View allAll Photos Tagged GitHub,
Free photos. Set 17.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io
It used to be that forking the code was interpreted as a failure in leadership. Forking would split the code, community, and users into competing factions and generally make life more confusing for everyone (see XEmacs).
In the world of distributed revision control systems like Git, forking means something different. These systems were designed to support a web of related revisions. Forking is just the way you roll. A multiplicity of forks is a sign of a healthy developer community. In fact, GitHub advertises the "5 Most Forked Projects" on their home page.
What is this?
This is a stacked graph displaying Tweets associated with the #eComm and #arconf hashtags during the three days of San Francisco's Emerging Communications Conference and the Augmented Reality Conference in April 2010. The data is taken from 4/19/10-4/21/10.
What is a stacked Graph?
The stacked graph method is one way of displaying buzz around speakers and topics at conferences.
The conversation bursts work just like sine waves as an audience begins to engage with the material of each new speaker. As memorable quotes are released into the audience, a lot of tweeting and retweeting coverage occurs, melding some of the terms into like-groups. The graph shows that people tweeted about the speaker during the middle of the speech as opposed to at the beginning or end of the speech.
The interesting part about visualizing data in this way is that it shows that there is an inherent difference between what a speaker says and the audience “hears”. Hearing, in this case, is defined by how the speaker’s name, company, and words are picked up by microbloggers and re-tweeted online.
In a way, the stacked graph is a more organic version of a bar graph, because it can be used to show an increase and decrease in volumes of conversation around a subject.
This project was originally inspired by the Neoformix Twitter Stream graph. It was a clunky, limited machine programmed in Java. After several requests for the source code, we were forced to make our own. The result is a much better, lighter, and faster loading system that has a linear time scale.
After looking at the full graph of the conference over three days, @anthropunk commented that while the streamgraph for #arconf was significantly larger than those for the other days, it did not necessarily mean that the first two days of the conference were not interesting, but that there were simply more people tweeting during the last day of the conference.
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Stacked Graph History
Here's a link to Lee Byron's original Stacked Graph paper, “Stacked Graphs – Geometry & Aesthetics” www.leebyron.com/else/streamgraph/
“streamgraph_generator” can be checked out from github.
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Credits:
This image was created by @natronics and @aaronpk. Aaron took data from the Twitter API and passed it through Nathan's Python Twitter stacked graph library. This image excludes the actual "#ecomm" and "e;#arconf" terms leaving more room for the other terms to show through.
You can make these as well by downloading @natronic's Python Stream Graph Library on GitHub.
I hooked GitHub's stoplight up to their build system via Arduino, some relays, and an ethernet shield. Read about the process here:
www.urbanhonking.com/ideasfordozens/2010/05/the_github_st...
'Daid' (github.com/daid) explaining the finer points of Skeinforge vs Cura (?)...
The KamerMaker (RoomBuilder), capable of 3D printing large architectural objects with an epic 2x2x3.5m build area!
Launch party for kamermaker.com, a project by DUS Architects (dusarchitects.com), at Tolhuistuin, Amsterdam.
I've been hanging out for a Ninefold sticker since I joined the company. And now we have them.
Come get some!
See my previous update for what all the others are and where I got them.
I hooked GitHub's stoplight up to their build system via Arduino, some relays, and an ethernet shield. Read about the process here:
www.urbanhonking.com/ideasfordozens/2010/05/the_github_st...
Free photos. Set 21.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io
Free photos. Set 12.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io
Free photos. Set 30.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io
'Daid' (github.com/daid) follows Joris up into the control tower of the KamerMaker.
The KamerMaker (RoomBuilder), capable of 3D printing large architectural objects with an epic 2x2x3.5m build area!
Launch party for kamermaker.com, a project by DUS Architects (dusarchitects.com), at Tolhuistuin, Amsterdam.
Created with: github.com/linusmossberg/button-mosaic
This image is made up of 26 832 buttons.
The original creative commons images of buttons were taken by:
Andy M Johnson, Arlene Janner, Bernard Spragg, laurabillings, Mark Morgan Trinidad B, Presley*, Silvia Siri, mag3737, Dean Hochman, Littlelixie, MyTangerineDreams, Salvagenation, scrappy annie, ShellyS, Vintage Sailor, vaula, welshkaren, wuestenigel
github.com/iancanada/DocumentDownload
UcPure MkIII is a pure ultracapacitor power supply. It makes use of the 3000F or higher c apacitance
ultracapacitor pack to achieve an ultimate power supply performance. Because it is a pure passive
power supply, there will be no feedback a nd no active components involved when it’s turned on. At the
pure output m ode, only the pre charged ultra capacitor pa ck will be applied to the load It’s also capable
of delivering up to 1000A dynamic current with less than 0.5 8 mOhm internal ESR ( continuous output
mode, decided by the 30 00F ultracapacitor s pack). It could be so far the best low noise and ultra high
dynamic power supply in the real world. Sound quality of sensitive audio applications such as low jitter
clock oscillators, DACs, FIFOs and m any other circuits will be benefit e d from th is UcPure MkIII power
supply. UcPure MkIII can be setup for 3.3V, 5V(default) and 15V configurations.
UcPure MkIII equipped with a SYNC charging function to
be able to re charge the ultracapacitors during
music stops.
Some of these photos are at
www.demotix.com/news/2224293/restore-fourth-former-nsa-sp...
Mark Klein disclosed the NSA had a secret room taping into the Internet at AT&T San Francisco HQ and in other cities
www.wired.com/threatlevel/2013/06/nsa-whistleblower-klein/
www.pbs.org/wgbh/pages/frontline/homefront/interviews/kle...
www.pbs.org/wgbh/nova/military/spy-factory.htm
More #NSA Snowden Bradley Manning wikileaks photos
UNTITLED DIGITAL ART (AUGMENTED HAND SERIES)
By Golan Levin, Chris Sugrue, and Kyle McDonald
Repository: github.com/CreativeInquiry/digital_art_2014
Contact: @golan or golan@flong.com
Photo © by Gerlinde de Geus, courtesy Cinekid Festival.
Commissioned by the Cinekid Festival, Amsterdam, October 2014, with support from the Mondriaan Fund for visual art. Developed at the Frank-Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University with additional support from the Pennsylvania Council on the Arts and the Frank-Ratchye Fund for Art @ the Frontier. Concept and software development: Golan Levin, Chris Sugrue, Kyle McDonald. Software assistance: Dan Wilcox, Bryce Summers, Erica Lazrus. Conceived 2004; developed 2013-2014.
Special thanks to Paulien Dresscher, Theo Watson and Eyeo Festival for encouragement, and to Dan Wilcox, Bryce Summers, and Erica Lazrus for their help making this project possible. Thanks to Elliot Woods and Simon Sarginson for assistance with Leap/camera calibration, and to Adam Carlucci for his helpful tutorial on using the Accelerate Framework in openFrameworks. Additional thanks to Rick Barraza and Ben Lower of Microsoft; Christian Schaller and Hannes Hofmann of Metrilus GmbH; Dr. Roland Goecke of University of Canberra; and Doug Carmean and Chris Rojas of Intel.
Developed in openFrameworks (OF), a free, open-source toolkit for arts engineering. This project also uses a number of open-source addons for openFrameworks contributed by others: ofxPuppet by Zach Lieberman, based on Ryan Schmidt's implementation of As-Rigid-As-Possible Shape Manipulation by Igarashi, Moscovich & Hughes; ofxLeapMotion by Theo Watson, with assistance from Dan Wilcox; ofxCv, ofxLibdc, and ofxTiming by Kyle McDonald; ofxCvMin and ofxRay by Elliot Woods; and the ofxButterfly mesh subdivision addon by Bryce Summers.
Shoutouts from @golan @chrissugrue & @kcimc: @admsyn @bla_fasel @bwycz @cinekid @CMUSchoolofArt @creativeinquiry @danomatika @elliotwoods @eyeofestival @laurmccarthy @openframeworks @PESfilm @rickbarraza @SimonsMine @theowatson @zachlieberman
UNTITLED DIGITAL ART (AUGMENTED HAND SERIES)
By Golan Levin, Chris Sugrue, and Kyle McDonald
Repository: github.com/CreativeInquiry/digital_art_2014
Contact: @golan or golan@flong.com
Commissioned by the Cinekid Festival, Amsterdam, October 2014, with support from the Mondriaan Fund for visual art. Developed at the Frank-Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University with additional support from the Pennsylvania Council on the Arts and the Frank-Ratchye Fund for Art @ the Frontier. Concept and software development: Golan Levin, Chris Sugrue, Kyle McDonald. Software assistance: Dan Wilcox, Bryce Summers, Erica Lazrus. Conceived 2005; developed 2013-2014.
Special thanks to Paulien Dresscher, Theo Watson and Eyeo Festival for encouragement, and to Dan Wilcox, Bryce Summers, and Erica Lazrus for their help making this project possible. Thanks to Elliot Woods and Simon Sarginson for assistance with Leap/camera calibration, and to Adam Carlucci for his helpful tutorial on using the Accelerate Framework in openFrameworks. Additional thanks to Rick Barraza and Ben Lower of Microsoft; Christian Schaller and Hannes Hofmann of Metrilus GmbH; Dr. Roland Goecke of University of Canberra; and Doug Carmean and Chris Rojas of Intel.
Developed in openFrameworks (OF), a free, open-source toolkit for arts engineering. This project also uses a number of open-source addons for openFrameworks contributed by others: ofxPuppet by Zach Lieberman, based on Ryan Schmidt's implementation of As-Rigid-As-Possible Shape Manipulation by Igarashi, Moscovich & Hughes; ofxLeapMotion by Theo Watson, with assistance from Dan Wilcox; ofxCv, ofxLibdc, and ofxTiming by Kyle McDonald; ofxCvMin and ofxRay by Elliot Woods; and the ofxButterfly mesh subdivision addon by Bryce Summers.
Shoutouts from @golan @chrissugrue & @kcimc: @admsyn @bla_fasel @bwycz @cinekid @CMUSchoolofArt @creativeinquiry @danomatika @elliotwoods @eyeofestival @laurmccarthy @openframeworks @PESfilm @rickbarraza @SimonsMine @theowatson @zachlieberman
Created with: github.com/linusmossberg/button-mosaic
This image is made up of 8 960 buttons.
The original creative commons images of buttons were taken by:
Andy M Johnson, Arlene Janner, Bernard Spragg, laurabillings, Mark Morgan Trinidad B, Presley*, Silvia Siri, mag3737, Dean Hochman, Littlelixie, MyTangerineDreams, Salvagenation, scrappy annie, ShellyS, Vintage Sailor, vaula, welshkaren, wuestenigel
Yay for cross-platform code! Lic needed just a one line change to get it running on OSX.
There's still some OSX-specific issues to work out (different font sizing, odd rendering artifacts, atrocious performance), but I'll get an OSX app bundle posted soon.
Huge props to Allen Smith & his Bricksmith, for making it super easy for OSX users to get up & running with LDraw. Great sample model too! :)
***
Update October 2018 - New Web Lic is now available!