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Front view of the D3X and 24-70 lens sitting on a Really Right Stuff body plate, quick release and ball head. All on a Manfrotto carbon fiber tripod. The obligatory Nikon advertizement strap. Soon to be replaced with an UPstrap.
Wet felted hat made of grey finn wool and fawn alpaca wool. Stiched with eucalyptus dyed silk thread, feathers are from an emu.
Uni Work:
Im coming to the end of my uni course and this is the last series of photos I will take before the deadline.
Ive decided to call this series 'When Nobody's Around...'. All the images are based on unusual alien style lighting. The photos will be put into a book as part of my course.
Strobist:
430EX - outside door, on stand, directed into windows (diffused with white paper)
580EX II - outside door, on stand, zoomed to 105mm and directed through keyhole - directed towards camera to give some flare.
Int 150EX head - behind camera into white reflective umbrella to add some light to scene
All fired by PW+II
My task for today was to re-install Nicks windows after Jerry at Deadline Paint and body had worked his magic.
Not as bad as i'd first feared although the lower front trims fought me a little on account of a previous removal.
Perhaps whoever did it didn't know there are bolts too!
Latest light painting attempt. Used 2 YN 560s at 1/4 power, one CL one CR. Took took the CR flash on a stick and walked the yard from right to left to light up the areas. This gave me material to be able to brush out almost all shadows on the house caused by the plants. Waited for it to get darker and fired some additional shots with and without the 2 flashes for the sky which I masked in. Applied a curves adjustment to street and finished with some dodging and burning. I found shooting the extra late shots w/ the flashes on right and left to be helpful for making a real easy mask job of the sky since the transition of house/trees to sky was pretty natural. Still got a ways to go, but pretty happy with the results at this stage.
Around the corner from my house is this skate spot. Today I found a few of my friends their and chilled to see what they were filming. Joe was trying a kickflip front noseslide and would have gotten it if we weren't kicked out so soon... Just another day.
nice classic front door with stained glass panels & brass furniture....built into a grid & mirrored....might make a good security feature as long as you don't want to go in or out.....thanks for looking....better bigger.....hope you have a great day
沖縄の広大な海と空、古宇利ブルーに包まれた高級プライベートヴィラ「ハナリ・ヴィラ・コウリ」のFlickrページです。
ハナリヴィラコウリは、自然が豊かな古宇利島の海に面した高台に位置している１日３組限定の静かなプライベートヴィラです。
ここでは、ハナリヴィラコウリの敷地内で撮影した写真をご紹介しています。
ハナリヴィラコウリの宿泊者だけが見ることができる絶景をお楽しみください。
ハナリヴィラコウリへのアクセスや、宿泊情報は、"Hanalee Villa Kouri"で検索してください。
www.google.com/search?q=hanalee+villa+kouri&oq=hanale...
【古宇利島】
ハナリヴィラコウリがある古宇利島は、沖縄県北部にある碧い海に囲まれた周囲およそ8kmの島です。沖縄本島からは海で隔てられていましたが、2005年に古宇利大橋が完成、沖縄本島から橋でつながった屋我地島を経由して、陸路で行き来できるようになりました。
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This is the Flickr pages of a luxury private villa "Hanalee Villa Kouri" wrapped in Kouri Island Blue, the vast sea and sky of Okinawa.
Hanalee Villa Kouri is a quiet private villa limited to 3 groups a day, located on a hill facing the sea of Kouri Island, where nature is abundant.
Here, we introduce photos taken on the exclusive area of our villa for guests.
Please enjoy the superb view that only Hanalee Villa Kouri guests can see.
Search for "Hanalee Villa Kouri" for access and accommodation information.
www.google.com/search?q=hanalee+villa+kouri&oq=hanale...
[Kouri Island]
Kouri Island, where Hanalee Villa Kouri is located, is an island of about 8km in the northern part of Okinawa Prefecture, Japan, surrounded by the wonderful blue sea. Although it was separated from the main island of Okinawa by the sea, the Kouri Bridge was completed in 2005, and it is now possible to come and go by land via Yagaji Island connected by a bridge from the main island of Okinawa.
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这是豪华私人别墅"Hanalee Villa Kouri"的Flickr页面，包裹在冲绳岛广阔的大海和天空中的Kouri Island Blue中。
Hanalee Villa Kouri是一栋安静的私人别墅，每天限制3组，坐落在面对Kouri岛海的山丘上，那里自然资源丰富。
在这里，我们为客人介绍在别墅专属区域拍摄的照片。
请欣赏仅Hanalee Villa Kouri住客可以看到的绝妙景色。
搜索"Hanalee Villa Kouri"以获取住宿信息。
www.google.com/search?q=hanalee+villa+kouri&oq=hanale...
[古宇利岛]
Hanalee Villa Kouri所在的Kouri岛是位于日本冲绳县北部约8公里的小岛，周围环绕着美丽的蓝色大海。 Kouri桥虽然被海与冲绳本岛隔开，但它于2005年完工，现在可以通过由冲绳本岛与桥相连的八加岛来来回去。
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這是豪華私人別墅"Hanalee Villa Kouri"的Flickr頁面，包裹在沖繩島廣闊的大海和天空中的Kouri Island Blue中。
Hanalee Villa Kouri是一棟安靜的私人別墅，每天限制3組，坐落在面對Kouri島海的山丘上，那裡自然資源豐富。
在這裡，我們為客人介紹在別墅專屬區域拍攝的照片。
請欣賞僅Hanalee Villa Kouri住客可以看到的絕妙景色。
搜索"Hanalee Villa Kouri"以獲取住宿信息。
www.google.com/search?q=hanalee+villa+kouri&oq=hanale...
[古宇利岛]
Hanalee Villa Kouri所在的Kouri島是位於日本沖繩縣北部約8公里的小島，周圍環繞著美麗的藍色大海。 Kouri橋雖然被海與沖繩本島隔開，但它於2005年完工，現在可以通過由沖繩本島與橋相連的八加島來來回去。
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Amazing sub-24hr trip! Can't believe I've never been up to this cabin before. It sleeps 20, only $15 a night, super rustic and right up near the tree line. Perfect! Lot's of backcountry ski or sledding possibilities. Get rad!
[Photo copyright Tina Chou / Cornell Daily Sun and may not be used without proper permission. Please contact me if you are interested in using this photo.]
Subjects: Lizzie Wisner (left) and Max Constant (right)
Strobist: large softbox with AB800 slightly to the right about 6' high
Settings: Nikon D80, f/6.7, 1/20th, ISO 200, 18mm
Story: After singles of Max, we shot the cover of the supplement with both of the polo players. Originally the picture was supposed to have the entirety of the horses but this ended up looking better (picture not cropped). This was taken at 5pm. The only thing to note is that people are much easier to position than horses. When we wanted a horse to move a foot over to the right, the player had to leave the frame and circle around and then stop. It took a couple of tries but the horses mostly behaved and the players were very nice about it. The poses also took a couple iterations.
I had trouble triggering the AB800 with the on-camera flash so the senior photographer figured out a way to make it work. I was standing next to (and below) the softbox and the on-camera flash would trigger a handheld SB800 in front and to the left of me. It was then pointed at the high output beauty dish (held by an assistant sports editor) which was placed behind the strobe. The other assistant sports editor held the softbox for me so that the wind wouldn't blow it over. It was a technically easy picture but logistically more difficult.