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Drawn with Micron.01 pen on 7" x 5" acid free 130 lb. multi-media paper. Hand drawn with Micron .01 & 005 pens. Shaded with #2 pencil. Colored with Sharpie fine-line pens and Watercolor paints. Thank you for viewing. Comments and fav's appreciated. Some of the Tangles used: (String - #231), PATIENCE, MY SWING , HURRAY!, BLINK, GUTZ, LOTSADOTS, PUF, DIVA DANCE/WALTZ
This is a single Magic-Cube consits of 12 individual Pyramids. Each one connected on two sides and carrying rare-earth magnets to help stabilize the major structures. A single Cube has 36 magnets. There are 5 major shapes that will „fall into place“, meaning the magnets will pull it together and no hinge is left flexible. As a toy the Cube posesses the challenge of a Riddle to unlock the different Shapes or to find the paths of shortest movement between them. As Art it can be left Standing, or with the supplied Wallmount, be displayed as a hanging Object. The beauty of this dissection, displayed in Numbers, are the different sidelengths of a Single Pyramid. Namely: One, Sqareroot of Two and Half Squareroot of Three.
Want to see the transformation of a single Magic "Black&White" Geocube? Go to vimeo.com/user23706515/geobender/geocubes/black-white_single
Would you like to see more Magic Geocubes? You want to buy one or more? Go to www.GeoBender.com
The iconic Hyatt Regency San Francisco at Embarcadero Center is renowned for its futuristic, towering atrium, designed by celebrated architect John Portman. Opened in 1973, the hotel revolutionized public spaces in hospitality with its 17-story atrium—once the largest in the world. This architectural masterpiece is a blend of concrete and glass, creating a vast vertical space that showcases the daring modernism of the 1970s.
The photo captures the breathtaking scale and geometric rhythm of the atrium’s upper levels, where rows of balconies create a striking visual pattern. These balconies form part of the hotel’s radial design, giving the space a sense of limitless expansion. The angular lines that seem to shoot upwards direct your gaze toward the ceiling, where natural light filters in through strategically placed skylights. The atrium not only serves as a functional part of the hotel but also acts as a work of art, enveloping visitors in an environment that feels both grand and intimate.
Portman’s design makes incredible use of perspective and light, with sunlight streaming through the upper skylights and casting intricate shadows across the expansive interior. The atrium’s verticality is further emphasized by the glass-enclosed elevator shafts, adding to the futuristic and almost spaceship-like atmosphere. This dynamic space remains a focal point of the Hyatt Regency, offering guests a sense of awe and tranquility in the heart of San Francisco’s bustling financial district.
Blue-green glass applique plaques from a woman's grave in Mycenae. c. 1500 BC. Mycenean. Special exhibit focusing on Roman glassmaking in Colonia (they exported glass all over the Roman empire). Roman-Germanic Museum (Römisch-Germanisches Museum), Köln, Germany. Copyright 2016, James A. Glazier.
Drawn with Micron.01 pen on 7" x 5" acid free 130 lb multi-media paper. Colored with Gel pens, Blick Artists’ Colored Pencils, and shaded with #2 pencils. Thanks for your fav’s and for viewing.
Mitla, Group of the Columns, Palace of Columns
Mitla is an important Zapotec culture archeological site and the second most important archeological site in the state of Oaxaca in Mexico. The site is located in the upper end of the Tlacolula Valley. While Monte Albán was most important as the political center, Mitla was the main religious center. Mitla is unique among Mesoamerican sites for its elaborate and intricate mosaic fretwork and geometric designs that cover tombs, panels, friezes and even entire walls. These mosaics are made with small, finely cut and polished stone pieces which have been fitted together without the use of mortar. No other site in Mexico has this.
The name Mitla is derived from the Nahuatl name Mictlán, which was the place of the dead or underworld. Its Zapotec name is Lyobaa, which means “place of rest.” The name Mictlán was Hispanicized to Mitla by the Spanish.
Mitla is one of many well-preserved archeological sites of the Oaxaca Valley, which was settled by the Zapotecs who over the centuries developed a hierarchical society governed by kings and nobles. While the valley was relatively isolated, the Zapotecs did have contacts with other Mesoamerican peoples. By the time the Spanish arrived, the Zapotec state had a population of over 500,000, sophisticated construction techniques, a writing system, two calendar systems and agriculture that included the growing of maize, beans, squash, and chili peppers, using irrigation and terraces in the mountains to grow food for a mostly urban population.
Mitla itself was inhabited at least since the Classic Period (100-650 CE) and perhaps from as early as 900 BCE. It began as a fortified village on the outer edge of the valley and later became the main religious center for the area. The Mixtecs took control of the area around 1000 CE, although the area remained populated by the Zapotec. The city reached its height and largest size between 750 and 1521, with both Zapotec and Mixtec influences in its architecture during that time. Mitla is one of the pre-Columbian sites that represent the Mesoamerican belief that death was the most consequential part of life after birth. It was built as a gateway between the world of the living and the world of the dead. The high priest, called the Uija-tào, resided at Mitla. Nobles buried at Mitla were destined to become “cloud people” who would intercede on behalf of the population below.
Instead of being a group of pyramids on a hill, as at Monte Albán, Mitla is a group of constructions built on the valley floor, and it lacks the wide and far vistas of Monte Alban. The architecture is geared more for the comfort of the residents than for magnificence. The construction of Mitla as a ceremonial center began in 850, and the city was still being expanded when the Spaniards arrived and destroyed it. The oldest group of buildings has been dated to between 450 and 700 CE and shows architectural features similar to those found at the earlier Monte Alban. Mitla is one of the few sites that originated in the Classic period. The site represents the most developed architecture of the Zapotecs and is the product of the syncretism of Mixtec and Zapotec design features which reached its height in 1200.
Today the archeological site consists of five groups of buildings with a fence of cactus plants surrounding much of it. The five groups of constructions are called the South Group, the Adobe Group, the Arroyo Group, the Columns or Palace Group and the Church or North Group. All of the groups’ buildings are aligned with the cardinal directions. The South Group and the Adobe Group have been classified as ceremonial centers with central plazas surrounded by mound structures. The South, Columns and Church Groups have been classified as palaces with rooms surrounding square courtyards. The two best preserved groups are the Columns Group and the Church Group, both at the north end of the site, and both consist of rectangular courtyards surrounded by one story rectangular buildings with long narrow rooms.
The Columns Group has two entrances to the outside that face south. The entrance room contains immense columns which support the roof. The north wall has a small opening facing the patio, supposedly for crossing into the afterlife. The main building is called the Palace or the Grand Hall of Columns. It measures 36.6 by 6.4 m and has six columns of volcanic stone that once supported the roof. After passing through a small corridor, access is gained to the courtyard, which is intricately decorated in mosaic fretwork and geometric designs. The north and east buildings of the group have elaborate tombs where high priests and Zapotec rulers were buried. In front of the stairs of the north building is a cross-shaped tomb with an antechamber. The ceiling has large beams made of stone and the walls are decorated with tablets and stone fretwork. The east building is characterized by a monolithic stone column which supports the roof.
(source: en.wikipedia.org/wiki/Mitla)
Ink on paper drawing of Joseph Kabris (Jean-Baptiste Cabri, c. 1780 AD - c. 1821 AD), who received whole-body tattoos in the Marqesas Islands and then exhibited himself in Europe. 1817 AD. Special Exhibit: Tattoos: Ritual. Identity. Obsession. Art. From the Musée du quai Branly, Paris, France. Royal Ontario Museum, Toronto, Ontario, Canada. Copyright 2016, James A. Glazier I found the show disappointing, with insufficient coverage of native American tattooing traditions and a lack of thematic and historical scope. Saw a much better exhibit in Mexico in January at UNAM.
Top Left Photograph:
Unknown, _Kids in Front of TV_, Photograph, 1961, Greta Kenney Collection, Tucker, Georgia.
Top Middle Photograph:
Unknown, _Family_, photograph, Greta Kenney Collection, Tucker, Georgia.
Far Right Photograph:
Deirdre Clancy, _Space Age Plastic by Courreges_, drawing, 1966, From Coustume Since 1945-Couture, Street Style, and Anti-Fashion, Dahlonega, Georgia. Clancy, Deirdre. Costume Since 1945- Couture, Street Style, and Anti-Fashion. New York: Drama Publishers, 1996.
Bottom Left Photograph:
Kate Mulvey, _Untitled_, photograph, From Decades of Beauty, Dahlonega, Georgia. Mulvey, Kate. Decades of Beauty. New York: Reed Consumer Books Limited, 1998.
Bottom Middle Photograph:
Tom Kenney, _Mother at Easter_, Photograph, 1969, Greta Kenney Collection, Tucker, Georgia.
The 1960’s were revolutionary. The youth took the world by storm in fashion, protests, and new ideas. Protests against the Vietnam War, civil rights activists, and liberal ideas created a rebellious mentality that took the world by storm. Music became a huge influence on society, as well as social gatherings and concerts such as Woodstock. Pop art was incredibly popular and its simple and geometric designs influenced numerous designers throughout the 60’s. Sexuality was very open and abundant for the first time. The hippy culture arrived in the 1960’s but did not last very long. Its trends of free love and drug use brought bad light to the hippy culture, ultimately creating its downfall. The most famous fashion trend during the 60’s was the ideal of “Mod Fashion”. Mini dresses were the “must have” outfit. They were very simple, but came in a variety of colors and prints. Tights and Plastic jewelry were very popular, and worn by people throughout the United States and Europe. Space travel influenced the use of new modern fabrics that gave the appearance of a sleek, fresh image. Flared pants were also very popular with printed shirts. The 60’s marked the beginning of a time when the average person could wear the same clothing of movie stars and the elite. The Mod fashion scene was a look that was achievable for anyone and was affordable. Fake hair became popular in the 1960’s. Attachable sections of hair or full wigs were worn for variation in the hair. If desired, it was possible to wear a different hairstyle every day of the week. Short haircuts were very popular due to the model Twiggy, but very straight, long hair became common as well. Inspiration for make-up came from the youthful look of young children. An emphasis was placed on making the eyes stand out. Eye make-up was extremely bright and harsh and the rest of the face was simple and mostly without color. New metallic and frosted colors were popular. Fake eyelashes and mascara were worn to enhance the wide eye look. Plastic surgery was first discussed openly during the 1960’s, and the body image was very thin and child-like. Curves were downplayed in favor of a look that seemed to be pre-puberty. Street fashion was a powerful influence on fashion throughout the world and London was famous because of it. Fashion was created by the general public as opposed to designers and looks from the runway.
Clancy, Deirdre. Costume Since 1945- Couture, Street Style, and Anti-Fashion. New York: Drama Publishers, 1996.
Klein, Adolph I. "Fashion: Its Sense of History-Its Selling Power." The Business History Review (1963): 1-2. JSTOR. [Database Online.]
Mulvey, Kate. Decades of Beauty. New York: Reed Consumer Books Limited, 1998.
For more information on Fashions of the 1960's, go to en.wikipedia.org/wiki/1960s_in_fashion.
Neolithic Megalithic engraved standing stones. 3rd Millenium BC. Archaeological Museum of Silves. Silves, Portugal. Copyright 2023, James A. Glazier
Finally, after five years of work, Designing Detroit is available!
Many of the photos in my album "Detroit Tour" appear in this book, accompanied by explanations of the design techniques employed to craft the subject buildings.
Wirt Rowland's impact was national in scope, influencing many iconic Art Deco designs, including the Chrysler Building in New York, Eastern Columbia Building in Los Angeles, and many Deco hotels in Miami Beach.
The cover photo of the Guardian Building was taken from the roof of the Buhl Building.
This is a single Magic-Cube consits of 12 individual Pyramids. Each one connected on two sides and carrying rare-earth magnets to help stabilize the major structures. A single Cube has 36 magnets. There are 5 major shapes that will „fall into place“, meaning the magnets will pull it together and no hinge is left flexible. As a toy the Cube posesses the challenge of a Riddle to unlock the different Shapes or to find the paths of shortest movement between them. As Art it can be left Standing, or with the supplied Wallmount, be displayed as a hanging Object. The beauty of this dissection, displayed in Numbers, are the different sidelengths of a Single Pyramid. Namely: One, Sqareroot of Two and Half Squareroot of Three.
Want to see the transformation of a single Magic "Planet" Geocube? Go to vimeo.com/user23706515/geobender/geocubes/planet_single
Would you like to see more Magic Geocubes? You want to buy one or more? Go to www.GeoBender.com
This image showcases a striking example of minimalist modern architecture featuring a teal and white color scheme. The composition centers on a rounded rectangular doorway set within a white wall that has several vertical teal stripes running along its length.
The teal door is framed by a smooth, white rounded entrance that creates a bold geometric statement against the striped façade. The entrance is accessed by a few simple concrete steps at the bottom of the frame.
The clean lines, geometric precision, and limited color palette give the building a distinctly contemporary feel, possibly representing mid-century modern or contemporary minimalist architectural design. The contrast between the teal and white creates a visually appealing rhythm across the façade.
This is a single Magic-Cube consits of 12 individual Pyramids. Each one connected on two sides and carrying rare-earth magnets to help stabilize the major structures. A single Cube has 36 magnets. There are 5 major shapes that will „fall into place“, meaning the magnets will pull it together and no hinge is left flexible. As a toy the Cube posesses the challenge of a Riddle to unlock the different Shapes or to find the paths of shortest movement between them. As Art it can be left Standing, or with the supplied Wallmount, be displayed as a hanging Object. The beauty of this dissection, displayed in Numbers, are the different sidelengths of a Single Pyramid. Namely: One, Sqareroot of Two and Half Squareroot of Three.
Want to see the transformation of a single Magic "Bees" Geocube? Go to vimeo.com/user23706515/geobender/geocubes/bees_single
Would you like to see more Magic Geocubes? You want to buy one or more? Go to www.GeoBender.com
A stunning black and white capture of a striking architectural facade, where repeating patterns of windows and geometric brickwork create a mesmerizing visual rhythm. This interplay of symmetry and contrast highlights the elegance of urban design.
Nestled in the heart of San Francisco’s iconic waterfront district, the Hyatt Regency Embarcadero boasts one of the city’s most awe-inspiring architectural gems—the stunning 17-story atrium. Designed by renowned architect John Portman, this soaring interior was once the world’s largest hotel atrium when it opened in 1973, setting the stage for Portman’s revolutionary concept of communal hotel spaces. The vast, light-filled atrium welcomes guests with its open design, featuring exposed glass elevators, futuristic lighting, and sweeping walkways that guide your eyes upward to the dramatic skylights. The atrium’s symmetrical lines and angular design create an almost sci-fi ambiance, perfect for fans of modern architecture. This cutting-edge design has also made the Hyatt Regency a favorite filming location, most notably featured in the 1977 thriller High Anxiety by Mel Brooks.
The atrium seamlessly blends with the waterfront energy outside, just steps from the Ferry Building, offering unbeatable views of the San Francisco Bay and the Bay Bridge. Its proximity to the Embarcadero makes it ideal for both business and leisure travelers seeking luxury with a touch of history. In addition to its architectural flair, the hotel offers high-end amenities like a 24-hour fitness center, fine dining, and spacious, modern rooms with floor-to-ceiling windows, all encapsulating the spirit of San Francisco’s vibrant waterfront district.
This is a single Magic-Cube consits of 12 individual Pyramids. Each one connected on two sides and carrying rare-earth magnets to help stabilize the major structures. A single Cube has 36 magnets. There are 5 major shapes that will „fall into place“, meaning the magnets will pull it together and no hinge is left flexible. As a toy the Cube posesses the challenge of a Riddle to unlock the different Shapes or to find the paths of shortest movement between them. As Art it can be left Standing, or with the supplied Wallmount, be displayed as a hanging Object. The beauty of this dissection, displayed in Numbers, are the different sidelengths of a Single Pyramid. Namely: One, Sqareroot of Two and Half Squareroot of Three.
Want to see the transformation of a single "Surfer" Magic Geocube? Go to vimeo.com/user23706515/geobender/geocubes/surfer_single
Would you like to see more Magic Geocubes? You want to buy one or more? Go to www.GeoBender.com
This is a single Magic-Cube consits of 12 individual Pyramids. Each one connected on two sides and carrying rare-earth magnets to help stabilize the major structures. A single Cube has 36 magnets. There are 5 major shapes that will „fall into place“, meaning the magnets will pull it together and no hinge is left flexible. As a toy the Cube posesses the challenge of a Riddle to unlock the different Shapes or to find the paths of shortest movement between them. As Art it can be left Standing, or with the supplied Wallmount, be displayed as a hanging Object. The beauty of this dissection, displayed in Numbers, are the different sidelengths of a Single Pyramid. Namely: One, Sqareroot of Two and Half Squareroot of Three.
Want to see the transformation of a single Magic "Black&White" Geocube? Go to vimeo.com/user23706515/geobender/geocubes/black-white_single
Would you like to see more Magic Geocubes? You want to buy one or more? Go to www.GeoBender.com
Attic black-figure imported deinos on stand. Early mythological scene of Bellerophon on Pegasus fighting the Chimera, with palmettes, rosettes, swastikas and other geometric designs. 7th Century BC. From a burial at Incoronata, Pisticci. Museo archeologico nazionale di Metaponto. Metaponto, Basilicata, Italy. Copyright 2016, James A. Glazier. Imitation of a bronze cauldron.
I captured this shot of downtown Dallas, TX, from a slightly different perspective. The dramatic angles and sharp contrasts between the modern skyscrapers create a fascinating interplay of light and shadow. The buildings' reflective surfaces and geometric designs draw the eye upward, emphasizing the city's architectural diversity and dynamic energy. This photo showcases Dallas's urban landscape in a fresh and captivating way, highlighting the beauty found in its towering structures and deep blue sky.
Thank you for viewing! If you like this photo, don't forget to favorite and follow for more!
A series of patterns to be printed on medical grade masks commissioned by a medical professional to be distributed at no cost for those who need.
Nestled in the heart of San Francisco’s iconic waterfront district, the Hyatt Regency Embarcadero boasts one of the city’s most awe-inspiring architectural gems—the stunning 17-story atrium. Designed by renowned architect John Portman, this soaring interior was once the world’s largest hotel atrium when it opened in 1973, setting the stage for Portman’s revolutionary concept of communal hotel spaces. The vast, light-filled atrium welcomes guests with its open design, featuring exposed glass elevators, futuristic lighting, and sweeping walkways that guide your eyes upward to the dramatic skylights. The atrium’s symmetrical lines and angular design create an almost sci-fi ambiance, perfect for fans of modern architecture. This cutting-edge design has also made the Hyatt Regency a favorite filming location, most notably featured in the 1977 thriller High Anxiety by Mel Brooks.
The atrium seamlessly blends with the waterfront energy outside, just steps from the Ferry Building, offering unbeatable views of the San Francisco Bay and the Bay Bridge. Its proximity to the Embarcadero makes it ideal for both business and leisure travelers seeking luxury with a touch of history. In addition to its architectural flair, the hotel offers high-end amenities like a 24-hour fitness center, fine dining, and spacious, modern rooms with floor-to-ceiling windows, all encapsulating the spirit of San Francisco’s vibrant waterfront district.
The Hyatt Regency San Francisco’s iconic atrium at the Embarcadero is a breathtaking feat of modern architecture, representing a pinnacle of 1970s design. When you step inside, you’re immediately enveloped by a grand, light-filled space that rises 17 floors, showcasing a geometric marvel of concrete, glass, and steel. Designed by architect John Portman and completed in 1973, the atrium became one of the largest enclosed public spaces in the world, setting the stage for a wave of atrium hotel designs across the globe.
One of the standout features is the dramatic hanging sculpture suspended from the ceiling, which seems to defy gravity, creating a dynamic focal point within the immense open space. The angular balconies, which recede into the building, evoke an almost futuristic atmosphere, a tribute to the Brutalist and Modernist movements. It's no surprise that the atrium has been featured in numerous films, most notably in High Anxiety and The Towering Inferno.
The natural light pouring through the expansive glass skylights enhances the grand scale of the atrium while offering a striking contrast to the sharp architectural lines. The Hyatt Regency atrium was revolutionary not just in its aesthetics but in its concept of communal space—blurring the lines between interior and exterior, private and public. Whether you're visiting for the first time or strolling through after a day in the Financial District, the atrium offers a quintessential San Francisco experience that blends history, art, and cutting-edge design.
Creative Haven - Find Your True Colors - "Entangled Coloring Book," published by Dover Publications. Colored with Derwent Inktense pencils, and Stabilo Fine-Lined Pens. Thank you for viewing. Your favorites and comments are appreciated.
The Hyatt Regency San Francisco Embarcadero is not just a hotel; it’s an architectural landmark. Completed in 1973, this iconic building was designed by renowned architect John Portman. The highlight? Its jaw-dropping atrium, which, for a time, held the record as the world’s largest. The soaring space features geometric lines and futuristic design elements, drawing you into a scene that feels both grand and intimate. This atrium became a symbol of Portman’s signature style, integrating sweeping internal vistas with functional luxury, and has been featured in numerous films, including High Anxiety and The Towering Inferno.
The atrium is a visual feast, with its glass-walled elevators offering panoramic views of the space and beyond to the San Francisco waterfront. A playful mix of natural light and shadow dances across the interior throughout the day, giving guests a new experience every time they look up. The expansive openness of the atrium reflects the optimism of the early 1970s, blending brutalist architecture with modern aesthetics in a way that still feels contemporary.
Beyond its striking design, the Hyatt Regency Embarcadero is also celebrated for its prime location at the foot of Market Street, steps from the Ferry Building and the iconic Embarcadero waterfront. It’s a favorite spot for both travelers and architecture aficionados alike, offering not only stylish accommodations but also a living piece of San Francisco’s design history.
For those with a love of unique spaces and bold architectural statements, the Hyatt Regency Embarcadero’s atrium is a must-see, representing the best of 20th-century innovation in hospitality design.
The Hyatt Regency San Francisco Embarcadero is not just a hotel; it’s an architectural landmark. Completed in 1973, this iconic building was designed by renowned architect John Portman. The highlight? Its jaw-dropping atrium, which, for a time, held the record as the world’s largest. The soaring space features geometric lines and futuristic design elements, drawing you into a scene that feels both grand and intimate. This atrium became a symbol of Portman’s signature style, integrating sweeping internal vistas with functional luxury, and has been featured in numerous films, including High Anxiety and The Towering Inferno.
The atrium is a visual feast, with its glass-walled elevators offering panoramic views of the space and beyond to the San Francisco waterfront. A playful mix of natural light and shadow dances across the interior throughout the day, giving guests a new experience every time they look up. The expansive openness of the atrium reflects the optimism of the early 1970s, blending brutalist architecture with modern aesthetics in a way that still feels contemporary.
Beyond its striking design, the Hyatt Regency Embarcadero is also celebrated for its prime location at the foot of Market Street, steps from the Ferry Building and the iconic Embarcadero waterfront. It’s a favorite spot for both travelers and architecture aficionados alike, offering not only stylish accommodations but also a living piece of San Francisco’s design history.
For those with a love of unique spaces and bold architectural statements, the Hyatt Regency Embarcadero’s atrium is a must-see, representing the best of 20th-century innovation in hospitality design.