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Still slow... still doesn't render in the background for that feature you have to use Share.
Also the Share feature using a cluster (Qmaster) doesn't work at all... crashes Final Cut Pro or just reports fail.
Mardan Palace Otel ⎮ Ocak 2017
Label: Videographer & Photographer
>Copyright: © 2017, İlyas Kızılkaya All Rights Reserved
>Copyright Status: Copyrighted Rights Usafe Terms: All rights reserved, no reproduction without prior permission.
>Copyright Info Url: @ilyaskizilkayaofficial
Original Digital Capture From a real life scene..
❤️
Taraklı - Göynük ⎮ 2017
Label: Videographer & Photographer
>Copyright: © 2017, İlyas Kızılkaya All Rights Reserved
>Copyright Status: Copyrighted Rights Usafe Terms: All rights reserved, no reproduction without prior permission.
>Copyright Info Url: @ilyaskizilkayaofficial
Original Digital Capture From a real life scene..
❤️
Editor and Reel Grrls Technical Director Lila Kitaeff going over the project with *amazing* composer and music director Toby Campbell or Anomie Belle
082/365
March 23rd, 2010
Lately, every time I've been on my computer, I've been colour grading footage from the film shoot this past month. I wish they actually made coasters like this..
Strobist:
WL x1600 in beauty dish high above / camera right
Me and a mate shot and edited a little time lapse film.
It was never intended as anything other than a technical test for other ideas we have, that’s why I wasn’t at all bothered about not cleaning my lenses properly before we started it. We thought it was just going to be seen by us two, but as it developed we realised that it was actually good enough to stick up on the ‘net.
I took 500 images in total. A couple of sequences are repeated at shorter length and we had to add a few frames here and there to make it match with the music.
Some sequences were shot at 1″ exposure every 2″ interval and other sequences at 2″ exposures at 3″ intervals.
Because we were shooting in a living room without extra lighting or flash units the ISO was set at 1000 throughout.
Another Time Lapse Photography project, then edited in Final Cut Pro. 500 photographs at 20 second intervals
WOW so apparently flickr cut this off at 1:30 and it's a 2:47 video.....................fuhhh
here's the full video on youtube: www.youtube.com/watch?v=C20gU6a1ig4
Good ol guerilla style videography while waiting in line for the Kogi taco truck!
shot on a NIkon D90
edited in Final Cut Pro
From June 22-26, 2009, Communicating for Change (CFC) offered a course in Final Cut Pro video editing, to provide participants with a core understanding of the fundamentals of professional video editing and optimizes their creative skills through the use of the Mac system and Final Cut Pro software.
The course was facilitated by Chike Kani Omo, Executive Director of Blackwing Productions and a seasoned video editor and film director, who has worked on many international stage and film productions.
Photos copyright 2009 - Premium Media & CFC
From June 22-26, 2009, Communicating for Change (CFC) offered a course in Final Cut Pro video editing, to provide participants with a core understanding of the fundamentals of professional video editing and optimizes their creative skills through the use of the Mac system and Final Cut Pro software.
The course was facilitated by Chike Kani Omo, Executive Director of Blackwing Productions and a seasoned video editor and film director, who has worked on many international stage and film productions.
Photos copyright 2009 - Premium Media & CFC
Cut-it trainers have extensive experiance providing expert post-production training to the world wide media industry. Balanced with a background in production.
We believe that production experiance alone does not necesarily make a great trainer. And a great trainer without practical production experiance can not comunicate fully with media professionals in terms they are familiar with; or fully understand the production process.
From June 22-26, 2009, Communicating for Change (CFC) offered a course in Final Cut Pro video editing, to provide participants with a core understanding of the fundamentals of professional video editing and optimizes their creative skills through the use of the Mac system and Final Cut Pro software.
The course was facilitated by Chike Kani Omo, Executive Director of Blackwing Productions and a seasoned video editor and film director, who has worked on many international stage and film productions.
Photos copyright 2009 - Premium Media & CFC
From June 22-26, 2009, Communicating for Change (CFC) offered a course in Final Cut Pro video editing, to provide participants with a core understanding of the fundamentals of professional video editing and optimizes their creative skills through the use of the Mac system and Final Cut Pro software.
The course was facilitated by Chike Kani Omo, Executive Director of Blackwing Productions and a seasoned video editor and film director, who has worked on many international stage and film productions.
Photos copyright 2009 - Premium Media & CFC
First segment in a
series of interviews. Mom,
Dad... nice to meet you.
I find that interviewing my parents the way I interview subjects for documentaries/ industrials gives me a strange and interesting new access to them as human beings. It's a feeling that has been building over the last few years—seeing beyond the narcissistic view of them as "my" caretakers, "my" disciplinarians, "my" parents—but has become much more vivid an experience as my own parenthood looms.
It's humbling and a little frightening to see them as real and separate people with a whole set of dreams and needs and hopes and fears equal to my own. And it's also freeing to see them without all the baggage, good and bad, of our relationship. By the end of this first interview, I find that I like Sam and Sue. They are kind and honest and truthful and generous. Selfless without being martyrs. And profoundly human, without losing some kind of divine grace that seems to come from being truly accepting of everything in your life, including yourself. I like them a lot.
I hope to get to know them even better in the coming days.