PEANUT SOUP DELUXE
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✦ BIG GIRL - (Feb. 15th / Mar. 05th) :
- HOLLI POCKET - Fifi Fufu Outfit
- SLAVIA - Grace Jewelry Set
- BLOODLINE - Enemy Bruise Tattoo
- AVADA - Utopia Ballerina Nails
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✦ STEALTHIC - Vesper Hair
Was trying to figure this one out. So Italian Caffè ? no, mabe a Mob joint ? no; don't think an appointment is needed. Did some sleuthing it's a fufu clothing store for the gentrified non New Yorkers. Now I seen it all.
PS: I did make a reservation, just to satisfy my own curiosity.
But it can most definitely fit the scene of Mario Puzo's classic movie...
"那隻在攝影工作室的白襪貓，名字是福福。「俯伏」的發音，聽起來才不會「浮浮」的。"
--節錄自寫給某J君的信。
你傲慢的幽默感像陳珊妮
你坐下的自在優雅如陳綺貞
你黑白混搭的配色是何欣穗
但你只是連喵嗚都懶得喵嗚一聲
就不屑我的鏡頭了
Preparazione del fufu.
Il fufu è un piatto africano a base di tuberi, come manioca o igname, e/o banane, dal quale si ottiene una pasta semi-solida e appiccicosa, simile a una polenta, che viene servita come accompagnamento a zuppe, salse e stufati.
È un alimento base essenziale in Africa occidentale, particolarmente popolare in Ghana, e viene preparato bollendo e schiacciando gli ingredienti fino ad ottenere una consistenza omogenea e collosa.
Making fufu.
Fufu is an African dish made from tubers, such as cassava or yams, and/or bananas, which yield a semi-solid, sticky paste, similar to polenta, served as an accompaniment to soups, sauces, and stews.
It is an essential staple food in West Africa, particularly popular in Ghana, and is prepared by boiling and mashing the ingredients until they reach a smooth, sticky consistency.
IMG_20250306_030338m
Fufu and I attempt to retain our composure in the face of something truly indescribable...............
Band MembersAvo - Vocals
Kevin Talley (Dååth) - Drums
Hilarl - Lead Guitars
Fufu - Lead Guitars
Battery - Bass
Marco Sneck - Keyboards
Strobist Info: one huge light in the back. :) haha
!!! SYLVIA Dress and Gloves by OFF-LINE!!!
NOW AT ♥ ► ► ► Cupid's Fault Event. !
(Dress/Gloves come in 16 colors for solo purchases or grab the Fatpack with 28 base color/outline options!)
* Made for Maitreya\Freya\Hourglass\Legacy\Kupra\Reborn\Peach! *
. . . . .
Face Piercings - ♥ ► LittleFish Mainstore. and LittleFish Marketplace.
. . . . .
Hair - Stealthic
Headband - TRUTH Hair
Backdrop - Foxcity (no decor included)
FUFU Rabbit - Andore (heart particles not included)
The spectacular scenery of stilt propped water settlement of Nzulezu built on lake Tadane located in the Jomoro District in the Western Region of Ghana stands out as a magnificent interplay between man and his environment
What could you make out of raffia? an ornament, basket, well just about the entire Nzulezo stilt village
including guest house is built out of Rafia. A population of around 500 lying in raffia built rooms, about 5 foot above the water level,the buildings within the village are connected by walkways. The serene ambience of the surrounding landscape coupled with the general activities of life point to a dynamic relationship between man and nature. Traditional village life is adapted to the watery conditions to the amazement of the visitor. All activities pertaining to normal life chores such as pounding of fufu, schooling, worship and burial are done on the lake.The trip out to the Nzulezo village is largely by the guide punting the canoe along, the water is generally shallow most of the way. You should see a lot of birds, some up close. The water is black.
An African fantasy - but is tourism helping rural poor areas? www.nzulezo.com
[ENG] Stickers on the streets of Buenos Aires (Centro)
[ESP] Stickers en las calles de Buenos Aires (Centro)
Stickart - 2010
Asesinato del empresario Manuel Nimer, en la carera 12 al frente de su negocio. Calabozo, Guárico. Venezuela.
Preparazione del fufu.
Il fufu è un piatto africano a base di tuberi, come manioca o igname, e/o banane, dal quale si ottiene una pasta semi-solida e appiccicosa, simile a una polenta, che viene servita come accompagnamento a zuppe, salse e stufati.
È un alimento base essenziale in Africa occidentale, particolarmente popolare in Ghana, e viene preparato bollendo e schiacciando gli ingredienti fino ad ottenere una consistenza omogenea e collosa.
Making fufu.
Fufu is an African dish made from tubers, such as cassava or yams, and/or bananas, which yield a semi-solid, sticky paste, similar to polenta, served as an accompaniment to soups, sauces, and stews.
It is an essential staple food in West Africa, particularly popular in Ghana, and is prepared by boiling and mashing the ingredients until they reach a smooth, sticky consistency.
IMG_20250306_030209m
[ENG] Stickers on the streets of Buenos Aires (Congreso)
[ESP] Stickers en las calles de Buenos Aires (Congreso)
Stickart - 2010
Romanian postcard by Casa Filmului Acin, no. 33102.
French actor of Spanish origin ,b>Louis de Funès (1914 – 1983) was one of the giants of French comedy alongside André Bourvil and Fernandel. In many of his over 130 films, he portrayed a humorously excitable, cranky man with a propensity to hyperactivity, bad faith, and uncontrolled fits of anger. Along with his short height (1.63 m) and his facial contortions, this hyperactivity produced a highly comic effect, especially opposite Bourvil, who always played calm, slightly naive, good-humored men.
Louis de Funès (French pronunciation: [lwi də fynɛs]) was born Louis Germain David de Funès de Galarza in Courbevoie, France in 1914. His father, Carlos Luis de Funès de Galarza had been a lawyer in Seville, Spain, but became a diamond cutter upon arriving in France. His mother, Leonor Soto Reguera was of Spanish and Portuguese extraction. Since the couple's families opposed their marriage, they settled in France in 1904. Known to friends and intimates as ‘Fufu’, the young de Funès was fond of drawing and piano playing and spoke French, Spanish and English well. He studied at the prestigious Lycée Condorcet in Paris. He showed a penchant for tomfoolery, something which caused him trouble at school and later made it hard for him to hold down a job. He became a pianist, working mostly as a jazz pianist at Pigalle, the famous red-light district. There he made his customers laugh each time he made a grimace. He studied acting for one year at the Simon acting school. It proved to be a waste of time except for his meeting with actor Daniel Gélin, who would become a close friend. In 1936, he married Germaine Louise Elodie Carroyer with whom he had a son, Daniel (1937). In 1942, they divorced. During the occupation of Paris in the Second World War, he continued his piano studies at a music school, where he fell in love with a secretary, Jeanne Barthelémy de Maupassant, a grandniece of the famous author Guy de Maupassant. They married in 1943 and remained together for forty years, until de Funès' death in 1983. The pair had two sons: Patrick (1944) and Olivier (1947). Patrick became a doctor who now practices in Saint-Germain en Laye. Olivier was an actor for a while, known for the son roles in his father's films, including Le Grand Restaurant/The Big Restaurant (1966, Jacques Besnard), Fantômas se déchaine/Fantomas Strikes Back (1965, André Hunebelle) starring Jean Marais, Les Grandes Vacances/The Big Vacation (1967, Jean Girault), and Hibernatus (1969, Edouard Molinaro) with Claude Gensac as De Funès’ wife, a role she played in many of his films. Olivier later worked as an aviator for Air France Europe.
Through the early 1940's, Louis de Funès continued playing piano at clubs, thinking there wasn't much call for a short, balding, skinny actor. His wife and Daniel Gélin encouraged him to overcome his fear of rejection. De Funès began his show business career in the theatre, where he enjoyed moderate success. At the age of 31, thanks to his contact with Daniel Gélin, he made his film debut with an uncredited bit part as a porter in La Tentation de Barbizon/The Temptation of Barbizon (1945, Jean Stelli) starring Simone Renant. For the next ten years, de Funès would appear in fifty films, but always in minor roles, usually as an extra, scarcely noticed by the audience. Sometimes he had a supporting part such as in the Fernandel comedy Boniface somnambule/The Sleepwalker (1951, Maurice Labro) and the comedy-drama La vie d'un honnête homme/The Virtuous Scoundrel (1953, Sacha Guitry) starring Michel Simon. In the meanwhile he pursued a theatrical career. Even after he attained the status of film star, he continued to play theatre. His stage career culminated in a magnificent performance in the play Oscar, a role which he would later reprise in the film version of 1967. During this period, De Funès developed a pattern of daily activities: in the morning he did dubbing for recognized artists such as Renato Rascel and the Italian comic Totò, during the afternoon he worked in film, and in the theater in the evening. A break came when he appeared as the black-market pork butcher Jambier (another small role) in the well-known WWII comedy, La Traversée de Paris/ Four Bags Full (1956, Claude Autant-Lara) starring Jean Gabin and Bourvil. In his next film, the mediocre comedy Comme un cheveu sur la soupe/ Crazy in the Noodle (1957, Maurice Régamey), De Funès finally played the leading role. More interesting was Ni vu, ni connu/Neither Seen Nor Recognized (1958, Yves Robert). He achieved stardom with the comedy Pouic-Pouic (1963, Jean Girault) opposite Mireille Darc. This success film guaranteed de Funès top billing in all of his subsequent films.
Between 1964 and 1979, Louis de Funès topped France's box-office of the year's most successful films seven times. At the age of 49, De Funès unexpectedly became a superstar with the international success of two films. Fantômas (1964, André Hunebelle) was France's own answer to the James Bond frenzy and lead to a trilogy co-starring Jean Marais and Mylène Demongeot. The second success was the crime comedy Le gendarme de Saint-Tropez/The Gendarme of St. Tropez (1964, Jean Girault) with Michel Galabru. After their first successful collaboration on Pouic-Pouic, director Girault had perceived de Funès as the ideal actor to play the part of the accident prone gendarme. The film lead to a series of six 'Gendarme' films. De Funès's collaboration with director Gérard Oury produced a memorable tandem of de Funès with Bourvil, another great comic actor, in Le Corniaud/The Sucker (1964, Gérard Oury). The successful partnership was repeated two years later in La Grande Vadrouille/Don't Look Now - We're Being Shot At (1966, Gérard Oury), one of the most successful and the largest grossing film ever made in France, drawing an audience of 17,27 million. It remains his greatest success. Oury envisaged a further reunion of the two comics in his historical comedy La Folie des grandeurs/Delusions of Grandeur (1970, Gérard Oury), but Bourvil's death in 1970 led to the unlikely pairing of de Funès with Yves Montand in this film. Very succesful, even in the USA, was Les aventures de Rabbi Jacob/The Mad Adventures of Rabbi Jacob (1973, Gérard Oury) with Suzy Delair. De Funès played a bigoted Frenchman who finds himself forced to impersonate a popular rabbi while on the run from a group of assassins. In 1975, Oury had scheduled to make Le Crocodile/The Crocodile with de Funès as a South American dictator, but in March 1975, the actor was hospitalized for heart problems and forced to take a rest from acting. The Crocodile project was canceled.
After his recovery, Louis de Funès collaborated with Claude Zidi, in a departure from his usual image. Zidi wrote for him L'aile ou la cuisse/The Wing and the Thigh (1976, Claude Zidi), opposite Coluche as his son. He played a well-known gourmet and publisher of a famous restaurant guide, who is waging a war against fast food entrepreneur. It was a new character full of nuances and frankness and arguably the best of his roles. In 1980, de Funès realised a long-standing dream to make a film version of Molière's play, L'Avare/The Miser (1980, Louis de Funès, Jean Girault). In 1982, De Funès made his final film, Le Gendarme et les gendarmettes/Never Play Clever Again (1982, Tony Aboyantz, Jean Girault). Unlike the characters he played, de Funès was said to be a very shy person in real life. He became a knight of France's Légion d'honneur in 1973. He resided in the Château de Clermont, a 17th-century monument, located in the commune of Le Cellier, which is situated near Nantes in France. In his later years, he suffered from a heart condition after having suffered a heart attack caused by straining himself too much with his stage antics. Louis de Funès died of a massive stroke in 1983, a few months after making Le Gendarme et les gendarmettes. He was laid to rest in the Cimetière du Cellier, the cemetery situated in the grounds of the château. Films de France: “Although fame was a long time coming, Louis de Funès is regarded today as not just a great comic actor with an unfaltering ability to make his audience laugh, but practically an institution in his own right. His many films bear testimony to the extent of his comic genius and demonstrate the tragedy that he never earned the international recognition that he certainly deserved.”
Sources: Steve Shelokhonov (IMDb), Films de France, Wikipedia and IMDb.
Band MembersAvo - Vocals
Kevin Talley (Dååth) - Drums
Hilarl - Lead Guitars
Fufu - Lead Guitars
Battery - Bass
Marco Sneck - Keyboards
Strobist Info: one huge light in the back. :)
XingXing and FuFu love this chair (from Pier One) because it is so soft that they can do all kinds of crazy acrobatics on it and when they are about to fall off they simply dig in their claws to perform a "self-arrest:" that any mountaineer would be proud of. At first tried to discourage all this by using double-sided tape, etc., but at this point they can have it - its their chair!
Já estão na loja Tatti Simões.
Infelizmenteee...me fufu no curso. :0(
Então tá + ou - liberado..pq acho q vou ficar de recuperação, se der tb!
Ramen Shop Fufu-tei Kagurazaka
Japan, 〒162-0805 Tokyo, Shinjuku City, Yaraicho
Acrylic
6.1x8.3x2 Etude Butterfly Sketchbook
Dec 3 2023
Took a shot of my cat Fufu this morning. He got wet rub and been drinking some water from faucet. Too bad that he is a bit scared of loud shutter sound on Sony a7r, it made him stop what he was doing.
Sony a7r with Canon FD 50mm f/1.4
Frans, nooit goed in geweest. Dus het moest even door Google Translate, maar daar komt een vrij kromme vertaling uit: 'Goede fufu binnen leuke moeder'. Fufu is een hoofdbestanddeel van of een onderdeel van vele gerechten. Hoe dan ook, binnen zit een leuke moeder fufu te maken in het nagebootste Afrikaanse paaldorp Ganvié (in het West-Afrikaanse land Benin).
Brugelette / Cambron-Casteau, België
French, never been good at it. So I had to get it through Google Translate, but that results in a pretty crooked translation: 'Good fufu, inside nice mother'. Fufu is a main component of or a component of many dishes. Anyway, a nice mother is making fufu inside in the simulated Africain pole village of Ganvié (in the West African country of Benin).
Brugelette / Cambron-Casteau, Belgium
Era uma vez, numa pequena casa no meio da aldeia, viviam dois gatos que eram vizinhos. Um era branco e preguiçoso, e o outro era malhado e furioso.
O gato branco, chamado Novelo, era um gato calmo e tranquilo. Ele adorava dormir e relaxar, e não gostava de se esforçar.
O gato malhado, chamado Fufú, era um gato agitado e barulhento. Ele sempre estava à procura por algo para fazer, e nunca estava contente.
Um dia, Novelo estava a dormitar na sua cama, de roupa velha, quando Fufú entrou na casa. Fufú estava furioso porque havia perdido um jogo com um rato. Ele começou a correr pela casa, derrubando coisas e gritando.
Novelo acordou com o barulho e ficou assustado. Ele nunca tinha visto Fufú tão furioso antes. Ele tentou acalmar Fufú, mas este não queria ouvir.
Fufú começou a perseguir Novelo pela casa.
Novelo correu para o quintal, mas Fufú alcançou-o.
Fufú pulou em cima de Novelo e começou a arranhar e morder.
Novelo defendeu-se o melhor que pôde, mas Fufú era muito mais forte.
Novelo estava prestes a ser derrotado quando uma voz falou:
- Pare com isso, Fufú!
Fufú olhou para cima e viu uma velha senhora parada junto à porta de casa. A velha senhora era a dona dos dois gatos.
- Tu estás a magoar o Novelo - disse a velha senhora.
Fufú acalmou-se um pouco. Ele olhou para o Novelo, que estava ferido e sangrando.
Fufú sentiu-se culpado.
- Eu sinto muito - disse Fufú.
- Está tudo bem - disse Novelo. - Só espero que você não faça isto novamente.
Fufú prometeu que nunca mais faria isso. Ele pediu desculpas ao seu amigo gato Novelo novamente, e os dois gatos tornaram-se mais cordiais.
A partir daquele dia, Fufú começou a mudar. Ele ainda era um gato agitado, mas ele aprendeu a controlar sua raiva. Ele também começou a respeitar Novelo, que lhe ensinou a importância da paz e da tranquilidade.
Eles ainda brigavam de vez em quando, mas sempre faziam as pazes. Eles aprenderam que, mesmo sendo diferentes, poderiam divertir-se juntos.
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Texto & Fotografia: ©MárioSilva
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