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Scanned print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
Jan 20, 2024.
Rollei RPX 25 in Adonal (Rodinal) 1+100, semistand 70 min.
Printed on Ilford MG IV Deluxe RC and developed in Moersch Eco 4812.
Untoned.
Some extra exposure for the frame lacking here...
JOHN FRAME - Banner Huntington Library - San Marino Ca.
Biography
1950
Born Colton, CA
1975
B.A., Literature, San Diego State University, CA
1980
MFA, Claremont Graduate School Claremont, CA
NEA Visual Artists Fellowship Grant
Getty Museum Individual Artist's Fellowship
NEA Visual Artists Fellowship Grant
Young Talent Purchase Award Los Angeles County Museum of Art
Born Colton, CA
BA, Literature San Diego State University, San Diego, CA
Exhibitions
2006
The Likeness, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
2005
Long Beach Museum of Art, Long Beach, CA (solo)
2005
Contemporary Drawing as Preparation, Judson Gallery of Art Pasadena, CA
2004
Shakespeare as Muse, curated by Josine Ianco-Starrels, Schneider Museum of Art, Southern Oregon University, Ashland, OR
2003
Image & Enigma, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
2003
The Artful Teapot: 20th Century Expressions from the Kamm Collection, Long Beach Museum of Art, CA
2002
Drawings VI, Koplin Gallery, Los Angeles, CA
2002
L.A. Sampler, Davis and Cline Gallery, Ashland, OR
2000 - 2001
Representing L.A.: Pictorial Currents in Contemporary Southern California Art, curated by Gordon Fuglie, Frye Art Museum, Seattle, WA; Art Museum of South Texas, Corpus Christi, TX; Laguna Art Museum, Laguna Beach, CA
2000
Drawings V, Koplin Gallery, Los Angeles, CA
1999
Bastards: a collaborative exhibition, Davidson Galleries, Seattle, WA
1998
Drawings IV, Koplin Gallery, Los Angeles, CA
1998
The Drawing Group, Laband Art Gallery, Loyola Marymount University, Los Angeles, CA
1997
Bastards: Individual and Collaborative Works, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
1997
Allegorical Re/Visions, Los Angeles Municipal Art Gallery, CA
1997
Subliminal Fictions, Armory Center for the Arts, Pasadena, CA
1997
John Frame/Larry Hurst, Pasadena City College, Pasadena, CA
1997
Seeking Balance, Riverside Art Museum, CA
1997
Blessings and Beginnings, Skirball Museum, Los Angeles, CA
1996
Kohn/Turner Gallery, Los Angeles, CA (solo)
1996
Kohn Turner Gallery, Kohn Turner Gallery Los Angeles, CA
1995
Burning Lights: Spirituality, Tradition and Craft in Recent Art from the City of Angels, Palm Springs Desert Museum Palm Springs, CA
1995
John Frame, Michael McMillen, Tom Wudl, Mt. San Antonio College Walnut, CA
1995
Los Angeles, Los Vegas Institute of Contemporary Art Los Vegas, NV
1995
Corpus Callosum, Osvey Gallery Los Angeles, CA
1995
Beyond 15 Minutes, Cheney Cowles Museum Spokane, WA
1995
Get Back, Kohn Turner Gallery Los Angeles, CA
1994
The Art Cup, Garth Clark Gallery Los Angeles, CA
1994
Burning Lights: Sprituality, Tradition, and Craft in Recent Art from the City of Angeles, Laband Art Gallery, Layola Marymount University Los Angeles, CA
1994
beyondappearance, The Armory Center for the Arts Pasadena, CA
1994
The Committed Image, Fine Arts Gallery Mt. San Jacinto College, San Jacinto, CA
1994
Paradox, Louis Newman Gallery Beverly Hills, CA
1994
The Fifth International Show Box Sculpture Exhibition, Taiwan Museum of Art Taichung, Taiwan
1993
Group Exhibition, Lew Allen Gallery Santa Fe, NM
1993
Small Scale Sculpture, Susan Cummins Gallery Mill Valley, CA
1993
Elegant, Irreverent & Obsessive: Drawing in Southern California, Dorothy Goldeen Gallery Santa Monica, CA; Cal. State U., Fullerton, CA
1993
Beyond the Object, Judy Youens Gallery Houston, TX
1993
Drawings III, Koplin Gallery Los Angeles, CA
1993
Jan Turner Gallery, Jan Turner Gallery Los Angeles, CA (solo)
1992
Los Angeles County Museum of Art, Los Angeles County Museum of Art Los Angeles, CA (solo)
1992
Drawings II, Koplin Gallery Los Angeles, CA
1992
New to the Gallery, Susan Cummins Gallery Mill Valley, CA
1991
Individual Realities in the California Art Scene, Sezon Museum of Art; Seibu Tsukashin Hall Tokyo, Japan; Amagsaki, Japan
1991
Drawings, Koplin Gallery Los Angeles, CA
1990
Fourth International Show Box Sculpture Exhibition, University of Hawaii Honolulu, HI
1990
Jan Turner Gallery, Jan Turner Gallery Los Angeles, CA
1989
Art from Los Angeles, Nakazawa Gallery Tokyo, Japan
1988
Masks, Artspace Gallery Los Angeles, CA
1987
Avant-Garde in the Eighties, Los Angeles County Museum of Art Los Angeles, CA
1987
John Frame and James Lawrence, San Diego State University San Diego, CA
1987
Personal Iconography: The Figure, Security Pacific Bank Los Angeles, CA
1987
Jan Turner Gallery, Jan Turner Gallery Los Angeles, CA
1986
Kindred Spirits, Los Angeles Municipal Art Gallery Los Angeles, CA
1985
Spektrum Los Angeles, Galerie Hartje Berlin, Germany
1985
2 Los Angeles Artists, Fellows Gallery Denison University, Granville, OH
1984
Selections from the Merry and Bill Norris Collection, University of California, Irvine Irvine, CA
1984
Professors Choice 2, Montgomery Art Gallery Claremont, CA
1984
Return of the Narrative, Palm Springs Desert Museum Palm Springs, CA
1984
Janus Gallery, Janus Gallery Los Angeles, CA
1984
Crime and Punishment, Triton Museum Santa Clara, CA
1984
Three Sculptors: John Frame, Sam Hernandez, Gary Martin, ARCO Center for Visual Art Los Angeles, CA
1983
Objects/Images, West Gallery Claremont Graduate School, Claremont, CA
1983
Installation Gallery, Installation Gallery San Diego, CA
1982
Janus Gallery, Janus Gallery Los Angeles, CA
1982
Mattingly Baker Gallery, Mattingly Baker Gallery Dallas, TX
1982
Body Language, San Diego State University San Diego, CA
1982
Introductions 82, The Fountain Gallery Portland, OR
1981
Newcomers 1981, Los Angeles Municipal Art Gallery Los Angeles, CA
1981
Primitive Roots/Sophisticated Concerns, Artspace Gallery Los Angeles, CA
1981
Francine Seders Gallery, Francine Seders Gallery Seattle, WA
Purple Frame graphic available for download at http://dryicons.com/free-graphics/preview/purple-frame/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
Part of my Single in August 2018 collection.
A challenge by Pentaxforums.com.
Pentax Q7 with 06 Telephoto Zoom
Jpg straight out of camera except for a slight rotation and a tiny crop.
Reversal Film setting.
It's the Baroque Frame II texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/1187.html (created by Sjeti)
To use this texture download Filter Forge 30-day trial version for free here — www.filterforge.com/download/
Defective framing delivered by an Anchorage general contractor [Erik Dawson, Dawson Development]. This framing was demolished following extensive documentation. These photos are made available for framers, contractors, and clients as an educational tool.
Read more on akhouseproject.com
This photo is provided under a Creative Commons Attribution license. Please provide the following credit: "Photo courtesy Paxson Woelber, akhouseproject.com"
A close up of the 10-lever frame which came from Garston Freightliner Frame - see www.flickr.com/photos/ingythewingy/5677352138/
At the shed end of the line they originally had a 31-lever frame recovered from Battersea station. That is currently off-site awaiting transport to the new location.
It is interesting to me just how different the design of framing hammers can be. Above are models from Estwing, Douglas and Vaughan.Looks aside, I would pick the Vaughan if I were going to use it all day.
1957 Argus Super Seventy Five
Psuedo TLR 620 Camera
65mm f8-16 Lens (42 in 35mm equiv.)
Shutter Speed of 1/50 sec or B
120 Film Respooled on 620
Fuji Provia 100F
Cross Processed in Tetenal
C41 Press Kit Chemistry @
normal times and temps.
Scanned with museum glass on
Canoscan 8400F, then lightly
edited in Photoshop Elements 9.
Defective framing delivered by an Anchorage general contractor [Erik Dawson, Dawson Development]. This framing was demolished following extensive documentation. These photos are made available for framers, contractors, and clients as an educational tool.
Read more on akhouseproject.com
This photo is provided under a Creative Commons Attribution license. Please provide the following credit: "Photo courtesy Paxson Woelber, akhouseproject.com"
she was just imitating me when I was trying to focus on her. a nice kind of interaction between the subject and the photographer.
Frame n˚36
from the Series | Numbers by Night
SPAO
School of the Photographic Arts: Ottawa
Classic B&W Photography IIV
ILFORD Delta 3200 35mm B&W Film
D-76—1:1 dilution @ 17 - mins.
Beseler enlarger
Exposure time: f5.6 @ 35 sec. with #5 filter
+ various areas of burning in at multitudes of times
High Contrast B&W
on ILFORD Multigrade IV RC DE LUXE Pearl Finish Paper
Print Size:7" x 7"
Nikkor 50mm f/1.8
f/1.8 | 1/250sec
Nikon F5
Oh hello old framed pictures that I'd forgotton about, until I found them in an old portfolio at my parents house!
The frames are slightly scratched in places, but easily repaired.
As theyve been hidden away, I'm looking to sell them on - because I havent got the room to store them...hence the cheaper price. If you want more than one, we can work out a deal!
Cheers, Luke