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Okay so we totally got "Quacked" on Saturday, but it is always a good time in the Big House.
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I have had the distinct pleasure of working at the University of Michigan these last four years while my son Chris was studying here. Chris is graduating this weekend. Over the years, I have taken him out to lunch a lot - and took a picture of him just about every time that I would share with Pam. Even had a few with his girl friend Caroline. Here are all those pictures - including a few others in my office or around campus. Congratulations Chris!
Geena Gall -- NCAA 800m national champion, All-American, and Michigan Women's Track and Field Team co-captain -- competes at the 400m distance for the first time at the Len Paddock Invitational in Ann Arbor, the final home meet of her career. She wins the event with a time of 55.48 seconds.
Setting up for the ESPN GameDay Broadcast on Saturday October 17, 2015 at the University of Michigan, Ann Arbor. They are on campus for the huge game at Michigan Stadium when the Michigan Wolverines host the Michigan State Spartans. Both teams are highly ranked this year and it should be a great game. With the construction on the Ingals Mall, they are setting up on the northern part of the Diag, between Chemistry and Kraus buildings. These were shot on Friday October 16, 2015 - even got to see Rece Davis & Kirk Herbstreit during a sound-check.
Using the Reflection app in my Olympus camera to make a single archway into two.
Photowalk Meetup in Downtown
Ann Arbor, Michigan
ESPN came to the University of Michigan today (July 14, 2008), on the eve of Art Fair, to film the 'TitleTown USA' segment on Ann Arbor, Michigan. Here are some photos of the festivities prior to the interview with alumnus and Heisman Trophy winner Desmond Howard (wearing the ivory shirt). There were many orientation tours for incoming freshman who probably were wonderfing what is going on!
Best Shot of three from West of Michigan Stadium - The Big House. Full size original shot is very clear, makes great prints - email if need larger
NEW PICS 8/31/11 - Showing the stadium finished just before 2011 opening game against Western Michigan (See last 7 Pics - FULL SET)
9/8/09 - This picture was used in official Notre Dame game program 9/12/09 2 page spread pg 2 & 3!
Michigan All-American and member of the Guyana national team to the Beijing Olympics Adam Harris anchors the men's 4x100 relay team to victory at the Len Paddock Invitational in Ann Arbor.
Another doughnut related tradition at Kresge Library now shared with our friends across the Ross School of Business. This year, we have a nice assortment of Paczkis from Benny's Bakery in Saline, Michigan. For the record, seven paczkis weigh alot! Taken on Fat Tuesday - February 25th, 2020. Also some shots of Benny's in Saline! Even the pictures have too many calories.
Shelbie Prater (Center), Civil Engineering BSE Student; Amanda Dee Moreno-Hernandez, SROP participant; and Jessica Whipple, SROP participant; meet to discuss their summer research project in the GG Brown Addition on North Campus of the University of Michigan on July 26, 2017.
The project analyzes survey and interview data on M-STEM participants, seeking to understand the intersection of qualitative and quantitative data and what particular activities further these.
Photo: Joseph Xu/Senior Multimedia Producer, University of Michigan - College of Engineering
Erika Martinez-Nieves, Emergency Medicine Research Tech, constructs gold nanorods for polymerase chain reaction tests (PCR) in the North Campus Research Complex on North Campus of the University of Michigan in Ann Arbor, MI on August 18, 2017.
The nanorods help mark bacteria in blood samples of emergency room patients so that doctors are able to identify and treat bacterial infections more quickly.
Photo: Joseph Xu/Senior Multimedia Content Producer, University of Michigan - College of Engineering
Dimetro was enthusiastic to take the newcomer "under his sail." Don, however, found him "unevolved. Primordial, even."
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
I have a BA from Michigan and a Ph.D. from Miami ('The U') and have enjoyed season tickets to their football games for several years: both play their bowl games sequentially tomorrow night, so you know what I'll be doing.
Last summer I awakened at 4:30 a.m. in Siem Reap to take a tuk-tuk out to Angkor Wat to watch the sun rise behind it. As I was alone, several couples approached me asking if I'd take their photo against the rising sun. The young woman on the right asked and I agreed and then turned & saw their flag, and there we were: four Michigan alums with a point of instant commonality very far from home. After taking several images with their cameras & phones they let me shoot this one with mine...
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Historically, research and creative practice have been constructed as "opposites." This is not an unusual struggle in architecture schools, particularly in the context of a research university. This perceived tension between design and research is indicative of age-old anxieties within the architecture field to understand its nature as an "applied art." Design can be a purely creative activity not unlike creative practices in music and art. In other cases, design can be a purely problem solving activity, not unlike research in engineering and industrial production.
In its fourth year, University of Michigan Taubman College's Research Through Making (RTM) Program provides seed funding for faculty research, worked on by faculty, students and interdisciplinary experts. The exhibition presents tangible results of their collaborative work.
Research Through Making Installations:
- Electroform(alism): Masters, substrates and the rules of attraction
Jean-Louis Farges and Anya Sirota
- Making Nothing
McLain Clutter and Kyle Reynolds
- (DE)COMPOSING TERRITORY: Enclosure as a negotiation between bioplastics + environments
Meredith Miller
- Crease, Fold, Pour: Advancing Flexible Formwork with Digital Fabrication and Origami Folding
Maciej Kaczynski
- Platform for Architecture & Makin' It, A Situation Comedy
John McMorrough and Julia McMorrough
Photo by Peter Smith / Peter Smith Photography
Constructing the Other Space Federal University of Manaus by Pooja Dalal
The Federal University of Manaus is a formative exception of the city of Manaus. The campus lies hidden, in the center of the city, within a forest reservation of 600,000 sq feet. The forest geographically disconnects the campus from the city, in the same way Manaus is disconnected from its surroundings by the Amazon rainforest. The University , even though dictinct from the city, is dependant on the city’s processes. There is always a reflection of the economic situation of the City on the University. Today, the University is expanding in its forest reservation in the same manner the city is expanding in the Amazon rainforest. The same components (industry, housing and research) are enabling this expansion.
The thesis examines this condition of 'a city within a city' and leverages this campus enclave of the Federal University of Manaus to reimagine its exterior - by using the same exact components of the city. The thesis will push the rules and regulations of the form of the city to its limit, such that the campus starts to become something ‘other’ - like a space in a heterotopic mirror, which will help re-contruct our imagination of the city. In this ‘other’ space, everything will be altered using the same rules of city building - of built and open space, of public and private space, of glass and of concrete, of justice, of religion, of everything archietctural and of everything sensory. This new other space, uncannily familiar, but completely heterotopic will reimagine the very basis of the neoliberal city.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning