View allAll Photos Tagged Generation
20.04.2017. Blanchardstown. Generation 2017, Dublin's Urban music, featuring
Hare Squead
Lethal Dialect
Flynn Johnson
5th Element
Photo of little me and my grandfather who did all of the renovations on our house. The other photo is of my great grandmother in the early 1930s.
Generation Connect Young Leadership Programme (GCYLP) Development Week 2025
Geneva, Switzerland
28 July 2025 - 1 August 2025
©️ITU/Yingjin Tang
The photograph ‘‘Generation‘‘, is a black and white photograph taken in February 2009 in Milan, Italy.
It shows an elder man lifting a young child in the air. The two different generations are surrounded by columns and the dark, walking into the light.
It is a general public picture, since the the man and the child were not aware of my presence and me taking the picture. I was observing the child before this picture was shot, running around the public space in the church, careless of the world around him and unaware of the effect he had on me.
Watching him be free, I reminisced about my past, and how good it felt not to care about what will happen later on, tomorrow and in 10 years.
The little boy looked so passionate, his eyes filled with joy and love as he ran towards the older man, standing in the alley. In this moment, I lifted my camera and started taking photos.
After looking at the taken picture, I could not take my eyes off it again. I was amazed how one can capture a moment like this on a piece of paper and make it to something special.
I was astonished how much love two different generations could feel for each other and how they comunicate with motion and movement.
Generation: Amanda Rataj
January 14 - February 25, 2023
Craft Ontario Gallery, 1106 Queen Street West, Toronto, Ontario, Canada
Photo documentation by Jocelyn Reynolds
On view September 27 - November 22, 2024
Ceramics Program, Office for the arts at Harvard
224 Western Ave, Allston, MA 02134
Audrey An explores the notion of home, where furniture in domestic spaces becomes a repository for physical remnants of accumulated memories, shaping and reflecting one's identity. Drawing inspiration from Korean historical furniture, artifacts, and cross-cultural iconographies, in "Wishful Things”, An creates hypothetical spaces that embrace emotional states of oscillation between cultures, offering a venue for reflection and self-personification through inanimate-objects.
An explores the condition of being a 1.5 generation Korean-American, an ‘in-betweener’ who is not quite first or second generation enough. Through wishful object-making and their curation, she examines this in-betweenness, the embodiment of emotional oscillation to seek balance. Similarly to the way she moves fluidly between the two languages she speaks, An approaches her studio practice as a form of ‘code-switching’ between physical and digital work, as well as between clay and other materials such as plastic, wood, and foam. Her practice also navigates the spectrum between the analog handling of clay and digital fabrication methodologies, creating multifaceted visual renderings of objects noting on how we often remember things: sometimes exaggerated, somewhat fabricated, and glitched in low-resolution. These objects then come together as physical collages of organic and mechanized tension reflecting the complex and fragmented, but essentially harmonious feelings that transcend the cultural oscillations.
2022-2024 Ceramics Program Artist In Residence Audrey An’s creative research revolves around the notion of applying digital technologies to ceramics from the perspective of ‘convergence,’ whether it be cultural, technological, or interdisciplinary. She earned her BFA and Art History Minor from New York State College of Ceramics at Alfred University, an MFA from Penn State University, and was a post-baccalaureate student at Colorado State University. Audrey has participated in artist residency programs at Haystack Mountain School of Crafts (Deer Isle, ME), Watershed Center for the Ceramic Arts (Newcastle, ME) and was selected as Ceramics Monthly 2023 Emerging Artist.
Generation Connect Young Leadership Programme (GCYLP) Development Week 2025
Geneva, Switzerland
28 July 2025 - 1 August 2025
©️ITU/Yingjin Tang
re:publica 25 – 26. - 28. Mai 2025
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Session: Closing der re:publica 25 /// Speaker: Markus Beckedahl, Johnny Haeusler, Andreas Gebhard, Tanja Haeusler
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Die re:publica findet vom 26. bis 28. Mai 2025 in der STATION Berlin statt. Das Festival für die digitale Gesellschaft steht in diesem Jahr unter dem Motto „Generation: XYZ“.
Berlin, 28.05.2025
Foto: Stefanie Loos/re:publica
Boiling maple sap to make Maple Syrup is an activity that brings people from all walks of life and all generations together in VT.
Generation PrinterOsity: A Silent Art Auction to benefit those who have been affected by Typhoon Haiyan (5-8pm / Museum of Contemporary Craft, The Lab, 724 NW Davis St.)
Hosted by Gamblin Artist’s Oil Colorsand Pacific Northwest College of Art, this silent art auction will benefit those who have been affected by Typhoon Haiyan. Photos by Matthew Gaston '16.
Generation Connect Young Leadership Programme (GCYLP) Development Week 2025
Geneva, Switzerland
28 July 2025 - 1 August 2025
©️ITU/Yingjin Tang
In preparation for ArtPrize the artists must find willing exhibit venues (inside or outdoors). Muralists, in particular, need to look for walls of suitable dimension and relevant business subject to host the massive visual work that results. With a finite number of bare walls in the city center, one day a new generation of wall artists will have to paint over the previous art, or else seek greener pastures elsewhere to express themselves. The lifespan of outdoor art depends on exposure to the weather and to the sun's rays. House paint for exterior use is rated at 15 to 25 years, depending on the composition of the mix. So if the wall paint is similar then eventually the art will have to be restored or replaced.
This tableau for the wide sweep of history known for what is today called Mexico is portrayed in the people and places there. The figures seem to be general representatives rather than named individuals. But for those who know or love the heritage of Mexico, probably at least one historical person can be named to fit each of the moments shown in this mural.
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