View allAll Photos Tagged GENERATE
Der Fluss hat seinen Ursprung im Chorus Lake und mündet in den Oberen See nahe der Gemeinde Terrace Bay. Der Aguasabon River ist 70 km lang. Er überwindet die 30 m hohen Aquasabon Falls. Der Fluss folgt Bruchstellen im 2,6 Mrd. alten Grundgestein. Es gibt Aufschlüsse im Gestein aus Granodiorit.
The river has its source in Chorus Lake and empties into Lake Superior near the community of Terrace Bay. The Aguasabon River is 70 km long. It overcomes the 30 m high Aquasabon Falls. The river follows fractures in the 2.6 billion old bedrock. There are outcrops in the rock of granodiorite.
NS 4689, a freshly released AC44C6M, brings up the rear of NS 38G, as the train heads up main 3 as it passes the Conemaugh Generating Plant in Conpit, PA.
Ute Generating Station was located outside of Craig on the Ute Spur which itself branched off from the Axial Spur. As it required a long back up move they kept a caboose long after the removal of cabooses on the rest of the UP system. Seen here shoving back on the Ute Spur with loads from Axial. June 1999
Der Fluss hat seinen Ursprung im Chorus Lake und mündet in den Oberen See nahe der Gemeinde Terrace Bay. Der Aguasabon River ist 70 km lang. Er überwindet die 30 m hohen Aquasabon Falls. Der Fluss folgt Bruchstellen im 2,6 Mrd. alten Grundgestein. Es gibt Aufschlüsse im Gestein aus Granodiorit.
The river has its source in Chorus Lake and empties into Lake Superior near the community of Terrace Bay. The Aguasabon River is 70 km long. It overcomes the 30 m high Aquasabon Falls. The river follows fractures in the 2.6 billion old bedrock. There are outcrops in the rock of granodiorite.
Another Water Droplet Sculpture Macro. I did this one a little while ago, but for some reason I didn't post it. Maybe it just got lost.
Shot using a Tokina AT-X 90mm f2.5 Macro lens and a Canon FD 25 U extension tube.
A hint of Rembrandt van Rijn in this by NightCafe Artificial Intelligence "Made in Alberta" portrait, as I typed the Text-Prompts from my computer here. 😄
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
-----------------------
This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
*********************
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
*********************
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
Website | Tumblr | 500Px | Instagram | Facebook
::: Click here to view my latest images.
::: Click here for my most interesting photos.
The Shot
Standard 3 exposure shot (+2..0..-2 EV) with tripod using Tamron 18-250mm lens
Photomatix
- Tonemapped generated HDR using detail enhancer option
Photoshop
- Added 1 layer mask effect of 'curves' to increase the contrast
- Added 1 layer mask effect of 'saturation' (yellows) to increase the tone of the sunset
- Used 'unsharp mask on the background layer
Chicago District Electric Generating Corp. SW1 #3 is switching a cut of hoppers in South Chicago at State Line Generating plant on a gray winter day. The plant has since closed and has been torn down and the fate of this switcher was probably scrap.
A pair of giant hands rising from the water have been unveiled on Venice's Grand Canal — a sculpture by contemporary artist Lorenzo Quinn intended to highlight the devastation of climate change.
The artwork, titled Support, shows two huge hands emerging from the canal to "support" the historic Ca' Sagredo Hotel in such a way that they appear to be preventing the 14th-century building from sinking into the water.
But the hands can also be seen as powerful enough to dismantle and drag down the building, should they choose to — a dual representation intended to represent the power of human beings "to love, to hate, to create, to destroy," Quinn said.
"At once, the sculpture has both a noble air as well as an alarming one … the hands symbolise tools that can both destroy the world, but also have the capacity to save it," a statement on his website reads.
Support was unveiled to coincide with the opening of the 2017 Venice Biennale, a major art show held in locations across the city.
But the choice of city was intentional for Quinn.
Earlier this year scientists warned that Venice could disappear underwater within a century if sea levels continue to rise.
"The work generates an instinctive and immediate understanding of the environmental impact for places such as Venice," the statement reads.