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Tank: Franke Tank by >Mondo< (Exclusive for Halloween Hellraiser event at Soundproof club, Available until October 31st).
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Earlier in this Hyde Park series, I posted photos of the Brownlee House, an example of the American Foursquare. The Faulk-Frenke House is also an example of the Foursquare style of architecture. Houses in this classical style are built in a cube design with a veranda spanning the front and a pyramidal-shaped roof.
Built in 1917 by a cousin of John Henry Faulk, a well-known and controversial Austin commentator, the house went through a succession of owners until 1971 when Merle and Ginna Franke purchased it. At that time, it was in considerable need of repairs, and the use of space was not suited to modern-day living.
Franke's son, Steve, led a renovation during the 1980s and '90s. All the changes were made within the original framework and are sympathetic to the house's character. There are no additions—Steve simply reassigned space to different uses, sometimes realigning interior walls.
Listed on the National Register of Historic Places in 1990, the Hyde Park Historic District includes an eclectic mixture of architectural styles, from late 19th-century Queen Anne and Classical Revival homes to 20th-century bungalows and ranch houses. Additionally, many of the houses and buildings in Hyde Park have been designated City of Austin Historic Landmarks and Texas Historic Landmarks.
Source: 1994 Park Neighborhood Association Homes Tour Guide
Franke and his bride go for a Halloween ride. Wishing you all a spooktacular Halloween.
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narożnik ul. Wilsona) – Dom Adolfa Frankego, pochodzącego z Wielkopolski ewangelika, właściciela przędzalni i fabryki włókienniczej. Wybudowany w latach 1901–1903. W dwudziestoleciu międzywojennym siedziba hotelu „Victoria”. Podczas II wojny światowej leżał na skraju „dużego getta”, co spowodowało, że ulokowano w nim żydowskie warsztaty rzemieślnicze i stał się punktem przerzutowym dla uciekających z getta. Po jego likwidacji w domu Frankego mieścił się niemiecki szpital i hotel wojskowy, a po wojnie – Liceum Technik Plastycznych i jego internat. Eklektyczny z przewagą cech neorenesansowych.
Excerpt from www.wilmot.ca/en/living-here/resources/Documents/New-Hamb...:
The Franke Block at 91 Peel Street
Theodore Frank erected this Italianate building in 1912. It served as a grocery store and operated for fifteen years.
Originally a laneway, the building was converted into a restaurant in 1927. In 1950, the building was refitted for an insurance office.
...als Erklärung:
dieses Foto, bestehend aus einem Wasserbokeh und einem Vogel am blauen Himmel - habe ich über das Venedigbild gelegt (PS), so verschoben bis der Vogel über der Hand fliegt, mit Transparenz und Kontrast gespielt... LG
Apparently only 3 of these buggies were built by Swiss manufacturer Franke, based on a shortened VW Beetle chassis with a fiberglass body.
Same owner since 1991!
Amsterdam, the Netherlands.
Location: Studio
Modell: Mike F.
Bearbeitung: Jürgen Krall Photography
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Bild Nr.: 201_0442_SW
This poor quality picture sent to me by one of my contacts peter abbot who was a trailor boy at anglia in the early 70s shows a long wheel base ERF with 220 cummins engine in the colours of Hans Franke uk based at Shorne this is probably quite a rare beast as they said at the time of purchase there were only a dozen made
Franke & Heidecke Rolleiflex Automat K4A
Zeiss-Opton Tessar 75mm f3.5
AGFA RSX II 50 expired in 2006 cross-processed
· ▸ Franke single purchase is available in:
ㅤㅤ• 6 Franke Facial Hair packs
ㅤㅤ• 1 Franke Hairbase pack
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· ▸ Franke includes:
ㅤㅤ• Mesh Beard
ㅤㅤ · Black color
ㅤㅤ · Brown color
ㅤㅤ• Hairbase
ㅤㅤ · Black color
ㅤㅤ · Brown color
ㅤㅤ• Facial Hair
ㅤㅤ• Face Tattoo
· ▸ Fatpack is available
· ▸ Franke is fitted for:
ㅤㅤ• Lelutka EvoX
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Location: Studio
Modell: Mike F.
Bearbeitung: Jürgen Krall Photography
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Bild Nr.: 201_0442_cs6
camera: Rolleiflex 6008 Professional
lens: Carl Zeiss Planar 80mm f/2,8 PQ HFT
film: FUJI Pro 400 H
exposure time: 1/100 sec
aperture: f/8
exposure compensation: +/- 0 EV
filter: Hoya linear polarization filter
film development: Color Drack
scan: CanoScan 9000F with SilverFast SE
Appliances by Gorenje Ora-Ito, Miele, De Dietrich and Siemens. Units are Hi-Gloss Heliante by Mobalpa, with Silestone worktops. Franke square cut undermount sink with Zoo taps mounted on l-shaped bespoke raised worktop/bar area.
The picture that inspired my pinwheel quilt project. I believe this is an image from Franke magazine.
Blogged here
bro i fjellene
franke heidecke 3.5e k4c / planar 75 / agfa optima iso 125 / expired 1997 / 120 mf 6x6
Honey seller with his vintage Mercedes.
Shot on Kodak Portra 400 @ EI400
Developed in Fuji C41 X-Press kit on Jobo CPE2 processor
Scanned in Nikon Scan 4.0.3 on Nikon Super Coolscan 8000 ED
Manually inverted and color-corrected in Adobe Photoshop.
Virtually "printed" in Dehancer plugin for Adobe Photoshop with "Kodak Endura Glossy Paper" profile.
IN ENGLISH BELOW THE LINE
Aquesta és la autentica primera Rolleiflex de la historia, tot i que no la primera càmera de la fàbrica Franke & Eindecke de Braunschweig. La historia va començar amb la idea de fer una càmera-periscopi completament metal·lica per a poder fer servir a les trinxeres de la I Guerra Mundial sense exposar el cap. Era una idea sense gaire recorregut, sobretot un cop acabada la guerra. Però el que sí fabricaren fou una càmera estereoscopica amb visor reflex superior, la Heidoscop (1921), després millorada per a emprar rodets format 117, la Rolleidoscop (1926).
Però el 1929 abandonaren aquestes extremadament complexes càmeres stereo però mantenint el sistema basic de doble objectiu reflex (TLR), creant la primera Rolleiflex, la K1.
La K1, coneguda més popularment ara com la Original Rolleiflex montava un objectiu Carl Zeiss Tessar f3.8 o f4.5 de 75mm i feia servir pel·licula format 117, que permetia sis imatges de 6x6 cm. L'obturador i l'avanç de pel·licula (no amb la iconica palanca, encara) no estan vinculats. Tota la estructura és d'un metall força fi, el que la fa una mica fragil. Franke i Eindecke encara no havien acabat de trobar el punt bo, però s'hi acostaven molt. Amb la seva evolució en el model K2 "Old Standard" ja ho clavaren i l'exit fou inmediat.
Aquesta Original Rolleiflex meva és concretament una K1 612, fabricada el 1929. Es diferencia de les altres sub variants de la K1 per tenir el dors desmontable i l'objectiu Tessar f3.8/75mm. Només s'en fabricaren 820 unitats, i funciona perfectament. Per sort fou convertida, com la majoria d'elles, a format 620, que permet fer 12 imatges. Cal re-enrollar un rodet de 120 amb una bobina de 620 a les fosques però és força facil.
camera-wiki.org/wiki/Original_Rolleiflex_6%C3%976
www.rolleiclub.com/cameras/tlr/info/early_tlr.shtml
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This is the authentic first Rolleiflex in history, although not the first camera from the Franke & Eindecke factory in Brunswick. The story began with the idea of making a completely metal periscope-like camera to be able to use in the trenches of World War I without exposing the head. It was an idea without much traction, especially once the war was over. But what they did manufacture was a dry plate stereoscopic camera with a top reflex viewfinder, the Heidoscop (1921), later improved to use format 117 rolls, the Rolleidoscop (1926).
But in 1929 they abandoned these extremely complex and niche stereo cameras but kept the basic double lens reflex (TLR) system, creating the first Rolleiflex, the K1.
The K1, more popularly known now as the Original Rolleiflex, mounted a 75mm Carl Zeiss Tessar f3.8 or f4.5 / 75mm lens and used 117 format film, which allowed six 6x6 cm images. The shutter and film advance (not with the iconic lever, yet) are not linked. The entire structure is made of a fairly thin metal, which makes it a bit fragile. Franke and Eidecke hadn't quite found the sweet spot yet, but they were getting very close. With its evolution in the K2 "Old Standard" model, they nailed it and the success was immediate.
This Original Rolleiflex of mine is specifically a K1 612, manufactured in april-july 1929. It differs from the other sub-variants of the K1 in having a detachable back and mounting the Tessar f3.8/75mm lens. Only 820 units were made, and it works perfectly. Fortunately, it was converted, like most of them, to 620 format, which allows for 12 images. You need to re-spool a 120 roll in the dark but it's pretty easy.