View allAll Photos Tagged FinalCutPro
Time lapse footage shot in NE England and Italy on various Nikon and Canon DSLR"s using the Pclix intervalometer. Post produced in Shake and Final Cut Pro 6.
This is a frame from a video. You can watch it on Vimeo.
Really excited to be finally, after 4 months, importing and logging the first few hours of footage from Pedal :)
Canon 7D
720@50fps
Shutter speeds of 1/100, 1/200, 1/400
Very flat picture profile, no colour correction or grading
Coded to ProRes422HQ using MpegStreamclip
Conformed to 25fps using Cinema Tools
Conformed clips also slowed by 50% using FCS7 speed tool with blend, scale and ripple selected.
All on a 25fps timeline and outputted using H.264 720@25FPS
I had a bit of a debate about what the best shutter speed was to shoot at if you intended to show down the footage in the edit. Here I have shot at 50fps the native shutter speed of 1/100, what I think would be the right shutter speed if you intend to half the frame rate and still maintain correct shutter actuations for the frame rate (1/200) and what I think the right frame rate would be if you intended on halving that again to create what is effectively 12.5fps.
A 50fps version can be seen here:
www.flickr.com/photos/nickjonesmedia/4674093372/
I'm not sure what looks best to be honest so your comments would be welcomed!
A blog about this test can be found here nickjonesmedia.wordpress.com/2011/04/27/a-comparison-of-s...
Shot this in a few minutes on the Seven-D while my Americano was being made.
(Note to self: must buy new lens with image-stabilization. Can't afford to keep buying new keyboards due to motion sickness.)
This is it ladies & gents, the Xyn is on it, filming, editing and stacking footage for the full-length video, due out some time in 2008!
There's not one but 2 official trailers, one cut by Me (JamFactory) and one cut by Jonny (M4KINOV) ~ This is my cut, ENJOI!
This is a video clip. You can watch it on Vimeo:
2009.01.21 - day 71
i'm hoping to finish my 2nd to my last EVER wedding video by february. right now, i'm cutting up the reception, which is my least favorite part of weddings videos. time to get back to work.
Still from "Kurai" on Vimeo:
Set out to create dark visuals to accompany my music.
Used Quartz Composer to generate and render a 3D fractal model. Nearly killed my GPU.
Postprocessed in Photoshop and Final Cut Pro.
Music: “Reticent” soundcloud.com/inofaith/reticent
Sit back for a moment, relax, and enjoy the spectacle of lights...
Music by: Sigur Ros
This is a frame from a video. You can watch it on Vimeo.
I just edited / created motion graphics for this new trailer.
You can view it here:
Learn the basics of shooting and editing your own TV show with Alex Orellana, certified Apple Editor and commercial producer.
Equipment
Cannon 5D
Track Dolly
Lights
Flag
Studio
Software
AfterEffects
FinalCutPro
AbletonLive
Credits
Actor - Ricardo dos Santos
Camera,Producer,Director,VisualEffects,ColorGradient,Compositing, Edition, SoundSync, Tracking by Yasha Hindine
link for video
On Monday morning, Will figured out he had an error in the "thank you" page of the video they were putting up on the 50' screen on Friday. After five hrs of work, he was breathing easier.
AirVenture 09 Day 3 - Monday
A short movie filmed in two hours on a Canon T2i EOS 550D and edited in Final Cut Pro.
Written, directed and edited by Steve Hodges. Special thanks to Eric Stinnissen for help with the filming. Shot with a Canon 50mm and 18-55mm lens, colour grading with Red Giant.
Wes Plate, President of Automatic Duck, talks with Larry Jordan about Automatic Duck Pro Export FCP and improvements to the Final Cut Pro to Avid, Quantel and Pro Tools Workflow.