View allAll Photos Tagged FujiNEOPAN100ACROS,
Abandoned school in the ghost town of Toyah, TX 23 January 2017. Shot near dawn with incredible light, it’s the only surviving film shot from Toyah.
The film back sprang a light leak and all the shots after this suffered from it. Here, it’s not that prominent.
Camera: Mamiya RB67 Pro S
Lens: Mamiya-Sekor 50mm f/4.5
Exposure: f/16
Film: Fuji Neopan 100 Acros
Filter: Yellow
Scanner: Epson V800
Scanner Software: Silverfast AI Studio 8
8b_0039_6x12_004
8banners pinhole camera; 0.2mm pinhole diameter, focal length of 24 mm, F120
Fuji Neopan 100 Acros, exp. time 1 min 15 sec; Rodinal 1+100 20 ºC 18 min (10 sec/1 min)
DG_0004_005
home hacked pinhole camera, 120 film, 6x6,
pinhole ø= 0.15 mm, focal length= 32 mm, LR= 1.5, F213, <104º
Fuji Noepan 100 Acros 100ASA, exp time 1 min 30 sec
Rodinal 1+100 20ºC 18 min (10sec/1min)
Ibusuki streets in monochrome - Contax T2, Fuji Neopan 100. From my blog:https://rangefinderchronicles.blogspot.com/2022/02/japan-cute-dogs-vending-machines-part-vi.html
double exposure - in the forest,
Don Valley
I seem to have a tendency to flip the shutter twice with this camera, don't know why.
expired film 09/2014
If you've arrived at this rather boring photo of a camera via 'explore', please take the time to look at my other images.
Fuji Neopan 100 Acros
Kiev 88 + Arsat MC 80mm ƒ2.8
Currently listening: Incubus - ♫♫♫ Battlestar Scralatchtica ♫♫♫
Vue sur la Major depuis le MuCEM. Ou comment faire rejoindre l'architecture contemporaine du MuCEM avec le classicisme de la basilique de La Major
A fascinating abandoned house in Tajique, NM on NM 55 in fantastic afternoon light. 24 January 2017 around 4:30 PM.
The muddy soil was frozen solid and crunched under my boots with every step.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
Downtown Barnesville, Georgia
Looks like some code violations slipped by.
Hasselblad 501CM
Carl Zeiss 50mm f/4 Distagon C T*
Fuji Neopan 100 Acros expired
Wie schrecklich, die Tränen kullern heiß: alles nur schwarzweiß 😂
Aufgenommen mit der Revue 400 SE auf einem auf einem Fuji Neopan 100 Acros (2008.04).
Accidental Double Exposure
Hasselblad 501CM
Carl Zeiss 50mm f/4 Distagon C T*
Fuji Neopan 100 Acros expired
Hasselblad 503CX
Fuji Neopan Acros 100
Developed in T-max developer at home
Scanned
Textured with mu own texture
El Santuario de Chimayo. Chimayo, NM 27 January 2017.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
the good old town of textile industry
southern Osaka Pref.
CONTAX 137MA QUARTZ x Carl Zeiss Distagon T* 2.8/35 x R2 filter x Fuji NEOPAN 100 ACROS
january monochrome, a roll of home-developed black and white film shot with my yashica mat, on the blog
*replaced with properly scanned version 3-7-12
A fascinating abandoned house in Tajique, NM on NM 55 in fantastic afternoon light. 24 January 2017 around 4:30 PM.
It was extremely windy and cool under late afternoon light. The temperature was about 30F/-1C and the frozen mud crunched under my boots with every step.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher. Despite offering us an 8×10 selfie via Twitter (a promise he has yet to keep!), we think Craig has some pretty interesting work and thoughts ...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #120FormatFilm, #4X5FormatFilm, #8X10FormatFilm, #CraigPindell, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fuji, #FujiNEOPAN100ACROS, #Interview, #Kodak, #KodakTMAX100TMX
#shootfilmbenice #filmphotography # believeinfilm
Brilliant highlights on the bare limbs of the aspen trees behind El Santuario de Chimayo on the Quemado River. Chimayo, NM 27 January 2017.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8