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American Alligator (Alligator mississippiensis) - Marker 10, Black Point Wildlife Drive, Merritt Island National Wildlife Refuge, Titusville, Florida
He may not have committed that particular crime, and this guy is no angel, but surely he must have created a few angels along the way.
All I could get in the frame with the six on the roofrack rig was nose to shoulders, so rather than changing over to the Sony kit-lens (24 - 105), I went with a 12 vertical shot (6 x 2 levels) to get some FG & BG in the pic with some bonus DOF to boot.
Time-wise, making 12 captures or swapping a lens would be a wash, but processing the 12 captures was another story. Especially since twelve 61 MP captures was a wee bit too much for my CPU to handle, so this image is two horizontal 6 capture composites manually stitched together. But, that was easier than you'd think, since the gator was in the first 6 and all I needed to do was clone in the OOF foreground from the second composite.
FYI - The original JPEG was to large to upload, so I pruned it down to 20,000 x 10,000 pixels to bring the high quality JPEG within Flickr's 100 MB limit
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ (Kodak Xtol 1:0, Ilford rapid fixer). f/5.6, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I've had some problems with developing two Kodak films on the same Paterson reel, since they got stuck mid-way in. But I extensively brushed the groves on the reel, so now they look as good as new. However, I seems to misremember. My middle finger and my thumb just barely touch each other when the first film is advanced all the way to the centre of the reel.
I'm not so sure about FP4+. When you overexpose it, it really looses contrast and doesn't hold up well. I exposed the film as EI 100 and developed as EI 125. I suspect that the 1/250s setting is somewhere 1/3-1/2 stop slow. I also developed a roll of TMax400 on the same Paterson reel (they have the same time for Xtol 1:0 and 24 C) and it came out nice and contrasty. I really hope TMax100 will come back soon in 120. Till then I'll better expose FP4+ at EI 140 (the halfstop between 100 and 200).
I haven't used the Biometar 2.8/120 very much since I got a Biometar 2.8/80 that actually works. But the 120 makes the background come closer (be bigger) and has a narrower depth of field, so it still has it's purposes. Not to mention how much better it's for headshots.
The model used to be at an agency in her teens and now she wants to be a professional instagrammer. She's perhaps the nices, sweetest and politest person I've got to know this year.
I shot this photo down in the harbour in Helsingborg. Same location as this photo.
Model: Emma
Davies Bridge in Petit Jean State Park, Arkansas USA
Since I have been out of commission, I dug into my files for these images for this challenge.
Macro Mondays - Squares
Lost with out my computer for a week, merging all my files to Mac! This is my first upload from my iPhone using the Polamatic App which is a lot of fun. I hope to be back in the swing of things soon!
HMM to All
So I inadvertently built a frame into my Andrealphus mecha. I guess it was all the IBO stuff I've been building. Anyway, here's the inner frame of it if anyone's interested. It's got plenty of poseability, but the knee joints can fail if you're not careful. Maybe I'll use this in future builds. We'll see.
Feel free to use this in your own builds btw :)
I looked in one of my contact's gallery and saw some cool textures up for grabs to use.
This is a corner of an art frame by Eddi 07.
Super collection of CC textures.
The tear is a super easy photoshop technique using the "Polygonal Lasso tool" (or press "L"). Just click your entire area out and copy-paste to a new layer. Layer tab, Layer Style, Bevel & Emboss, then a drop shadow in the same layer section.
Report of the trip on www.herpetofocus.fr
My first digital film experiment - 24 pictures shot with the camera in a mode that is most similar to what it was like shooting film. No editing has been done to these jpgs - just out of the camera using the Expressive creative filter.
Find out more about DFC here - wickeddarkphotography.com/2021/02/04/the-digital-film-cha...
Dissecting what I did right and wrong on this first "roll" - wickeddarkphotography.com/2021/02/09/digital-film-challen...
I finally found a frame for my Hylia Shield. That wasn’t easy… it is about 73,5 x 58,5 x 2,4 cm and it weighs at least 2,5 Kg.
I finally got around to purchasing a half frame camera, the Olympus Pen EF. It's the last film Pen made by Olympus in the early 1980s and takes half 35mm frame photographs. I bought it with the intention of shooting double images that work together. I didn't think I'd like the quality of the result but they are much better than I expected.
Olympus Pen EF
Zuiko 28mm f/3.5
Kodak Pro Image 100
Epson V800
The lattice along the walk behind rose garden provided a natural frame for this single rose and the water dripping from the fountain behind it.
Cliche? Yes, for sure. But that's OK - there is the fun new group called Cliche Saturday. On Saturday you get to submit your cliche shots. But be careful...if they are too original, they might get booted!
Check it out here: www.flickr.com/groups/1367767@N25/
Well..I really had much more interesting ideas in mind but totally ran out of time..the kids wanted their dinner. I plan on playing around with frames again. Cliched..yes..but also fun. And isn't that the point?
(c) 2010 Lisa Noble
It holds the record for the largest frame in the world. The building has a height of 150.24 meters and a width of 95.53 meters.
Loved the way those dark trees on the sides naturally boxed in the rolling green hill and that massive blue sky. Just a really peaceful, clear day out in the fields—shot it wide to get the full scale of it.