D-Xenon 50-200mm Lens
No American president has been closer to the working life of the West than Theodore Roosevelt. From 1884 to 1886 he built up his ranch on the Little Missouri in Dakota Territory, accepting the inevitable toil and hardships. He met the unique characters of the Bad Lands—mountain men, degenerate buffalo hunters, Indians, and cowboys—and observed their changes as the West became more populated. "Ranch Life and the Hunting Trail" describes Roosevelt's routine labor and extraordinary adventures, including a stint as a deputy sheriff pursuing three horse thieves through the cold of winter. Whether recounting stories of cowboy fights or describing his hunting of elk, antelope, and bear, the book expresses his lifelong delight in physical hardihood and tests of nerve. [Source: Goodreads website at www.goodreads.com/book/show/1737273.Ranch_Life_and_the_Hu...]
This is the fourth (and last) volume of the Herries Chronicles which I was sad to finish recently.
They were a very good read. A very long and satisfying read ("a proper tale properly told") but these modern editions have the most god-awful cover art. I mean, really. Vanessa, the heroine, is supposed to be one of the most beautiful women of her age and the strategically shaved monkey responsible has drawn her bog-eyed. Poor old forgotten Hugh Walpole would be turning in his grave.
Together with the first three volumes (Rogue Herries, Judith Paris, The Fortress), they span nearly 2500 pages and over 300 years of the Herries family. When a modern book costs £8, you get a good price per page ratio too.
One of the reasons they caught my imagination and held me captivated for some was that they were largely set in the Lake District, one of my favourite parts of England. His evocative prose and vivid descriptions whisked me away every time I opened the pages.
Chota Khoti, Ruth Bryan Owen House (1911), 3504 Royal Palm Ave, Miami, FL, USA
Miami est. 1896, pop. 2.6MM
• significantly altered & largely forgotten, this was the 1920s-30s home of notable Miamian Ruth Bryan Owen (1885-1954) [photo], daughter of 3-time Democratic Presidential candidate, William Jennings Bryan, a Populist Democrat known as "The Great Commoner" • she was the Old South’s 1st U.S. congresswoman, 1st woman to serve on the House Foreign Affairs Committee & as Minister to Denmark, 1st head of a U.S. diplomatic mission [photo], appointed by President Franklin Delano Roosevelt • the journey that led her to this distinguished career began in Coconut Grove
"Ruth had been overseas in the war, sent to Egypt as a nurse with the British. There she had met a retired major, Reginald Owen, who had some kind of service-induced malady called Bright’s Disease and was told to live in a warm climate. The two of them got married and came back to Coconut Grove and bought a big house called Chota-Khoti — which in Burmese means 'little house.' The little house behind it was called Burra-Khoti, which means 'big house.' Reginald's family had had tea plantations in Burma." —Marjory Stoneman Douglas, Voice of the River
"The house is a two-story white stucco building with two wings connected by a semi-open-air living room enclosing a patio. It is a combination of Mexican and Spanish styles, set well back from the street and bordered with shrubbery." — Guide to Miami & Environs, 1941
"The great living room is filled with furniture which has seen service in many quarters of the globe, and carries its own mellow charm with it. The grand piano is open and often in use." —Arkansas Gazette, December 6, 1928
"The neighbourhood spends happy evenings at Chota Khoti, curled up on cushions, in the white paneled drawing room with Chinese cabinets of red. The Major and his pipe sit in the chimney corner. Ruth Bryan ruffles her auburn hair, leans against the piano and sings: "I am not fair, but that he thought me so." —The Whole World and Company, 1936, by Gretchen Green, whose La Cabana Tea Room occupied a small cabin next door to Chota Khoti • the Owens hosted many events, e.g., parties, recitals, cultural activities, meetings & various YWCA & Miami Woman’s Club affairs [photo]
• the Royal Palm Ave. address notwithstanding, Chota Khoti's location was usually described as "on the Ingraham Highway" (later Main Highway) where the property had an entrance at the corner of Hibiscus St. [photo] • this entrance shortened the 10 min. walk to Marymont mansion, home of Ruth's parents
• photos: family portrait at Chota Khoti • 1924 photo of daughter Helen Rudd Owen (1920-2015), a Democrat who ran for Congress in California as Rudd Brown, losing in 1958 and 1960 • Ruth Bryan Owen pruning shrubs c. 1931
• Ruth Bryan Owen ("Big Ruth" to her grandchildren) was born in Jacksonville, IL • she loved fast cars • competed in the high jump & was a champion distance runner at the U. Of Nebraska • excellent polo player • spoke 3 languages • praised for her singing (mezzo-soprano) • championed feminist causes, • sponsored the designation of the Florida Everglades as a national park [photo] • vice chairman of the University of Miami board of regents • president of the Miami Woman's Club
• never one to be intimidated by predominantly male domains, Ruth was attracted to the movie industry, c. 1920 • considered it as a possible career & thought about studying professional direction
• she envisioned Miami as a major motion picture production center & in fact, a few movie companies had already sprung up, including Brush Photoplay Co., with 2 stages at 966 S.W. 8th St. • Field Feature Film Co. on S. Miami Ave. at 25th St. (Rd.) • Miami Studios w/ a lab & 4 stages at W. 9th St. & 2nd Ave. in Hialeah [photo] • Biograph Studios veteran Wray Physioc at 151 N.E. 5th St. — he had directed The Gulf Between (1917), world's 1st Technicolor movie • Dudley Read at 330 Ft. Dallas Park, arrived in Miami c. New Year, 1921, soon became known as the "Miami Cameraman"
• Mrs. Owen decided to finance, produce, write, direct & perform in Once Upon a Time, a motion picture she based on One Thousand and One Nights • she hired Dudley Read as cameramaman, an actor & a costume designer from NY & a cast of local amateur actors, members of the Community Players of Cocoanut Grove • she approached the project believing that if a movie looks good, it is good, i.e., poetic imagery sans any of the usual hackneyed storylines could & would engage an audience
"You know the movies have always had a lure and just the atmoSpehre [sic] spoiled them for me. Well it struck me this winter that I might plunge in [and] direct movies of my own, with no objectionable atmoSpehre. I wrote scenario, raised finance for the photography, hired a camera, organized over two-hundred amateurs, played a five-reel film, direct[ed] all five hundred pictures [shots] myself, designed costumes, trained the actors."
— letter from close friend Carrie Dunlap, June 13,1921, quoted in Women Film Pioneers Project, Columbia University
• following multiple rejections, she secured a distribution deal • the film (now lost) was released in 1922 • at least one review approved of a few of the visuals but beyond that found little to like: "amateurish attempt; society folk act out serious Arabian night drama with little regard to screen technique; story: told mainly through long Biblical titles, presents Sunday school ethics; direction: some fair effects, but as a whole very uneven; star: not the type for the role, often photographed to disadvantage; support: actors have a good time playing in pictures, but can't keep their eyes off the camera; exteriors: some pretty effects" —Film Daily, Jan-Jun 1922
• in spite of several unfavorable reviews and, apparently, disappointing revenues, Ruth was already thinking about her next project • with her father's decision to write screenplays, she planned to provide the "picturing" (produce) • when nothing came of this, she decided to go into the "family business"
"The community as well as the home needs a woman's viewpoint and it would be a good thing if Uncle Sam had a wife to help him with the national economy and national housekeeping." —Ruth Bryan Owen
"I've never asked a woman to vote for me because I was a woman, but I always ask men not to vote against me because I am a woman." —Ruth Bryan Owen
• Mrs. Owen lost her 1st election in Florida's 4th Congressional District, then won on her 2nd try after logging ~8,000 mi. at the wheel of her campaign car — a flivver she christened The Spirit of Florida • during the tour, she delivered about 500 stump speeches, a tactic her father invented for his presidential campaigns • like her “silver-tongued” dad, she was a gifted speaker who, represented by the Coit-Alber Lyceum Bureau or the Redpath Bureau, periodically incremented her wealth & fame by touring the Chautauqua Circuit, her appearances promoted with material such as this 1920s brochure that called her "one of the world's few great women"
• although Chota Khoti remained Congresswoman Owen's Miami residence well into the 1930s, in 1927 & '28 — the year of her 1st her successful campaign for Congress — she listed the address of this Coral Gables house on Avenue Altara as her residence, & received guests there • the house is said to have been built for her, possibly facilitated by her father who was a stellar salesman for the developers of Coral Gables until his death in 1925, annually earning $50,000 in cash and $50,000 in property, equivalent to about $1.36 million in 2016 dollars • Mrs. Owen built another of her houses, Golden Clouds, on 6 oceanfront acres at Oracabessa, Jamaica • there, as at her other residences, she entertained celebrity friends such as Clark Gable, Carole Lombard, Noel Coward Ian Fleming & Charlie Chaplin
• Chota Khoti was eventually purchased by native Miamians who continued to refer to it by its given name, as did local tour guides in the 1970s-80s • over the years, rooms were enlarged & its facade altered • by the beginning of the 21st c., immigration had transformed the city around it from a racially segregated tourist Mecca to a dynamic Latin American metropolis which still happens to be located in the U.S. • with the passage of time, the location of Ruth Bryan Owen's Chota Khoti has nearly vanished from memory
"It wasn’t anyone’s idea of a glamorous first assignment at a white shoe law firm. George Carey, former WWII bomber pilot and newly minted lawyer, was given the ignoble task of going through the tons of files on the Schneider Johnson case, just to make sure nothing had been overlooked. But, as luck would have it, George did discover something among the false claims and dead-end leads that made this into more than just another missing-heir-to-a vast-fortune case. And what he found would connect a deserter from Napoloeon’s defeated army to a guerrilla fighter in post-war Greece, and lead Carey himself into a dangerous situation where his own survival will depend more on what he learned in the army than anything he learned in law school." [Source: Goodreads at www.goodreads.com/book/show/46452.The_Schirmer_Inheritance]
Kachinas are spirit beings in western Pueblo religious beliefs, often represented through masks and dolls, as shown here. This snapshot is from a wonderful book by Barton Wright entitled ‘Kachinas: A Hopi Artist's Documentary’, which Adam got for me in a recent trip to New Mexico. I devoured it from cover to cover — and it’s given me a vision for my next art project: an interactive Kachina World with animatronics dolls. Each of the kachinas depicted in these pictures could be characters in that interactive play, dancing to the music and giving you inspiration about the spirits they represent. It was so nice of Adam to give me this marvelous book — he immediately thought of me and thought I should have it. :)
Learn more about Kachinas:
Learn more about the Kachinas book:
www.goodreads.com/book/show/1966616.Kachinas
View photos of our related Wonderbots experiment:
I was told the book was a 1 out of 5 rating until the end, and then received a 3 out of 5... But still wasn't great, just an easy read.
That's your goodreads report of the day.
As seen at The Bourse.
I'm so glad they included Oney Judge, a slave who escaped the clutches of George and Martha Washington.
Vicksburg, Mississippi est. 1825, pop. (2013) 23,542 • MS Delta
• site crowns the highest hill in Vicksburg • land donated by the family of the city's founder, Newitt Vick • built by the Weldon Brothers, immigrants from County Antrim, Ireland • Greek Revival design attributed to William Weldon in collaboration with slave John Jackson, a noted draftsman & artist who "drew the plans for many of the public buildings erected by [the Weldon's], including the courthouses still standing at Raymond and Vicksburg." —"The Emergence of the Cotton Kingdom in the Old Southwest: Mississippi, 1770--1860," John Hebron Moore, 1988
"The Weldon Brothers... Well known in Mississippi as large building and bridge contractors, owned and educated to mechanic pursuits, 100 slaves, many of whom are now residing in the river counties of the State, and most of them are well-to-do. Their draughtsman, John Jackson, a natural genius in that line, lives now at Port Gibson, the scene of much of the work of the Weldons. He painted the handsome drop curtain at Odd Fellow’s Hall, Port Gibson, and assisted in drawing the plans of the handsome Court house at Vicksburg, which the Weldons built in 1858.
"The writer had large dealings with these brothers in the days of their activity, and knows that while they were strict and exacting with their slaves, they were yet kind in their treatment; feeding and clothing them well; and they were not unmindful of their proper enjoyment; the suppers and music at their Christmas balls costing sometimes as much as $600. Tom Weldon was a very passionate man, as well as powerful and brave. Sometimes he would strike the negroes with his fist, and if they showed fight, it was his boast that he always gave them a white man’s chance, and fought fairly with them to the end. He had a fine mind, and but for his profanity was an eloquent talker.
"He equipped a company for the war at Natchez – the Weldon rebels [Co. L, 44th Mississippi Reg., C.S.A.] – but was employed, himself, chiefly in the secret service of the Confederate Government. George, the oldest of the three brothers, was very loquacious, and a great reader. William was a milder mannered man than the others, and very intelligent." —"Random Recollections of Early Days in Mississippi", Horace Smith Fulkerson, 1885
• Thomas Weldon (1816-1865) is said to have been instrumental in developing an electric spark underwater torpedo (naval mine) • on 12 Dec, 1862 it sank the USS Cairo, the first US warship ever destroyed by this type of weapon • "USS Cairo gunboat sunk by an IED" —Standing Well Back
• the Weldons utilized ~100 highly skilled slave artisans at the job site to burn brick & erect the $100K courthouse • the Ionic capitals were cast by Baker Iron Company, Cincinnati & transported to the site by river boat • stucco finish applied to exterior, 1907 • bldg. retains original iron doors & shutters
• Jefferson Davis (1808-1889), a local planter who became president of the Confederacy, launched his political career on these grounds • bldg. targeted by Union warships on Mississippi River during the American Civil War's 47-day Siege of Vicksburg • became the symbol of Confederate resistance • following the city's surrender, 4 July, 1863, Union soldiers under Maj. Gen. U. S. Grant replaced the Confederate flag with the Union flag on the Courthouse cupola [photo]
• U.S. Presidents Zachary Taylor, Ulysses S. Grant, William McKinley & Theodore Roosevelt spoke here, as did woman's suffrage leader Carrie Chapman Catt & black American icon Booker T. Washington
• bldg. was neglected after the completion of the New Warren County Courthouse (1940) • damaged by the 1953 Vicksburg Tornado • demolition considered • aware of the building's historical significance, Eva ("Miss Eva") Whitaker Davis (1892-1974) established the Vicksburg & Warren County Historical Society in order to to preserve it • on 3 June, 1948, the courthouse reopened as the Old Courthouse Museum • exhibits reflect the heritage of the area from pre-historic Indians through the present day • has one of the largest Civil War collections in the U.S.A.
• named one of the 20 most outstanding courthouses in America by the American Institute of Architects • Old Courthouse History • Court House Lagniappe Part 1, Part 2, Part 3
• Historic Vicksburg District • HABS MS-119 • designated Mississippi Landmark, 1986 • National Register 68000029, 1968 • designated National Landmark, 1968
We have been reading short stories in the U3A Literature group. Today we read The Wharf (1926) by Walter de la Mare. It's very compelling.
No American president has been closer to the working life of the West than Theodore Roosevelt. From 1884 to 1886 he built up his ranch on the Little Missouri in Dakota Territory, accepting the inevitable toil and hardships. He met the unique characters of the Bad Lands—mountain men, degenerate buffalo hunters, Indians, and cowboys—and observed their changes as the West became more populated. "Ranch Life and the Hunting Trail" describes Roosevelt's routine labor and extraordinary adventures, including a stint as a deputy sheriff pursuing three horse thieves through the cold of winter. Whether recounting stories of cowboy fights or describing his hunting of elk, antelope, and bear, the book expresses his lifelong delight in physical hardihood and tests of nerve. [Source: Goodreads website at www.goodreads.com/book/show/1737273.Ranch_Life_and_the_Hu...]
“Martians, Go Home” is a broad satire of the human race as seen through the eyes of a billion jeering, invulnerable Martians who arrive not to conquer the world but to drive it crazy.
The following is a brief biography of Fredric Brown from the Goodreads website (at www.goodreads.com/author/show/51503.Fredric_Brown):
"Fredric Brown was an American science fiction and mystery writer. He was one of the boldest early writers in genre fiction in his use of narrative experimentation. While never in the front rank of popularity in his lifetime, Brown has developed a considerable cult following in the almost half century since he last wrote. His works have been periodically reprinted and he has a worldwide fan base, most notably in the U.S. and Europe, and especially in France, where there have been several recent movie adaptations of his work. He also remains popular in Japan.
"Never financially secure, Brown - like many other pulp writers - often wrote at a furious pace in order to pay bills. This accounts, at least in part, for the uneven quality of his work. A newspaperman by profession, Brown was only able to devote 14 years of his life as a full-time fiction writer. Brown was also a heavy drinker, and this at times doubtless affected his productivity. A cultured man and omnivorous reader whose interests ranged far beyond those of most pulp writers, Brown had a lifelong interest in the flute, chess, poker, and the works of Lewis Carroll. Brown married twice and was the father of two sons."
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Kachinas are spirit beings in western Pueblo religious beliefs, often represented through masks and dolls, as shown here. This snapshot is from a wonderful book by Barton Wright entitled ‘Kachinas: A Hopi Artist's Documentary’, which Adam got for me in a recent trip to New Mexico. I devoured it from cover to cover — and it’s given me a vision for my next art project: an interactive Kachina World with animatronics dolls. Each of the kachinas depicted in these pictures could be characters in that interactive play, dancing to the music and giving you inspiration about the spirits they represent. It was so nice of Adam to give me this marvelous book — he immediately thought of me and thought I should have it. :)
Learn more about Kachinas:
Learn more about the Kachinas book:
www.goodreads.com/book/show/1966616.Kachinas
View photos of our related Wonderbots experiment:
Ed by Larry W. Phillips, book passed on to Ella...
"The Great Gatsby" is somewhere around...
"Good stories write themselves - bad ones have to be written" and other quotes and advice written over the years to his editor, Hemingway, and other friends.
See the Bookshelf on Goodreads.....
Some books collected over the years by Mary, Op shops, book rooms, fetes and secondhand shops...
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Jackson, MS (est. 1821, pop. 165,000)
Trumpet Records (left)
• in 1949 Lillian McMurry (1921-1999) & her husband Willard (both white) decided to open a furniture store in Jackson Mississippi's largest African American neighborhood • they chose this building to house it • while cleaning out the interior, Lillian found a pile of 78 rpm R&B "race records" left behind by the previous tenant • one of them, she later recalled, was "All She Wants to do is Rock" (2:32) by Wynonie Harris • Lillian played the records & fell in love:
"It was the most unusual, sincere and solid sound I'd ever heard. I'd never heard anything with such rhythm and freedom." —Lillian McMurry
• sometime later she decided to build a record counter to sell recordings by black artists • it eventually took over the entire store, which she renamed The Record Mart
• in 1950, Lillian established Trumpet Records, the first Mississippi record label to gain national exposure through distribution & radio airplay • she scouted talent at the nearby Alamo Theatre, her shop’s listening booths, where customers often sang along, & through word-of-mouth • produced hits like Elmore James' "Dust My Broom" (2:55), which made the April, '52 Billboard rhythm & blues charts • discovered Big Joe Williams [listen] & Willie Love [listen]
• after hearing about harmonica player Sonny Boy Williamson II, she tracked him down • Sonny recorded a number of songs for Trumpet from 1951 to 1955, including Eyesight to the Blind (3:03) • according to Marc Ryan, in his book Diamonds on Farish Street, Sonny Boy had such respect for Lillian that he obeyed her requests to leave all weapons outside the recording studio & avoid foul language on the Trumpet premises
• in 1953, McMurry installed recording equipment in the store, which operated as Diamond Recording Studio • Trumpet ceased operations in 1955 —Jackson Free Press
The Farish Street Historic District
“but out of the bitterness we wrought an ancient past here in this separate place and made our village here.” —African Village by Margaret Walker (1915-1998)
• during the Reconstruction era that followed the American Civil War, white Southerners struggled to reclaim their lives as millions of black Southerners sought new ones • with the stroke of a pen, the Emancipation Proclamation had transformed African slaves into African Americans & released them into a hostile, vengeful & well-armed white community amid the ruins of a once flourishing society
• the antebellum South had been home to over 262,000 rights-restricted "free blacks" • post-emancipation, its free black population soared to 4.1 million • given that the South had sacrificed 20% of it's white males to the war, blacks now comprised well over half the total population of many southern states • uneducated & penniless, most of the new black Americans depended on the Freedman's Bureau for food & clothing
• the social & political implications of the sudden shift in demographics fueled a violence-laced strain of conventional American racism • in this toxic environment, de facto racial segregation was a given, ordained as Mississippi law in 1890 • with Yankees (the U.S. Army) patrolling the city & Maine-born Republican Adelbert Ames installed in the Governor's Mansion, the Farish Street neighborhood was safe haven for freedmen
• as homeless African American refugees poured into Jackson from all reaches of the devastated state, a black economy flickered to life in the form of a few Farish Street mom-and-pops • unwelcome at white churches, the former slaves built their own, together with an entire neighborhood's worth of buildings, most erected between 1890 & 1930
• by 1908 1/3 of the district was black-owned, & half of the black families were homeowners • the 1913-1914 business directory listed 11 African American attorneys, 4 doctors, 3 dentists, 2 jewelers, 2 loan companies & a bank, all in the Farish St. neighborhood • the community also had 2 hospitals & numerous retail & service stores —City Data
• by mid-20th c. Farish Street, the state's largest economically independent African American community, had become the cultural, political & business hub for central Mississippi's black citizens [photos] • on Saturdays, countryfolk would come to town on special busses to sell produce & enjoy BBQ while they listened to live street music • vendors sold catfish fried in large black kettles over open fires • hot tamales, a Mississippi staple, were also a popular street food —The Farish District, Its Architecture and Cultural Heritage
“I’ve seen pictures. You couldn’t even get up the street. It was a two-way street back then, and it was wall-to-wall folks. It was just jam-packed: people shopping, people going to clubs, people eating, people dancing.” — Geno Lee, owner of the Big Apple Inn
• as Jackson's black economy grew, Farish Street entertainment venues prospered, drawing crowds with live & juke blues music • the musicians found or first recorded in the Neighborhood include Robert Johnson, Sonny Boy Williamson II & Elmore James
• Farish Street was also home to talent scouts & record labels like H.C. Speir, & Trumpet Records, Ace Records • both Speir & Trumpet founder Lillian McMurry were white Farish St. business owners whose furniture stores also housed recording studios • both discovered & promoted local Blues musicians —The Mississippi Encyclopedia
• Richard Henry Beadle (1884-1971), a prominent Jackson photographer, had a studio at 199-1/2 N. Farish • he was the son of Samuel Alfred Beadle (1857-1932), African-American poet & attorney • born the son of a slave, he was the author of 3 published books of poetry & stories
• The Alamo Theatre was mainly a movie theater but periodically presented musical acts such as Nat King Cole, Elmore James & Otis Spann • Wednesday was talent show night • 12 year old Jackson native Dorothy Moore entered the contest, won & went on to a successful recording career, highlighted by her 1976 no. 1 R&B hit, "Misty Blue" [listen] (3:34)
• in their heyday, Farish Street venues featured African American star performers such as Bessie Smith & the Rabbit Foot Minstrels, Louis Armstrong, Count Basie, Duke Ellington & Dinah Washington played Farish Street venues —Farish Street Records
• on 28 May, 1963, John Salter, a mixed race (white/Am. Indian) professor at historically black Tougaloo College, staged a sit-in with 3 African American students at the "Whites Only" Woolworth's lunch counter in downtown Jackson • they were refused service • an estimated 300 white onlookers & reporters filled the store
• police officers arrived but did not intercede as, in the words of student Anne Moody, "all hell broke loose" while she and the other black students at the counter prayed • "A man rushed forward, threw [student] Memphis from his seat and slapped my face. Then another man who worked in the store threw me against an adjoining counter." • this act of civil disobedience is remembered as the the signature event of Jackson's protest movement —L.A. Times
"This was the most violently attacked sit-in during the 1960s and is the most publicized. A huge mob gathered, with open police support while the three of us sat there for three hours. I was attacked with fists, brass knuckles and the broken portions of glass sugar containers, and was burned with cigarettes. I'm covered with blood and we were all covered by salt, sugar, mustard, and various other things." —John Salter
• the Woolworth Sit-in was one of many non-violent protests by blacks against racial segregation in the South • in 1969 integration of Jackson's public schools began • this new era in Jackson history also marked the beginning of Farish Street's decline —The Farish Street Project
"Integration was a great thing for black people, but it was not a great thing for black business... Before integration, Farish Street was the black mecca of Mississippi.” — Geno Lee, Big Apple Inn
• for African Americans, integration offered the possibility to shop outside of the neighborhood at white owned stores • as increasing numbers of black shoppers did so, Farish Street traffic declined, businesses closed & the vacated buildings fell into disrepair
• in 1983, a Farish St. redevelopment plan was presented
• in 1995 the street was designated an endangered historic place by the National Trust for Historic Preservation
• in the 1990s, having redeveloped Memphis' Beale Street, Performa Entertainment Real Estate, was selected to redevelop Farish St
• in 2008, The Farish Street Group took over the project with plans for a B.B. King's Blues Club to anchor the entertainment district
• in 2012, having spent $21 million, the redevelopment — limited to repaving of the street, stabilizating some abandoned buildings & demolishing many of the rest — was stuck in limbo —Michael Minn
• 2017 update:
"Six mayors and 20 years after the City of Jackson became involved in efforts to develop the Farish Street Historic District, in hopes of bringing it back to the bustling state of its heyday, the project sits at a standstill. Recent Mayor Tony Yarber has referred to the district as “an albatross.” In September of 2014, the U.S. Department of Housing and Urban Development sanctioned the City of Jackson, the Jackson Redevelopment Authority, and developers for misspending federal funds directed toward the development of the Farish Street Historic District. Work is at a halt and "not scheduled to resume until December 2018, when the City of Jackson repays HUD $1.5 million." —Mississippi Dept. of Archives & History
• Farish Street Neighborhood Historic District, National Register # 80002245, 1980