View allAll Photos Tagged Gaslighting
"Gaslighting" is a technique used by NARCISSISTS to make their victims doubt their own memories, their perceptions about interactions and events and conversations, etc.
Narcissists can even get their victims to doubt their own sanity. Some people can start doubting themselves, and thus become disempowered through not being able to trust their own memories and perceptions.
On Youtube there is a lot of info about all the tricks and manipulations used by Narcissists. Links below to two of the best channels on the subject, Dr Ramani:
and Lisa A. Romano:
Source image mannequins by Brillianthues:
www.flickr.com/photos/brillianthues/52600092931/in/dateta...
For:
KP Treat This #307 January 1st - January 7th
www.flickr.com/groups/1752359@N21/discuss/721577219179316...
I stumbled upon a topic on 'Gaslighting' recently and after reading about it a lot, man I felt it to my core! So I'd like to share with everyone. I know not everyone will read it but that's okay. Sharing is always caring. (^_^)
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Did you ever question whether or not you were the toxic one in that relationship?
Did they have you thinking that, you were the one manipulating?
That you were the one hurting them?
That you were the one making mistakes?
Did they reverse everything around on you.. when you bring up issues?
Did they say that you were the issue.. your reaction was the issue?
Rather than the thing that they did.. in order to avoid having to discuss it or take responsibility for it?
Did they always make you feel like everything wrong in relationship is your fault?
And when they sense they are losing you.. that's when the love bombing begins.
They will shower you with love, thoughts and words. Anything they can do to shift your emotions back to being on them.
They temporary become everything you want them to be in order to get you to forgive them or accept them back.
And as soon as you do, you can be sure all the old behaviours is on his way back almost instantly.
That's Gaslighting!
This will leave you empty and can also makes you feel unworthy.
It will hurt so bad but you have to walk away for your own peace.
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• S P O N S O R •
LITTLE FOXY
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Pose: [ west end ] Bento Poses - Single Male Pose Set I
“Don't gaslight yourself. If you were frequently invalidated and dismissed growing up you may have learned to second-guess yourself and deny your own reality. This is a form of gaslighting. Stop denying/minimizing your truth and start listening to yourself!” - CrystleLampitt
#VirtualWorlds#SecondLife#SL#secondlifestyle#PinkCherry
This photograph shows the entrance to the home that was first built for the pioneering medical doctor, William Russ Pugh (1805-1897). Pugh arrived in Van Diemen's Land in 1835, and was soon making a name for himself. He developed a method for converting coal to methane gas, which he then used to light his house. So although this light is now fully electric, it was originally indeed a gaslight.
However, Pugh made his name when in 1847 he became the first surgeon in Australia to perform an operation using ether at the St John's Hospital in Launceston.
www.examiner.com.au/story/4442749/doctors-australia-first...
New profile pic. It's been a while.
Incidentally, this is one of my favorite hairstyles through my years of SL. It's...*looks around and whispers* NOT MESH! Tram just rocked it.
At Pressmains
A flashback to our time in Scotland
The signpost near to the cottage that we stayed in.
I never saw the streetlamp on, but it added positively to the ambiance of the area.
Coldingham
Scotland
#HFF
Rambler is an automobile brand name that was first used by the Thomas B. Jeffery Company between 1900 and 1914.
Charles W. Nash bought Jeffery in 1916, and Nash Motors reintroduced the name to the automobile marketplace from 1950 through 1954. The "Rambler" trademark registration for use on automobiles and parts was issued on 9 March 1954 for Nash-Kelvinator.
Nash merged with the Hudson Motor Car Company to form American Motors Corporation (AMC) in 1954. The Rambler line of cars continued through the 1969 model year in the United States and 1983 in international markets.
Rambler cars were often nicknamed the "Kenosha Cadillac" after the original location and their most significant place of manufacture in the city of Kenosha, Wisconsin.
The first use of the name Rambler for an American-made automobile dates to 1897 when Thomas B. Jeffery of Chicago, Illinois, builder of the Rambler bicycle, constructed his prototype automobile.
After receiving positive reviews at the 1899 Chicago International Exhibition & Tournament and the first National Automobile Show in New York City, Jeffery entered the automobile business. Following the sudden death of his Rambler partner, R. Philip Gormully, Jeffery sold their bicycle business to the American Bicycle Company, but retained rights to the Rambler name. In 1900, he bought the old Sterling Bicycle Co. factory in Kenosha, Wisconsin, and set up shop.
Thomas Jeffery and his son Charles experimented with such early technical innovations as a steering wheel (as opposed to a tiller), left-hand driving and the engine placement under a hood instead of under the seat, but they was decided that such features were too advanced for the motoring public of the day. The first Ramblers were tiller-steered, had right-hand drive, and the single-cylinder engine was positioned under the seat. Rambler innovated various design features and was the first to equip cars with a spare wheel-and-tire assembly. This allowed the driver, when experiencing a flat tire, to exchange the spare wheel and tire for the flat one, rather than patching.
Jeffery started commercially mass-producing automobiles in 1902. By the end of the year the company had produced 1,500 motor cars, priced at US$750 (equivalent to $27,257 in 2024), one-sixth of all cars that were manufactured in the U.S. during that year. The Thomas B. Jeffery Company was the second largest auto manufacturer at that time, behind Oldsmobile.
In 1904, Jeffery built 2,342 Ramblers. Higher-powered two-cylinder versions with front-mounted engines and steering wheels were now available. In 1905, the single-cylinder was discontinued, and three larger two-cylinder models priced from $1,200 to $3,000 were offered (equivalent to between US$42,000 and $105,000 in 2024). A Rambler four-cylinder was introduced in 1906.
New employee Edward S, Jordan, who would later become Jeffery's secretary and general manager, provided advertising copy such as "The Right Car at the Right Price", “June Time Is Rambler Time”, and other similarly evocative phrases. By 1906, Rambler was considered an industry leader, with one of the best-equipped automobile factories. Thomas Jeffery was not interested in increasing mass production, however, and settled into a pattern of producing 2,500 Ramblers a year.
In 1910, all Ramblers were now four-cylinder medium-priced cars. While on vacation in 1910, Thomas B. Jeffery died of a heart attack and his son Charles took over the newly incorporated Thomas B. Jeffery Company. Charles increased annual production by about 500 cars and, in 1912, introduced new Ned Jordan model names such as Cross Country, Country Club, Knickerbocker, and Valkyrie. For 1913 the last Rambler branded models were the Cross Country roadster and touring car, an Inside Drive coupe and the Gotham Limousine, priced from US$1,650 to $2,750 (equivalent to between US$52,000 and $87,000 in 2024).
In 1914, Charles T. Jeffery, Thomas B. Jeffery's son, replaced the Rambler brand name with Jeffery in honor of his now-deceased father.
In 1916, the Thomas B. Jeffery Company was purchased by Charles W. Nash and became Nash Motors Company in 1917. The Jeffery brand name was dropped at the time of the sale. The manufacture of Nash-branded automobiles commenced. In 1937, the concern became the Nash-Kelvinator Corporation through a merger with the major appliance maker.
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## 🎥 Prompt cinématographique hyperréaliste (FR)
**Prompt :**
> Portrait cinématographique hyperréaliste d’une jeune femme steampunk debout sur un toit de Londres à l’époque victorienne, de nuit, sous une pluie fine et continue.
>
> Son visage est éclairé par la lumière chaude et vacillante des lampes à gaz victoriennes. La peau est naturelle et réaliste : pores visibles, micro-imperfections, légères rougeurs, taches de rousseur subtiles, asymétries naturelles du visage. Aucune peau lisse artificielle. Le maquillage est discret, imparfait, légèrement altéré par l’humidité.
>
> Ses yeux verts sont très détaillés, humides, avec des reflets réalistes des lampes à gaz et de la ville mouillée, regard intense et mélancolique. Mise au point extrêmement nette sur les yeux.
>
> Ses cheveux roux bouclés sont partiellement mouillés par la pluie, mèches collées à la peau, frisottis naturels, volume irrégulier, variations de couleur (cuivré, auburn, racines plus sombres). Coiffure imparfaite, légèrement désordonnée par le vent et la pluie.
>
> Elle porte une veste steampunk en cuir noir usé, réaliste et lourde, assombrie par l’humidité. Le cuir présente des plis naturels, micro-rayures, coutures visibles, zones mates et brillantes, traces de suie et de poussière industrielle. Des lunettes d’aviateur steampunk en laiton vieilli reposent sur sa tête, avec oxydation légère, traces de doigts et gouttes de pluie visibles.
>
> Éclairage cinématographique complexe : lumière principale chaude provenant des lampes à gaz, contrastée par des ombres froides bleu-gris. Léger contre-jour dessine un liseré lumineux sur les cheveux et les épaules. Pas de glow artificiel, pas de lumière fantaisie.
>
> Arrière-plan : skyline de Londres victorienne sous la pluie, Big Ben partiellement visible à travers la brume et la fumée industrielle, bâtiments sombres et humides, toits luisants. Lampes à gaz floues créant des points lumineux dorés, reflets sur les surfaces mouillées. Un dirigeable steampunk apparaît à peine dans le brouillard.
>
> Profondeur de champ cinématographique très faible, arrière-plan légèrement flou, perspective atmosphérique marquée par la brume. Gouttes de pluie visibles avec léger flou de mouvement.
>
> Colorimétrie cinéma : tons chauds ambrés pour les lumières, ombres froides, saturation modérée, contraste naturel, grain de pellicule 35mm subtil.
>
> Photographie nocturne ultra-réaliste, qualité cinéma, rendu photo professionnel, objectif 85mm plein format, f/1.8, haute plage dynamique, hyperréalisme, aucune apparence d’illustration ou de peinture numérique.
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--v 6
--style raw
--ar 2:3
--chaos 4
--quality 1
--seed [optionnel]
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## 🎥 Cinematic Hyper-Realistic Prompt (EN)
**Prompt:**
> Ultra-realistic cinematic portrait of a young steampunk woman standing on a Victorian London rooftop at night, under a steady light rain.
>
> Her face is illuminated by warm, flickering Victorian gas lamps. The skin is natural and highly realistic: visible pores, subtle freckles, slight redness, micro-imperfections, and natural facial asymmetry. No smooth or artificial skin. Makeup is minimal, imperfect, and slightly affected by humidity.
>
> Her green eyes are extremely detailed and sharp, slightly moist, reflecting the glow of gas lamps and the wet city lights, with a deep, intense, melancholic gaze. Perfect focus on the eyes.
>
> Her curly red hair is partially wet from the rain, with strands clinging to her skin, natural frizz, loose flyaway hairs, uneven volume, and subtle color variations (copper, auburn, darker roots). Hair looks wind-touched and imperfect, never styled or symmetrical.
>
> She wears a worn black steampunk leather jacket, heavy and realistic, darkened by moisture. The leather shows natural creases, micro-scratches, aged stitching, matte and glossy variations, traces of soot and industrial grime. Brass steampunk aviator goggles rest on her head, with aged metal, light oxidation, fingerprints, and visible raindrops.
>
> Cinematic lighting: warm amber key light from Victorian gas lamps, contrasted with cool blue-gray shadows. A subtle rim light outlines her hair and shoulders. No fantasy glow, no artificial lighting.
>
> Background: rainy Victorian London skyline at night, Big Ben partially visible through fog, drizzle, and industrial smoke. Dark rooftops glistening with rain, gas lamps blurred into golden bokeh lights reflecting on wet surfaces. A steampunk airship barely visible through mist and smoke.
>
> Very shallow depth of field, strong atmospheric perspective created by fog and rain. Raindrops visible with slight motion blur.
>
> Cinematic color grading: warm amber highlights, cool shadows, restrained saturation, natural contrast, subtle 35mm film grain.
>
> Ultra-realistic nighttime photography, professional cinematic quality, full-frame camera, 85mm lens, f/1.8, high dynamic range, hyper-realism, no illustration or digital painting look.
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--v 6
--style raw
--ar 2:3
--chaos 4
--quality 1
--seed [optionnel]
The Darkness Guardian, stands strong and ready to fight the night with its noble, flickering gas flame. Or, you know, just the energy-efficient LED bulb we put in last week.
"Smile on Saturday! :)"
Theme: "BEGINS WITH G"
Flower_harness _ UC @ Uber maps.secondlife.com/secondlife/Uber/174/177/27
Blandies shoes _ AZOURY @ Kinky maps.secondlife.com/secondlife/Liberty%20City/81/59/36
Vivien hat _ Zibska @ Sense Event maps.secondlife.com/secondlife/DreamsLand/179/126/1501
Book flower & Moon Chair _ Boudoir @ Fantasy Fair maps.secondlife.com/secondlife/The%20Amethyst%20Rift/175/...
For this weeks theme I had to dig a bit back into pretty early this yaer. The central heating in our Loft failed, so i used the Gas-oven to generate just a bit of heat. As i watched the flames flickering a bit I thaught that they'd make quite a nice picture, so i grabbed the cam and took a few shots.
And this one might just fit into this weeks "Energy" theme.
Gaslighters tell blatant lies, gaslighters deny they ever said something, even though there is proof they did. Gaslighters wear their victims down over time. Gaslighters hide information and facts, and attempt to discredit any facts or information that don’t meet the unreality they are trying to portray. A gaslighters actions do not match their words. When cornered or confronted a gaslighter resorts to DARVO (deny, attack, and reverse victim and offender).
Morrison has been gaslighting the country for years.
Don’t believe his lies.
No 2 in my “Fuck Scomo” series.
Camera: Rolleiflex 3.5B TLR Zenar 75mm f3.5 1954
Film: Ilford SFX 200 Black and White 120
Scanned by Walkens House of Film, Melbourne, Australia
This lampstand is outside the Albert Hall in Launceston, Tasmania. There was enough contrasts in light and shade and some strong lines to test the Schneider-Kreuznach Zenar lens in my Rolleiflex 3.5B.