This is the extracted negative from my Del Mar series. I usually shoot a little underexposed when I am going to extract the negative, but I forgot to do it with this series, so the negs are a little brighter than I wanted. The tones of the positive are closer to what my intentions were, but then again, this negative is cool in it's own right.

Shot with a Land 250 on Fuji FP-100C and then extracted the negative.

Fuji FP100C instant film, in Mamiya Universal Polaroid camera, 127mm f4.7 lens

As you can see, in this case, I'm using a rollfilm back and not carrying any sheet film holders. I'm sort of digging the 6x7 back, not so much for its convenience (although that too) as for the lack of worries regarding coverage when doing extreme movements.

Fuji FP-100C emulsion transfer onto hot press paper (Arches)

1st time, tried a Fuji FP-100C film. Had heard of difficulties with the film... "total darkness", "thin emulsion", "yellow cast", "paper needs to be soft, absorbent".....

I used the usual Arches water color hot press paper and did the transfer in an open top cardboard box under a subdued day light condition in my living room and it worked. Removing the positive needs to be pretty quick and smooth in one motion. Otherwise, I get 'marks/lines'.

No drama... Not real lifts. I still prefer Polaroid 669 but cannot get it anymore unless I pay a lot of money. Fuji FP-100C is a good replacement.

My first bleached negative:)

Fuji fp-100c

auto 100 + fuji fp-100c

Polaroid Week 2019 Day 1, Picture 1

Fujifilm FP-100C, expired in 11/2010, backside of negative cleaned with a magic eraser

Scanned from negative with Canon CanoScan 9900 F.

Polaroid Lift

Polaroid Land Camera 350, Fuji FP 100-c

print framed with the pack

using expired film (expired on July 2007) on which a composed image was exposed by film recorder (Polaroid Digital Palette HR-6000)

images: the antique postcard of legendary Edwardian Actress Gabrielle Ray (28 April 1883 - 21 May 1973) & Sigma DP2s (ISO: 100) using RAW processing software “SIGMA Photo Pro 6.5.2”, Gunma, Japan

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Nik is a really wonderful human and photographer/community documentarian! You can check his work out at www.niknerburn.com/

©2023 a.m.abbott

Fuji FP 100 C

age 12

Polaroid 320 Land Camera Fuji FP100C

Shot with pacemaker speed graphic with aero ektar and polaroid-back with Fuji FP 100C.

Walking around on a camera-fair I thought that I did not have enough old stuff, brought home these two, a Rodenstock Eurynar Anastigmat 4.5/ 24cm, really bad condition. And a Unger and Hoffman 16cm. but it is only the back lens, Probably paid to much.

The framing with the polaroid back is interesting, I had the lenses in the middle on the ground glass. Next time, I use the template.

The color is surprising. The cloth is black, on the ground glass it looked green and it turned out purple.

Mamiya Universal Press, Sekor 127mm P lens, Fuji FP100c expired 2018

Polaroid 220, Fuji FP100C

A Freedom Friday for 2013. Planning to have some new material here soon, or at least soonish.

you guys, my boys and i have been so sick.

this year is off to a rough start for me. i think i'm on the upswing though. hopefully.

took this with my mamiya rb 67 pro s and sekor 3,8 90 beautiful lens! on fuji fp 100c instant film!

Timmy the white cat contemplating the day ahead on the end of the Sofa.

Um...ok. I think my kids set out their toys for Buddy & think he plays with them. Usually, he just sleeps on them.

I finally figured out the black bar issue (thanks to a kind man in the Polaroid Land group) but the focusing issue is still there. Poo.

Polaroid Colorpack II | Fuji FP-100C

Hasselblad 500C. Fuji FP100C.

Polaroid 110B • Fuji FP-100C Silk

www.deanryan.co.uk

I was out doing some more perspective practice with the Shen Hao, and I drew quite a crowd, including these nice girls who asked if I would take their picture. I did -- figured it was good practice, since i rarely shoot portraits as such.

The first shot (this one) went fairly well, but I didn't have enough DOF to cover them both as they were. I tried to set up a follow up shot, but made two significant technical errors.

I'm not sure what the error was in the first case, but it resulted in apparently no exposure at all. In the second case, I started to move the darkslide up before I closed down the lens. I cut myself partway through the action of raising the darkslide, and put it back down and made the exposure, to see what would happen -- the result was that half the frame (above the waist) was overexposed and motion blurred, but the lower half was normal. The girls liked that effect, and I picked that one to keep. (I offered them their choice.)

The basic moral of the story is that it's important to slow down and take everything one step at a time when shooting with the view camera -- at least for now. That may change later as I gain more fluency with the operation of the camera, but that will likely take a while. : )

in the back yard, getting over a stomach bug.

i set up a little photobooth and had fun with the visitors during nuit blanche in theatre 'de brakke grond' amsterdam

this is a small selection of the shots i have.

polaroid miniportrait 402 on fuji fp-100c. 60x60cm softbox with canon 550ex on manual camera left up high

Polaroid. Fuji fp-100c.

Polaroid Colorpack IV Fuji FP-100C

Polaroid Land Auto 125

Fuji FP-100C

atlanta, ga

polaroid land camera 360 + fuji fp-100c packfilm

Царичин град

Општина Лебане

Taken with Keystone 60 second everflash and Fuji FP100c

Mamiya Universal + 100 mm Sekor + Wide angle converter

Fuji FP-100C instant film- Bleached negatives

random carnival prize