View allAll Photos Tagged GeometricShape
I composed this image by taking decor from my home and holding it up to the sunset. It demonstrates focal rule of thirds. The background gives the subject emphasis, and the color from the sun makes it stand out. I adjusted the levels and brightness in this photo. The objective was to capture a geometric shape. I selected this photo because it really focuses on the shape itself.
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog
Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Once I started looking I was amazed at how many geometric shapes there are in our world. They are every where.
Production photographs taken for the 2009 Science Kit Catalog
Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog
Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
27 Nov 2009, Seattle, Washington State, USA --- Manhole Cover in the Street --- Image by © Paul Edmondson/Spaces Images/Corbis metal references
Purple Allium flowers English Gardens, Assiniboine Park, Winnipeg, Manitoba, Canada --- Image by © Ken Gillespie/All Canada Photos/Corbis
Production photographs taken for the 2009 Science Kit Catalog
Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
The blinding brilliance of a high-altitude sun descends toward the jagged silhouettes of the Andean foothills, casting long, dramatic shadows across the vast expanse of the Argentine salt flats. Beneath this celestial spectacle, the earth is a fractured mosaic of pure white, hexagonal salt crusts that crunch audibly underfoot in this desolate yet mesmerizing landscape. Three perfectly rectangular, human-made evaporation pools cut abruptly into the arid terrain, their still waters acting as dark, glassy mirrors reflecting the golden hour light. The photographer has masterfully captured the intense lens flare of the setting sun, utilizing a narrow aperture to create a striking starburst effect that pierces the deep blue sky. A low, wide-angle perspective emphasizes the sheer scale and emptiness of the Salinas Grandes, drawing the viewer's eye along the linear progression of the flooded trenches toward the glowing horizon. The stark contrast between the warm, incandescent light bleeding over the mountains and the cool, shadowed tones of the salt crust creates a powerful mood of quiet isolation. This stark geography is typical of the Puna region in the Argentine Northwest, a harsh environment where traditional salt mining has sustained indigenous communities for generations. These shallow pools, known locally as piletones, are carved manually to extract high-purity salt, a practice that marries ancestral survival techniques with the overwhelming scale of nature. The stillness of the water within these geometric cuts provides a rare visual softness against the brutal, abrasive texture of the surrounding salt desert. As day transitions to dusk, the temperature plummets, yet the visual warmth captured in this frame immortalizes the ethereal beauty of Norte Argentino. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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El brillo cegador de un sol de gran altitud desciende hacia las siluetas dentadas de las estribaciones andinas, proyectando sombras largas y dramáticas a lo largo de la vasta extensión de las salinas argentinas. Debajo de este espectáculo celestial, la tierra es un mosaico fracturado de costras de sal hexagonales de color blanco puro que crujen audiblemente bajo los pies en este paisaje desolado pero fascinante. Tres piscinas de evaporación rectangulares y perfectamente hechas por el hombre cortan abruptamente el terreno árido, y sus aguas tranquilas actúan como espejos oscuros y vidriosos que reflejan la luz de la hora dorada. El fotógrafo ha capturado magistralmente el intenso destello de la lente del sol poniente, utilizando una apertura estrecha para crear un sorprendente efecto de estrella que perfora el cielo azul profundo. Una perspectiva baja y de gran angular enfatiza la gran escala y el vacío de las Salinas Grandes, atrayendo la mirada del espectador a lo largo de la progresión lineal de las trincheras inundadas hacia el horizonte resplandeciente. El marcado contraste entre la luz cálida e incandescente que se desangra sobre las montañas y los tonos fríos y sombreados de la costra de sal crea una poderosa atmósfera de tranquilo aislamiento. Esta geografía árida es típica de la región de la Puna en el noroeste argentino, un entorno hostil donde la extracción tradicional de sal ha sustentado a las comunidades indígenas durante generaciones. Estas piscinas poco profundas, conocidas localmente como piletones, se tallan manualmente para extraer sal de alta pureza, una práctica que combina técnicas de supervivencia ancestrales con la abrumadora escala de la naturaleza. La quietud del agua dentro de estos cortes geométricos proporciona una rara suavidad visual contra la textura brutal y abrasiva del desierto de sal circundante. A medida que el día pasa al anochecer, la temperatura cae en picado, sin embargo, la calidez visual capturada en este encuadre inmortaliza la belleza etérea del Norte Argentino. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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2010, Italy --- Skeletons of echinoderms, Salentine Peninsula, Salento --- Image by © Ugo Mellone/SOPA/Corbis
Second time to shoot geometric shapes for class, now taking light into consideration. I ended up more taking shadow than light into consideration...
Poi refers to both a style of performance art and the equipment used for engaging in poi performance. As a performance art, poi involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire).
Poi originated with the Māori people of New Zealand, where it is still practiced today. Poi has also gained a following in many other countries. The expansion of poi culture has led to a significant evolution of the styles practiced, the tools used, and the definition of the word "poi."
Poi refers to both a style of performance art and the equipment used for engaging in poi performance. As a performance art, poi involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire).
Poi originated with the Māori people of New Zealand, where it is still practiced today. Poi has also gained a following in many other countries. The expansion of poi culture has led to a significant evolution of the styles practiced, the tools used, and the definition of the word "poi."
Poi refers to both a style of performance art and the equipment used for engaging in poi performance. As a performance art, poi involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire).
Poi originated with the Māori people of New Zealand, where it is still practiced today. Poi has also gained a following in many other countries. The expansion of poi culture has led to a significant evolution of the styles practiced, the tools used, and the definition of the word "poi."
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Product Photographs taken for the 2009 Science Kit catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)