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Rovingian Council - Rovingian Council - Exploring the Universal Language of Symbols and Forms by Daniel Arrhakis (2026)
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Exploring the Universal Language of Symbols and Forms (I)
Introduction to the Rovingian Quest: The Language of Silence
Rovingian nomadic monks are known for their dedication to the quest for sacred symbols and geometries, transcending the boundaries of traditional ritualistic patterns. For these monks, the spiritual world does not express itself through alphabetic languages, whether spoken or written. Instead, they believe that spiritual communication manifests itself through a visual language composed of geometric forms and patterns that are incorporated into the very structure of Nature and the Universe.
The Language of Silence
By rejecting spoken languages, Rovingians aim to eliminate cultural and mental barriers, seeking a direct and intuitive connection with the cosmos. This connection is achieved through the study and contemplation of sacred geometries, symbols, and ritualistic patterns. Thus, they pave the way for silent communication, a truly profound visual language that allows for a dialogue with the universe without the limitations of words.
The Visual Language: While words vary and disappear over time, the ways in which the triangle or spiral maintains mathematical meaning anywhere in the universe highlight its universal and timeless value.
The Geometric Source Code of the Universe
Rovingians believe that the universe is governed by a fundamental geometric code. Understanding this code allows one to unravel the hidden order of reality. For them, studying sacred geometry is a way to reconnect with the cosmos, treating nature as a true living temple, and the universe as a symbolic book, open to interpretation.
The Living Temple: For the monks, the world does not contain temples; the world is the temple itself. Natural elements, such as a nautilus shell or a quartz crystal, are seen as sacred scriptures. For example, the quartz crystal is not just a mineral, but a geometric lesson on order, clarity, and repetition.
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Explorando a Linguagem Universal dos SÃmbolos e Formas (I)
1 - Introdução à Busca Rovingiana: A Linguagem do Silêncio
Os monges nómadas rovingianos são conhecidos pela sua dedicação à procura de sÃmbolos e geometrias sagradas, ultrapassando as fronteiras dos padrões ritualÃsticos tradicionais. Para estes monges, o mundo espiritual não se expressa através das lÃnguas alfabéticas, sejam elas faladas ou escritas. Em vez disso, acreditam que a comunicação espiritual se manifesta por uma linguagem visual composta por formas e padrões geométricos que estão incorporados na própria estrutura da Natureza e do Universo.
A Linguagem do Silêncio
Ao rejeitarem as lÃnguas faladas, os rovingianos pretendem eliminar barreiras culturais e mentais, buscando uma ligação direta e intuitiva com o cosmos. Essa conexão é alcançada através do estudo e contemplação das geometrias sagradas, sÃmbolos e padrões ritualÃsticos. Assim, abrem caminho para uma comunicação silenciosa, uma verdadeira linguagem visual profunda, que permite um diálogo com o universo sem as limitações das palavras.
A Linguagem Visual: Enquanto as palavras variam e desaparecem com o tempo, formas como o triângulo ou a espiral mantêm o significado matemático em qualquer parte do universo, evidenciando o seu valor universal e intemporal.
O Código-Fonte Geométrico do Universo
Os Rovingianos acreditam que o universo é regido por um código geométrico fundamental. Compreender esse código permite desvendar a ordem oculta da realidade. Para eles, estudar as geometrias sagradas é um caminho para se reconectar ao cosmos, tratando a natureza como um verdadeiro templo vivo, e o universo como um livro simbólico, aberto à interpretação.
O Templo Vivo: Para os monges, o mundo não contém templos; o mundo é o próprio templo. Elementos naturais, como uma concha de nautilus ou um cristal de quartzo, são vistos como escrituras sagradas. Por exemplo, o cristal de quartzo não é apenas um mineral, mas sim uma lição geométrica sobre ordem, clareza e repetição.
Since the beautiful Praça do Comércio was under construction, this nearby plaza was my consolation prize on my Lisbon trip. I loved the white buildings, pearl-white obelisk, and the triangular checkerboard stone. I also love when things are symmetrical!
Canon 60D
Sigma 10-20mm f4-5.6
f9
ISO 100
15 EV HDR
10mm
Fukui coastline, Sea of Japan, 2013
This is a Rohan Reilly inspired photograph. For those interested, check out his image "cubism."
Toronto, ON, detail of an allium flower (miniature)
curated in: www.flickr.com/photos/paulodetarso/galleries/721576234846...
Angular architectural details in steel at the base of the Bow Building in downtown Calgary.
C. J.R. Devaney.
The conductor is spooked at the sight of me (I don't blame him) as W001 heads west into Grand Rapids.
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Nikon D3S, Nikon AF Nikkor 24mm 1:2.8D .© All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
If it's too bright, then your display isn't adjusted right ;-)
Technique/Processing
Almost SOOC, just changed the white balance a bit, to remove the slight green color cast
Canon EOS500N · 35mm · Fujifilm Sensia 100 · Cookin' Filter · MultiExposure · CrossProcessed · Barcelona
"Stibnite"
Fun with 3D printing! Here's a stick puzzle made up of 30 identical sticks - each piece represents an edge of a dodecahedron which have been rotated by a constant angle. George Hart wrote a great paper about how to design these models: archive.bridgesmathart.org/2011/bridges2011-357.pdf
Detail from a paper label on a wine bottle. For those of you who are curious, the source was a bottle of 2020 vintage Sauvignon Blanc from Clarksburg, California, bottle by Common Phenomena of American Canyon, California.
Taken expressly for the "Crazy Tuesday" theme of 8/23/2022: GEOMETRY.
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