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Brenda.
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Today i captured a serie of pictures at the free birds flying in the evening sky.
Please visit my photoblog: jetuma.wordpress.com/2014/03/10/fria-faglar-flyger/
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In March 1992, during one of the periods when Dunstable's cross roads was a roundabout, rather than controlled by traffic lights as they are today, Post Office Leyland-DAF J836 OEG heads north and back to the sorting office. Coming in on the inside is a little Austin Metro van which was on the road between 1985-94; in contrast, J836 OEG was active for a respectable 17 years.
Pentax K1000/35-70mm
Ilford XP-1
The small lake is now ice-free but the grass is not yet green and the deciduous trees lack leaves. But this far north, summer will come in just a few weeks.
Free texture. If you use this texture please credit my name under your picture, and put a copy of your work in a comment box under my texture.
Model and Edited by Yram Cobain
Clothes by [FORMIS DESIGNE]
Blog: metalfashions.blogspot.mx/2014/12/everytime-i-die.html
Children Of Bodom - Everytime I Die: www.youtube.com/watch?v=EtPDm2kaj1c
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Please credit me and link back to this page or my photostream if you do.
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Show me what you've done with it by putting a thumbnail or link on this page it'd be great to see what you've done with it!
"Sonata" hotel. Lviv, Ukraine.
SLR Camera: Minolta Dynax 404si
Lens: Minolta AF ZOOM 28-80mm f3.5-5.6
Film: Kodak Pro Image 100
Filter: УФ-1x
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-- focal length - 80 mm
-- aperture - 5.6
Film was processed and scanned by "Mark" Studio Lab. in Chernivtsi. I am happy with the results.
To see the pictures taken with this camera click here.
Thank you for your comments and Fav's.
Nikon F3HP, Fomapan 400 in Adox XT-3
This film sat in the "to develop" box for so long that I actually don't recall the lens(es) used. Most probably it's the pancake 50mm f/1.8 AiS
©2010 Laura Palazzolo
This little bunny lives at our ranch..outside free to hop where it chooses. It is a super smart bunny as it survives despite the cars, horses, dogs, cats, coyotes, hawks and multitudes of other dangers. I am not sure where it came from, but it has been here a number of years...legend has it that once upon a time someone abandoned a rabbit...that rabbit bred with the local wild rabbits to create a legacy of super wild/domesticated rabbits and this one is one of its descendents. This is no dumb bunny...LOL It will on occasion let you pet it as well.
UPDATE: This bunny is now believed to have been the original bunny, she was dropped off 7 or 8 years ago...she bred with the jack rabbits when she first came to the ranch (the dogs killed her jackbunny babies)...she has since been spayed...pretty good looking bunny for an older gal : )
Textures with thanks to Brenda-Starr , Muffet, ArtByChrysti and Skeletal Mess
This texture is free to use in your creative works.
Please do not redistribute or make small changes and claim it as your own.
Please provide credit via a link under your work back to this image or to my account where possible.
I would love to see the results of your work, so please leave me a link or a small copy in my comment box below.
Thank you,
Brenda.
I belong to this set. ~Textures~
If you are looking for more stock images and textures, please check out my group
PLEASE, NO invitations or self promotions, THEY WILL BE DELETED. My photos are FREE to use, just give me credit and it would be nice if you let me know, thanks.
Fort Ives Breech Loading (BL) Gun Emplacement.
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Fort Ives was built between 1865 and 1870, by the British in 1865 on the northwest end of McNab's Island in Halifax Harbour.. The fort was armed six 9" rifled muzzle loaded (RML) guns and three 10" RML guns mounted in deep embrasures with iron shields. Three casemates were used as barracks and a fourth was used to assemble munitions.
Improvements were made between 1888 and 1890. In 1890 a new battery was built with two new 6" breech loaded (BL) quick firing (QF) guns. The 9" RML guns were removed 1899-1902 and replaced with more modern breech loaded (BL) guns.
During World War I the fort was upgraded and there were several search lights placed below the QF battery to illuminate mine fields and the submarine nets anchored at Ives Point. , and went over to Point Pleasant (Halifax)
Fort Ives was operational at the beginning of World War II but it was decommissioned in the early years of the war (1942) as the harbour defence moved further out. The fort's guns were moved to other locations.
This texture is free to use in your creative works.
Please do not redistribute or make small changes and claim it as your own.
Please provide credit via a link under your work back to this image or to my account where possible.
I would love to see the results of your work, so please leave me a link or a small copy in my comment box below.
Thank you,
Brenda.
I belong to this set. ~Textures Vol 2~
If you are looking for more stock images and textures, please check out my group
***Please, feel free to use my Textures, Backgrounds, Stock, etc., in your Artwork.
If you do use them, I would love it if you would please post your work in my group, Ruby's Treasures
...Please DO NOT redistribute as your own...
***If you are interested in purchasing my new and unseen Premade Backgrounds & PNG's , please visit my new Blog here~angiesimaginations***
There was a Su Pollard lookalike in beret, orange leggings and white knee high boots offering Free Smiles at Clifton Down station in March 2023. I've no idea what she was doing and assume others travelling on First 33492 YY67HAE and some Eurocoaches deckers were equally purplexed.
From the August 12, 1882 edition of Harper's Bazar.
Please click on the link above to visit my blog where you can download a free full size .png version of this image - ready for use in Photoshop or for printing to use in your journal. I hope you'll show me if you make something using this image. I would LOVE to see what you make!
Kongorikishi
(also known as Ni-o)
Entrance gate to Ebaradera Temple in the city of Sakai near Osaka, Japan
Kamakura period, early 14th century, wood
One of the two guardians or "benevolent kings" (Ni-o) who followed and protected the historical Buddha when he traveled throughout India.
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Freer Gallery of Art
Smithsonian Institution
1050 Independence Avenue
Washington, District of Columbia
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Please direct people here to download it.
Find more free downloads at:
eclecticequations.blogspot.com/2012/05/further-along-path...
Today, Friday May 18th at 1 PM SLT a new art installation, “Further along the Path”, will open to the public at LEA2 here: slurl.com/secondlife/LEA2/183/185/23. The organiser and originator of the project is a household name in the world of SL art, Bryn Oh. In order to know more about the participating artists and the concept, please read her blog entry here: brynoh.blogspot.com/2012/05/while-ago-wonderful-group-of-...
Elif Ayiter aka Alpha Auer, the “chief” of Alpha Tribe, is one of the contributing artists. She offers the magnificent “Asemic” avatar as a free gift... and whoever has ever owned or even seen an Alpha Tribe avie in SL will certainly rush to LEA2. Visit “Further along the Path”, allow yourself to be involved... listen, watch, think, enjoy.
Petaluma California
©All Rights Reserved.
Please do not use this photo on websites, facebook, books or blogs without my explicit written permission.
Information From: www.city.cleveland.oh.us/around_town/city_highlights/land...
One of the most controversial works of art displayed in the City of Cleveland is Oldenburg and van Bruggen’s Free Stamp. Located in Willard Park to the East of City Hall, this massive aluminum and planted steel sculpture is difficult to miss with its large red handle sprawling across the lawn and metal base sinking into the ground displaying the word “FREE” in backwards letters to passersby on Lakeside Avenue. Some people see the Free Stamp as an inspiring work of Pop Art that represents our liberty as American citizens and reflects our City’s industrial progress. Others view it as an eyesore that is inappropriate for a location at the heart of the City’s Civic Center. This debate has been going on since the piece was first commissioned in 1982 and still echoes throughout the City today.
Artists Claes Oldenburg and Coosje van Bruggen designed the Free Stamp at the request of Standard Oil and admit that it was one of the most difficult works of art they have ever created. The controversy began soon after Standard Oil was awarded permission to tear down the old Standard Oil of Ohio (SOHIO) building located on Public Square. As construction of the new building began, SOHIO decided that it wanted a fresh work of art to display outside its doors, directly across from one of the City’s historical landmarks, the Soldiers and Sailors Monument. After seeing the “pad” of land with which they had to work, Oldenburg and van Bruggen, who are famous for making large replicas of common objects such as spoons, ice cream cones, and bowling pins, proposed the idea of creating an enormous stamp.
The original design for the sculpture was an upright, self-inking stamp, with a red handle which looked like a giant exclamation point. The first design allowed access so that people could actually walk around inside the stamp, but management at SOHIO soon agreed that such a structure would require a lot of maintenance. The design was then restructured to look like a hand stamp on an ink pad. The question was then raised as to what word would be placed on the stamp. The artists wanted a word that would serve as a statement, like a one-word poem, but could also be found on a real office stamp. The physical dimension of the work was also a consideration as the diameters of the Free Stamp left room for only 4 letters. Van Bruggen suggested the word “Free” to represent liberty and independence and to make a positive statement in the heart of the City.
Just as construction on a revised design began, SOHIO underwent a change in management. The new managers did not like the idea of placing a massive piece of pop art on Public Square, especially a 50-foot stamp. Several opponents of the Free Stamp feared that the message conveyed by the work would invite jokes about the condition of Downtown Cleveland, which during the 1980s was in need of revitalization. SOHIO gave Oldenburg and van Bruggen the opportunity to relocate the stamp, but the artists did not want to move it. The location at Public Square added to the artistic expression of the work in a way other locations could not.
Production of the Stamp was halted for several years and pieces of it were placed in storage in Indiana. As BP America assumed management of SOHIO, executives wondered why the company was paying so much to house a huge stamp. Interest was renewed in the work of art and Mayor George Voinovich invited Oldenburg and van Bruggen to Cleveland in hopes of selecting another site to display their work. Although the Cleveland Museum of Art was considered, the artists wanted their work to be seen in the heart of Downtown and set their sights on Willard Park for its proximity to Public Square and because of its location to Cleveland’s government offices.
Placing the Free Stamp in Willard Park immediately drew opposition from Council President, George Forbes, who did not support the idea of the City of Cleveland accepting a rejected work of art and displaying it right outside of City Hall. Once again, the artists had chosen their location as part of their artistic statement and were unwilling to compromise their artistic integrity. This time, they threatened to destroy the work entirely if the City did not want to display it.
Before the artists could act on their threat, Election Day 1989 had passed and newly elected Mayor, Michael R. White, and Council President, Jay Westbrook, expressed their interest in this unique work. BP America finally decided that it would donate the Free Stamp as a gift to the City and offered to maintain it in its new location. City Council accepted this generous gift and the Free Stamp was brought out of storage and redesigned to accommodate its new space.
The lawn at Willard Park inspired Oldenburg and van Bruggen to alter the position of the Free Stamp so that it would lie on its side, as if it had toppled over on someone’s desk. Van Bruggen felt that the new design reflected the Free Stamp’s history as it was “flung” from Public Square only to “land” in Willard Park. Production on the Free Stamp resumed and it was brought to Cleveland in pieces to be assembled in its current spot.
The Free Stamp was officially inaugurated on November 15, 1991. The Dedication reads:
Free Stamp
Claes Oldenburg and Coosje Van Bruggen
1991- Planted Steel and Aluminum
Gift of BP America
To the City of Cleveland
Michael R. White- Mayor
Jay Westbrook- City Council President
Dedicated 11-15-1991
A poor quality digital image from 1996, taken at the mouth of the Grey river on the West Coast of the South Island of NZ where I went to HS. My first serious cloud image taken with what at the time was a state of the art consumer market digital camera. I recall that no one on the Coast had seen a digital camera of any sort at that time.