Rolleiflex and Rolleicord
View allAll Photos Tagged Franke
Tank: Franke Tank by >Mondo< (Exclusive for Halloween Hellraiser event at Soundproof club, Available until October 31st).
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Earlier in this Hyde Park series, I posted photos of the Brownlee House, an example of the American Foursquare. The Faulk-Frenke House is also an example of the Foursquare style of architecture. Houses in this classical style are built in a cube design with a veranda spanning the front and a pyramidal-shaped roof.
Built in 1917 by a cousin of John Henry Faulk, a well-known and controversial Austin commentator, the house went through a succession of owners until 1971 when Merle and Ginna Franke purchased it. At that time, it was in considerable need of repairs, and the use of space was not suited to modern-day living.
Franke's son, Steve, led a renovation during the 1980s and '90s. All the changes were made within the original framework and are sympathetic to the house's character. There are no additions—Steve simply reassigned space to different uses, sometimes realigning interior walls.
Listed on the National Register of Historic Places in 1990, the Hyde Park Historic District includes an eclectic mixture of architectural styles, from late 19th-century Queen Anne and Classical Revival homes to 20th-century bungalows and ranch houses. Additionally, many of the houses and buildings in Hyde Park have been designated City of Austin Historic Landmarks and Texas Historic Landmarks.
Source: 1994 Park Neighborhood Association Homes Tour Guide
narożnik ul. Wilsona) – Dom Adolfa Frankego, pochodzącego z Wielkopolski ewangelika, właściciela przędzalni i fabryki włókienniczej. Wybudowany w latach 1901–1903. W dwudziestoleciu międzywojennym siedziba hotelu „Victoria”. Podczas II wojny światowej leżał na skraju „dużego getta”, co spowodowało, że ulokowano w nim żydowskie warsztaty rzemieślnicze i stał się punktem przerzutowym dla uciekających z getta. Po jego likwidacji w domu Frankego mieścił się niemiecki szpital i hotel wojskowy, a po wojnie – Liceum Technik Plastycznych i jego internat. Eklektyczny z przewagą cech neorenesansowych.
Franke and his bride go for a Halloween ride. Wishing you all a spooktacular Halloween.
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Excerpt from www.wilmot.ca/en/living-here/resources/Documents/New-Hamb...:
The Franke Block at 91 Peel Street
Theodore Frank erected this Italianate building in 1912. It served as a grocery store and operated for fifteen years.
Originally a laneway, the building was converted into a restaurant in 1927. In 1950, the building was refitted for an insurance office.
Apparently only 3 of these buggies were built by Swiss manufacturer Franke, based on a shortened VW Beetle chassis with a fiberglass body.
Same owner since 1991!
Amsterdam, the Netherlands.
Franke's House – a historic, eclectic tenement house in Częstochowa, on I Aleja, built in 1901–1903.
...als Erklärung:
dieses Foto, bestehend aus einem Wasserbokeh und einem Vogel am blauen Himmel - habe ich über das Venedigbild gelegt (PS), so verschoben bis der Vogel über der Hand fliegt, mit Transparenz und Kontrast gespielt... LG
This poor quality picture sent to me by one of my contacts peter abbot who was a trailor boy at anglia in the early 70s shows a long wheel base ERF with 220 cummins engine in the colours of Hans Franke uk based at Shorne this is probably quite a rare beast as they said at the time of purchase there were only a dozen made
Franke & Heidecke Rolleiflex Automat K4A
Zeiss-Opton Tessar 75mm f3.5
AGFA RSX II 50 expired in 2006 cross-processed
IN ENGLISH BELOW THE LINE
Voigtländer provà de competir amb Franke & Eindecke i la seva Rolleiflex. Fou un duel de fotografía a Braunschweig (ambdues empreses eren d'allí). Tot i la veteranía de Voigtländer (una de les empreses de fotografia més antigues del món en aquell moment), perdé per golejada. No moltes Voigtlander TLR hi ha, en comparació amb la famosissima Rolleiflex i la seva "germana petita" Rolleicord.
Deixant apart la més avorrida Brilliant, la TLR de Voigtländer fou la Superb, una màquina certament impressionant, tot i que només es fabricà entre 1933 i 1939. Per tal de superar les patents de la Rolleiflex, la Superb feu coses de manera diferent, com el moviment de la pel·licula, que és horitzontal i s'avança amb una palanca a l'esquerra del aparell. Encara és més curiós el sistema de correcció de paralatge, que fa que la lent superior es mogui avall en enfocar més aprop, o els nombres gravats a la inversa en el obturador Compur. Això s'explica perque un prisma els reflexava cap amunt per a ser vistos, i pertant havien d'estar escrits de forma inversa.
Aquest exemplar en concret sembla dels primers de tots, sobretot per les "nances" en forma d'orella als laterals; pertant deu datar de cap al 1933 o 34. A més, a la part posterior hi ha la placa de la botiga on es va adquirir: Fotohaus Werner, a Riesa (al oest de Dresden).
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Voigtländer tried to compete with Franke & Eindecke and their famous Rolleiflex. It was a duel of photography in Braunschweig (both companies were based in that city). Despite the seniority of Voigtländer (one of the oldest photography companies in the world at that time), it lost. Not many Voigtlander TLR are out there, in comparison to the famous Rolleiflex and her "little sister" Rolleicord.
Leaving aside the more unremarcable Brilliant, the TLR of Voigtländer was the Superb, a truly impressive machine, only manufactured between 1933 and 1939. In order to overcome Rolleiflex patents, the Superb operates differently, such as the movement of the film, which is horizontal and advances with a lever to the left of the device. The parallax correction system is even more curious, in which the upper lens moves downwards when focusing closer; or the numbers recorded in reverse on the Compur shutter. This is explained because a prism reflected them up to be seen by the operator of the camera.
This one seems to be one of the earlier models, with it's ear shaped strap-fixings; so it was probably made c.1933-34. Works perfectly, but it's more complex to use than the Rolleiflex or even the Rolleicord, so it's no surprise it lost agaist them. And I know where it was sold, as in the back there's a plaquette of the shop: Fotohaus Werner, in Riesa (west of Dresden).
www.camarassinfronteras.com/voigtlaender_superb/voigtlaen...
www.mikeeckman.com/2018/11/voigtlander-superb-1933/
www.albedomedia.com/clasico/coleccionismo/voigtlander-sup...
Location: Studio
Modell: Mike F.
Bearbeitung: Jürgen Krall Photography
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Bild Nr.: 201_0442_cs6
camera: Rolleiflex 6008 Professional
lens: Carl Zeiss Planar 80mm f/2,8 PQ HFT
film: FUJI Pro 400 H
exposure time: 1/100 sec
aperture: f/8
exposure compensation: +/- 0 EV
filter: Hoya linear polarization filter
film development: Color Drack
scan: CanoScan 9000F with SilverFast SE
Appliances by Gorenje Ora-Ito, Miele, De Dietrich and Siemens. Units are Hi-Gloss Heliante by Mobalpa, with Silestone worktops. Franke square cut undermount sink with Zoo taps mounted on l-shaped bespoke raised worktop/bar area.
The picture that inspired my pinwheel quilt project. I believe this is an image from Franke magazine.
Blogged here
Church Of Saint John The Baptist near lake Bohinj, Slovenia.
Display P3 profile.
Shot on Kodak Ektar 100 @ EI100
Developed in Fuji C41 X-Press kit on Jobo CPE2 processor
Scanned in Nikon Scan 4.0.3 on Nikon Super Coolscan 8000 ED
"Printed" with "Kodak Endura Glossy Paper" profile in Dehancer plugin for Adobe Photoshop.
St. Mathew’s Lutheran Church (Kościół Ewangelicko-Augsburski pw. św. Mateusza) in Łódź, Poland.
Shot on Kodak Ektar 100 @ EI100
Developed in Fuji C41 X-Press kit on Jobo CPE2 processor
Scanned in Nikon Scan 4.0.3 on Nikon Super Coolscan 8000 ED
Manually inverted in Adobe Photoshop.
Virtually printed with "Kodak Endura Glossy Paper" profile in Dehancer plugin for Adobe Photoshop.
bro i fjellene
franke heidecke 3.5e k4c / planar 75 / agfa optima iso 125 / expired 1997 / 120 mf 6x6
Honey seller with his vintage Mercedes.
Shot on Kodak Portra 400 @ EI400
Developed in Fuji C41 X-Press kit on Jobo CPE2 processor
Scanned in Nikon Scan 4.0.3 on Nikon Super Coolscan 8000 ED
Manually inverted and color-corrected in Adobe Photoshop.
Virtually "printed" in Dehancer plugin for Adobe Photoshop with "Kodak Endura Glossy Paper" profile.