View allAll Photos Tagged FujiNEOPAN100ACROS,
Seems I got a jump on Happy Fence Friday by one day. Oh well, had to take advantage of the weather while I could.
Canon EOS-1N
EF 35mm f/2.0 IS USM
Fuji Neopan 100 Acros @ EI80
Rodinal 1+50, 11:30 @ 20°C
Roll 55, Frame
Monobath film developers feel like the in thing for 2018. Whether you’re just thinking about jumping into home developing, or are an old hand, there has never been a better time to try them out.
In this article, I compare the results from six different film stocks developed in monobath...
Read on at: emulsive.org/reviews/gear-reviews/darkroom-equipment/revi...
Filed under: #Articles, #Darkroom, #DarkroomEquipment, #DevelopingFilm, #GearReviews, #Reviews, #Bergger, #BerggerPancro400, #Cinestill, #CineStillDf96Monobath, #FamousFormat, #FamousFormatNo1Monobath, #FFNo1Monobath, #FomaBohemia, #Fomapan100Classic, #Fomapan200Creative, #Fuji, #FujiNEOPAN100ACROS, #Graflex, #GraflexOptar135MmF47, #GraflexPacemakerSpeedGraphic, #KodakProjectionAnastigmat161MmF45, #LargeFormatFilm, #Manfrotto, #Manfrotto410Junior, #ManfrottoCarbonOne441, #MOD54, #Paterson, #Rollei, #RolleiInfrared400, #Sekonic, #SekonicL608, #Shanghai, #ShanghaiGP3
#shootfilmbenice #filmphotography # believeinfilm
360/366
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros
EI 125
D-76 1:1, 7.25 min. at 75°F
f/4, 1/10
A beautiful ruin in Mountainair, NM on a very windy afternoon 24 January 2017 around 3:30 PM.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
Day 2 of an overcast late afternoon at Bull Creek after heavy rains and flooding with a different film. Wednesday 17 August 2016.
Camera: Mamiya RB67 Pro S
Lens: Mamiya-Sekor 50mm f/4.5
Film: Fuji Neopan 100 Acros
Filter: Hoya 25A red filter
Scanner: Epson V800
Scanner Software: Silverfast AI Studio 8
361/366
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros
EI 80
D-76 1:1, 7.25 min. at 75°F
f/8, 1/250
'The Young Pekáč' concert at Metro Music Bar in Brno (2016-02-01)
Pentax K1000
SMC Pentax-M 1:2 50mm
on Fuji Neopan Acros 100 film
developed in Tetenal Ultrafin Liquid
Topcon RE Super
Fuji Neopan 100 Acros
developed in caffenol-c
Found this caffenol-c recipe here: caffenol.blogspot.com/2010/08/recipes.html
Reduced developing time to 12 minutes after the first roll came out too dense. Too much agitation on this roll, as some frames show sprocket marks--but the overall effect is pleasing, nonetheless. Post processing for this image was limited to removing dust. Otherwise, this is straight-out-of-the-camera.
Topcon RE Super
Fuji Neopan 100 Acros
caffenol-c developer
Removed dust specks and water spots in GIMP. Otherwise, straight out of the camera.
Olympus Stylus Epic, Fuji Acros 100
Today's failure, folks: the destruction (or perhaps more properly, disassembly) of Brooklyn's beloved Kentile Floors sign.
Apparently, it will rise again at a time and place to be determined. (Sounds fairly messianic when you put it that way, doesn't it?)
Anyway, enjoy your weekends, everyone! And remember: always feel FREE to FAIL!
A fascinating abandoned house in Tajique, NM on NM 55 in fantastic afternoon light. 24 January 2017 around 4:30 PM.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
This may be the newest and best maintained building in Claunch, NM. Claunch is one of the only places on NM 55 between Carrizozo and Mountainair, NM where you can get any cell service. A very windy 24 January 2017 around 2:15 PM.
Camera: Minolta XD-11
Lens: MC W Rokkor-X 28mm f/2.8
Film: Fuji Neopan Acros 100
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
Day 2 of an overcast late afternoon at Bull Creek after heavy rains and flooding with a different film. Just after sunset Wednesday 17 August 2016.
Camera: Mamiya RB67 Pro S
Lens: Mamiya-Sekor 50mm f/4.5
Film: Fuji Neopan 100 Acros
Filter: Hoya 25A red filter
Scanner: Epson V800
Scanner Software: Silverfast AI Studio 8
Anniversary Speed Graphic (4 x 5), Ilford FP4+, HC-110 B. 2014. ON.
One image with RF focusing, another with GG.
Brooklyn Bridge
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros
D-76 1:1, 8.75 min. at 72°F
f/8, 8 sec.
the good old town of textile industry
southern Osaka Pref.
CONTAX 137MA QUARTZ x Carl Zeiss Distagon T* 2.8/35 x R2 filter x Fuji NEOPAN 100 ACROS
camera: Hasselblad 500 CM
objective: Zeiss Sonnar 150mm
light: 2 continuous light lamp with 50x70cm soft box
light meter: Sekonic L-308B reading the incident light
exposure: f4 - 1/30
film: Fuji Neopan 100 Acros
film developing: Kodak Tmax Dev 1+7 - 24C° - 10 min
agitation: first-half minutes continuously, then 5 second every minute
fixer: Kodak Tmax Fixer 5 minute
scanner: CanoScan 8600f with SilverFast SE Plus 8
11/366
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros, EI 80
D-76 1:1, 10.5 min. at 68°F
f/8, 6 sec.
Pentax 67
SMC Pentax-6x7 45mm F4
Fuji Neopan Acros 100
Tetenal Ultrafin Liquid (1+20)
[3,5 min prewash, 9 min dev @20°C]
8/366
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros
D-76 1:1, 10.5 min. at 68°F
f/5.6, 1/100