View allAll Photos Tagged FujiFP100C,
Mamiya Universal + 100 mm Sekor + Wide angle converter
Fuji FP-100C instant film- Bleached negatives
Polaroid 250
Fuji FP-100C film
better to View On Black
©2011. all images property of Bob Merco. Do not use without my permission.
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It’s a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob’s back with something a little different. Feast your eyes on this…
Hi Rob, what’s th...
More at:
emulsive.org/interviews/i-am-rob-hawthorn-and-this-is-why...
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White Flowers photographed with a Polaroid Automatic 250 Land Camera using a Kali-Copier attachment. Fujifilm FP-100C Instant Pack film.
my husband was on a snowboarding trip with my brother for a week. the day he got home, we ran errands together and i snapped this photo while he was meeting with one of his landscape customers. we had that whole *absence makes the heart grow fonder* thing happen while he was gone. it's not normal for us to be away from each other, but boy did it make us miss and appreciate each so much more!
a district of small harbor and warehouses in Kobe
Zenza Bronica ETRs x Zenzanon EII 2.8/75 x Fuji FP-100C (w/ Polaroid Back)
For some reason this didn't scan too well. The actual Polaroid looks pretty good, if a little underexposed. I'm afraid the whole roll will come out like this one as I didn't make much of an adjustment after this for some reason.
We took Will out to the end of low tide today to let him play in the tide pools. He had an amazing time! He loved the pools but wanted to crawl to the mud and eat it. He also crawled to the ocean and sat in the water and let the waves lap around him.
I broke my cardinal rule of never taking a digital camera to the beach and the change in climate from the cold house to the warm beach fogged and grounded the Rebel XT. Then my camera bag, which was safely on the sand one minute, was washing in the surf the next. Luckily it's a good bag and nothing was ruined.
We eventually got tired of dragging Will out of the muddy sand and retired to the pool for a while before he took a nap.
I think I like this Fuji instant film better than the Polaroid 669.
for 'roid week.
No time to shoot or scan lately. A photo the girls have stuck to their white board from a few months ago.
first i won't to take another picture of the black cat, but he won't. the candle is a really quite model.... mamiya rb 67 pro son fuji fp 100c
First shot with my "new" 1970's Polaroid Land Camera 340. Just love the saturated colors it produces.
Photo Set for this camera here:-
www.flickr.com/photos/chi_bellami/sets/72157627918895871/
I was recently asked for my thoughts on the Automatic Land Camera 340 versus the Manual Land Camera Model 180...So here are my thoughts:-
There are basically three types of Automatic Folding Land Cameras:-
(i) Those with a plastic Polaroid lens and basic viewfinder.
(ii) Those with a glass Polaroid lens and rangefinder (eg. the 340).
(iii) Those with a glass Polaroid lens and Zeiss rangefinder (eg. 250, 350, 450).
Bodies are made from either plastic (eg. the 340) or metal depending on the model.
Google 'Land List' for lots more info on individual models.
Any of the automatic cameras with a glass lens will give great results. The type of viewfinder/rangefinder and construction material just gives you a different user experience.
There are basically two types of Manual Folding Land Cameras:-
(i) Those with a dual window viewfinder/rangefinder (eg. 195).
(ii) Those with a Zeiss rangefinder (eg. the 180).
The Manual Folding land Cameras all have fast glass lenses and offer much greater control. However, they are generally much more expensive.
I was given the 340 (shown above) by a friend and a few months later I bought the 180 (shown elsewhere in my photostream). Unless I'm worried about the camera getting lost or damaged, I always choose to take the 180.
So your choice depends on your budget and how much control you like.
I needed to get the film out of the camera because I wanted to fix the dark slide that broke Sunday. But since this morning was very bright, I kept over-exposing the images. On my third attempt I was disgusted by my results and pressed the photo into the chemical negative like i've done before, but this time I pulled the combination apart. Viola!
rog, awesome view from the deck. beautiful clouds as the typhoon swept by... the Mamiya Universal press Sekor 50mm/6.8 is amazingly wide ! covers 3x4 fuji pack instant film
Jess and her hubbie are currently staying in Berlin, and they stopped by to be treated to the infamous Flickr risotto.
Jess brought her Hasselblad to let me play with it and the Polaroid back, so i was quick to come up with a proper setting, and ended up pulling a Ferry, which Jess was quick to notice. Hats off, Jess!
Boy, that Hasselbald is a mean beast, the noise when it goes off is unrivaled.