View allAll Photos Tagged GeometricShape
Production photographs taken for the 2009 Science Kit Catalog
Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Dogwood 2017 week 22: Geometric shapes. I am beginning to catch up. This is my geometric shape entry. Each side of the bridge has the same sized diamonds, as the angle of viewing varies you get a whole range of geometric shapes. Also the rivets are circles.
Petroglyphs. Note the "Scythian" Animal-style reindeer horns carved above the central figure.Elevation 4894ft.
Ideal for illustrating foam and polymer production, as well as the use of catalysts in reactions, this dramatic demonstration will cause foam to grow 30 times the original volume of the reactants - a polyether polyol and a polyfunctional isocyanate. Use of a hood with adequate ventilation is recommended for this experiment. Materials included for repeat use.
Bumblebees & Geometric Shapes. This is the first project in Abby’s book, ‘Stuffed Animals, from Conception to Construction’, that starts to teach you about using 3 dimensional shapes, starting with geometric shapes, the first being spheres. The bumblebee is made up of 2 different size sphere’s which are made by using 5 pointed oval shapes.
Taken earlier in the week when we had a morning at the Adventure Park with Lewis!
Flickr Lounge - Weekly Theme (Week 22) ~ Geometric Shapes ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
ca. 1929 --- Folies-Bergere dancer, Georgia Graves, seated and wearing upper-thigh-length chiton dance dress, holding translucent ball with both hands held over her head --- Image by © Condé Nast Archive/CORBIS
Watercolour and opaque watercolour, over graphite, with traces of red chalk
The extraordinary precision with which Fuseli draws women's hairstyles matches the meticulous care with which they have been arranged. The hair's potential wildness is disciplined through a framework of geometric shapes, tight curls, and stiffened ribbons. In a patriarchal society, dressing their hair offered many women an opportunity for self-expression. Fuseli's response stages his own fetishistic obsession in tandem with a socially-driven impulse to reassert masculine control over female sexuality.
[The Courtauld]
Taken in the Exhibition
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism
(October 2022 – January 2023)
One of the most original and eccentric artists of the 18th century, the Swiss-born Henry Fuseli (1741–1825) is the subject of a new exhibition at The Courtauld.
Fuseli spent most of his career in London, where he established himself as one of 18th century Europe’s most controversial artists. He deliberately courted notoriety with his most famous painting The Nightmare and other sensationalistic images inspired by a wide range of literature and his own imagination.
Fuseli was praised by some as a creative genius, while others dismissed his works as ‘shockingly mad’. But much admired by his colleagues, he became the Royal Academy’s Professor of Painting and Keeper of its premises at Somerset House, in what is now The Courtauld Gallery, where he and his wife Sophia Rawlins (1762/3–1832) lived from 1805 until his death.
This exhibition focuses on Fuseli’s numerous private drawings of the modern woman. Blending observed realities with elements of fantasy, these studies present one of the finest draughtsmen of the Romantic period at his most original and provocative. Here, the fashionable women of the period appear as powerful figures of dangerous erotic allure, whom the artist regards with a mix of fascination and mistrust. Perhaps as problematic then as now, this visually compelling body of work provides an insight into anxieties about gender, identity, and sexuality at a time of acute social instability, as the effects of the first modern revolutions – in America and in France – swept across Britain and the Continent. Many of those anxieties still speak vividly to us today.
[The Courtauld]
A collection of Hoya UV filters in various sizes.
Camera left: Speedlite 580EX II in a convertible shoot through umbrella with spokes showing for extra effect.
Camera right: D-Lite 200 and 65x65cm softbox.
Since taking a geometry class many years ago I have had an appreciation of simple geometric forms. They have a balance and order that we would like to see more of in our lives.
I'm apparently capable of being endlessly amused by all the changing reflections I see in glass-curtain buildings, so here's another one: a rectangular tower with all but a top section covered with reflective glass panels exhibits a dramatic, almost completely monochromatic pattern, presumably of clouds; this was indeed this monochromatic in real life, I didn't selectively desaturate that part of the photo.
The imposed completely squared-off shape of the building as seen in this photo is an impossible perspective, given where the photo was taken from.
[jbm-20250531-sl3-005]
Trump World Tower, Designed by Costas Kondylis & Associates, Empire State Building, designed by Shreve, Lamb & Harmon, William F. Lamb as chief designer (&Gregory Johnson), Chrysler Building William Van Alen
The thing to the left is by my son as well as the question mark. The pattern to the right is by me.
D-toys magnetic game with geometric shapes: www.dtoys.ro/educational-toys/jocuri-magnetice/forme-geom...
Joc magnetic D-toys cu forme geometrice.