View allAll Photos Tagged FinalCutPro

2007 will be a good year for emergent media consulting, I can feel it.

Amsterdam – The Vondelpark. You can call it the small “Central Park of Amsterdam”. It is a true location to relax.

 

Take a look at www.ifranz.tv, or take the direct download link for ifranz.podspot.de/files/ifranz_112.m4v. Have Fun and go vlog yourself!

 

Russ, one of our staff mentors, is helping Olivia edit a project due that evening on Final Cut Pro. She had run into an issue that several others couldn't help with. Oh, did I tell you that Russ is a genius with Final Cut Pro?

 

Equipment

 

Cannon 5D

Track Dolly

Lights

Flag

Studio

 

Software

 

AfterEffects

FinalCutPro

AbletonLive

 

Credits

 

Actor - Ricardo dos Santos

 

Camera,Producer,Director,VisualEffects,ColorGradient,Compositing, Edition, SoundSync, Tracking by Yasha Hindine

 

link for video

 

vimeo.com/32354633

Third time trying to upload this so im writing NOTHIN till its up, got that!

 

- ok I shot this in my dads garage in spain and brought home to Ireland to use as a way to learn film burns and vignetting in After Effects and Final Cut Pro

 

Shot on: Canon 550D/Rebel T2i

Lens: 50mm 1.8

Edited: FCP & AE

 

Watch this video on Vimeo. Video created by Liam Allen.

From June 22-26, 2009, Communicating for Change (CFC) offered a course in Final Cut Pro video editing, to provide participants with a core understanding of the fundamentals of professional video editing and optimizes their creative skills through the use of the Mac system and Final Cut Pro software.

 

The course was facilitated by Chike Kani Omo, Executive Director of Blackwing Productions and a seasoned video editor and film director, who has worked on many international stage and film productions.

 

Photos copyright 2009 - Premium Media & CFC

 

www.cfcnigeria.org

3/13/2009 - Difference of Opinion

 

IMG_1123-1

This DMTV's editor is preparing programs with Apple's Final Cup Pro on his killer machine.

Still bragging about my fine new editing bench here. For better notes, see the other angle. Too bad it lasted all of 24 hours before demands were made for its destruction.

"Doubt is a pain too lonely to know that faith is his twin brother." - Kahlil Gibran

 

[Unrelated - I miss my compact at times like this.]

PowerBook G4: 1,67Ghz 2Gb DDR2 160Gb HDD

Moscow

Sony EX1 and FX1

Final Cut Pro 6

 

This is a frame from a video. You can watch it on Vimeo.

Just a stack o' boxes that once housed Apple products! :-D

Just a stack o' boxes that once housed Apple products! :-D

Frame grabs from the short, Picture a Kiss by Giulio Sciorio. See more at giuliosciorio.com

Time lapse footage shot in NE England and Italy on various Nikon and Canon DSLR"s using the Pclix intervalometer. Post produced in Shake and Final Cut Pro 6.

 

This is a frame from a video. You can watch it on Vimeo.

Really excited to be finally, after 4 months, importing and logging the first few hours of footage from Pedal :)

Progetto Arcevia 2.0/12

In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.

40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.

Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.

Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.

Nearly there!

 

Testing DVD menu mockups in Photoshop and Final Cut Pro. Must learn DVD Studio...

HD DVD Authering on FinalCutPro

Canon 7D

720@50fps

Shutter speeds of 1/100, 1/200, 1/400

Very flat picture profile, no colour correction or grading

Coded to ProRes422HQ using MpegStreamclip

Conformed to 25fps using Cinema Tools

Conformed clips also slowed by 50% using FCS7 speed tool with blend, scale and ripple selected.

All on a 25fps timeline and outputted using H.264 720@25FPS

 

I had a bit of a debate about what the best shutter speed was to shoot at if you intended to show down the footage in the edit. Here I have shot at 50fps the native shutter speed of 1/100, what I think would be the right shutter speed if you intend to half the frame rate and still maintain correct shutter actuations for the frame rate (1/200) and what I think the right frame rate would be if you intended on halving that again to create what is effectively 12.5fps.

 

A 50fps version can be seen here:

www.flickr.com/photos/nickjonesmedia/4674093372/

 

I'm not sure what looks best to be honest so your comments would be welcomed!

  

A blog about this test can be found here nickjonesmedia.wordpress.com/2011/04/27/a-comparison-of-s...

"Getting Started With Film", Prince's Trust Training at MediaZoo Studios, Weavers Court, Belfast.

"Getting Started With Film", Prince's Trust Training at MediaZoo Studios, Weavers Court, Belfast.

Guernsey 9.00 am The Channel Islands.

 

Filmed over two consecutive mornings, the weather conditions being much the same on both days.

 

I took a Taxi, with my suitcase, direct from the Airport to 'Petit Bot Bay' which I had 'Googled'!

 

This short scenario was filmed with the Canon 7d DSLR at 1080 25FPS. Final Cut Pro. Magic Bullet Looks. Imac 24. Stock lens 18 - 135 mm

 

I had with me a light weight Tripod, a banana and a suitcase.

 

Here is a link to a DIRECTOR'S COMMENTARY of ROCK BOTTOM by 'Storytellin' ...

 

www.storytell.in/hdvidz/entry/video_commentary_rock_botto...

 

Watch this video on Vimeo. Video created by bob lorrimer.

This is it ladies & gents, the Xyn is on it, filming, editing and stacking footage for the full-length video, due out some time in 2008!

 

There's not one but 2 official trailers, one cut by Me (JamFactory) and one cut by Jonny (M4KINOV) ~ This is my cut, ENJOI!

 

www.xynthetic.co.uk

 

This is a video clip. You can watch it on Vimeo:

vimeo.com/186044/l:flickr

  

cut by cut, the 2 hour movie gets a bit longer every day.

2009.01.21 - day 71

 

i'm hoping to finish my 2nd to my last EVER wedding video by february. right now, i'm cutting up the reception, which is my least favorite part of weddings videos. time to get back to work.

Sit back for a moment, relax, and enjoy the spectacle of lights...

 

Music by: Sigur Ros

 

This is a frame from a video. You can watch it on Vimeo.

I just edited / created motion graphics for this new trailer.

 

You can view it here:

 

badatkarate.com/video/co_trailer.mov

badatkarate.com/video/co_trailer.wmv

A short movie filmed in two hours on a Canon T2i EOS 550D and edited in Final Cut Pro.

Written, directed and edited by Steve Hodges. Special thanks to Eric Stinnissen for help with the filming. Shot with a Canon 50mm and 18-55mm lens, colour grading with Red Giant.

vimeo.com/35617002

Learn the basics of shooting and editing your own TV show with Alex Orellana, certified Apple Editor and commercial producer.

 

Equipment

 

Cannon 5D

Track Dolly

Lights

Flag

Studio

 

Software

 

AfterEffects

FinalCutPro

AbletonLive

 

Credits

 

Actor - Ricardo dos Santos

 

Camera,Producer,Director,VisualEffects,ColorGradient,Compositing, Edition, SoundSync, Tracking by Yasha Hindine

 

link for video

 

vimeo.com/32354633

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