Features:

-Working ambidextrous safety

-Working charging handle and sliding bolt

-Flip-up sights

-Retractable stock

-Foldable foregrip

-Working trigger

 

Also, credit for the compensator goes to Cole Edmondson.

BERLIN, GERMANY - NOVEMBER 30: Team Crazy Raccoon's Daiki "Minty" Kato poses at the VALORANT Champions Features Day on November 30, 2021 in Berlin, Germany. (Photo by Lance Skundrich/Riot Games)

Shakespeare's Globe is a realistic true-to-history reconstruction of the Globe Theatre, an Elizabethan playhouse first built in 1599 for which William Shakespeare wrote his plays. It is located on the south bank of the River Thames, in the London Borough of Southwark and hosts theatrical productions.

 

Background

The original theatre was built in 1599, destroyed by a fire in 1613, rebuilt in 1614, and then demolished in 1644. The modern Globe Theatre is an academic approximation based on available evidence of the 1599 and 1614 buildings. It is considered quite realistic, though modern safety requirements mean that it accommodates only 1,400 spectators compared to the original theatre's 3,000.

 

The modern Shakespeare's Globe was founded by the actor and director Sam Wanamaker, and built about 230 metres (750 ft) from the site of the original theatre in the historic open-air style. It opened to the public in 1997, with a production of Henry V.

 

Michelle Terry currently serves as artistic director. She is the second actor-manager in charge of the organisation, following Mark Rylance, the founding artistic director.

 

The site also includes the Sam Wanamaker Playhouse, an indoor theatre which opened in January 2014. This is a smaller, candle-lit space based on historic plans for an indoor playhouse of Jacobean era London (possibly Blackfriars Theatre).

 

The Shakespeare's Globe Studios, an educational and rehearsal studio complex, is situated just around the corner from the main site.

 

Planning and construction

In 1970, American actor and director Sam Wanamaker founded the Shakespeare Globe Trust and the International Shakespeare Globe Centre, with the objective of building a faithful recreation of Shakespeare's Globe close to its original location at Bankside, Southwark. This inspired the founding of a number of Shakespeare's Globe Centres around the world, an activity in which Wanamaker also participated.

 

Many people maintained that a faithful Globe reconstruction was impossible to achieve due to the complications in the 16th-century design and modern fire safety requirements; however, Wanamaker and his associate Diana Devlin persevered in their vision for over 20 years to create the theatre. A new Globe theatre was eventually built according to a design based on the research of historical adviser John Orrell.

 

It was Wanamaker's wish that the new building recreate the Globe as it existed during most of Shakespeare's time there; that is, the 1599 building rather than its 1614 replacement. A study was made of what was known of the construction of The Theatre, the building from which the 1599 Globe obtained much of its timber, as a starting point for the modern building's design. To this were added: examinations of other surviving London buildings from the latter part of the 16th century; comparisons with other theatres of the period (particularly the Fortune Playhouse, for which the building contract survives); and contemporary drawings and descriptions of the first Globe. For practical reasons, some features of the 1614 rebuilding were incorporated into the modern design, such as the external staircases. The design team consisted of architect Theo Crosby of Pentagram, structural and services engineer Buro Happold, and quantity surveyors from Boyden & Co. The construction, building research and historic design details were undertaken by McCurdy & Co.

 

In 1994, the name "Globe Theatre" was used by one of the theatres in Shaftesbury Avenue; to make the name available and to avoid confusion, that year it was renamed as the Gielgud Theatre.

 

The theatre opened in 1997 under the name "Shakespeare's Globe Theatre", and has staged plays every summer.

 

Personnel

Mark Rylance became the first artistic director in 1995 and was succeeded by Dominic Dromgoole in 2006. In January 2016, Emma Rice began her term as the Globe's third artistic director, but in October 2016 announced her decision to resign from the position. On 24 July 2017 her successor was announced to be the actor and writer Michelle Terry.

 

Location and features

The theatre is located on Bankside, about 230 metres (750 ft) from the original site—measured from centre to centre. Listed Georgian townhouses now occupy part of the original site and could not be considered for removal. Like the original Globe, the modern theatre has a thrust stage that projects into a large circular yard surrounded by three tiers of raked seating. The only covered parts of the amphitheatre are the stage and the seating areas.

 

The reconstruction was carefully researched so that the new building would be as faithful a replica of the original as possible. This was aided by the discovery of the remains of the original Rose Theatre, a nearby neighbour to the Globe, as final plans were being made for the site and structure.

 

The building itself is constructed entirely of English oak, with mortise and tenon joints and is, in this sense, an "authentic" 16th-century timber-framed building as no structural steel was used. The seats are simple benches (though cushions can be hired for performances) and the Globe has what has been claimed to be the first and only thatched roof permitted in London since the Great Fire of London in 1666. The modern thatch is well protected by fire retardants, and sprinklers on the roof ensure further protection against fire. The pit has a concrete surface, as opposed to earthen-ground covered with strewn rush from the original theatre. The theatre has extensive backstage support areas for actors and musicians, and is attached to a modern lobby, restaurant, gift shop and visitor centre. Seating capacity is 873 with an additional 700 "Groundlings" standing in the yard, making up an audience about half the size of a typical audience in Shakespeare's time.

 

Productions

Plays are staged during the summer, usually between May and the first week of October; in the winter, the theatre is used for educational purposes. Tours are available all year round. Some productions are filmed and released to cinemas as Globe on Screen productions (usually in the year following the live production), and on DVD and Blu-ray.

 

For its first 18 seasons, performances were engineered to duplicate the original environment of Shakespeare's Globe; there were no spotlights, and plays were staged during daylight hours and in the evenings (with the help of interior floodlights), there were no microphones, speakers or amplification. All music was performed live, most often on period instruments; and the actors and the audience could see and interact easily with each other, adding to the feeling of a shared experience and of a community event.

 

Typically, performances have been created in the spirit of experimentation to explore the original playing conditions of the 1599 Globe. Modern and conventional theatre technology such as spotlights and microphones were not used during this period. Beginning in the 2016 season, the new artistic director, Emma Rice, began experimenting with the theatre space by installing a temporary lighting and sound rig. The current artistic director, Michelle Terry, has brought back the experimentation on original playing conditions.

 

The Globe operates without any public subsidy and generates £24 million in revenue per year.

 

Acting and design students from the Mason Gross School of the Arts at New Jersey's Rutgers University study abroad at the theater as part of the Rutgers Conservatory at Shakespeare's Globe, a longstanding partnership between the institutions.

 

Sam Wanamaker Playhouse

Adjacent to the Globe is the Sam Wanamaker Playhouse, an indoor theatre modelled after a Jacobean-era theatre and used for performances during the winter months when the main theatre cannot be used.

 

Read Not Dead

Read Not Dead is a series of play readings, or staged "performances with scripts" that have been presented as part of the educational programme of Shakespeare's Globe since 1995. The plays selected are those that were written between 1576 and 1642 by Shakespeare's contemporaries or near contemporaries. These readings are performed at Shakespeare's Globe Studios as well as other theatres, halls, festivals and fields nationwide.

 

In 2013 there were Read Not Dead performances at the Wilderness Festival and at the Glastonbury Festival. In 2014, the final production in Read not Dead's first season was performed at the Sam Wanamaker Playhouse, which is the indoor Jacobean style theatre. The play selected for that occasion was Robert Daborne’s A Christian Turn'd Turk.

 

Globe on Screen

The Globe's productions are often screened in cinemas and released on DVD and Blu-ray. In 2015, the venue launched Globe Player, a video-on-demand service enabling viewers to watch the plays on laptops and mobile devices. The theatre was the first in the world to make its plays available as video-on-demand.

 

Other replicas

Replicas and free interpretations of the Globe have been built around the world:

 

Argentina

Argentina: Teatro Shakespeare.

 

Germany

Neuss am Rhein: Globe Neuss

Rust, Baden, Germany: in the Europa-Park

Schwäbisch Hall, Baden-Württemberg: houses a replica of the interior of the Globe Theatre.

 

Italy

Rome: Globe Theatre

 

Japan

Tokyo: Panasonic Globe Theatre

Tokyo: Meisei University's Shakespeare Hall, at its Hino campus

 

New Zealand

Auckland: Pop-up Globe

 

United States

Ashland, Oregon: Allen Elizabethan Theatre

Austin, Texas: Curtain Theatre

Cedar City, Utah: Adams Shakespearean Theatre

Dallas, Texas: Old Globe Theatre

Odessa, Texas: Globe of the Great Southwest

San Diego, California: Old Globe Theatre

Williamsburg, Virginia: Globe Theatre, in Busch Gardens Williamsburg

Twin Lake, Michigan: Blue Lake Fine Arts Camp, The Rose Playhouse.

Hempsted, New York: Hofstra University, Pop-up Globe

The conservation area showcases a set of large red rock formations: a set of sandstone peaks and walls called the Keystone Thrust. The walls are up to 3,000 feet (910 m) high, making them a popular hiking and rock climbing destination. The highest point is La Madre Mountain, at 8,154 feet (2,485 m).

 

A one-way loop road, 13 miles (21 km) long, provides vehicle access to many of the features in the area

Fish, any of approximately 34,000 species of vertebrate animals (phylum Chordata) found in the fresh and salt waters of the world. Living species range from the primitive jawless lampreys and hagfishes through the cartilaginous sharks, skates, and rays to the abundant and diverse bony fishes. Most fish species are cold-blooded; however, one species, the opah (Lampris guttatus), is warm-blooded.

 

The term fish is applied to a variety of vertebrates of several evolutionary lines. It describes a life-form rather than a taxonomic group. As members of the phylum Chordata, fish share certain features with other vertebrates. These features are gill slits at some point in the life cycle, a notochord, or skeletal supporting rod, a dorsal hollow nerve cord, and a tail. Living fishes represent some five classes, which are as distinct from one another as are the four classes of familiar air-breathing animals—amphibians, reptiles, birds, and mammals. For example, the jawless fishes (Agnatha) have gills in pouches and lack limb girdles. Extant agnathans are the lampreys and the hagfishes. As the name implies, the skeletons of fishes of the class Chondrichthyes (from chondr, “cartilage,” and ichthyes, “fish”) are made entirely of cartilage. Modern fish of this class lack a swim bladder, and their scales and teeth are made up of the same placoid material. Sharks, skates, and rays are examples of cartilaginous fishes. The bony fishes are by far the largest class. Examples range from the tiny seahorse to the 450-kg (1,000-pound) blue marlin, from the flattened soles and flounders to the boxy puffers and ocean sunfishes. Unlike the scales of the cartilaginous fishes, those of bony fishes, when present, grow throughout life and are made up of thin overlapping plates of bone. Bony fishes also have an operculum that covers the gill slits.

 

The study of fishes, the science of ichthyology, is of broad importance. Fishes are of interest to humans for many reasons, the most important being their relationship with and dependence on the environment. A more obvious reason for interest in fishes is their role as a moderate but important part of the world’s food supply. This resource, once thought unlimited, is now realized to be finite and in delicate balance with the biological, chemical, and physical factors of the aquatic environment. Overfishing, pollution, and alteration of the environment are the chief enemies of proper fisheries management, both in fresh waters and in the ocean. (For a detailed discussion of the technology and economics of fisheries, see commercial fishing.) Another practical reason for studying fishes is their use in disease control. As predators on mosquito larvae, they help curb malaria and other mosquito-borne diseases.

 

Fishes are valuable laboratory animals in many aspects of medical and biological research. For example, the readiness of many fishes to acclimate to captivity has allowed biologists to study behaviour, physiology, and even ecology under relatively natural conditions. Fishes have been especially important in the study of animal behaviour, where research on fishes has provided a broad base for the understanding of the more flexible behaviour of the higher vertebrates. The zebra fish is used as a model in studies of gene expression.

 

There are aesthetic and recreational reasons for an interest in fishes. Millions of people keep live fishes in home aquariums for the simple pleasure of observing the beauty and behaviour of animals otherwise unfamiliar to them. Aquarium fishes provide a personal challenge to many aquarists, allowing them to test their ability to keep a small section of the natural environment in their homes. Sportfishing is another way of enjoying the natural environment, also indulged in by millions of people every year. Interest in aquarium fishes and sportfishing supports multimillion-dollar industries throughout the world.

 

Fishes have been in existence for more than 450 million years, during which time they have evolved repeatedly to fit into almost every conceivable type of aquatic habitat. In a sense, land vertebrates are simply highly modified fishes: when fishes colonized the land habitat, they became tetrapod (four-legged) land vertebrates. The popular conception of a fish as a slippery, streamlined aquatic animal that possesses fins and breathes by gills applies to many fishes, but far more fishes deviate from that conception than conform to it. For example, the body is elongate in many forms and greatly shortened in others; the body is flattened in some (principally in bottom-dwelling fishes) and laterally compressed in many others; the fins may be elaborately extended, forming intricate shapes, or they may be reduced or even lost; and the positions of the mouth, eyes, nostrils, and gill openings vary widely. Air breathers have appeared in several evolutionary lines.

 

Many fishes are cryptically coloured and shaped, closely matching their respective environments; others are among the most brilliantly coloured of all organisms, with a wide range of hues, often of striking intensity, on a single individual. The brilliance of pigments may be enhanced by the surface structure of the fish, so that it almost seems to glow. A number of unrelated fishes have actual light-producing organs. Many fishes are able to alter their coloration—some for the purpose of camouflage, others for the enhancement of behavioral signals.

 

Fishes range in adult length from less than 10 mm (0.4 inch) to more than 20 metres (60 feet) and in weight from about 1.5 grams (less than 0.06 ounce) to many thousands of kilograms. Some live in shallow thermal springs at temperatures slightly above 42 °C (100 °F), others in cold Arctic seas a few degrees below 0 °C (32 °F) or in cold deep waters more than 4,000 metres (13,100 feet) beneath the ocean surface. The structural and, especially, the physiological adaptations for life at such extremes are relatively poorly known and provide the scientifically curious with great incentive for study.

 

Almost all natural bodies of water bear fish life, the exceptions being very hot thermal ponds and extremely salt-alkaline lakes, such as the Dead Sea in Asia and the Great Salt Lake in North America. The present distribution of fishes is a result of the geological history and development of Earth as well as the ability of fishes to undergo evolutionary change and to adapt to the available habitats. Fishes may be seen to be distributed according to habitat and according to geographical area. Major habitat differences are marine and freshwater. For the most part, the fishes in a marine habitat differ from those in a freshwater habitat, even in adjacent areas, but some, such as the salmon, migrate from one to the other. The freshwater habitats may be seen to be of many kinds. Fishes found in mountain torrents, Arctic lakes, tropical lakes, temperate streams, and tropical rivers will all differ from each other, both in obvious gross structure and in physiological attributes. Even in closely adjacent habitats where, for example, a tropical mountain torrent enters a lowland stream, the fish fauna will differ. The marine habitats can be divided into deep ocean floors (benthic), mid-water oceanic (bathypelagic), surface oceanic (pelagic), rocky coast, sandy coast, muddy shores, bays, estuaries, and others. Also, for example, rocky coastal shores in tropical and temperate regions will have different fish faunas, even when such habitats occur along the same coastline.

 

Although much is known about the present geographical distribution of fishes, far less is known about how that distribution came about. Many parts of the fish fauna of the fresh waters of North America and Eurasia are related and undoubtedly have a common origin. The faunas of Africa and South America are related, extremely old, and probably an expression of the drifting apart of the two continents. The fauna of southern Asia is related to that of Central Asia, and some of it appears to have entered Africa. The extremely large shore-fish faunas of the Indian and tropical Pacific oceans comprise a related complex, but the tropical shore fauna of the Atlantic, although containing Indo-Pacific components, is relatively limited and probably younger. The Arctic and Antarctic marine faunas are quite different from each other. The shore fauna of the North Pacific is quite distinct, and that of the North Atlantic more limited and probably younger. Pelagic oceanic fishes, especially those in deep waters, are similar the world over, showing little geographical isolation in terms of family groups. The deep oceanic habitat is very much the same throughout the world, but species differences do exist, showing geographical areas determined by oceanic currents and water masses.

 

All aspects of the life of a fish are closely correlated with adaptation to the total environment, physical, chemical, and biological. In studies, all the interdependent aspects of fish, such as behaviour, locomotion, reproduction, and physical and physiological characteristics, must be taken into account.

 

Correlated with their adaptation to an extremely wide variety of habitats is the extremely wide variety of life cycles that fishes display. The great majority hatch from relatively small eggs a few days to several weeks or more after the eggs are scattered in the water. Newly hatched young are still partially undeveloped and are called larvae until body structures such as fins, skeleton, and some organs are fully formed. Larval life is often very short, usually less than a few weeks, but it can be very long, some lampreys continuing as larvae for at least five years. Young and larval fishes, before reaching sexual maturity, must grow considerably, and their small size and other factors often dictate that they live in a habitat different than that of the adults. For example, most tropical marine shore fishes have pelagic larvae. Larval food also is different, and larval fishes often live in shallow waters, where they may be less exposed to predators.

 

After a fish reaches adult size, the length of its life is subject to many factors, such as innate rates of aging, predation pressure, and the nature of the local climate. The longevity of a species in the protected environment of an aquarium may have nothing to do with how long members of that species live in the wild. Many small fishes live only one to three years at the most. In some species, however, individuals may live as long as 10 or 20 or even 100 years.

 

Fish behaviour is a complicated and varied subject. As in almost all animals with a central nervous system, the nature of a response of an individual fish to stimuli from its environment depends upon the inherited characteristics of its nervous system, on what it has learned from past experience, and on the nature of the stimuli. Compared with the variety of human responses, however, that of a fish is stereotyped, not subject to much modification by “thought” or learning, and investigators must guard against anthropomorphic interpretations of fish behaviour.

 

Fishes perceive the world around them by the usual senses of sight, smell, hearing, touch, and taste and by special lateral line water-current detectors. In the few fishes that generate electric fields, a process that might best be called electrolocation aids in perception. One or another of these senses often is emphasized at the expense of others, depending upon the fish’s other adaptations. In fishes with large eyes, the sense of smell may be reduced; others, with small eyes, hunt and feed primarily by smell (such as some eels).

 

Specialized behaviour is primarily concerned with the three most important activities in the fish’s life: feeding, reproduction, and escape from enemies. Schooling behaviour of sardines on the high seas, for instance, is largely a protective device to avoid enemies, but it is also associated with and modified by their breeding and feeding requirements. Predatory fishes are often solitary, lying in wait to dart suddenly after their prey, a kind of locomotion impossible for beaked parrot fishes, which feed on coral, swimming in small groups from one coral head to the next. In addition, some predatory fishes that inhabit pelagic environments, such as tunas, often school.

 

Sleep in fishes, all of which lack true eyelids, consists of a seemingly listless state in which the fish maintains its balance but moves slowly. If attacked or disturbed, most can dart away. A few kinds of fishes lie on the bottom to sleep. Most catfishes, some loaches, and some eels and electric fishes are strictly nocturnal, being active and hunting for food during the night and retiring during the day to holes, thick vegetation, or other protective parts of the environment.

 

Communication between members of a species or between members of two or more species often is extremely important, especially in breeding behaviour (see below Reproduction). The mode of communication may be visual, as between the small so-called cleaner fish and a large fish of a very different species. The larger fish often allows the cleaner to enter its mouth to remove gill parasites. The cleaner is recognized by its distinctive colour and actions and therefore is not eaten, even if the larger fish is normally a predator. Communication is often chemical, signals being sent by specific chemicals called pheromones.

 

Many fishes have a streamlined body and swim freely in open water. Fish locomotion is closely correlated with habitat and ecological niche (the general position of the animal to its environment).

 

Many fishes in both marine and fresh waters swim at the surface and have mouths adapted to feed best (and sometimes only) at the surface. Often such fishes are long and slender, able to dart at surface insects or at other surface fishes and in turn to dart away from predators; needlefishes, halfbeaks, and topminnows (such as killifish and mosquito fish) are good examples. Oceanic flying fishes escape their predators by gathering speed above the water surface, with the lower lobe of the tail providing thrust in the water. They then glide hundreds of yards on enlarged, winglike pectoral and pelvic fins. South American freshwater flying fishes escape their enemies by jumping and propelling their strongly keeled bodies out of the water.

 

So-called mid-water swimmers, the most common type of fish, are of many kinds and live in many habitats. The powerful fusiform tunas and the trouts, for example, are adapted for strong, fast swimming, the tunas to capture prey speedily in the open ocean and the trouts to cope with the swift currents of streams and rivers. The trout body form is well adapted to many habitats. Fishes that live in relatively quiet waters such as bays or lake shores or slow rivers usually are not strong, fast swimmers but are capable of short, quick bursts of speed to escape a predator. Many of these fishes have their sides flattened, examples being the sunfish and the freshwater angelfish of aquarists. Fish associated with the bottom or substrate usually are slow swimmers. Open-water plankton-feeding fishes almost always remain fusiform and are capable of rapid, strong movement (for example, sardines and herrings of the open ocean and also many small minnows of streams and lakes).

 

Bottom-living fishes are of many kinds and have undergone many types of modification of their body shape and swimming habits. Rays, which evolved from strong-swimming mid-water sharks, usually stay close to the bottom and move by undulating their large pectoral fins. Flounders live in a similar habitat and move over the bottom by undulating the entire body. Many bottom fishes dart from place to place, resting on the bottom between movements, a motion common in gobies. One goby relative, the mudskipper, has taken to living at the edge of pools along the shore of muddy mangrove swamps. It escapes its enemies by flipping rapidly over the mud, out of the water. Some catfishes, synbranchid eels, the so-called climbing perch, and a few other fishes venture out over damp ground to find more promising waters than those that they left. They move by wriggling their bodies, sometimes using strong pectoral fins; most have accessory air-breathing organs. Many bottom-dwelling fishes live in mud holes or rocky crevices. Marine eels and gobies commonly are found in such habitats and for the most part venture far beyond their cavelike homes. Some bottom dwellers, such as the clingfishes (Gobiesocidae), have developed powerful adhesive disks that enable them to remain in place on the substrate in areas such as rocky coasts, where the action of the waves is great.

 

The methods of reproduction in fishes are varied, but most fishes lay a large number of small eggs, fertilized and scattered outside of the body. The eggs of pelagic fishes usually remain suspended in the open water. Many shore and freshwater fishes lay eggs on the bottom or among plants. Some have adhesive eggs. The mortality of the young and especially of the eggs is very high, and often only a few individuals grow to maturity out of hundreds, thousands, and in some cases millions of eggs laid.

 

Males produce sperm, usually as a milky white substance called milt, in two (sometimes one) testes within the body cavity. In bony fishes a sperm duct leads from each testis to a urogenital opening behind the vent or anus. In sharks and rays and in cyclostomes the duct leads to a cloaca. Sometimes the pelvic fins are modified to help transmit the milt to the eggs at the female’s vent or on the substrate where the female has placed them. Sometimes accessory organs are used to fertilize females internally—for example, the claspers of many sharks and rays.

 

In the females the eggs are formed in two ovaries (sometimes only one) and pass through the ovaries to the urogenital opening and to the outside. In some fishes the eggs are fertilized internally but are shed before development takes place. Members of about a dozen families each of bony fishes (teleosts) and sharks bear live young. Many skates and rays also bear live young. In some bony fishes the eggs simply develop within the female, the young emerging when the eggs hatch (ovoviviparous). Others develop within the ovary and are nourished by ovarian tissues after hatching (viviparous). There are also other methods utilized by fishes to nourish young within the female. In all live-bearers the young are born at a relatively large size and are few in number. In one family of primarily marine fishes, the surfperches from the Pacific coast of North America, Japan, and Korea, the males of at least one species are born sexually mature, although they are not fully grown.

 

Some fishes are hermaphroditic—an individual producing both sperm and eggs, usually at different stages of its life. Self-fertilization, however, is probably rare.

 

Successful reproduction and, in many cases, defense of the eggs and the young are assured by rather stereotypical but often elaborate courtship and parental behaviour, either by the male or the female or both. Some fishes prepare nests by hollowing out depressions in the sand bottom (cichlids, for example), build nests with plant materials and sticky threads excreted by the kidneys (sticklebacks), or blow a cluster of mucus-covered bubbles at the water surface (gouramis). The eggs are laid in these structures. Some varieties of cichlids and catfishes incubate eggs in their mouths.

 

Some fishes, such as salmon, undergo long migrations from the ocean and up large rivers to spawn in the gravel beds where they themselves hatched (anadromous fishes). Some, such as the freshwater eels (family Anguillidae), live and grow to maturity in fresh water and migrate to the sea to spawn (catadromous fishes). Other fishes undertake shorter migrations from lakes into streams, within the ocean, or enter spawning habitats that they do not ordinarily occupy in other ways.

 

The basic structure and function of the fish body are similar to those of all other vertebrates. The usual four types of tissues are present: surface or epithelial, connective (bone, cartilage, and fibrous tissues, as well as their derivative, blood), nerve, and muscle tissues. In addition, the fish’s organs and organ systems parallel those of other vertebrates.

 

The typical fish body is streamlined and spindle-shaped, with an anterior head, a gill apparatus, and a heart, the latter lying in the midline just below the gill chamber. The body cavity, containing the vital organs, is situated behind the head in the lower anterior part of the body. The anus usually marks the posterior termination of the body cavity and most often occurs just in front of the base of the anal fin. The spinal cord and vertebral column continue from the posterior part of the head to the base of the tail fin, passing dorsal to the body cavity and through the caudal (tail) region behind the body cavity. Most of the body is of muscular tissue, a high proportion of which is necessitated by swimming. In the course of evolution this basic body plan has been modified repeatedly into the many varieties of fish shapes that exist today.

 

The skeleton forms an integral part of the fish’s locomotion system, as well as serving to protect vital parts. The internal skeleton consists of the skull bones (except for the roofing bones of the head, which are really part of the external skeleton), the vertebral column, and the fin supports (fin rays). The fin supports are derived from the external skeleton but will be treated here because of their close functional relationship to the internal skeleton. The internal skeleton of cyclostomes, sharks, and rays is of cartilage; that of many fossil groups and some primitive living fishes is mostly of cartilage but may include some bone. In place of the vertebral column, the earliest vertebrates had a fully developed notochord, a flexible stiff rod of viscous cells surrounded by a strong fibrous sheath. During the evolution of modern fishes the rod was replaced in part by cartilage and then by ossified cartilage. Sharks and rays retain a cartilaginous vertebral column; bony fishes have spool-shaped vertebrae that in the more primitive living forms only partially replace the notochord. The skull, including the gill arches and jaws of bony fishes, is fully, or at least partially, ossified. That of sharks and rays remains cartilaginous, at times partially replaced by calcium deposits but never by true bone.

 

The supportive elements of the fins (basal or radial bones or both) have changed greatly during fish evolution. Some of these changes are described in the section below (Evolution and paleontology). Most fishes possess a single dorsal fin on the midline of the back. Many have two and a few have three dorsal fins. The other fins are the single tail and anal fins and paired pelvic and pectoral fins. A small fin, the adipose fin, with hairlike fin rays, occurs in many of the relatively primitive teleosts (such as trout) on the back near the base of the caudal fin.

 

The skin of a fish must serve many functions. It aids in maintaining the osmotic balance, provides physical protection for the body, is the site of coloration, contains sensory receptors, and, in some fishes, functions in respiration. Mucous glands, which aid in maintaining the water balance and offer protection from bacteria, are extremely numerous in fish skin, especially in cyclostomes and teleosts. Since mucous glands are present in the modern lampreys, it is reasonable to assume that they were present in primitive fishes, such as the ancient Silurian and Devonian agnathans. Protection from abrasion and predation is another function of the fish skin, and dermal (skin) bone arose early in fish evolution in response to this need. It is thought that bone first evolved in skin and only later invaded the cartilaginous areas of the fish’s body, to provide additional support and protection. There is some argument as to which came first, cartilage or bone, and fossil evidence does not settle the question. In any event, dermal bone has played an important part in fish evolution and has different characteristics in different groups of fishes. Several groups are characterized at least in part by the kind of bony scales they possess.

 

Scales have played an important part in the evolution of fishes. Primitive fishes usually had thick bony plates or thick scales in several layers of bone, enamel, and related substances. Modern teleost fishes have scales of bone, which, while still protective, allow much more freedom of motion in the body. A few modern teleosts (some catfishes, sticklebacks, and others) have secondarily acquired bony plates in the skin. Modern and early sharks possessed placoid scales, a relatively primitive type of scale with a toothlike structure, consisting of an outside layer of enamel-like substance (vitrodentine), an inner layer of dentine, and a pulp cavity containing nerves and blood vessels. Primitive bony fishes had thick scales of either the ganoid or the cosmoid type. Cosmoid scales have a hard, enamel-like outer layer, an inner layer of cosmine (a form of dentine), and then a layer of vascular bone (isopedine). In ganoid scales the hard outer layer is different chemically and is called ganoin. Under this is a cosminelike layer and then a vascular bony layer. The thin, translucent bony scales of modern fishes, called cycloid and ctenoid (the latter distinguished by serrations at the edges), lack enameloid and dentine layers.

 

Skin has several other functions in fishes. It is well supplied with nerve endings and presumably receives tactile, thermal, and pain stimuli. Skin is also well supplied with blood vessels. Some fishes breathe in part through the skin, by the exchange of oxygen and carbon dioxide between the surrounding water and numerous small blood vessels near the skin surface.

 

Skin serves as protection through the control of coloration. Fishes exhibit an almost limitless range of colours. The colours often blend closely with the surroundings, effectively hiding the animal. Many fishes use bright colours for territorial advertisement or as recognition marks for other members of their own species, or sometimes for members of other species. Many fishes can change their colour to a greater or lesser degree, by movement of pigment within the pigment cells (chromatophores). Black pigment cells (melanophores), of almost universal occurrence in fishes, are often juxtaposed with other pigment cells. When placed beneath iridocytes or leucophores (bearing the silvery or white pigment guanine), melanophores produce structural colours of blue and green. These colours are often extremely intense, because they are formed by refraction of light through the needlelike crystals of guanine. The blue and green refracted colours are often relatively pure, lacking the red and yellow rays, which have been absorbed by the black pigment (melanin) of the melanophores. Yellow, orange, and red colours are produced by erythrophores, cells containing the appropriate carotenoid pigments. Other colours are produced by combinations of melanophores, erythrophores, and iridocytes.

 

The major portion of the body of most fishes consists of muscles. Most of the mass is trunk musculature, the fin muscles usually being relatively small. The caudal fin is usually the most powerful fin, being moved by the trunk musculature. The body musculature is usually arranged in rows of chevron-shaped segments on each side. Contractions of these segments, each attached to adjacent vertebrae and vertebral processes, bends the body on the vertebral joint, producing successive undulations of the body, passing from the head to the tail, and producing driving strokes of the tail. It is the latter that provides the strong forward movement for most fishes.

 

The digestive system, in a functional sense, starts at the mouth, with the teeth used to capture prey or collect plant foods. Mouth shape and tooth structure vary greatly in fishes, depending on the kind of food normally eaten. Most fishes are predacious, feeding on small invertebrates or other fishes and have simple conical teeth on the jaws, on at least some of the bones of the roof of the mouth, and on special gill arch structures just in front of the esophagus. The latter are throat teeth. Most predacious fishes swallow their prey whole, and the teeth are used for grasping and holding prey, for orienting prey to be swallowed (head first) and for working the prey toward the esophagus. There are a variety of tooth types in fishes. Some fishes, such as sharks and piranhas, have cutting teeth for biting chunks out of their victims. A shark’s tooth, although superficially like that of a piranha, appears in many respects to be a modified scale, while that of the piranha is like that of other bony fishes, consisting of dentine and enamel. Parrot fishes have beaklike mouths with short incisor-like teeth for breaking off coral and have heavy pavementlike throat teeth for crushing the coral. Some catfishes have small brushlike teeth, arranged in rows on the jaws, for scraping plant and animal growth from rocks. Many fishes (such as the Cyprinidae or minnows) have no jaw teeth at all but have very strong throat teeth.

 

Some fishes gather planktonic food by straining it from their gill cavities with numerous elongate stiff rods (gill rakers) anchored by one end to the gill bars. The food collected on these rods is passed to the throat, where it is swallowed. Most fishes have only short gill rakers that help keep food particles from escaping out the mouth cavity into the gill chamber.

 

Once reaching the throat, food enters a short, often greatly distensible esophagus, a simple tube with a muscular wall leading into a stomach. The stomach varies greatly in fishes, depending upon the diet. In most predacious fishes it is a simple straight or curved tube or pouch with a muscular wall and a glandular lining. Food is largely digested there and leaves the stomach in liquid form.

 

Between the stomach and the intestine, ducts enter the digestive tube from the liver and pancreas. The liver is a large, clearly defined organ. The pancreas may be embedded in it, diffused through it, or broken into small parts spread along some of the intestine. The junction between the stomach and the intestine is marked by a muscular valve. Pyloric ceca (blind sacs) occur in some fishes at this junction and have a digestive or absorptive function or both.

 

The intestine itself is quite variable in length, depending upon the fish’s diet. It is short in predacious forms, sometimes no longer than the body cavity, but long in herbivorous forms, being coiled and several times longer than the entire length of the fish in some species of South American catfishes. The intestine is primarily an organ for absorbing nutrients into the bloodstream. The larger its internal surface, the greater its absorptive efficiency, and a spiral valve is one method of increasing its absorption surface.

 

Sharks, rays, chimaeras, lungfishes, surviving chondrosteans, holosteans, and even a few of the more primitive teleosts have a spiral valve or at least traces of it in the intestine. Most modern teleosts have increased the area of the intestinal walls by having numerous folds and villi (fingerlike projections) somewhat like those in humans. Undigested substances are passed to the exterior through the anus in most teleost fishes. In lungfishes, sharks, and rays, it is first passed through the cloaca, a common cavity receiving the intestinal opening and the ducts from the urogenital system.

 

Oxygen and carbon dioxide dissolve in water, and most fishes exchange dissolved oxygen and carbon dioxide in water by means of the gills. The gills lie behind and to the side of the mouth cavity and consist of fleshy filaments supported by the gill arches and filled with blood vessels, which give gills a bright red colour. Water taken in continuously through the mouth passes backward between the gill bars and over the gill filaments, where the exchange of gases takes place. The gills are protected by a gill cover in teleosts and many other fishes but by flaps of skin in sharks, rays, and some of the older fossil fish groups. The blood capillaries in the gill filaments are close to the gill surface to take up oxygen from the water and to give up excess carbon dioxide to the water.

 

Most modern fishes have a hydrostatic (ballast) organ, called the swim bladder, that lies in the body cavity just below the kidney and above the stomach and intestine. It originated as a diverticulum of the digestive canal. In advanced teleosts, especially the acanthopterygians, the bladder has lost its connection with the digestive tract, a condition called physoclistic. The connection has been retained (physostomous) by many relatively primitive teleosts. In several unrelated lines of fishes, the bladder has become specialized as a lung or, at least, as a highly vascularized accessory breathing organ. Some fishes with such accessory organs are obligate air breathers and will drown if denied access to the surface, even in well-oxygenated water. Fishes with a hydrostatic form of swim bladder can control their depth by regulating the amount of gas in the bladder. The gas, mostly oxygen, is secreted into the bladder by special glands, rendering the fish more buoyant; the gas is absorbed into the bloodstream by another special organ, reducing the overall buoyancy and allowing the fish to sink. Some deep-sea fishes may have oils, rather than gas, in the bladder. Other deep-sea and some bottom-living forms have much-reduced swim bladders or have lost the organ entirely.

 

The swim bladder of fishes follows the same developmental pattern as the lungs of land vertebrates. There is no doubt that the two structures have the same historical origin in primitive fishes. More or less intermediate forms still survive among the more primitive types of fishes, such as the lungfishes Lepidosiren and Protopterus.

 

The circulatory, or blood vascular, system consists of the heart, the arteries, the capillaries, and the veins. It is in the capillaries that the interchange of oxygen, carbon dioxide, nutrients, and other substances such as hormones and waste products takes place. The capillaries lead to the veins, which return the venous blood with its waste products to the heart, kidneys, and gills. There are two kinds of capillary beds: those in the gills and those in the rest of the body. The heart, a folded continuous muscular tube with three or four saclike enlargements, undergoes rhythmic contractions and receives venous blood in a sinus venosus. It passes the blood to an auricle and then into a thick muscular pump, the ventricle. From the ventricle the blood goes to a bulbous structure at the base of a ventral aorta just below the gills. The blood passes to the afferent (receiving) arteries of the gill arches and then to the gill capillaries. There waste gases are given off to the environment, and oxygen is absorbed. The oxygenated blood enters efferent (exuant) arteries of the gill arches and then flows into the dorsal aorta. From there blood is distributed to the tissues and organs of the body. One-way valves prevent backflow. The circulation of fishes thus differs from that of the reptiles, birds, and mammals in that oxygenated blood is not returned to the heart prior to distribution to the other parts of the body.

 

The primary excretory organ in fishes, as in other vertebrates, is the kidney. In fishes some excretion also takes place in the digestive tract, skin, and especially the gills (where ammonia is given off). Compared with land vertebrates, fishes have a special problem in maintaining their internal environment at a constant concentration of water and dissolved substances, such as salts. Proper balance of the internal environment (homeostasis) of a fish is in a great part maintained by the excretory system, especially the kidney.

 

The kidney, gills, and skin play an important role in maintaining a fish’s internal environment and checking the effects of osmosis. Marine fishes live in an environment in which the water around them has a greater concentration of salts than they can have inside their body and still maintain life. Freshwater fishes, on the other hand, live in water with a much lower concentration of salts than they require inside their bodies. Osmosis tends to promote the loss of water from the body of a marine fish and absorption of water by that of a freshwater fish. Mucus in the skin tends to slow the process but is not a sufficient barrier to prevent the movement of fluids through the permeable skin. When solutions on two sides of a permeable membrane have different concentrations of dissolved substances, water will pass through the membrane into the more concentrated solution, while the dissolved chemicals move into the area of lower concentration (diffusion).

 

The kidney of freshwater fishes is often larger in relation to body weight than that of marine fishes. In both groups the kidney excretes wastes from the body, but the kidney of freshwater fishes also excretes large amounts of water, counteracting the water absorbed through the skin. Freshwater fishes tend to lose salt to the environment and must replace it. They get some salt from their food, but the gills and skin inside the mouth actively absorb salt from water passed through the mouth. This absorption is performed by special cells capable of moving salts against the diffusion gradient. Freshwater fishes drink very little water and take in little water with their food.

 

Marine fishes must conserve water, and therefore their kidneys excrete little water. To maintain their water balance, marine fishes drink large quantities of seawater, retaining most of the water and excreting the salt. Most nitrogenous waste in marine fishes appears to be secreted by the gills as ammonia. Marine fishes can excrete salt by clusters of special cells (chloride cells) in the gills.

 

There are several teleosts—for example, the salmon—that travel between fresh water and seawater and must adjust to the reversal of osmotic gradients. They adjust their physiological processes by spending time (often surprisingly little time) in the intermediate brackish environment.

 

Marine hagfishes, sharks, and rays have osmotic concentrations in their blood about equal to that of seawater and so do not have to drink water nor perform much physiological work to maintain their osmotic balance. In sharks and rays the osmotic concentration is kept high by retention of urea in the blood. Freshwater sharks have a lowered concentration of urea in the blood.

 

Endocrine glands secrete their products into the bloodstream and body tissues and, along with the central nervous system, control and regulate many kinds of body functions. Cyclostomes have a well-developed endocrine system, and presumably it was well developed in the early Agnatha, ancestral to modern fishes. Although the endocrine system in fishes is similar to that of higher vertebrates, there are numerous differences in detail. The pituitary, the thyroid, the suprarenals, the adrenals, the pancreatic islets, the sex glands (ovaries and testes), the inner wall of the intestine, and the bodies of the ultimobranchial gland make up the endocrine system in fishes. There are some others whose function is not well understood. These organs regulate sexual activity and reproduction, growth, osmotic pressure, general metabolic activities such as the storage of fat and the utilization of foodstuffs, blood pressure, and certain aspects of skin colour. Many of these activities are also controlled in part by the central nervous system, which works with the endocrine system in maintaining the life of a fish. Some parts of the endocrine system are developmentally, and undoubtedly evolutionarily, derived from the nervous system.

 

As in all vertebrates, the nervous system of fishes is the primary mechanism coordinating body activities, as well as integrating these activities in the appropriate manner with stimuli from the environment. The central nervous system, consisting of the brain and spinal cord, is the primary integrating mechanism. The peripheral nervous system, consisting of nerves that connect the brain and spinal cord to various body organs, carries sensory information from special receptor organs such as the eyes, internal ears, nares (sense of smell), taste glands, and others to the integrating centres of the brain and spinal cord. The peripheral nervous system also carries information via different nerve cells from the integrating centres of the brain and spinal cord. This coded information is carried to the various organs and body systems, such as the skeletal muscular system, for appropriate action in response to the original external or internal stimulus. Another branch of the nervous system, the autonomic nervous system, helps to coordinate the activities of many glands and organs and is itself closely connected to the integrating centres of the brain.

 

The brain of the fish is divided into several anatomical and functional parts, all closely interconnected but each serving as the primary centre of integrating particular kinds of responses and activities. Several of these centres or parts are primarily associated with one type of sensory perception, such as sight, hearing, or smell (olfaction).

 

The sense of smell is important in almost all fishes. Certain eels with tiny eyes depend mostly on smell for location of food. The olfactory, or nasal, organ of fishes is located on the dorsal surface of the snout. The lining of the nasal organ has special sensory cells that perceive chemicals dissolved in the water, such as substances from food material, and send sensory information to the brain by way of the first cranial nerve. Odour also serves as an alarm system. Many fishes, especially various species of freshwater minnows, react with alarm to a chemical released from the skin of an injured member of their own species.

 

Many fishes have a well-developed sense of taste, and tiny pitlike taste buds or organs are located not only within their mouth cavities but also over their heads and parts of their body. Catfishes, which often have poor vision, have barbels (“whiskers”) that serve as supplementary taste organs, those around the mouth being actively used to search out food on the bottom. Some species of naturally blind cave fishes are especially well supplied with taste buds, which often cover most of their body surface.

 

Sight is extremely important in most fishes. The eye of a fish is basically like that of all other vertebrates, but the eyes of fishes are extremely varied in structure and adaptation. In general, fishes living in dark and dim water habitats have large eyes, unless they have specialized in some compensatory way so that another sense (such as smell) is dominant, in which case the eyes will often be reduced. Fishes living in brightly lighted shallow waters often will have relatively small but efficient eyes. Cyclostomes have somewhat less elaborate eyes than other fishes, with skin stretched over the eyeball perhaps making their vision somewhat less effective. Most fishes have a spherical lens and accommodate their vision to far or near subjects by moving the lens within the eyeball. A few sharks accommodate by changing the shape of the lens, as in land vertebrates. Those fishes that are heavily dependent upon the eyes have especially strong muscles for accommodation. Most fishes see well, despite the restrictions imposed by frequent turbidity of the water and by light refraction.

 

Fossil evidence suggests that colour vision evolved in fishes more than 300 million years ago, but not all living fishes have retained this ability. Experimental evidence indicates that many shallow-water fishes, if not all, have colour vision and see some colours especially well, but some bottom-dwelling shore fishes live in areas where the water is sufficiently deep to filter out most if not all colours, and these fishes apparently never see colours. When tested in shallow water, they apparently are unable to respond to colour differences.

 

Sound perception and balance are intimately associated senses in a fish. The organs of hearing are entirely internal, located within the skull, on each side of the brain and somewhat behind the eyes. Sound waves, especially those of low frequencies, travel readily through water and impinge directly upon the bones and fluids of the head and body, to be transmitted to the hearing organs. Fishes readily respond to sound; for example, a trout conditioned to escape by the approach of fishermen will take flight upon perceiving footsteps on a stream bank even if it cannot see a fisherman. Compared with humans, however, the range of sound frequencies heard by fishes is greatly restricted. Many fishes communicate with each other by producing sounds in their swim bladders, in their throats by rasping their teeth, and in other ways.

 

A fish or other vertebrate seldom has to rely on a single type of sensory information to determine the nature of the environment around it. A catfish uses taste and touch when examining a food object with its oral barbels. Like most other animals, fishes have many touch receptors over their body surface. Pain and temperature receptors also are present in fishes and presumably produce the same kind of information to a fish as to humans. Fishes react in a negative fashion to stimuli that would be painful to human beings, suggesting that they feel a sensation of pain.

 

An important sensory system in fishes that is absent in other vertebrates (except some amphibians) is the lateral line system. This consists of a series of heavily innervated small canals located in the skin and bone around the eyes, along the lower jaw, over the head, and down the mid-side of the body, where it is associated with the scales. Intermittently along these canals are located tiny sensory organs (pit organs) that apparently detect changes in pressure. The system allows a fish to sense changes in water currents and pressure, thereby helping the fish to orient itself to the various changes that occur in the physical environment.

  

BUSAN, SOUTH KOREA - MAY 25: T1 poses at the League of Legends - Mid-Season Invitational Knockouts Features Day on May 25, 2022 in Busan, South Korea. (Photo by Lee Aiksoon/Riot Games)

Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.

 

In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]

  

Contents [hide]

1 History 1.1 Park history

1.2 Branding

1.3 Timeline

1.4 Previous attractions

 

2 Park design 2.1 Production Central

2.2 New York

2.3 San Francisco

2.4 London/Diagon Alley

2.5 World Expo

2.6 Woody Woodpecker's Kidzone

2.7 Hollywood

 

3 Character appearances

4 Production facilities

5 Annual events 5.1 Grad Bash and Gradventure

5.2 Halloween Horror Nights

5.3 Macy's Holiday Parade

5.4 Mardi Gras

5.5 Rock the Universe

5.6 Summer Concert Series

 

6 Universal's Express Pass

7 Attendance

8 See also

9 References

10 External links

  

History[edit]

  

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)

     

The original entrance to the theme park.

Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).

 

Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.

 

In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.

 

In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.

 

Park history[edit]

 

From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]

 

A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.

 

Branding[edit]

 

Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).

 

Timeline[edit]

1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.

1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.

1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]

1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]

1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.

1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.

1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]

1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.

1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]

1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.

1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.

1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]

2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.

2001: Animal Planet Live opens, replacing Animal Actors Stage.

2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.

2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]

2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.

2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.

2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".

2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.

2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]

2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.

2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.

2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]

2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store

2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.

2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.

 

Previous attractions[edit]

 

Main article: List of former Universal Studios Florida attractions

     

The previous icon of the Jaws ride is still a popular photo spot.

Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.

 

Park design[edit]

 

Main article: List of Universal Studios Florida attractions

 

Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.

 

The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.

 

Production Central[edit]

  

Ride

 

Year opened

 

Manufacturer

  

Despicable Me: Minion Mayhem 2012 Intamin

Shrek 4-D 2003 PDI/DreamWorks

Hollywood Rip, Ride, Rockit 2009 Maurer Söhne

Transformers: The Ride 3D 2013 Oceaneering International

The Universal Music Plaza Stage 2009

  

The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]

 

Features sleepy people and palm trees.

Addis Ababa, Ethiopia. View large on black.

surface features of an area that are man-made #3

  

The Sanctury of the St Kilda Presbyterian Church features three beautiful 1880s Ferguson and Urie stained glass windows; Faith on the left, Charity in the middle and Hope on the right. All are executed in iridescent reds, yellows, greens and blues, to reflect the colour palate used in other Ferguson and Urie windows elsewhere around the church.

 

Built on the crest of a hill in a prominent position overlooking St Kilda and the bay is the grand St Kilda Presbyterian Church.

 

The St Kilda Presbyterian Church's interior is cool, spacious and lofty, with high ceilings of tongue and groove boards laid diagonally, and a large apse whose ceiling was once painted with golden star stenciling. The bluestone walls are so thick that the sounds of the busy intersection of Barkley Street and Alma Road barely permeate the church's interior, and it is easy to forget that you are in such a noisy inner Melbourne suburb. The cedar pews of the church are divided by two grand aisles which feature tall cast iron columns with Corinthian capitals. At the rear of the building towards Alma Road there are twin porches and a narthex with a staircase that leads to the rear gallery where the choir sang from. It apparently once housed an organ by William Anderson, but the space today is used as an office and Bible study area. The current impressive Fincham and Hobday organ from 1892 sits in the north-east corner of the church. It cost £1030.00 to acquire and install. The church is flooded with light, even on an overcast day with a powerful thunder storm brewing (as the weather was on my visit). The reason for such light is because of the very large Gothic windows, many of which are filled with quarry glass by Ferguson and Urie featuring geometric tracery with coloured borders. The church also features stained glass windows designed by Ferguson and Urie, including the impressive rose window, British stained glass artist Ernest Richard Suffling, Brooks, Robinson and Company Glass Merchants, Mathieson and Gibson of Melbourne and one by Australian stained glass artist Napier Waller.

 

Opened in 1886, the St Kilda Presbyterian church was designed by the architects firm of Wilson and Beswicke, a business founded in 1881 by Ralph Wilson and John Beswicke (1847 - 1925) when they became partners for a short period. The church is constructed of bluestone with freestone dressings and designed in typical Victorian Gothic style. The foundation stone, which may be found on the Alma Road facade, was laid by the Governor of Victoria Sir Henry Barkly on 27 January. When it was built, the St Kilda Presbyterian Church was surrounded by large properties with grand mansions built upon them, so the congregation were largely very affluent and wished for a place of worship that reflected its stature not only in location atop a hill, but in size and grandeur.

 

The exterior facades of the church on Barkley Street and Alma Road are dominated by a magnificent tower topped by an imposing tower. The location of the church and the height of the tower made the spire a landmark for mariners sailing into Melbourne's port. The tower features corner pinnacles and round spaces for the insertion of a clock, which never took place. Common Victorian Gothic architectural features of the St Kilda Presbyterian Church include complex bar tracery over the windows, wall buttresses which identify structural bays, gabled roof vents, parapeted gables and excellent stone masonry across the entire structure.

 

I am very grateful to the Reverend Paul Lee for allowing me the opportunity to photograph the interior of the St Kilda Presbyterian Church so extensively.

 

The architects Wilson and Beswicke were also responsible for the Brighton, Dandenong, Essendon, Hawthorn and Malvern Town Halls and the Brisbane Wesleyan Church on the corner of Albert and Ann Streets. They also designed shops in the inner Melbourne suburbs of Auburn and Fitzroy. They also designed several individual houses, including "Tudor House" in Williamstown, "Tudor Lodge" in Hawthorn and "Rotha" in Hawthorn, the latter of which is where John Beswicke lived.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

 

These are features that may be in the image I uploaded previously.

Features my Ki-Adi-Mundi fig.

The Hubble Space Telescope created these images of Saturn's moon Titan, mapping light and dark features over the moon's surface during a near-complete 16-day rotation in 1994.

 

Titan is the only body in the solar system that may have oceans and rainfall — made up of ethane and methane rather than water — on its surface.

 

For more information, visit: hubblesite.org/news_release/news/1994-55

 

Credit: University of Arizona Lunar and Planetary Laboratory; STScI

 

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One of the main features of the Italian Gardens of the Forest Glade Gardens is a magnificent Italian Rococo three tier fountain with horses at its base. It is surrounded by curcular paving which is decorated with two splendid cast-iron urns and four cherub statues representing the four seasons.

 

The Forest Glade Gardens are well established European inspired landscaped gardens of six hectares that are to be found on the Mount Macedon Road in the hill station town of Mount Macedon.

 

The Forest Glade Gardens are just shy of one hundred years old. The gardens were originally two adjoining properties that comprised orchards and lush grazing paddocks. In 1941 local family the Newtons purchased and extended the property and set about creating one of Mount Macedon's most stunning gardens.

 

In 1971 the Forest Glade Gardens were acquired by Melbourne property developer Mr. Cyril Stokes who together with his partner Trevor Neil Bell, developed the gardens even further. Cyril was a great collector of European antiques, and his love of European antiquity is reflected in the gardens, particularly in the many classical marble and bronze statues dotted about the grounds.

 

Unfortunately the Forest Glade Gardens were partly destroyed by the tragic Ash Wednesday bushfires of 1983. However, after many years of hard labour put in by Cyril and Trevor, The Forest Glade Gardens were reborn from the ashes. The gardens are built on a sloping block and consist of a range of terraces all of which offer wonderful vistas. A garden designed to give pleasure all year round, the Forest Glad Gardens contain several heritage listed trees and are made up of smaller themed gardens including; the Italian Garden, the Japanese Garden, the Daffodil Meadow, the Peony Walk, Hydrangea Hill, the Topiary Gardens, the Bluebell Meadow, the Fern Gully and the Laburnum Arch.

 

In 2011 the property was gifted to a registered charity - The Stokes Collection Limited - with the intention of keeping the Forest Glade Gardens maintained and open to the public.

 

I spent a delightful Saturday with the Famous Flickr Five+ Group in Mount Macedon, where I have never been before. Now I have, I would very much like to go back to such a picturesque place again.

 

The Mount Macedon township is located east of the Mount Macedon summit, which is approximately 60 km north-west of Melbourne.

 

The name of Mount Macedon is apparently derived from Philip II, who ruled Macedon between 359 and 336BC. The mountain was named by Thomas Mitchell, the New South Wales Surveyor General.

 

Settled in the 1850s by gold miners and timber cutters, the railway arrived at the Mount Macedon township in 1861, providing a vital connection to Melbourne, and sealing the town's future as a 'hill station' resort for wealthy Melburnians escaping the summer heat in the 1870s. With the land deforested, large blocks were sold and beautiful and extensive gardens were planted around the newly built homes. The rich soil and good rainfall also made the area suitable for large orchards and plant nurseries who could send fruit and flowers back to Melbourne. Newspaper owner, David Syme, built a house, "Rosenheim" in 1869. It was acquired in 1886 for Victorian Governors to use as a country retreat, making Mount Macedon an attractive destination for the well heeled of Melbourne society. A primary school was built in Mount Macedon in 1874, and as the decades progressed, hotels, guest houses, shops, a Presbyterian Church and Church of England were built. In 1983, Mount Macedon was devastated by the Ash Wednesday Bush Fires. A large portion of the town was raised, and a number of lives were lost. However, like a phoenix from the ashes, Mount Macedon has risen and rebuilt. Today it is still a popular holiday destination, particularly during spring time when the well established gardens flourish with flowers and in autumn when the exotic trees explode in a riot of reds and yellows.

  

youtu.be/wO9XjCM6tB8?t=3s Trailer

 

1964 was a better year for sci-fi and Columbia's First Men in the Moon (FMM) was the year's big-budget treat. HG Wells' 1899 novel was adapted to a more modern retelling by Nigel Kneal (of Quatermass fame), but is still fairly faithful to the original. Two men (and a woman) travel to the moon in 1899 and encounter a civilization of insect-like beings. FMM also features the animation of Ray Harryhausen. He gives the usual monster (moon cows), but brings the selenites to life.

Synopsis

A modern (1960s) UN moon mission lands, only to discover a little British flag and a paper claiming the moon for Queen Victoria. On earth, they trace the names to an old Arnold Bedford in a nursing home. He tells his story as flashback. He rented a cottage next door to an eccentric inventor. Cavor created Cavorite, a substance which blocks gravity. Bedford sees the money-making potential, so attaches himself to the work. Cavor, however, wants to explore the moon. To that end, he built a sphere. Bedford agrees to go with him, thinking of gold on the moon. Bedford's fiancee, Kate, is pulled aboard at the last minute. Amid some mild antics en route, they arrive on the moon. Cavor and Bedford explore, finding a labyrinth of tunnels and little insect people. They return to the surface, but the sphere (with Kate inside) has been taken by the selenites. They re-enter the tunnels in search, but become separated when a giant "moon cow" caterpillar beast attacks them. The selenite scientists study Cavor and Kate, eventually learning english. The selenites are disassembling the sphere for study. Cavor is given an audience with the Grand Lunar. He tells the Grand Lunar about earth and men. Cavor's description of war alarms the Grand Lunar, who decrees that Cavor must remain on the moon to prevent more defective earthmen make the trip. Meanwhile, Bedford and Kate have reassembled the sphere, but need Cavor to get the shutters to work. Bedford interrupts the Grand Lunar audience, causing a fight. Cavor and Bedford flee to the sphere. Cavor fixes it, but refuses to return to earth. Bedford and Kate return. End flashback. Old Bedford sums up his tale. TV reports that the astronauts on the moon find abandoned underground cities. Quick conjecture is that some virus wiped out the inhabitants. Bedford quips that Cavor did have a bad cold. The End.

 

There is much to like in FMM. Lionel Jeffries almost steals the show with his highly colorful portrayal of Cavor. The matt art, scenery, sets and models are well done. Harryhausen's work doesn't dominate, but enhances the alien-world feel.

 

There is more of Wells' original anti-imperialism message than anything of the Cold War. The portrayed fact that the first moon landing was an international effort shows a bit of optimism.

Nigel Kneal's screenplay tries to maintain much of Wells' original story, but a few concessions had to be made to make a good movie for mid-60s audiences. Rather than modernize the tale, Kneal framed the Victorian story as a flashback within modern bookends. Kneal omitted the frozen atmosphere and fungal plant life, (as modern audiences would not buy that). He kept a simplified version of the selenite civilization, and the moon cows. He also kept Bedford returning and Cavor remaining.

Kneal's script pulls in elements from a couple of Wells' other stories. He repeats the trope of the aliens taking the protagonist's machine underground, which Wells had in The Time Machine. Kneal borrows from Wells' War of the Worlds to have the aliens all killed off by a simple earth germ. In Wells' novel, the selenites are not wiped out. Modern folk knew the moon was lifeless, so a handy plague was needed.

Embedded in Wells' novel, and echoed somewhat in Kneal's screenplay, was stratified, dehumanizing industrial society. A cute counterfoil to that and commentary on unionized culture, was the scene at Cavor's house where the three workers argue about whose job it was to stoke the furnace. The metal worker complained that since he wasn't a stoker (by profession), it therefore wasn't his job. The gardener agreed that he wasn't a stoker either. The butler also agreed that he was a butler, not a stoker, so none of them stoked, but all went out for a pint.

In Wells' War of the Words, imperialist humans get a taste of their own medicine from the über-imperialist Martians. In FFM, imperialist humans go to someone else's planet. In both the novel and the screenplay, the two protagonists embody classic British imperialism. Cavor is the benevolent explorer, missionary and claimer of places. Bedford is the exploiter capitalist, who puts little value on the lives of the "brownies". This condensed duo of earth-ish imperialism plops down amid a greater power. Cavor and Bedford play out the traditional arguments (benevolence vs. conquest) but Bedford's view prevails and he goes about smashing their cities. In Kneal's script, imperialist man manages to completely ruins things -- even if only by accident (Cavor's cold germs). This has several earth history parallels too.

It was fairly common in 19th century sci-fi (e.g. Wells and Verne) to have only men as the protagonists. Post-WWII Hollywood was unable to resist inserting a woman into the character mix. They usually served as simple cheesecake, or love-triangle fodder, or the damel to be rescued. In FFM, Kate is a bit less flagrantly the intruded woman. She is useful to keep up dialogue while Cavor and Bedford are separated. She is a occasionally the damsel, but not obnoxiously so. (Heck, she blasts some selenites with a shotgun). We can be thankful the producers resisted including a cute animal in Disney fashion.

 

Bottom line? FMM is a classic that no one should miss -- even viewers who don't normally go in for sci-fi. The story is thoughtful, the acting good, and the production very good.

While many contemporary science fiction and fantasy films find their inspiration in graphic novels and comic books, H.G. Wells is still the gold standard when it comes to an indisputable master of the genre. More than 62 years after his death, the film industry continues to steal from and rework ideas and storylines from his popular fantasy novels. Most of them have been enormously successful (The War of the Worlds [1953 & 2005], The Time Machine [1960 & 2002], The Invisible Man [1932], Island of Lost Souls [1933]). In fact, one of the first silent films to become an international success was French filmmaker Georges Melies's 1902 adaptation of Wells' First Men in the Moon, released as Le Voyage dans la lune.

  

TCM review by Jeff Stafford

 

In Wells' original 1901 novel, the story, set in the rural village of Kent, focused on an eccentric scientist, Cavor, conducting anti-gravity experiments on a man-made substance called 'Cavorite,' and his neighbor, Mr. Bedford, a struggling, debt-ridden playwright. Enlisting Bedford's help, Cavor eventually succeeds in proving the "gravitational opacity" of cavorite and together the two men depart for the Moon in a glass-lined steel sphere powered by Cavor's invention. After successfully landing on the lunar surface and exploring the terrain, Cavor and Bedford are captured by moon men Selenites and imprisoned. Bedford manages to escape, and believing that Cavor has been killed, he locates their stolen sphere and returns to Earth. Once he is back, Bedford publishes an account of his adventures and learns from a Dutch scientist experimenting with wireless waves that messages are being sent from the moon by Cavor. It appears that Bedford's former neighbor has learned to live and communicate with the Selenites but eventually Cavor's messages become incoherent and then abruptly stop. The story ends with Bedford assuming that the Selenites silenced Cavor because they were afraid of further Earth expeditions to the moon.

Georges Melies's loose 1902 adaptation of Wells' First Men in the Moon condenses the story into a brief running time of barely eleven minutes but in 1919, Gaumont studio attempted a longer feature version, directed by J.L.V. Leigh, which added a female character as the love interest. It is now considered a lost film. No one else attempted to film Wells' story until the early sixties when screenwriter Nigel Kneale, stop-motion animator Ray Harryhausen, and director Nathan Juran were brought together by producer Charles Schneer.

After securing the rights from Frank Wells, son of the famous author, Schneer approached Columbia Pictures with the project. Despite their initial reluctance, Schneer's previous successes for them - 20 Million Miles to Earth [1957], The 7th Voyage of Sinbad [1958], Jason and the Argonauts [1963] convinced them to finance First Men in the Moon [1964]. Kneale, who had penned The Quatermass Experiment, a highly influential science fiction series on BBC-TV, updated Wells's original story to include a clever framing device set in present times in which a United Nations space mission to the moon discovers evidence of a British expedition in 1899, during the reign of Queen Victoria. Kneale also expanded the role of the female love interest who was first introduced in the 1919 version. Martha Hyer was cast in the latter role with Lionel Jeffries and Edward Judd being tapped to play Cavot and Bedford, respectively.

In the book Ray Harryhausen: An Animated Life, the special effects master describes some of the difficulties of filming First Men in the Moon. "Along with numerous other tasks, I was also faced with the design basics for a whole alien civilization. Because the Selenites were to be insect-like, I decided that all doors and apertures were to be hexagonal, a common structure in the insect world. Whether it was scientifically accurate was secondary to the consideration that it should look realistic, be practical and above all spectacular. These basics were relatively straightforward, but when it came to broader aspects of the story that included tunnels, lunar landscapes, lens complexes, oxygen machines and the palace of the Grand Lunar, the budget prevented any of them from being built as full sets, so I designed them as miniatures and incorporated the actors with the aid of traveling mattes. For example, the huge bubbling vats that produced the oxygen were three- or four-foot high miniatures. However, these design headaches were nothing compared to Charles [Schneer] and Columbia Pictures announcing that the film, if possible, should be photographed in widescreen to give it an added attraction."

Filmed in the anamorphic process known as "Dynamation," in which live action and stop-motion animation can be combined via rear-projection and split-screen techniques, First Men in the Moon proved to be more restrictive and cost-prohibitive for Harryhausen on a creative level. As a result, his famous stop-motion work was only highlighted in three key sequences the Selenites in their high tech laboratories, the giant mooncalf and the Grand Lunar.

Most of the live-action cinematography took place at Shepperton Studios where a full-sized section of the moon's surface was constructed on a sound stage for the framing sequence and for the arrival and departure of Cavor's sphere from the lunar surface. NASA served as technical advisors on the film and the blueprints for their own Lunar module aided Harryhausen tremendously in designing the entire U.N. expedition sequence; it would also serve as a dry run for NASA which would stage a real moon walk for the entire world on television on July 20, 1969.

Less successful was the design of the Selenites. Harryhausen said, "I have never been keen on using 'men in suits' as animated creatures, but several scenes called for masses of smaller 'worker' Selenites, which would have taken an eternity to animate. So we had to resort to using children in suits. I designed a suit made into twenty-five moulded latex costumes with reinforced sections. Although they were never really convincing, mainly because the children's arms were not spindly enough to match the animated Selenites, the low-key lighting allowed Jerry [a nickname for director Nathan Juran] to use the suits with reasonable success."

Despite the many technical frustrations he experienced while working on First Men in the Moon, Harryhausen also enjoyed some aspects of it. "Some of my fondest memories during production," he said, "were the surprise visits of several personalities. The first was Frank Wells, son of H.G. Sadly, I only met him briefly, but he showed great enthusiasm for the design and animation, and we talked about his father. Another visit was by one of Hollywood's greatest directors, William Wyler. He was shooting a film on another stage, and although he wasn't there very long, I did manage to talk with him, and he seemed intrigued at what we were doing. Furthermore, when British performer William Rushton was unable to turn up for the part of the writ server, we unexpectedly secured the services of one of the world's top actors. Lionel [Jeffries] persuaded Peter Finch, who happened to be shooting The Pumpkin Eater (1964) on the next stage, to guest in the role. To save time, Lionel wrote out Finch's lines on the back of the summons paper, which he delivered with enormous enjoyment."

 

When First Men in the Moon opened theatrically, it was treated by most critics as a children's film and not as a bona-fide sci-fi thriller in the style of Wells' The War of the Worlds or The Time Machine. Howard Thompson of The New York Times dismissed it, writing, "Only the most indulgent youngsters should derive much stimulation let alone fun from the tedious, heavy-handed science-fiction vehicle that arrived yesterday from England..." The Variety review was more positive and reflected the film's general reception, calling it "an exploiteer's dream. Family audiences should flock to the wickets. It is an astute blend of comedy, occasional thrills and special effects work. Film is a good example of the kind of fare that television cannot hope to match in the foreseeable future."

Moviegoers did not, however, flock to see First Men in the Moon as they had previous Harryhausen ventures such as Jason and the Argonauts and The 7th Voyage of Sinbad. Part of the problem may have been the film's emphasis on comedy instead of suspense or action-adventure and many reviewers noted that the whimsical tone neutralized any potential excitement. The Hollywood Reporter, in fact, proclaimed it "the first space fantasy comedy." Harryhausen was also working with a different composer this time instead of Bernard Herrmann, who was unavailable. While Laurie Johnson's score is atmospheric and evocative of its setting, it lacked the dynamic range and intensity that Herrmann's music brought to such Harryhausen films as The 3 Worlds of Gulliver (1960) and Mysterious Island (1961), among others.

 

Harryhausen also admits that "...the poster Columbia came up with really didn't help to sell it. It was too childish in its attempts to point out that it was 'in' in the Moon, not 'on.'" Yet people who avoided the movie missed a visual treat, brimming with rich Victorian-era art direction, futuristic set designs reflecting the Selenites's world and unusual special effects. "Personally," Harryhausen stated, "I believe it is one of the most faithful adaptations of Wells' novels, but perhaps the time was not right for such a film, or perhaps the real moon landings were too close. Hopefully, posterity will look upon it with kinder eyes."

 

Producer: Charles H. Schneer

Director: Nathan Juran

Screenplay: Nigel Kneale, Jan Read; H.G. Wells (story)

Cinematography: Wilkie Cooper

Art Direction: John Blezard

Music: Laurie Johnson

Film Editing: Maurice Rootes

Cast: Edward Judd (Arnold Bedford), Martha Hyer (Katherine 'Kate' Callender), Lionel Jeffries (Joseph Cavor), Miles Malleson (Dymchurch Registrar), Norman Bird (Stuart), Gladys Henson (nursing home matron), Hugh McDermott (Richard Challis).

C-103m.

   

Lego Star Wars - 75103 First Order Transporter [VIDEO]

Great action features:

- Entry/Exit Gate

- Popup Gunner

This image features the nearly spherical globular star cluster Caldwell 84. It is a composite of observations taken in visible and ultraviolet light by two of Hubble’s science instruments, the Advanced Camera for Surveys and the Wide Field Camera 3. These observations helped astronomers better understand the motions and chemical abundances of stars within the cluster. A relatively bright star, likely closer to us than the cluster is, appears to the upper left of the cluster’s center in Hubble’s image.

 

Astronomers have hypothesized that this globular cluster is a member of the “Gaia Sausage” — the remnants of a dwarf galaxy that is thought to have collided with the Milky Way between 8 million and 10 million years ago. As the dwarf galaxy merged with our galaxy, it was torn apart by the gravitational interaction, leaving behind several globular clusters and millions of stars with unusual orbits. Thanks to these unusual orbits, an elongated, sausage-like shape emerges when the velocities of these stars are plotted on a chart. Because globular clusters like Caldwell 84 generally form in larger galaxies, astronomers believe the dwarf galaxy that collided with the Milky Way was one of the largest of the Milky Way’s early satellite galaxies.

 

Also known as NGC 5286, Caldwell 84 was discovered in 1826 by the Scottish astronomer James Dunlop while he was observing in Australia. Located in the constellation Centaurus and boasting an apparent magnitude of 7.6, this globular cluster can be seen with a small telescope. However, scattered light from the nearby 4.6-magnitude star M Centauri can interfere with observing the cluster. It is most easily spotted during the Southern Hemisphere’s autumn. (Those located near the equator in the Northern Hemisphere can look for it in the late spring.) Caldwell 84 lies roughly 35,000 light-years from Earth and is among the oldest globular clusters in our Milky Way galaxy.

 

Credit: NASA, ESA, A. Sarajedini (Florida Atlantic University), and G. Piotto (Università degli Studi di Padova); Processing: Gladys Kober (NASA/Catholic University of America)

 

For Hubble's Caldwell catalog website and information on how to find these objects in the night sky, visit:

 

www.nasa.gov/content/goddard/hubble-s-caldwell-catalog

 

A further possible design idea for model features for the LEGO Caterham Ideas project: ideas.lego.com/projects/87703

This one incorporates a linked steering assembly, so when one front wheel is turned, the opposite wheel turns with it. (see video)

It also features a working piston engine.

There are 2 connections within this version that I'm not sure of the legitimacy on. i.e. if they are "set friendly" (I "think" they should be okay, but I'm not 100% sure)

The bonnet / hood has again been slightly reworked to improve the stability of connections within it.

 

So, between the R500 and 620R there are now 2 legitimate workable designs, which can be produced in a range of colours

The features between both versions can be voted upon, as to which ones people would rather see in the final end version (IF) it were to ever make it through.

 

i.e. The 620R model, but with the R500 linked steering, static removable engine. In BRG with yellow stripes and grey bodywork / black wheel arches could be option no.1.

I'm also working on a 3rd design, which has the long flared fixed front wheel arches, full windscreen and removable side door pannels, again to throw a 3rd option of choices into the mix for the final design.

As previously mentioned, I will try to get a poll together for this "if" we reach around 8000 votes.

 

Twitter feed for the project: twitter.com/Bricktrix_Carl

Rainbow BRT System, Features, Usage Snapshots

Made in 1916 by British born, German trained, Melbourne stained glass artist William Montgomery, the William Major Olive Memorial Window features Saint Alban.

 

St Alban is venerated as the first recorded British Christian martyr. He is traditionally believed to have been beheaded in the Roman city of Verulamium (modern St Albans) sometime during the 3rd or 4th century, and his cult has been celebrated there since ancient times.

 

The vignette at the base of the memorial window features the following inscription; "In memory of William Major Olive a member chorister of this church killed on active service in France Easter Day 1916". The subject of Saint Alban, England's first martyr saint, may have been chosen to commemorate Lieutenant Olive's service to his country.

 

The window was ordered by the Reverend A. J. Drewett, and was unveiled by the Dean of Melbourne in a dedication ceremony on the 17th of April 1917, almost a year after Lieutenant Olive was killed. The service included the choir singing "Blessed are the Dead", a tribute to a former member of the choir.

 

The window, a large fully-painted single light cost £70.00. It was the third window by Melbourne's leading stained glass artist, William Montgomery, to be installed in the north nave, the others being St. Mark (1913) and St. Stephen (1915).

 

William Major Olive was born on 25 August 1890 to Henry Thomas and Ella Ada Olive at "Surbiton" in Studley Park, Kew. After an excellent studentship at Scotch College where he was a prefect and Senior Cadet, William Olive completed an equally successful bachelor's degree in civil engineering but joined up before the conferring ceremony. He was one of four men whose loss was noted at the Commencement Day ceremony 1917: William Olive; Edward Courtney Thomas MA; Eric Craven Jowett BE; Walter Alan Leckie BE. William Olive joined the 5th Field Company Australian Engineers and proceeded to Alexandria in November 1915, then went on to Marseilles, disembarking on 23 March 1916. Precisely one month later Lieutenant Olive was killed by a shell explosion at Bois Grenier at midday on 23 April. He was buried at Erquinhem Communal Cemetery Extension, France.

 

Built amid workers' cottages and terrace houses of shopkeepers, St. Mark the Evangelist Church of England sits atop an undulating rise in the inner Melbourne suburb of Fitzroy. Nestled behind a thick bank of agapanthus beyond its original cast-iron palisade fence, it would not look out of place in an English country village with its neat buttresses, bluestone masonry and simple, unadorned belfry.

 

St. Mark the Evangelist was the first church to be built outside of the original Melbourne grid as Fitzroy developed into the city's first suburb. A working-class suburb, the majority of its residents were Church of England and from 1849 a Mission Church and school served as a centre for religious, educational and recreational facilities. The school was one of a number of denominational schools established by the Church of England and was partly funded by the Denominational School Board.

 

St. Mark the Evangelist Church of England was designed by architect James Blackburn and built in Early English Gothic style. Richard Grice, Victorian pastoralist and philanthropist, generously contributed almost all the cost of its construction. Work commenced in 1853 to accommodate the growing Church of England congregation of Fitzroy. On July 1st, 1853, the first stone of St. Mark the Evangelist was laid by the first Bishop of Melbourne, The Right Rev. Charles Perry.

Unfortunately, Blackburn did not live to see its completion, dying the following year in 1854 of typhoid. This left St. Mark the Evangelist without an architect to oversee the project, and a series of other notable Melbourne architects helped finish the church including Lloyd Tayler, Leonard Terry and Charles Webb. Even then when St. Mark the Evangelist opened its doors on Sunday, January 21st, 1855, the church was never fully completed with an east tower and spire never realised. The exterior of the church is very plain, constructed of largely unadorned bluestone, with simple buttresses marking structural bays and tall lancet windows. The church's belfry is similarly unadorned, yet features beautiful masonry work. It has a square tower and broach spire.

 

Inside St. Mark the Evangelist Church of England it is peaceful and serves as a quiet sanctuary from the noisy world outside. I visited it on a hot day, and its enveloping coolness was a welcome relief. Walking across the old, highly polished hardwood floors you cannot help but note the gentle scent of the incense used during mass. The church has an ornately carved timber Gothic narthex screen which you walk through to enter the nave. Once there you can see the unusual two storey arcaded gallery designed by Leonard Terry that runs the entire length of the east side of building. Often spoken of as “The Architect’s Folly” Terry's gallery was a divisive point in the Fritzroy congregation. Some thought it added much beauty to the interior with its massive square pillars and seven arches supporting the principals of the roof. Yet it was generally agreed that the gallery was of little effective use, and came with a costly price tag of £3,000.00! To this day, it has never been fully utlised by the church. St. Mark the Evangelist has been fortunate to have a series of organs installed over its history; in 1854 a modest organ of unknown origin: in 1855 an 1853 Foster and Andrews, Hull, organ which was taken from the Athenaeum Theatre in Melbourne's Collins Street: in 1877 an organ built by Melbourne organ maker William Anderson: and finally in 1999 as part of major renovation works a 1938 Harrison and Harrison, Durham, organ taken from St. Luke's Church of England in Cowley, Oxfordshire. The church has gone through many renovations over the ensuing years, yet the original marble font and pews have survived these changes and remain in situ to this day. Blackwood reredos in the chancel, dating from 1939, feature a mosaic of the last supper by stained glass and church outfitters Brooks, Robinson and Company. A similar one can be found at St. Matthew's Church of England in High Street in Prahran. The fine lancet stained glass windows on the west side of St. Mark the Evangelist feature the work of the stained glass firms Brooks, Robinson and Company. and William Montgomery. Many of the windows were installed in the late Nineteenth Century.

 

The St. Mark the Evangelist Parish Hall and verger's cottage were added in 1889 to designs by architects Hyndman and Bates. The hall is arranged as a nave with clerestorey windows and side aisles with buttresses. In 1891 the same architects designed the Choir Vestry and Infants Sunday School on Hodgson Street, to replace the earlier school of 1849 which had been located in the forecourt of the church.

 

The present St. Mark the Evangelist's vicarage, a two-storey brick structure with cast-iron lacework verandahs, was erected in 1910.

 

I am very grateful to the staff of Anglicare who run the busy adjoining St. Mark's Community Centre for allowing me to have free range of the inside of St. Mark the Evangelist for a few hours to photograph it so extensively.

 

James Blackburn (1803 - 1854) was an English civil engineer, surveyor and architect. Born in Upton, West Ham, Essex, James was the third of four sons and one daughter born to his parents. His father was a scalemaker, a trade all his brothers took. At the age of 23, James was employed by the Commissioners of Sewers for Holborn and Finsbury and later became an inspector of sewers. However, his life took a dramatic turn in 1833, when suffering economic hardship, he forged a cheque. He was caught and his penalty was transportation to Van Diemen’s Land (modern day Tasmania). As a convicted prisoner, yet also listed as a civil engineer, James was assigned to the Roads Department under the management of Roderic O’Connor, a wealthy Irishman who was the Inspector of Roads and Bridges at the time. On 3 May 1841 James was pardoned, whereupon he entered private practice with James Thomson, another a former convict. In April 1849, James sailed from Tasmania aboard the "Shamrock" with his wife and ten children to start a new life in Melbourne. Once there he formed a company to sell filtered and purified water to the public, and carried out some minor architectural commissions including St. Mark the Evangelist in Fitzroy. On 24 October he was appointed city surveyor, and between 1850 and 1851 he produced his greatest non-architectural work, the basic design and fundamental conception of the Melbourne water supply from the Yan Yean reservoir via the Plenty River. He was injured in a fall from a horse in January 1852 and died on 3 March 1854 at Brunswick Street, Collingwood, of typhoid. He was buried as a member of St. Mark The Evangelist Church of England. James is best known in Tasmania for his ecclesiastical architectural work including; St Mark's Church of England, Pontville, Tasmania (1839-1841), Holy Trinity Church, Hobart, Tasmania (1841-1848): St. George's Church of England, Battery Point, Tasmania, (1841-1847).

 

Leonard Terry (1825 - 1884) was an architect born at Scarborough, Yorkshire, England. Son of Leonard Terry, a timber merchant, and his wife Margaret, he arrived in Melbourne in 1853 and after six months was employed by architect C. Laing. By the end of 1856 he had his own practice in Collins Street West (Terry and Oakden). After Mr. Laing's death next year Leonard succeeded him as the principal designer of banks in Victoria and of buildings for the Anglican Church, of which he was appointed diocesan architect in 1860. In addition to the many banks and churches that he designed, Leonard is also known for his design of The Melbourne Club on Collins Street (1858 - 1859) "Braemar" in East Melbourne (1865), "Greenwich House" Toorak (1869) and the Campbell residence on the corner of Collins and Spring Streets (1877). Leonard was first married, at 30, on 26 June 1855 to Theodosia Mary Welch (d.1861), by whom he had six children including Marmaduke, who trained as a surveyor and entered his father's firm in 1880. Terry's second marriage, at 41, on 29 December 1866 was to Esther Hardwick Aspinall, who bore him three children and survived him when on 23 June 1884, at the age of 59, he died of a thoracic tumor in his last home, Campbellfield Lodge, Alexandra Parade, in Collingwood.

 

Lloyd Tayler (1830 - 1900) was an architect born on 26 October 1830 in London, youngest son of tailor William Tayler, and his wife Priscilla. Educated at Mill Hill Grammar School, Hendon, and King's College, London, he is said to have been a student at the Sorbonne. In June 1851 he left England to join his brother on the land near Albury, New South Wales. He ended up on the Mount Alexander goldfields before setting up an architectural practice with Lewis Vieusseux, a civil engineer in 1854. By 1856 he had his own architectural practice where he designed premises for the Colonial Bank of Australasia. In the 1860s and 1870s he was lauded for his designs for the National Bank of Australasia, including those in the Melbourne suburbs of Richmond and North Fitzroy, and further afield in country Victoria at Warrnambool and Coleraine. His major design for the bank was the Melbourne head office in 1867. With Edmund Wright in 1874 William won the competition for the design of the South Australian Houses of Parliament, which began construction in 1881. The pair also designed the Bank of Australia in Adelaide in 1875. He also designed the Australian Club in Melbourne's William Street and the Melbourne Exchange in Collins Street in 1878. Lloyd's examples of domestic architecture include the mansion "Kamesburgh", Brighton, commissioned by W. K. Thomson in 1872. Other houses include: "Thyra", Brighton (1883): "Leighswood", Toorak, for C. E. Bright: "Roxcraddock", Caulfield: "Cherry Chase", Brighton: and "Blair Athol", Brighton. In addition to his work on St. Mark the Evangelist in Fitzroy, Lloyd also designed St. Mary's Church of England, Hotham (1860); St Philip's, Collingwood, and the Presbyterian Church, Punt Road, South Yarra (1865); and Trinity Church, Bacchus Marsh (1869). The high point of Lloyd's career was the design for the Melbourne head office of the Commercial Bank of Australia. His last important design was the Metropolitan Fire Brigade Headquarters Station, Eastern Hill in 1892. Lloyd was also a judge in 1900 of the competition plans for the new Flinders Street railway station. Lloyd was married to Sarah Toller, daughter of a Congregational minister. They established a comfortable residence, Pen-y-Bryn, in Brighton, and it was from here that he died of cancer of the liver on the 17th of August 1900 survived by his wife, four daughters and a son.

 

Charles Webb (1821 - 1898) was an architect. Born on 26 November 1821 at Sudbury, Suffolk, England, he was the youngest of nine children of builder William Webb and his wife Elizabeth. He attended Sudbury Academy and was later apprenticed to a London architect. His brother James had migrated to Van Diemen's Land in 1830, married in 1833, gone to Melbourne in 1839 where he set up as a builder in and in 1848 he bought Brighton Park, Brighton. Charles decided to join James and lived with James at Brighton. They went into partnership as architects and surveyors. The commission that established them was in 1850 for St Paul's Church, Swanston Street. It was here that Charles married Emma Bridges, daughter of the chief cashier at the Bank of England. Charles and James built many warehouses, shops and private homes and even a synagogue in the city. After his borther's return to England, Charles designed St. Andrew's Church, Brighton, and receiving an important commission for Melbourne Church of England Grammar School in 1855. In 1857 he added a tower and a slender spire to Scots Church, which James had built in 1841. He designed Wesley College in 1864, the Alfred Hospital and the Royal Arcade in 1869, the South Melbourne Town Hall and the Melbourne Orphan Asylum in 1878 and the Grand Hotel (now the Windsor) in 1884. In 1865 he had designed his own home, "Farleigh", in Park Street, Brighton, where he died on 23 January 1898 of heat exhaustion. Predeceased by Emma in 1893 and survived by five sons and three daughters, he was buried in Brighton cemetery.

 

William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John's, Heidelberg, St. Ignatius', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.

Carlisle Cathedral is a grade-I listed Anglican Cathedral in the city of Carlisle, Cumbria, England. It was founded as an Augustinian priory and became a cathedral in 1133. It is also home of the Bishop of Carlisle.

 

Carlisle is the second smallest of England's ancient cathedrals. Its notable features include figurative stone carving, a set of medieval choir stalls and the largest window in the Flowing Decorated Gothic style in England.

 

Carlisle Cathedral was begun in 1122, during the reign of King Henry I, as a community of Canons Regular following the reform of the Abbey of Arrouaise in France, which followed a strict form of the canonical life, influenced by the ascetic practices of the Cistercians. Many large churches of Augustinian foundation were built in England during this period as the Archbishop of Canterbury, William de Corbeil, was a member of this order, but Carlisle is one of only four Augustinian churches in England to become a cathedral, most monastic cathedrals being Benedictine. The church was begun by Athelwold, an Englishman, who became the first prior. In 1133, the church was raised to the status of cathedral and Athelwold became the first Bishop of Carlisle (1133–55). In 1233, the cathedral priory community were joined by two friaries in the city. A Dominican friary and a Franciscan friary were founded close to the cathedral. The building was refurbished in the 13th and 14th centuries, receiving impetus from the presence of the court of Edward I in 1307.

 

In the 15th and early 16th centuries, the monastic buildings were renewed. With the Dissolution of the Monasteries from 1536, and the establishment by Henry VIII of the Church of England as the country's official church, the Dominican and Franciscan friaries were dissolved and Carlisle cathedral was run by a secular chapter like the cathedrals at Lincoln and York, which practice has continued to this day. During the time of the English Civil War, a portion of the nave of the cathedral was demolished by the Scottish Presbyterian Army in order to use the stone to reinforce Carlisle Castle. Between 1853 and 1870 Carlisle Cathedral was restored by Ewan Christian. In the early 19th century, the cathedral became the subject for a geometric analysis by Robert William Billings.

 

Carlisle Cathedral was commenced in 1123 as a monastic church, possibly on the foundations of an earlier church, in the Norman architectural style with solid masonry, large round piers, round arches and smallish round headed windows. These features may still be seen in the south transept and the remaining two bays of the nave, which are now used as the Chapel of the Border Regiment. The stone is the local red sandstone, which has discoloured almost to black on parts of the exterior. The building has also suffered from subsidence which is evidenced by the piers, which lean at different angles.

 

In the 13th century, the choir of the cathedral was rebuilt in the Gothic style, wider than the original and on a different axis. However, the new work was severely damaged in a fire in 1292, and the work was recommenced. By 1322 the arcades and the easternmost bay were complete, with the elaborate tracery and glass of the east window being in place by about 1350. The upper stages of the walls were finished, probably by the architect John Lewen who died in about 1398. The Gothic arcade has richly moulded arches with dog-tooth decoration, and the twelve capitals are carved with vegetation along with small lively figures representing the labours of the months.

 

The choir is roofed by a fine wooden barrel vault dating from the 14th century. In 1856 this was restored and repainted to a new design by Owen Jones. It is thought the eastern bays of the cathedral never received a stone vault because at some point the central spire blew down, and funds were required to rebuild the damaged tower and north transept, completed in about 1420.

 

The most significant architectural feature of Carlisle Cathedral is its East Window. The tracery of this window is in the most complex of English Gothic styles, Flowing Decorated Gothic. It is the largest and most complex such window in England, being 51 feet high and 26 feet wide. It has nine lights, and tracery, which, it has been calculated, was drafted from 263 points. The tracery of the window still contains much of its original medieval glass.

 

Carlisle Cathedral has a fine set of 46 carved wooden choir stalls with misericords, which were installed in the early 15th century. Misericords are hinged seats, "constructed to keep the monks from falling asleep while at prayers," and carved with numerous figures and creatures. Despite their purpose, the "pillars supporting the canopies bear traces of having been burnt, by weary monks who dropped off to sleep in the midst of their interminable devotions while holding a lighted candle in their hands." The misericords were made out of black oak, and their backs carved with scenes of the legends of St. Anthony the Hermit, St. Cuthbert, St. Augustine, and the twelve apostles, as well as mythical themes. The misericords of Carlisle include typical iconography of "half-length angels, beasts deriving from the Bestiary, hybrid creatures, and narrative scenes, including the inverted world theme of the Woman beating a Man that no decent set of misericords could be without."

 

The delicate gilt canopy over the high altar is a modern work designed by Sir Charles Nicholson.

 

Other buildings of interest in the precinct are the Fratry dating from about 1500 and the Gatehouse of 1527.

 

In mediaeval times the Fratry building was the dining hall of the Cathedral Priory. The £3.4 million Fratry Project commenced in 2019 to add a new extension designed by architects Feilden Fowles. The deanery incorporates a 15th-century pele tower, called The Prior's Tower, containing a fine contemporary painted ceiling.

 

Carlisle is a cathedral city in the ceremonial county of Cumbria in England. It is the administrative centre of Cumberland Council which covers an area similar to the historic county of Cumberland.

 

Carlisle's early history is marked by the establishment of a Roman settlement to serve forts along Hadrian's Wall in Roman Britain. Due to its proximity to Scotland (being located 8 mi (13 km) south of the current Anglo-Scottish border), Carlisle Castle and the city became an important military stronghold in the Middle Ages. The castle served as a prison for Mary, Queen of Scots in 1568 and currently hosts the Duke of Lancaster's Regiment and the Border Regiment Museum. In the early 12th century, a priory was built and gained cathedral status with a diocese in 1133 (city status at the time meant the settlement became a city) while the county of Carliol was created and later renamed Cumberland.

 

In the 19th century, the introduction of textile manufacture during the Industrial Revolution began a process of socioeconomic transformation in Carlisle, which developed into a densely populated mill town. This, combined with its strategic position, allowed for the development of Carlisle as an important railway town, with seven railway companies sharing Carlisle railway station. Nicknamed the 'Great Border City', Carlisle today is a main cultural, commercial and industrial centre in the British borders. It is home to the main campuses of the University of Cumbria and a variety of museums and heritage centres.

 

The ancient history of Carlisle is derived mainly from archaeological evidence and the works of the Roman historian Tacitus. The earliest recorded inhabitants in the area were the Carvetii tribe of Britons who made up the main population of ancient Cumbria and North Lancashire. According to Boethius and John of Fordun, writing in the 18th and 19th centuries, Carlisle existed before the arrival of the Romans in Britain and was one of the strongest British towns at the time. In the time of the emperor Nero, it was said to have burned down. The Roman settlement was named Luguvalium, based on a native name that has been reconstructed as Brittonic *Luguwaljon, "[city] of Luguwalos", a masculine Celtic given name meaning "strength of Lugus".

 

Excavations undertaken along Annetwell Street in the 1970s dated the Roman timber fort constructed at the site of present Carlisle Castle to the winter of AD 73. It protected a strategic location on the Roman road to the north and overlooking the confluence of the Caldew and Eden rivers.

 

The fort at Carlisle was reconstructed in 83 using oak timbers from further afield, rather than local alder as a possible result of the increased Roman control of the area. At this time the Roman fort was garrisoned by a 500-strong cavalry regiment, the Ala Gallorum Sebosiana.

 

By the early 2nd century, Carlisle was established as a prominent stronghold. The 'Stanegate' frontier, which consisted of Luguvalium and several other forts in a line east to Corbridge, was proving a more stable frontier against the Picts than those established deeper into Caledonia. In 122, the province was visited by Hadrian, who approved a plan to build a wall the length of the frontier. A new fort, Petriana, was therefore built in the Stanwix area of the city north of the river on Hadrian's Wall. It was the largest fort along the wall[citation needed] and was completed in stone by around 130. Like Luguvalium, which lay within sight, Petriana housed a nominal 1,000-strong cavalry regiment, the Ala Gallorum Petriana, the sole regiment of this size along the wall. Hadrian's successor Antoninus Pius abandoned the frontier and attempted to move further north; he built the Antonine Wall between the firths of Forth and Clyde. It was not a success and, after 20 years, the garrisons returned to Hadrian's Wall.

 

At one time, Carlisle broke off from Rome when Marcus Carausius assumed power over the territory. He was assassinated and suffered damnatio memoriae, but a surviving reference to him has been uncovered in Carlisle. Coins excavated in the area suggest that Romans remained in Carlisle until the reign of Emperor Valentinian II, from 375 to 392.

 

The period of late antiquity after Roman rule saw Cumbria organised as the native British kingdom of Rheged. It is likely that the kingdom took its name from a major stronghold within it; this has been suggested to have been broadly coterminous with the Civitas Carvetiorum, Carlisle. King Urien and his son and successor Owain became the subjects of a great deal of Arthurian legend. Their capital has been identified as the Cair Ligualid listed by Nennius among the 28 cities of Britain, which later developed into Caer-luel, whence the city's modern Welsh name Caerliwelydd. Rheged came under Northumbrian control before 730, probably by inheritance after Rienmelth, daughter of Royth and great-granddaughter of Urien, married Oswy, King of Northumbria. For the rest of the first millennium, Carlisle was an important stronghold contested by several entities who warred over the area, including the Brythonic Kingdom of Strathclyde and the Anglian kingdom of Northumbria. In 685, St Cuthbert, visiting the Queen of Northumbria in her sister's monastery at Carlisle, was taken to see the city walls and a marvellously constructed Roman fountain.

 

By the time of the Norman Conquest of England in 1066, Carlisle was in the possession of the Scots. It was not recorded in the 1086 Domesday Book. This changed in 1092, when William the Conqueror's son William Rufus invaded the region and incorporated Carlisle into England. The construction of Carlisle Castle began in 1093 on the site of the Roman fort, south of the River Eden. The castle was rebuilt in stone in 1112, with a keep and the city walls. The walls enclosed the city south of the castle and included three gates to the east, south, and north called the Irish or Caldew Gate, the English or Botcher Gate, and the Scotch or Ricker Gate respectively. The names of the gates exist in road names in Carlisle today. Carlisle Cathedral was founded as an Augustinian priory and became a cathedral in 1133. In 1157, Carlisle became the seat of the new county of Carliol (a name that was originally an abbreviation of Latin Carlioliensis, meaning "[Bishop] of Carlisle"); in 1177 the county was renamed Cumberland.

 

The conquest of Cumberland was the beginning of a war between Scotland and England which saw the region centred around Carlisle change hands a number of times. It was a major stronghold after the construction of the castle. During the wars, the livelihood of the people on the borders was devastated by armies from both sides. Even when the countries were not at war, tension remained high, and royal authority in one or the other kingdom was often weak. The uncertainty of existence meant that communities or peoples kindred to each other sought security through their own strength and cunning, and they improved their livelihoods at their enemies' expense. These peoples were known as the Border Reivers and Carlisle was the major city within their territories.

 

The Reivers became so much of a nuisance to the Scottish and English governments that, in 1525, the Archbishop of Glasgow Gavin Dunbar cursed all the reivers of the borderlands. The curse was detailed in 1,069 words, beginning: "I curse their head and all the hairs of their head; I curse their face, their brain (innermost thoughts), their mouth, their nose, their tongue, their teeth, their forehead, their shoulders, their breast, their heart, their stomach, their back, their womb, their arms, their leggs, their hands, their feet and every part of their body, from the top of their head to the soles of their feet, before and behind, within and without."

 

After the Pilgrimage of Grace, Henry VIII, concerned at the weakness of his hold on the North, employed (1539) the engineer Stefan von Haschenperg to modernise the defences of Carlisle. von Haschenperg was sacked in 1543 for having "spent great treasures to no purpose"; but (by him and his successors) at the north end the castle towers were converted to artillery platforms, at the south the medieval Bochard gate was converted into the Citadel, an artillery fortification with two massive artillery towers.  The death of Queen Elizabeth I in 1603 and her succession by James VI of Scotland as King James I of England allowed more determined and coordinated efforts to suppress reiving. The borderers were not quick to change their ways and many were hanged and whole families were exiled to Ireland. It was not until 1681 that the problem of the reivers was acknowledged as no longer an issue.

 

Following the personal union of the crowns Carlisle Castle should have become obsolete as a frontier fortress, but the two kingdoms continued as separate states. In 1639, with war between the two kingdoms looming, the castle was refortified using stone from the cathedral cloisters In 1642 the English Civil War broke out and the castle was garrisoned for the king. It endured a long siege from October 1644 until June 1645 when the Royalist forces surrendered after the Battle of Naseby. The city was occupied by a parliamentary garrison, and subsequently by their Scots allies. In 1646, the Scots, now holding Carlisle pending payment of monies owed them by the English Parliament, improved its fortifications, destroying the cathedral's nave to obtain the stone to rebuild the castle. Carlisle continued to remain a barracks thereafter. In 1698 travel writer Celia Fiennes wrote of Carlisle as having most of the trappings of a military town and that it was rife with alcohol and prostitutes.

 

In 1707 an act of union was passed between England and Scotland, creating Great Britain, but Carlisle remained a garrison town. The tenth, and most recent siege in the city's history took place after Charles Edward Stuart took Carlisle in the Jacobite Rising of 1745. When the Jacobites retreated across the border to Scotland they left a garrison of 400 men in Carlisle Castle. Ten days later Prince William, Duke of Cumberland took the castle and executed 31 Jacobites on the streets of Carlisle.

 

Although Carlisle continued to garrison soldiers, becoming the headquarters of the Border Regiment, the city's importance as a military town decreased as the industrial age took over. The post of Governor of Carlisle as garrison commander was abolished in 1838.

 

In the early 19th century textile mills, engineering works and food manufacturers built factories in the city mostly in the Denton Holme, Caldewgate and Wapping suburbs in the Caldew Valley. These included Carr's of Carlisle, Kangol, Metal Box and Cowans Sheldon. Shaddon Mill, in Denton Holme, became famous for having the world's 8th tallest chimney and was the largest cotton mill in England.

 

The expanding industries brought about an increase in population as jobs shifted from rural farms towards the cities. This produced a housing shortage where at one point 25,000 people in the city only had 5,000 houses to live in. People were said to be herded together with animal houses, slaughter houses and communal lavatories with open drains running between them. Living conditions were so bad that riots were common and some people emigrated. The problem wasn't solved until the end of the 19th century when mass housing was built west of the city walls.

 

In 1823 a canal was built to Fisher's Cross (Port Carlisle) to transport goods produced in the city. This enabled other industrial centres such as Liverpool to link with Carlisle via the Solway. This was short-lived and when the canal operators ran into financial difficulty the waterway was filled in. A railway was built in place of the canal.

 

Carlisle became a major railway centre on the West Coast Main Line with connections to the east. At one time seven companies used Carlisle Citadel railway station. Before the building of the Citadel railway station the city had several other railway stations, including London Road railway station. Carlisle had the largest railway marshalling yard in Europe, Kingmoor, which, reduced in size, is operational and used by railfreight companies.

 

At the start of the 20th century, the population had grown to over 45,000. Transport was improved by the City of Carlisle Electric Tramways from 1900 until 1931, and the first cinema was built in 1906. In 1912, the boundaries of Carlisle were extended to include Botcherby in the east and Stanwix in the north.

 

Carlisle was subject to the decline in the textile industry experienced throughout Britain as new machinery made labour unnecessary. In 1916, during the First World War, the government took over the public houses and breweries in Carlisle because of drunkenness among construction and munitions workers from the munitions factory at Gretna. This experiment nationalised brewing. As the Carlisle Board of Control, and subsequently the Carlisle & District State Management Scheme, it lasted until 1971.

 

During the Second World War, Carlisle hosted over 5,000 evacuees, many of whom arrived from Newcastle upon Tyne and the surrounding towns.

 

A shopping centre (including a new central library) was built to the east and north-east of the market cross and opened in 1986. The area east of the market cross had formerly been occupied by narrow alleyways of housing and small shops (on a layout which had not changed much since medieval times) and referred to locally as The Lanes. Carlisle city centre was pedestrianised in 1989.

 

On the evening of Friday, 7 January 2005, the rivers Eden, Caldew and Petteril burst their banks due to as much as 180 mm rainfall up stream that day. 2,700 homes were flooded and three people died. The city's police and fire stations were flooded along with Brunton Park football stadium. The police, fire service and Carlisle United F.C. were moved, the latter as far as Morecambe. At the time of the flood, emergency services also had to respond to cases of car-related arson in the city.

 

Carlisle is the only city in Cumbria. The city centre is largely pedestrianised and the Lanes shopping centre is home to around 75 shops.

 

Carlisle has a compact historic centre with a castle, cathedral and semi-intact city walls, as well as other medieval buildings including the Guildhall and Tithe Barn. The Citadel towers, which until 2016 also served as offices for Cumbria County Council, were designed by Thomas Telford, with the eastern tower incorporating part of the 16th-century building. The first Citadel building was a Tudor fortification replacing the medieval Englishgate, designed by the Moravian military engineer Stefan von Haschenperg in 1541. Next to the Citadel is Carlisle railway station, designed by William Tite in the neo-Tudor style, considered by Historic England to be among the most important early railway stations in England.

 

Carlisle has held city status since the Middle Ages and a borough constituency or parliamentary borough for centuries, at one time returning two MPs. In 1835 it became a municipal borough which was promoted to county borough status in 1914. The city's boundaries have changed several times since 1835, most notably between 1974 and 2023, when under the Local Government Act 1972 the city and county borough and the Border Rural District were abolished and new enlarged City of Carlisle non-metropolitan district was created within the newly formed administrative county of Cumbria.

 

The municipal borough contained several civil parishes or parts of parishes but these were merged into a single civil parish of Carlisle in 1904. The civil parish was abolished on 1 April 1974, although parts of the urban fringe are in the parishes of Stanwix Rural, Kingmoor and St Cuthbert Without. Carlisle unsuccessfully applied to become a Lord Mayoralty in 2002. Carlisle City Council had its headquarters at the 1960s Civic Centre in Rickergate, the tallest building in the city.

 

At the time of the 2001 census, the population of Carlisle was 71,773, with 100,734 living in the district. In the 2011 census, the city's population had risen to 75,306, with 107,524 in the district.

 

On 1 April 2023 the City of Carlisle local government district was abolished, and the boundaries of the City of Carlisle were redefined to cover the following wards: Belah and Kingmoor, Botcherby and Harraby North, Cathedral and Castle, Currock and Upperby, Denton Holme and Morton South, Harraby South and Parklands, Newtown and Morton North, Sandsfield and Morton West and Stanwix and Houghton.

 

Charter trustees were formed from the councillors that cover the said areas. They act as appropriate bodies in which historic rights and privileges of Carlisle, including the mayoralty will continue until a governance review will determine the need of a city council.

 

The current member of Parliament is John Stevenson, representing the Conservative Party.

 

Carlisle used to be within the North West England constituency of the European Parliament.

 

Carlisle elected 18 county councillors to the former Cumbria County Council. Its headquarters were located at Cumbria House on Botchergate.

 

See also: City of Carlisle and Carlisle City Council elections

Until April 2023 Carlisle was governed by a district council, Carlisle City Council and a County Council, Cumbria County Council. After the 2019 elections the Conservative Party ran a minority administration on the district council with the support of the Independents. The district council covered a large rural area with many villages and towns including Dalston, Brampton, Longtown, Wetheral, Bewcastle and Scotby.

 

Cumberland Council, the local authority for Cumberland, is a unitary authority, having the powers of a non-metropolitan county and district council combined. It operated as a shadow authority until taking up its powers on 1 April 2023. Cumberland Council replaced Cumbria County Council, Allerdale Borough Council, Carlisle City Council and Copeland Borough Council.

 

The first election to Cumberland Council was held on 5 May 2022. All 46 seats were up for election. Labour won a majority of 30 seats. Conservatives have 7 seats, Liberal Democrats 4 seats, Independents 3 seats and Green Party 2 seats. Turnout was 36.1%.

 

Carlisle is situated on a slight rise, in the Cumberland Ward, at the confluence of the rivers Eden, Caldew and Petteril.

 

An important centre for trade, it is located 56 mi (90 km) west of Newcastle upon Tyne, 71 mi (114 km) north of Lancaster, 90 mi (140 km) south-east of Glasgow, 93 mi (150 km) south of Edinburgh, 120 mi (190 km) north-west of York, and 300 mi (480 km) north-north-west of London. Nearby towns and villages include Longtown (north), Penrith (south), Brampton (east), Wigton (west), Haggbeck, Harker, Carwinley, Blackford, Houghton, Scotby, Wreay and Rockcliffe.

 

Carlisle experiences an oceanic climate (Köppen climate classification Cfb). In January 2005 Carlisle was hit by strong gales and heavy rain, and on Saturday 8 January 2005 all roads into Carlisle were closed owing to severe flooding, the worst since 1822, which caused three deaths. Even worse flooding than in 2005 affected Carlisle between 4 and 6 December 2015. During this time, nearly 36 hours of incessant rainfall breached flood defences and left several areas submerged – including Bitts Park, Hardwicke Circus and Warwick Road. This left the Sands Centre (and the nearby Shell petrol station and Bitts Park), marooned from the rest of the city. As several other areas of Cumbria were also badly affected (particularly Appleby and Wigton), all trains to Scotland were postponed indefinitely, with trains on the West Coast Mainline going no further than Preston, as nearby Lancaster suffered flooding and problems with electricity supply. Prime Minister David Cameron visited the city on 7 December 2015 to assess the damage, having earlier called an emergency Cobra meeting.

 

In the north of Carlisle are the suburbs of Kingstown, Lowry Hill and Moorville, formerly part of the parish of Kingmoor. To the south of them are Stanwix, Edentown, Etterby, St Ann's Hill and Belah which were added to Carlisle in 1912. The parish of Stanwix Rural exists but only includes a small part of Carlisle's urban area, Whiteclosegate.

 

To the immediate south of Stanwix is the River Eden. On the opposite bank is the city centre bounded on the west by the West Coast Main Railway line and the River Caldew. In the past industry flourished on the banks of the River Caldew, especially Denton Holme and Caldewgate on the west bank and Wapping, around the former Metal Box works, on the east. West of Caldewgate and north of Denton Holme the suburbs of Newtown, Morton, Sandsfield Park, Longsowerby, Raffles and Belle Vue developed in the late 19th and 20th centuries.

 

The eastern side of the city centre developed in the 19th century into a more affluent area along the main A69 road. It links with the former village of Botcherby to which a large council estate was added in the mid-20th century and later still Durranhill Housing Estate.

 

South of the city centre is the Botchergate/St Nicholas area of late Victorian terraced housing similar to that found in Denton Holme and Caldewgate. The Botchergate East area until recently had older slum dwellings.

 

To the south west of Botchergate and St Nicholas are the former villages now suburbs of Upperby and Currock. The urban area spills over the former county borough boundary into Blackwell and Durdar in the civil parish of St Cuthbert Without.

 

Between Upperby and Botcherby is Harraby, a former village once part of St Cuthbert Without and the largest suburb of Carlisle. Harraby is subdivided into Harraby East, New Harraby, Harraby Green, Old Harraby, Petteril Bank and the Durranhill Industrial Estate. Adjoining Harraby to the south but outside the former borough boundary is the hamlet of Carleton.

 

Carlisle is linked to the rest of England via the M6 motorway to the south, and to Scotland via the M74/A74 towards Glasgow and the north. Many trunk roads begin or terminate in Carlisle, including the A6 to Penrith and Luton (historically the main road to the south prior to the opening of the M6), the A595 to western Cumbria, the A69 to Newcastle upon Tyne and the A7 to Edinburgh.

 

Carlisle became a major railway centre with, at one time, seven different companies using Carlisle Citadel railway station. Prior to the building of the Citadel railway station, Carlisle had several railway stations, including London Road railway station. Carlisle also used to have the largest railway marshaling yard in Europe, at Kingmoor, which, although reduced in size, is still very much operational and used by railfreight companies like Colas Rail, DB Cargo UK, Freightliner and very occasionally Direct Rail Services.

 

Today, Carlisle railway station is a principal station on the West Coast Main Line. Other lines branch off to Newcastle, along the Tyne Valley line; Leeds, along the Settle and Carlisle line; Glasgow Central, via Dumfries along the Glasgow South Western Line which connects Ayr and Stranraer for the Stena Line ferry to Port of Belfast or P&O Ferries to Larne Harbour; and west Cumbria along the Cumbrian Coast line to Whitehaven, Barrow-in-Furness and Lancaster. Services are operated by ScotRail, Avanti West Coast, Northern and TransPennine Express. Kingmoor Traction Maintenance Depot is a major facility north of Carlisle, operated by Direct Rail Services.

 

Local bus services are run by Stagecoach Cumbria & North Lancashire, Reay's and Arriva North East. Following the flooding of Carlisle bus depot on 8 January 2005, Stagecoach announced the purchase of a fleet of low-floor buses for Carlisle city routes. These were launched on 30 June 2005, with Carlisle Citi branding, and most buses carry route branding for individual routes both internally and externally.

 

In 2009, locally based coach operator, Reay's, started a City Hopper bus services on routes formerly operated by Stagecoach but later expanded with similar routes to Stagecoach and also connects parts of the city that previously did not have a service. Reays withdrew the majority of their Carlisle services, which competed with Stagecoach, in 2012.

 

The bus station, which has seven stands and a travel centre, is situated on Drury Lane just off Lonsdale Street in the city centre. The present station was built in the 1990s to replace a larger station that was partially on the same site and had access from Lowther Street, where the Earls Lane shopping area is now.[citation needed] It is owned and managed by Stagecoach Cumbria & North Lancashire. The main operators at the bus station are Arriva North East, Borders Buses, National Express and Stagecoach Cumbria & North Lancashire.

 

Carlisle Lake District Airport is a small regional airport located 5.8 mi (9.3 km) east north-east of the city. The nearest major airport is Newcastle International Airport, near the east coast, which is around 55 mi (89 km) away from Carlisle.

 

Carlisle became an industrial city in the 19th and early 20th centuries with many textile mills, engineering works and food manufacturers opening up mostly in the Denton Holme, Caldewgate and Wapping areas which lie in the Caldew Valley area of Carlisle. (One such manufacturer located in the Denton Holme area was Ferguson Printers, a large textile printing factory that had stood for many years before its closure in the early 1990s). In the early 19th century, a canal was dug connecting Caldewgate with the sea at Port Carlisle. The canal was later filled in and became a railway line.

 

Carlisle was served by two electricity power stations. James Street station was built by the corporation and operated from 1899 until 1927. Willow Holme power station, north west of the city, was built and operated by the corporation from 1923 until nationalisation of the industry in 1948. It was closed down in 1980 and demolished in 1988.

 

Famous firms that were founded or had factories in Carlisle included Carr's of Carlisle (now part of United Biscuits), Kangol, Metal Box (now part of Crown Holdings) and Cowans Sheldon. Cowans Sheldon originated in the city in the mid 19th century and became one of the world's most important railway and marine engineering firms, manufacturing finally ceased in Carlisle in 1987. Others include the construction firms of John Laing and Story Contracting. Pirelli Carlisle opened in 1969.

 

The hauliers Eddie Stobart Logistics who were founded in nearby Hesket Newmarket and were once part of the Stobart Group, had their HQ in Carlisle. Although they no longer have their HQ in Carlisle they still employ staff in the city. Robsons Border Transport Limited, J & W Watt Limited and F Brown (Carlisle) Limited, all substantial road hauliers, had their HQ in Carlisle.

 

Until 2004, Carlisle's biggest employer was Cavaghan & Gray, which became part of Northern Foods and was subsequently acquired by 2 Sisters Food Group which operated from two sites in the Harraby area of Carlisle producing chilled foods for major supermarket chains. The London Road site closed in 2005 with the loss of almost 700 jobs as production was transferred to the nearby Eastern Way site or other factories around the UK.

 

There are various light industrial estates and business parks located on the fringes of Carlisle and on former industrial sites close to the city centre. The largest being the Kingstown Industrial Estate, which is located just off the A7 road near to the M6 motorway.

 

On 28 March 2005, Carlisle was granted Fairtrade City status.

 

The University of Cumbria has four campuses in Carlisle on Fusehill Street, Brampton Road, Paternoster Row and Newcastle Street. The university provides a wide range of degree courses in higher education such as Information technology, Applied Psychology, Art, Business, Law, Media, Social Work and Teacher Education.

 

Carlisle College is the further education establishment based in the city.

 

The secondary schools within Carlisle are: Richard Rose Central Academy, Richard Rose Morton Academy, Austin Friars St Monicas (Roman Catholic Private School), Trinity School and St John Henry Newman Catholic School. Other secondary schools in the wider City of Carlisle district are: Caldew School (Dalston), William Howard School (Brampton), and Lime House School (Private School, Dalston).

 

Richard Rose Central Academy replaced St Aidan's County High School and Specialist Sports and Science College, and North Cumbria Technology College (NCTC, formerly Harraby School). It is sponsored by Eddie Stobart owner Andrew Tinkler, and local businessman Brian Scowcroft. It opened in September 2008. In January 2009, there were protests by parents and pupils regarding poor quality education and school facilities. The school was found to be failing and was placed in Special Measures, with the headmaster and chief executive being immediately replaced.

 

The Tullie House Museum and Art Gallery was opened in 1893 by the Carlisle Corporation. The museum features resident exhibits detailing the history of Roman occupancy of the region, Hadrian's Wall and the Border Reivers. Tullie House, named after the Jacobean mansion in which it is located, hosts travelling exhibitions. The museum has received many awards and was expanded in 1990 and 2000.

 

The city's Guildhall Museum is based in a 14th-century house and the Border Regiment Military Museum is in the castle.

 

Her Majesty's Theatre, in Lowther Street, was constructed in 1874 as the Victoria Hall, and started screening films in 1897. An early music director at the turn of the century was Howard Ellis Carr. After the interior was damaged by fire in 1904, it was rebuilt to designs by architects Beadle & Hope, and reopened in 1905 as Her Majesty's Theatre. Films and variety shows were staged, until around 1919, when it staged only live productions and plays. Robert David MacDonald was artistic director at the theatre. After being briefly renamed Municipal Theatre in the 1960s, the theatre closed in early 1963 and reopened as the Regal Bingo Club in late 1963. This closed in the 1970s and the building was demolished in 1980, replaced by a car park.

 

Sands Centre Sports Hall is Carlisle's main entertainment venue which sometimes hosts touring musicians, theatre and comedians. The West Walls Theatre is situated in the city centre, an amateur theatre. The Old Fire Station opened in 2015 after being converted into a performing arts venue, it hosts touring bands, live stand-up comedy, dramas and art exhibitions. Brunton Park stadium has hosted live music including an Elton John concert in 2007.

 

Carlisle Music Festival takes place in Carlisle Cathedral each year. The defunct Brampton Live, the largest folk festival in the north of England, formerly took place in Brampton. Over the weekend of 14/15 May 2011, Carlisle Lake District Airport hosted Europe's largest free music festival, Radio 1's Big Weekend. The festival's headline acts included Lady Gaga and the Foo Fighters. St Cuthbert's Church hosts an annual series of instrumental and chamber music concerts organised by North Cumbria Recitals.

 

Every August the Carlisle Food Fair is held in the pedestrianised area of the city centre. It plays host to produce from across the continent and features local produce including Cumberland sausage, Cumberland sauce, Farmhouse Cheese and Cumberland Mustard.

 

In 2012, Fair Food Carlisle was awarded the runner-up prize in the government's Buy Better Together Challenge competition. The Buy Better Together Challenge was launched by the Department for Business, Innovation and Skills and Co-operatives UK in December 2011 to encourage groups of consumers to work together to negotiate discounted rates for buying goods and services in bulk. The challenge received 110 entries and to seven finalists were selected. The Fair Food Carlisle scheme uses buying groups to provide workplaces with a weekly supply of food from local businesses.

 

From 1961 to 2009, Carlisle was home to Border Television which served Cumbria, southern Scotland, the Isle of Man and parts of Northumberland.

 

Initially based at studios in the Harraby area of the city, the station was controversially merged with ITV Tyne Tees in 2009 as part of wide-ranging cutbacks to ITV's regional output.

 

As of 2009, ITV Border's news and sales operations are based at offices in the north of the city, although production of its nightly news programme, Lookaround, is based at Tyne Tees' Gateshead studios.

 

As of 2014, ITV Border is again producing a full regional news service, along with two hours a week of current affairs and features programming, aimed specifically at southern Scotland.

 

Television signals are received from the Caldbeck TV transmitter.

 

The Cumberland News is the local broadsheet paper published on Fridays. The News and Star is the evening paper. Both are published by Carlisle-based CN Group. Carlisle is home to BBC Radio Cumbria, Greatest Hits Radio Cumbria & South West Scotland and Hospital Radio Echo, which was established in 1965 and is the hospital radio station to Cumberland Infirmary, 24 hours a day.

 

Carlisle is represented in English football by Carlisle United, who currently play in the third tier of English football after being promoted to Football League One in 2023. The club has played at Brunton Park on Warwick Road (A69) since 1909. In November 2011 plans were unveiled for the club to move to a 12,000-seat stadium in Kingmoor Park.

 

The club's first Football League tenure began in 1928 when it was elected to the northern section of the Football League Third Division, replacing Durham City. Its past achievements include reaching the Football League Cup semi-finals (its best run in either of the two domestic cups) in 1969, and winning promotion to the top flight (then the Football League First Division) in 1974. The club topped the English league after winning its first three games of the 1974-75 season, but failed to keep up its good form and was relegated after just one season. In 1987 the club returned to the Football League Fourth Division, and in 2004 was relegated to the Football Conference – the first former top division club to do so – only to regain their Football League place after one year. In 1999, Carlisle United escaped relegation from the Football League on the final day of the season when on-loan goalkeeper Jimmy Glass scored an injury time winner against Plymouth Argyle. The 2–1 win meant that Scarborough were relegated to the Football Conference.

 

Though Carlisle United has rarely attracted the national football headlines, the club has fielded high-profile players. Some have achieved fame at bigger clubs after spending their early careers at the club. These include Peter Beardsley, Stan Bowles, Steve Harkness, Matt Jansen and Rory Delap. Many older players spent their later years at Carlisle United after playing for bigger clubs. These include Michael Bridges, Mervyn Day, Kevin Gray and David McCreery. Former managers include Bill Shankly, Alan Ashman, Bob Stokoe, Harry Gregg, Mick Wadsworth, Nigel Pearson and Paul Simpson. Since Workington was voted out of the Football League in 1977, Carlisle United were the only Cumbrian team to play senior football until Barrow A.F.C. rejoined the EFL in 2020.

 

Celtic Nation F.C. was a Carlisle-based semi-professional club who played in the Northern Football League Division One. They folded in April 2015 after a season of financial problems. Nation started out in 2004 as Gillford Park F.C. and played in the Northern Football Alliance league and won four promotions in 8 years. In 2012 Scottish millionaire Frank Lynch who is based in America, started putting money into the club and changed its name to Celtic Nation. After two years, Lynch withdrew his financial support and the club struggled before folding.

 

Carlisle City are a semi professional side who play in the Northern Football League. After spending 40 years in the Northern Football Alliance league, they were promoted to the North West Counties Football League in 2016, before being switched to their current league (at the same level) in 2019. They play at Gillford Park after taking over the lease from Celtic Nation in the summer of 2015.

 

Northbank Carlisle was a club which played its football in the Northern Football Alliance Premier Division. After forty years, the club decided to fold its senior team. Northbank still operates as a youth academy.[citation needed]

 

Carlisle has two rugby union clubs: Carlisle RFC and Creighton RUFC. Carlisle RFC play at Warwick Road, alongside Carlisle United Football Club. Creighton RUFC originally played near Cumberland Infirmary but sold its ground to housing development company Story Homes in 2004 in exchange for new facilities off Cumwhinton Road, near Junction 42 of the M6. Former England rugby union captain Steve Borthwick is a native of Carlisle.

 

The rugby league team, Carlisle merged with Barrow and left Carlisle. Amateur rugby league club, Carlisle Centurions played in the National Division of the Rugby League Conference until they withdrew in 2010.

 

Carlisle Border Reivers were an American football team that played in Division 2 North until they folded in 2013. They rebranded as the Carlisle Kestrels in 2019, the team's original name. They play at Gillford Park.

 

In 1904, Carlisle Racecourse was established to the south of the city, it is now a first-class racecourse. Horse racing has been held in Carlisle for centuries before the racecourse was formally established.

 

Three greyhound racing venues existed in Carlisle during the late 1920s. All three were independent (not affiliated to the sport's governing body the National Greyhound Racing Club) and were known as a flapping tracks, which was the nickname given to independent tracks. The first was located at Gillford Park (home of the Carlisle Centurions RL and more recently Celtic Nation F.C.). The second was on pasture land in the former village of Harraby and was conducted by the Carlisle and Cumberland Greyhound Racing Sports Ltd. The third was north west of Carlisle on the Sheepmount playing fields and more recently the athletics track.

 

Carlisle Cricket Club and Cumbria County Cricket Club play at the Edenside Ground north of the city centre. Cumberland is classed as a minor county by the ECB. The club has won the Minor Counties Championship twice. The remains of a Roman bathhouse associated with the Roman fort of Petriana have been excavated at the site.

 

Carlisle has several golf clubs, including Stoneyholme within the city, and Carlisle Golf Club which hosts regional qualifying to the Open Championship.

 

In 2012, Carlisle was one of the official stop-off points for the Olympic torch before it made its way down to the Olympic Games opening ceremony in London's Olympic Stadium.

 

As a frontier town for over a millennium and a half, Carlisle is a military city. It is the most besieged place in the British Isles, having been besieged at least ten times, and has garrisoned troops for most of its history. Cumbria's County regiment, the Border Regiment made its headquarters at Carlisle Castle. The regiment was amalgamated with the King's Own Royal Regiment (Lancaster) to become the King's Own Royal Border Regiment and subsequently the Duke of Lancaster's Regiment where its lineage continues. From 1720 to 1959, the regiment fought in many campaigns, including the French and Indian War, the Battle of Culloden, the First World War and the Second World War.

 

RAF Carlisle also known as 14 MU was located at Kingstown near the present-day Asda. The station closed in 1996 after nearly sixty years in a variety of roles. First established as RAF Kingstown in 1938, it was originally a bomber station, then one of the RAF's Elementary Flying Training Schools and latterly a post-war storage facility.

 

The largest RAF station by area in the country and one of only two electronic warfare ranges in Europe, RAF Spadeadam is located outside the City of Carlisle but maintains strong links with the local community; in 2018, it was awarded the Freedom of the City of Carlisle.

 

During the Second World War the air raid warning organisation No 32 Group Carlisle Royal Observer Corps operated in the city centre controlled from RAF Kingstown. The association with Kingstown developed further in 1962 when the ROC ceased its aircraft spotting role for the RAF and took on a new role plotting nuclear explosions and warning the public of radioactive fallout for the United Kingdom Warning and Monitoring Organisation (UKWMO). A new administration building and a protected, hardened Nuclear Reporting bunker was built at RAF Carlisle. The nuclear bunker was a standard above-ground structure and both the bunker and headquarters hutting were on a separate site at Crindledyke outside the main gates of RAF Carlisle. The Carlisle group was redesignated no 22 Group ROC.

 

The ROC constructed a smaller nuclear reporting post, Kingstown post (OS ref:NY 3837 5920), on the main RAF Carlisle site. The post was an underground protected bunker for a crew of three observers. The headquarters bunker accommodated an operational crew of around 100 with dormitory and canteen facilities an operations room and life support plant.

 

The Royal Observer Corps was stood down and its parent organisation the UKWMO was disbanded in December 1995 after the end of the Cold War and as a result of recommendations in the governments Options for Change review of UK defence. The ROC buildings were demolished in 1996 and replaced by a cellphone communications mast. The foundations of the nuclear bunker can still be partially seen outlined in the concreted yard, which also contains the Air Training Corps hut during recent further development of the site.

 

There are many legends and folkloric stories about the city during the Dark Ages, such as the Sir Gawain and the Carle of Carlisle, about the nephew of King Arthur and the "free man" of the city.

 

In a 14th-century poem, legend has it that Sir Gawain, one of the Knights of the Round Table, stayed at the Castle of Carlisle while on a hunting expedition in the haunted Inglewood Forest. He then slept with the Carle's wife and killed him. This poem has strong parallels with another 14th century poem about Sir Gawain and the Green Knight. The story has since been re-adapted many times, most recently in films from 1973, 1984 and 2021.

 

By some accounts, Carlisle is also none other than Camelot, the mythical seat of King Arthur's court.

 

In local folklore, the Curse of Carlisle is a 16th-century curse that is said to have been invoked by Archbishop Dunbar of Glasgow in 1525 against cross-border families, known as the Border Reivers, who lived by stealing cattle and pillaging. For the millennium celebrations, the local council commissioned a 14-tonne granite artwork inscribed with all 1,069 words of the curse. Following the installation of the stone, Carlisle suffered floods, foot-and-mouth disease, job losses and a "goal famine" for the football team. In response to this, the city council considered removing the stone; however, Kevin Carlyon, the self-titled "high priest of the British white witches", proclaimed that such actions would give the curse more power. He commented that: "A curse can only work if people believe in it. I think at the moment the sculpture is a nice piece of history, but if the council destroys it, they would be showing their belief in the curse."

 

Twin towns - sister cities

Germany Flensburg, Schleswig-Holstein, Germany

Poland Słupsk, Pomeranian Voivodeship, Poland

A walk in a local park which has nice water features.

Pentax K-30, Promaster 50/1.7

 

For the PentaxForums.com Single in July challenge

 

SN0483SA the 1956 Ferrari 410 Superfast I Berlinetta by Pininfarina is probably on of the most recognisable one-off models from Ferrari's classic period.

 

A few notable features stand out - first, the tailfins - a popular feature on US designs of the era, also seen in many Pininfarina designs for mainstream manufacturers, but little used on Ferraris. Secondly, the two-tone bodywork, white of metallic light-blue - also a distinctive look for a Ferrari. And thirdly, the cantilevered roof, with near-invisible A-pillars.

 

Superfast I is a series I 410, and hence rides on the 2800mm wheelbase, whereas Series II and III cars used a shorter 2600mm.

 

The Superfast I - previewing the 410 Superamerica line, looked like nothing before it - but would go n to influence Ferrari styling for the next decade. The proportions and details were evolved first through the 410 Superamerica (1955-59), then the Columbo-engined 400 Superamerica (1959-64) that followed, the 500 Superfast (1964-66) then finally into the 365 California (1966-67). The styling themes were also evolved through the Ferrari 330/365 (1966-70).

 

Heart of the Ferrari 40 was the 60-degree Lampredi V12, also known as the Ferrari long-block. The Lampredi V12 was first seen in a roadcar in 4.1 L form in the 1950 340 America 217 - 276 hp). This was followed by the 4.5 L form in 1953 375 America, then in 5.0 L form in the 410 Superamerica line. In sn0483SA Superfast I, this engine was rated at 340 hp. The engine is a SOHC 24v design, with triple Weber 46DCF/3 carburettors and an 8.5:1 compression ratio.

When searching for traditional kitchen decorating concepts, take into consideration which classic kitchen remodeling suggestions inspire you. Classic kitchen design still sports sophisticated additions that define it as a classic style. You do not have to have an all-white kitchen just to have a...

 

keralakitchen.us/classic-kitchen-design.html

It's a Doozy ...........

 

This magnificently restored Duesenberg features a Murphy body on the long wheelbase chassis. The Walter M. Murphy Company of Pasadena, California built more than 140 bodies for the Model J Duesenberg chassis; for more than any other body builder. The Murphy Convertible Coupe was the single most popular body built for the Model J Duesenberg. In all, sixty Murphy bodied Model J’s were produced with fifty-two of them mounted on the “short” chassis (142.5 inches).

 

The most unique variation of the Murphy Convertible Coupe body was the “disappearing top” as featured on this vehicle. When the top was down, it is stowed under the deck lid so that none of the fabric or folding mechanism is visable.

 

The Duesenberg Model J engine is a modified Lycoming straight eight, incorporating dual overhead cams and four valves per cylinder. With a displacement of 420 cubic inches, the engine was advertised to produce 265 horsepower. The Model J chassis alone cost $8,500.

 

The Duesenberg Company produced high-end, luxury automobiles and racing cars from 1913 through 1937. It was created by the Duesenberg brothers, Fred and August, who formed the Duesenberg Automobile & Motors Company, Inc. in Des Moines, Iowa with the intent on building sports cars. Just like many of their time, they were mostly self-taught engineers and had only constructed experimental cars up to this point.

 

In 1926, Errett Lobban (E.L.) Cord purchased the Duesenberg Company. The company appealed to E.L. Cord, owner of the Cord and Auburn Automobile Company, because of its history, the engineering ingenuity of the products, brand name, and the skill of the Duesenberg Brothers. The purpose was to transform the company into a producer of luxury automobiles.

 

Rapidly becoming of the most popular vehicles in the world, the Duesenberg was a status symbol for the elite. Such famous owners of the Duesenberg were Clark Gable, the Duke of Windsor and Gary Cooper.

 

Advertised to be the ‘best car in the world', Duesenberg's have held up to their status for numerous years. Following world-beating performance along with high regard and standard for quality, the Duesenberg continued to hold the reputation for opulence.

 

A total of 481 Model Js and SJs were produced between 1928 and 1937. Following E. L. Cord's financial empire collapsing, Duesenberg ceased production in 1937. It is estimated that approximately 50% of these classic cars are still on the road today. Both Duesenberg Model J's and SJ's are among the most desired collectible classic cars in the world.

 

Jay Leno owns four Model J Duesenbergs.

 

Sources: welcome.to/acd.museum

 

www.conceptcarz.com/vehicle/z14238/Duesenberg-Model-J.aspx

24th July, 2015.An Taoiseach end Kenny TD visit to the village of Slane, County Meath.Photo:Barry Cronin/www.barrycronin.com 087-9598549 info@barrycronin.com

Features from a bound volume of Australian Women's Budget Magazine, dated July-December 1913. Read more on the blog: chronicallysiobhan.wordpress.com/2016/12/07/a-glimpse-int...

Chevrolet Bel Air Hardtop 2 door (1955-57) Engine 265 cu in (4300cc) V8

Registration Number 802 YUH (Cardiff)

CHEVROLET SET

www.flickr.com/photos/45676495@N05/sets/72157623638181561...

The second generation ran from 1955-57, and collectively is sometimes referred to as the Tri-Chevy.

styling was crisp, clean and incorporated a Ferrari-inspired grille. Bel Airs came with features found on cars in the lower models ranges plus interior carpet, chrome headliner bands on hardtops, chrome spears on front fenders, stainless steel window moldings and full wheel covers. Models were further distinguished by the Bel Air name script in gold lettering later in the year.[

For 1955 the range gained a V8 engine option. The new 265 cu in (4,340 cc) V8 featured a modern, overhead valve high compression, short stroke design The base V8 had a two barrel carburettor and was rated at 162bhp, while the Power Pack option added high-compression and a further 15 bhp

The 1956 Bel Air received a face-lift with a more conventional full-width grille, Distinctive two-tone bodyside treatments and graceful front and rear wheel openings and fresher styling. During 1956 sales of the 2 door Hardtop were 128,000

In 1957 engine displacement grew to 283 cu in (4,640 cc) with the "Super Turbo Fire V8" option producing 283 hp with the help of continuous (closed loop) mechanical fuel injection though most Bel Airs were fitted with carburetion. The 1957 Bel Air is among the most recognizable American cars of all time;

 

Many thanks for a fantabulous 38,746,100 views

 

Shot at the American Car Show Tatton Park, Manchester 4th July 2015 Re 107-307

 

Features red lightbrick behind the LEGO logo. Stairs go up to a future McDonalds.

Features visible include The Glen shopping centre top centre, neighboring housing and petrol station through to High Street Road (now all part of The Glen), the Mountain View Hotel, left and down from centre.

 

See locale on Google Maps.

 

PMS 130 39

Monash City archives via City of Waverley.

REYKJAVIK, ICELAND - APRIL 7: Tomoaki "crow" Maruoka of team ZETA DIVISION poses for the VALORANT Masters Features Day on April 7, 2022 in Reykjavik, Iceland. (Photo by Lance Skundrich/Riot Games)

Breastfeeding features tutorials !! LIVE feeding my baby and breast milk for ALL SUBSCRIBE : www.youtube.com/channel/UCJY3x4scMGYDyMLDo9rp1Wg breastfeeding. It's a natural thing that shouldnt be considered taboo or judged by others.. These breastfeeding demonstrations contains me feeding my child with my breast, if this offends or you are not allowed to watch please do not watch. I want to encourage moms to breastfeed whenever/wherever this is the natural way to feed a baby. GO MY BREASTFEEDING SOCIAL MEDIA TO FOLLOW REDDIT: ift.tt/2cTI8lR TWITTER:http://ift.tt/2cTI8lR TUMBLR:http://ift.tt/2di9tBk MEDIUM: ift.tt/2cTKd0M GOOGLE+: ift.tt/2di95Tz VK: ift.tt/2cTHQLL FB PAGE: ift.tt/2di8UI0 BLOGGER: ift.tt/2cTIIjg THANKS FOR WATCHING THIS VIDEO TO MORE SEE PLEASE SUBSCRIBE MY CHANNEL YOUTUBE: www.youtube.com/channel/UCJY3x4scMGYDyMLDo9rp1Wg PINTAREST: ift.tt/2dia3PQ LINKEDIN: ift.tt/2cTIxoa INSTAGRAM: ift.tt/2di9THV 500px: ift.tt/2darP6P flickr: ift.tt/2dAsBZ9 TO CONTRAC: ARARSHUVO@ GMAIL.COM SO STAY ENJOY. THANK YOU.

Taken around 2004 on a Minolta DimargeX compact camera.

This is the form work I made to create the circular "brickwork".

SAO PAULO, BRAZIL - FEBRUARY 18: Koji "Laz" Ushida of ZETA DIVISION poses during the VALORANT Champions Tour 2023: LOCK//IN features day on February 18, 2023 in Sao Paulo, Brazil. (Photo by Lance Skundrich/Riot Games)

www.youtube.com/watch?v=Bn9oxb052bI

[Shiraz, Fars, Iran] A terraced park with Middle East architectural features climbing up the mountains by the Quran gate city landmark of Shiraz, a popular recreation area for Iranians on the top of the city. The walls making up the terraces and several different layers of the park are lit at night with lights of different colors, and the shadows of people are projected on the stones, giving a beautiful urban sight.

  

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©2016 Germán Vogel - All rights reserved - No usage allowed in any form without the written consent of the photographer.

Northumberland Park

Landscape In Tynemouth, Tyne And Wear

 

A traditional Victorian Park packed with features sitting between Tynemouth and North Shields.

 

Situated twixt North Shields and Tynemouth sits Northumberland Park, a traditional Victorian Park positioned in the gently sloping natural dene created by the Pow Burn.

 

The park is 12 hectares in size, but has lots crammed into it including St Leonard's hospital and chapel, sculpture trail, play area, herb garden, BMX track, bowling green, lake, herb garden, a bandstand with regular musical performances and most importantly a tea room!

 

Admission is free and there are plenty of tracks and green spaces to have a quiet saunter and while away an afternoon.

 

The park was created when a local Tynemouth Alderman called John Foster-Spence asked the Duke of Northumberland for some land for the park. The park was to help provide work for unemployed shipbuilders and also create a leisure area for the town. When the work started in 1884, the workmen uncovered the remains of St Leonard's medieval hospital, which was annexed to Tynemouth Priory during the 14th century.

 

The park was opened in August 1885 by the Duke of Northumberland and he planted a Turkey Oak tree which you can still see today.

 

North Shields is a town in the Borough of North Tyneside in Tyne and Wear, England. It is 8 miles (13 km) north-east of Newcastle upon Tyne and borders nearby Wallsend and Tynemouth.

 

Since 1974, it has been in the North Tyneside borough of Tyne and Wear: its historic administration was as part of the Castle ward in county of Northumberland. It was part of the Tynemouth County Borough; when abolished in 1974, the borough became an unparished area.

 

It is on the northern bank of the River Tyne, opposite to South Shields on the other bank. The name derives from Middle English schele meaning "temporary sheds or huts used by fishermen"

 

Earliest records

North Shields is first recorded in 1225, when the Prior of Tynemouth, Germanus, decided to create a fishing port to provide fish for the Priory which was situated on the headland at the mouth of the River Tyne.[5] He also supplied ships anchored near the priory. A number of rudimentary houses or 'shiels' were erected at the mouth of the Pow Burn where the stream enters the Tyne, as well as wooden quays which were used to unload the fishing boats. The quays were also used to ship coal from local collieries owned by the Priory. Soon the population of the new township numbered 1,000. The burgesses of Newcastle upon Tyne were determined to preserve the custom rights that they had enjoyed up till then, which covered the whole length of the river. They successfully petitioned the king in 1290 and managed to suspend trade from the new settlement. It was forbidden to victual ships or to load and unload cargoes at North Shields. The opposition of the Newcastle burgesses remained for a considerable time but despite this, North Shields continued to develop as a centre for fishing and exporting salt, produced at local saltpans. For a considerable period the Newcastle burgesses, known as the Hostmen, who controlled the export of coal from the Tyne, resisted the export of this commodity from North Shields.

 

Geographic development

The town was originated on a narrow strip of land alongside the river (around the present-day Clive Street) because of the steep bank which hemmed it in. Eventually becoming overcrowded, in the 18th century buildings began to be erected on the plateau 60 feet (20 m) above the old insanitary dwellings alongside the river. Prosperous businessmen and shipowners occupied the new town whereas working people remained in the lower part of town. The low, riverside part of the town was linked to the newer, higher part of the town by a series of stairs. These stairs were initially surrounded by slum dwellings, and although the houses have since been cleared the stairs remain.

 

One of the first developments of the new town was Dockwray Square, built in 1763, a set of elegant town houses that was populated by wealthy families. Due to the poor provision of water and drainage facilities, however, the wealthy families soon moved to the more central part of the new town, and particularly the new Northumberland Square. Dockwray Square eventually deteriorated into slums. In the early twentieth century Stan Laurel lived at a house in Dockwray Square for a few years, before he became famous. The square has since been re-developed, initially in the 1960s, and again in the 1990s. A statue of Laurel stands in the middle to commemorate his stay there.

 

The land on which the new town was built was largely owned by the Earl of Carlisle. In 1796, John Wright produced plans that included a grand processional way, now Howard Street, leading to the Georgian Northumberland Square. A railway tunnel, built in the 1840s, left the west and south sides of the square largely unfinished, until a 1960s library building was constructed, somewhat out of keeping with the rest of the architecture. In 1844–45, John Dobson built the town hall, on the corner of Howard and Saville Streets.

 

Geography

The town is bounded to the north by Whitley Bay and to the south by the River Tyne. The town of Tynemouth is to its east and the A19 road marks the boundary between North Shields and Wallsend to the west of the town. It is part of the North Tyneside conurbation.

 

Over the years, North Shields has grown from a small fishing village to incorporate the nearby areas of Chirton, Preston, Billy Mill, Percy Main, East Howdon and Marden estate.

 

The 2011 definition of the town of Tynemouth includes North Shields, which means a population figure can only be given as a combination of wards rather than as a USD.

 

Town Centre

In September 2020, the North Tyneside Council published prospective plans for regeneration of the town centre, which include developing a distinctive route to the Fish Quay, pedestrianisation of key streets, consolidation of retail units, creation of a town square, renovation of Northumberland Square and the establishment of a transport hub. At the time of publication, the plan was not financed and the council sought the views of local residents and business owners.

 

In summer 2020, work was being completed on the refurbishment of the terraced row to the north of Northumberland Square, as well as the development of a newly built row of homes on nearby Albion Road. The newly restored Wooden Dolly was also returned to the Square.

 

A new square, adjacent to Bedford Street, was completed as part of the Transport Hub development in September 2023.

 

Meadow Well

A large council estate, Meadow Well (alternatively spelt Meadowell or Meadowwell on local signs) to the west of the town, was constructed in the 1930s to house residents displaced by the clearance of the Dockwray Square and Low Town slum areas. These flats were replaced with better quality homes in the 1960s and 70s. Meadow Well was formerly known as the Ridges[17] Estate – a name occasionally used today – since it was built on the site of the Ridges farm. Its present name is derived from a well situated in a meadow upon which the estate was built.

 

On Monday, 9 September 1991, Meadow Well was featured heavily in the news across the UK as riots broke out which continued for three days. Many properties were damaged, cars burned out and the local community centre burned down. As a result of the riots, the local housing was gradually improved by the council over the next three years through demolition and rebuilding, as well as renovation. A number of community development organisations, including the Cedarwood Trust, Meadow Well Connected and the Phoenix Detached Youth Project, have worked in the area for many years.

 

The film Dream On (1991) is set on the estate.

 

Following the Meadow Well riots, in July 1992 the Government granted £37.5 million over five years to regenerate that area of the town, as part of the City Challenge scheme.

 

Royal Quays

An extensive regeneration programme costing £16 million saw the revitalisation of the redundant Albert Edward docks. Across an 80 hectare area, the former Tyne and Wear Development Corporation partnered with North Tyneside Council and the private sector to provide a mix of housing, leisure facilities, office space and industrial sites. The Wet N Wild indoor water park, an outlet shopping centre, a bowling alley, a soccer dome and a marina form the centrepiece to the Royal Quays development to the west of the town. Mark di Suvero's Tyne Anew (1999), his only large-scale public artwork in the UK, can be seen at Albert Edward Dock.

 

Fish Quay

Similarly, major regeneration of the Fish Quay, on the riverside to the south-east of the town centre, has included the construction of luxury apartments and the conversion of existing buildings into restaurants and bars alongside the working quay. In November 2018, North Tyneside Council announced plans for further development to enhance the area as a food and drink destination.

 

Smith's Docks

The site of the former Smith's Docks was acquired by the developer Places For People in 2007. In January 2015 they sought planning permission for the construction of homes on the site. The first of those homes, including some designed by George Clarke, was sold in 2017 and as of April 2018, work continues on the site. The second phase, the Smokehouses, was completed in autumn 2018.

 

Heritage Action Zone

Having been awarded £900,000 through the High Street Heritage Action Zone programme, North Tyneside Council plans to add £1 million additional funding to revive the conservation area around Howard Street and Northumberland Square. It will also see work done on the streetscape connecting to the main shopping thoroughfare of Bedford Street in order to better link the areas and decrease the dominance of motor vehicles.

 

Collingwood Grange

In 2017, North Tyneside Council granted planning permission for up to 400 new homes on formerly industrial land to the west of Norham Road. In April 2020, the developer, Miller Homes, announced that work had been halted by the Covid-19 pandemic and that plans may be altered as a result. Work on the development recommenced in January 2021.

 

Industry

Former

In 1887, the town's businesses were listed as a marine engine, chain cable and anchor manufacturer, shipbuilding yards, roperies, salt-works, and an earthenware and stained glass manufacturer. Fishing was also a major industry of employment. The Smith's Dock Company was another major employer for many years, eventually closing in 1987.

 

Shipyards

Shipyards have been in existence in North Shields since near its founding. The smaller yards built the Northumbrian coble, a small inshore fishing vessel with a lug sail, well known in the North East. Larger yards built wooden sailing collier brigs, used to transport local coal to London. Eventually these small yards were replaced by larger yards such as the Tyne Dock and Engineering Company and the Smith's Dock Company. These yards produced iron vessels for various uses, including fishing and the coal trade. In later years the North Shields yards were used for ship repair work, with Smith's dock surviving until the 1990s. None of these yards remain.

 

Oil terminal

Esso formerly had an oil terminal on the banks of the Tyne, off Howdon Road. In April 1994, a bomb planted by the IRA exploded tearing a 3-foot square hole in one of the tanks. A second device, which did not detonate, was later found nearby. Six hundred gallons of crude oil leaked from the tank, but was caught in a channel designed to prevent leakages. A second explosion occurred in June 1994, perpetrated by the same bombers.

 

Maritime

With its fishing industry and shipbuilding history, a number of maritime related companies remain in the town. John Lilley and Gillie Ltd, a marine equipment manufacturer is headquartered there.

 

Mining

Collieries in the town were located at three of the outlying villages since incorporated into the town, at Preston, at the location of the present cemetery gates, Percy Main and New York.

 

Office and business parks

Following the demise of coal mining and shipbuilding in the area, several business parks, industrial estates and trading estates were established providing alternative employment. The biggest of these are The Silverlink and Cobalt Park, the UK's largest office park. Atmel had a plant located at Silverlink, previously occupied by Siemens but the plant is now demolished apart from the office building, now home to Cobalt Business Exchange. Cobalt is home to an Orange call centre. The town's association with the early days of the railways is recognised at the Stephenson Railway Museum on Middle Engine Lane near The Silverlink.

 

Other industries

Potts Print, based in Cramlington since 2006, was originally founded in North Shields in 1875. They occupied various sites in the town over the years.

 

Spicers has a large factory in the town, producing tea. It bought the site from Twinings in 2012.

 

Donald Campbell's Bluebird K7, which crashed during a water speed record attempt on Coniston Water, was restored in a workshop in the town by local engineer Bill Smith.

 

Transport

The Newcastle and North Shields Railway opened in 1839. In 1847, the railway was extended to Tynemouth when a railway station was built in Oxford Street, off Tynemouth Road. Eventually, it was replaced by a new station further away from the river after new rail lines were developed. The riverside tracks were removed for the creation of Hadrian's Way, part of the national cycle network, but the remaining tracks were absorbed in the Tyne and Wear Metro system in 1982. The town centre station, originally constructed for the Newcastle and North Shields Railway, was redeveloped between 1980 and 1982 for the Metro. It was subsequently refurbished in 2012. The Tyne and Wear Metro links North Shields to Newcastle city centre, and to other destinations in Tyne and Wear including Whitley Bay, Newcastle Airport and Sunderland. The town is also served by stations in Percy Main and Meadow Well.

 

The Tyneside Tramways and Tramroads Company also operated an electric tramway service in the town.

 

Shipping

Local ferry

A half-hourly ferry service connects North Shields to the town of South Shields on the opposite bank of the Tyne. The present Shields Ferry was established in 1972. Its first female skipper was appointed in 2016. Shieldsman, a former ferry retired in 2007, has since been moved to Shoreham, West Sussex, and transformed into a houseboat.

 

From June to October, river trips by ferry operate.

 

In November 2018, the local council announced plans to consider the feasibility of moving the ferry landing. In July 2021 it was announced that the planned relocation was delayed until 2023.

 

International ferry

From the International Ferry Terminal, based at Royal Quays, the Danish company DFDS Seaways operates a daily service to IJmuiden.

 

The ferry service to Gothenburg, Sweden (run by DFDS Seaways), ceased operation at the end of October 2006. DFDS Seaways' sister company, DFDS Tor Line, continues to run scheduled freight ships between Gothenburg and several English ports, including Newcastle, but these have limited capacity for passengers and do not carry private vehicles.

 

Port of Tyne International Passenger Terminal

The passenger terminal regularly welcomes tourists travelling on cruises that call at North Shields as an access point for Newcastle upon Tyne and the wider North East of England. In 2017, 52 ships docked, bringing 120,000 visitors to the region. A number of "dudes" - red and blue powder coated figures designed by artist Perminder Kaur - can be seen on a grassy mound at the entrance to the terminal.

 

Culture

In 2009, seating inspired by Plasticine, the inventor of which was born in North Shields, was installed on Bedford Street in the town centre. The seats proved unpopular as their shape prevented rainwater draining off, so they were replaced by more traditional metal benches and moved to the Royal Quays Marina in 2011.

 

YMCA

YMCA North Tyneside was founded in 1870 and was originally known as The Borough of Tynemouth YMCA. After an inaugural meeting on 7 June 1879, weekly meetings followed in the Sons of Temperance Hall, Norfolk Street, North Shields. The YMCA grew in popularity. Within a year, larger premises were needed. Meetings moved to 53 Tyne Street, North Shields and in 1879 to Camden Street, North Shields. In 1920 the YMCA moved to a building in Bedford Street (which is still owned by the YMCA and now occupied by the Citizens Advice Bureau) where it remained until 1938, when it moved to the present building and the current registered office at Church Way, North Shields.

 

Fish Quay Festival

Between 1987 and 2001, a community festival was organised on the fish quay, during which the fleet of fishing boats would be blessed and various local talents would entertain the crowds. At its peak, the festival attracted 600,000 visitors. A smaller-scale family festival, in order to save costs, was held annually between 2002 and 2006, before it too was scrapped as a money-saving measure.

 

Retail

Town Centre

A significant part of the town centre is pedestrianised and it is dominated by the Beacon, a partly-covered shopping mall which was constructed in the late 1970s and originally named The Bedford Centre.

 

As with many British high streets, a number of large chains have closed their branches in the town in recent years, including Littlewoods, Woolworths and McDonald's. As of 2019, Wilko has a large store in the Beacon, alongside high street regulars such as Specsavers, Superdrug and Boots. A number of discount retailers including B & M, Home Bargains, Peacocks and Heron Foods have branches in the town centre, as well as numerous charity stores.

 

Greggs, Cooplands, and Costa Coffee have outlets. Charities YMCA North Tyneside, Age UK and Operation Veteran both have independent coffee shops. Barista Boho, opened in 2022 in the former Alnwick Castle public house, also serves local coffee blends and hosts musicians. There are numerous independent butchers in the town centre, as well as a local independent bakery, Canatrice, located nearby.

 

Asda acquired a former Netto store in the town centre in 2011. The Co-op has a number of branches in the town, including convenience stores in Tynemouth and Preston. Morrisons also has a large store in Preston.

 

Other shopping centres

There are three further shopping centres in the town, as well as parades of shops in Balkwell, Preston and Chirton.

 

The Royal Quays Outlet Centre is home to a number of discount stores including outlets for Next, Clarks and Mountain Warehouse, as well as independent retailers such as a photographic studio and pet shop. The closures of a Marks & Spencer Outlet and, in late 2019, the Nike store have somewhat diminished the centre. In January 2020, Thorntons posted notices announcing the closure of their shop and coffee shop. Costa Coffee, The Body Shop, Cotton Traders, Dreams, Edinburgh Woollen Mill, Moss, Tog 24, Trespass and Poundland also had branches in early 2020. In April 2023, it was reported that the centre's owners had appointed receivers who were advertising it for sale as a going concern. It remains open as usual.

 

The Coast Road Retail Park is adjacent to a large Tesco supermarket and, as of 2020, home to Dunelm, B & M, Pets at Home, Carpetright and The Food Warehouse stores.

 

The Silverlink Shopping Park, as of 2020, includes branches of Boots, Next, H&M, Halfords, Marks and Spencer and River Island. In September 2016, a large expansion of the retail park opened. Odeon also has a multi-screen cinema at the park, alongside restaurants.

 

Business

Over 100 businesses in the town are members of The North Shields Chamber of Trade and Commerce.

 

The Mercantile Building Society, established in the town and formerly headquartered at the Silverlink Business Park, merged with the Leeds Building Society in 2006.

 

Recreation

In 2000, the local authority established more than 30 miles (48 km) of walking routes, primarily following the paths of 19th-century waggonways. A Tynemouth walk begins from the Metro station in the town centre and drops down on to the fish quay before following a route to Tynemouth, while the Royal Quays walk begins from the Meadowell Metro station and completes a route around the redeveloped riverside area including the marina, before ending at Percy Main Metro station.

 

Sport

The town is home to the non-League football club North Shields F.C. Founded in 1896, the team competes in Northern Football League and plays home games at Daren Persson Stadium (formerly Ralph Gardner Park). The team has twice played at Wembley Stadium, winning 2–1 on both occasions: against Sutton United on 12 April 1969 at the old Wembley to win the FA Amateur Cup and against Glossop North End at the new stadium on 9 May 2015 to win the FA Vase, the Amateur Cup's successor. The stadium is presently named as such because of a sponsorship by a local funeral director.

 

Leisure facilities

The Parks Sports Centre was opened in 1998, after the construction of the Royal Quays. It has a large sports hall, gym, multi-sensory room, outdoor football pitches, indoor and outdoor bowls facilities and a cafe.

 

Royal Quays facilities

The Wet'n'Wild indoor water park was constructed in 1992 and opened in summer 1993 as part of the Royal Quays development. It was originally designed with rides: six speed slides, five conventional flumes and one "lazy river" ride. The "Twister", a speed slide, was 85 metres (279 ft) long, and started from a height of 12.5 metres (41 ft). It closed in 2013 after its owner entered administration, but was reopened in 2014, having been bought by another company. In 2020, the owner announced that it would not reopen after the winter, citing financial losses due to poor visitor numbers.

 

A bowling alley, originally Star Bowl, also forms part of the development. In 2019, having been closed for some time, it was reopened as Gutterball.

 

A trampoline park, Xtreme Bounce, was opened in 2017 in an air-locked dome in the outlet centre's car park. In 2019, the Inflatanation chain took over the site and reopened the venue with inflatables replacing the trampolines.

 

In 2019, a leisure hub housed in the health and fitness section of the former JJB Soccerdome adjacent to the outlet centre, was announced. Everyone Entertained was to feature climbing walls, soft play, laser tag and adventure golf, and employ 100 people. As of May 2020, the venue remains unopened. The pitches and bar were reopened as The Evolution Football Centre in autumn 2018. In early 2020, it was announced that the centre was to close having proved financially nonviable.

 

Parks

There are a number of parks and play areas in the town.

Northumberland Park lies on the border of North Shields and Tynemouth and was set out around 1885, in an area formerly known as Spittal Dene. In 2015, North Tyneside Council completed a major project to revive and restore parts of the park. The multi-million pound scheme saw archaeological investigations carried out around the medieval St Leonard's Hospital and the restoration historical features that had been lost over the years. Iron railings, park furniture, fountains were installed amid historic planting schemes. A pavilion housing a cafe and toilet facilities as well as offices and storage for the park staff was also opened.

 

There is a children's play area at the south end of the park, bowling greens on the western border and a historical pet cemetery to the north. A number of trees along a pathway in the northern half feature plaques commemorating their planting by various local dignitaries.

 

West End Park and Linear Park, Chirton Dene

West End Park lies adjacent to The Parks sports centre and was laid out prior to the 1940s. To its south, Linear Park runs down to the Royal Quays Marina and was created as part of the Royal Quays development in the mid-1990s.

 

Redburn Dene

As with Linear Park, Redburn Dene was created as part of the 1990s redevelopment of former industrial and dockland areas, following a natural water course. It features sculptures made from reclaimed staithes. The park was given a Green Flag award in 2020.

 

Culture

Art

Fiddler's Green, a steel sculpture that serves as a memorial to fishermen lost at sea, was unveiled in 2017.

 

A number of pieces were installed as part of the Royal Quays development. Located in Chirton Dene, Redburn Dene, by the marina, and near the shopping outlet, they include works by Richard Broderick, Graham Robinson, Linda France, Alec Peever, Gilly Rogers, Mark di Suvero, Perminder Kaur and Andy Plant.

 

In film

Dream On (1991) was produced by Amber Films and filmed on location in Meadow Well. Its original release was around the time of the Meadow Well riots.

 

On television

The BBC series When the Boat Comes In, though set in the fictional Gallowshield, was essentially set in North Shields and filmed on location around the town. Various episodes of the series Spender, which starred Jimmy Nail, and Vera, with Brenda Blethyn, were also filmed there.

 

In songs

Sweden's foremost troubadour of the 20th century, Evert Taube, wrote the song "Mary Strand", which is set in North Shields in 1909. Mary Strand is the proprietress of the cigar shop Tiger Brand on Dock Street and hides a young sailor from the police. The song is based on Taube's own experience, when he ran away from the steamship Australic in Newcastle upon Tyne.

 

Twin town

In 2017, the town was twinned with Merthyr Tydfil, in Wales, as part of the Carnegie Twin Towns Project. The project aimed to pair towns that had similar characteristics, and socio-economic challenges, in order to consider how they might make positive changes to their communities.

 

Landmarks

Lights of North Shields

Because of the difficulty of navigating ships into the mouth of the river past the dangerous Black Midden rocks, buildings were erected in the 16th century with permanent lights burning to be used as a guide by the mariners. High and Low lights are pictured on a 1655 map of the river Tyne: a pair of square castellated towers. Both lights were rebuilt in 1727, and these buildings still stand today (albeit the Old Low Light was remodelled in 1830 to serve as an almshouse). In 1810, the Old Lights were replaced by new High and Low Lights, placed respectively at the top and bottom of the steep bank alongside the river. All these lights were owned and operated by Trinity House of Newcastle-upon-Tyne until they ceased operation. Today, the Old High Beacon, as well as the High and Low Lights, are private residences; they remain prominent landmarks. In 2014 the black-painted Old Low Light was opened to the public following a substantial refurbishment; it contains a café, shop, museum, viewing platform and event space.

 

Fish Quay

In 1806, a market place was opened on New Quay. In 1870, work began on constructing a fish quay to provide shelter for the docked fishing boats. This quay is still in use today. In 2017, a sculpture by artist Ray Lonsdale of a lone fisherman – made of corten steel and weighing over 2 tonnes – was installed on the quay.

 

Clifford's Fort

Clifford's Fort, located on the Fish Quay, was built in the 17th century as a coastal defence against the Dutch. The Fort was active during the Napoleonic Wars and played a significant role during World War I, being the birthplace of the Tyne Electrical Engineers. The fort was officially evacuated by the military in May 1928, sold to the Tynemouth Corporation, and redeveloped as new fish processing facilities.[161] Very little now remains of the original fort buildings, though the walls are intact. The area has undergone considerable restoration, with most of the fish processing units demolished. The remaining excellent modern retail units are very popular. During restoration work, part of the foundations of the 18th century Master Gunner's House (demolished in 1973) were found below the concrete floor of a fish processing unit. Elsewhere on the site, part of the stone edging of Cable Tanks belonging to the Submarine Mining Depot, established at the fort in 1888, was uncovered. The gun embrasures have been revealed, the ground resurfaced, and there are some traffic restrictions. The Old Low Light, built in 1735 and Grade II-listed, within Clifford’s Fort, has been restored and operates as a Heritage Centre, café, and community space.

 

Wooden Dolly

One of North Shields' oldest landmarks is the "Wooden Dolly" statue. In 1814, the female figurehead of a collier brig was placed at the entrance to Custom House Quay, on Liddell Street, and stood there until 1850, when it was vandalised. A second figurehead was placed on the same spot. The "Wooden Dolly", as the figurehead was known, was used by seafarers as a source of good-luck charms, by cutting pieces of wood from her to be taken with them on voyages. Eventually the figurehead was defaced beyond repair and after 14 years was replaced by Wooden Dolly No. 3. This remained until 1901 when it was replaced with Wooden Dolly No. 4 in the shape of a fishwife. A fifth Wooden Dolly, also a fishwife, was placed in Northumberland Square in 1958 and was removed for restoration in December 2019. Once restoration has been completed it will be placed in the Library and a replacement figure installed in the square. In 1992, a sixth Wooden Dolly was placed where the first four had been, at the entrance to Custom House Quay, and can still be seen there, next to the Prince of Wales public house.

Soyokaze - Gentle Breeze

 

This is my new ro geiko hikizuri. It features lovely pampas grass motifs which seem to be bending in a gentle breeze. There are also chinese bellflowers and what appears to be cock's comb flowers. Thanks to SingleMomSusie, I've learned that the large pink flower is some sort of Amaranthus. robsrainbarrels.com/images/Amaranthus1 rev1.JPG

 

This kimono came with a white hiyoku that was detached, I did some quick needle work and re-attached it last night.

 

Thanks to MissMyloko, I've been able to identify this hikizuri's previous owner. It belonged to the Tama Okiya in Gion Kobu. MissMyloko directed me to photos of Mayuha, Mamesuzu and Wakana wearing this hikizuri for hassaku.

 

Mayuha in 2007:

www.flickr.com/photos/mboogiedown/1353251394/

In this image Mayuha is standing near the centre with Suzuha behind her. In that image you can see the pink Amaranthus flower on her skirt. Also, the crests match the ones on my hikizuri

www.flickr.com/photos/31093817@N08/3235381952/

www.flickr.com/photos/31093817@N08/3235382120/

In these two images you can see Mayuha with Suzuha and the bellflower and sweet pea details on the right side of the hikizuri's skirt. Also, you'll notice that Mayuha's kimono is a three crested kurotomesode (the ones on the shoulders are missing) just like my hikizuri.

 

Mamesuzu 2008:

www.flickr.com/photos/nobuflickr/2777459863/

Here you can see Mamesuzu in this hikizuri. The hikizuri is difficult to identify in this image, but the sweet pea details are there as well as a hint of that pink flower on the left side. The shoulder crests are also missing.

 

Wakana 2009:

www.flickr.com/photos/23314901@N06/3785023156/

And here's Wakana. There's that pink amaranthus flower, the bellflower and sweet pea details as well as the matching crests!

 

Now the strange thing about this hikizuri is that all of these geisha belong to the Tama Okiya which has a Pulownia crest. Seen here on Suzuha's obi: www.flickr.com/photos/maclir/23958474/ Yet, this hikizuri has a definite Sensu shaped crest. As does the hikizuri that all three geiko are wearing. The question is, why would geiko wear crests other than those of their okiya? And why would an okiya even have a hikizuri with crests that belong to someone else? Or does this hikizuri have a much longer history than we suspect?

 

After making some inquiries of sources in the karyukai, I've come to learn that this kimono is one of a few "sisters" (identical kimono), that were owned by the Tama Okiya. These sister kimono were worn by geiko who play a special role in the hassaku festivities. I know for certain that the okiya formerly owned one five crested version and one three crested version. Mine is the three crested version, and the five crested version was sold shortly before mine. Meanwhile, the okiya CURRENTLY owns at least one more of these identical hikizuri. The crest seems to be that of a particular teacher, and all the geiko who wear it are her students. The number of crests also indicates the prominence of that geiko's role. Five crests would make her a more central participant and three slightly less central in nature. I don't know how long these sister kimono have been in use, or how long they will continue to be so, but they have been worn in every hassku at least as far back as 2007, and we have even found a photo of these kimono sisters being worn as far back as the 1960's.

 

This kimono being worn:

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Universal Studios Florida is a theme park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies", and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.

 

In 2013, the park hosted an estimated 7.06 million guests, ranking it the eighth-most visited theme park in the United States, and ranking it sixteenth worldwide.[2]

  

Contents [hide]

1 History 1.1 Park history

1.2 Branding

1.3 Timeline

1.4 Previous attractions

 

2 Park design 2.1 Production Central

2.2 New York

2.3 San Francisco

2.4 London/Diagon Alley

2.5 World Expo

2.6 Woody Woodpecker's Kidzone

2.7 Hollywood

 

3 Character appearances

4 Production facilities

5 Annual events 5.1 Grad Bash and Gradventure

5.2 Halloween Horror Nights

5.3 Macy's Holiday Parade

5.4 Mardi Gras

5.5 Rock the Universe

5.6 Summer Concert Series

 

6 Universal's Express Pass

7 Attendance

8 See also

9 References

10 External links

  

History[edit]

  

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)

     

The original entrance to the theme park.

Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include Ghostbusters and Men in Black, (Sony's Columbia Pictures), The Simpsons (20th Century Fox) and Shrek (DreamWorks Animation).

 

Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws, Men in Black: Alien Attack and Transformers: The Ride.

 

In many current rides, the original stars reprised their film roles including: Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Arnold Schwarzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time, Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow for Shrek 4D, Steve Carell, Miranda Cosgrove, Dana Gaier, and Elsie Fisher reprised their roles from Despicable Me for Despicable Me: Minion Mayhem, and Peter Cullen and Frank Welker reprised their roles as Optimus Prime and Megatron for Transformers: The Ride.

 

In many former rides, the many original stars were also to reprise their film roles such as: Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Roy Scheider recorded a voice over for the conclusion of Jaws, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, additionally, various Nicktoon voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast.

 

Park history[edit]

 

From its inception in 1982,[3] Universal Studios Florida was designed as a theme park and a working studio. It was also the first time that Universal Studios had constructed an amusement park "from the ground up." However, the proposed project was put on hold until 1986, when a meeting between Steven Spielberg, a co-founder for the park, and Peter N. Alexander prompted for the creation of a Back to the Future simulator ride in addition to the already planned King Kong based ride.[4]

 

A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film Jaws. For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests entered the "Jaws" attraction and would board a boat touring the fictitious Amity Harbor, where they encountered the shark, then exited back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.

 

Branding[edit]

 

Previous slogans for Universal Studios Florida were: See the Stars. Ride the Movies. (1990 - 1998); No one makes believe like we do! (1990 - 1998); Ride the Movies (1998 - 2008); Jump into the Action (2008–2012). The current slogan is: Experience the Movies (2012–present).

 

Timeline[edit]

1986: Land clearing takes place on the swamp land purchased by MCA/Universal that would hold the park.

1987: Universal Studios Florida is announced at a press conference on the Hollywood property, with a planned opening date of December 1989.

1988: Universal Studios Florida's opening date is delayed from December, 1989 to May 1, 1990. Shortly following, MCA/Universal releases a video detailing the future park, which stars Christopher Lloyd as the Universal character Doc Brown interacting with the various attractions at the Florida park.[5] Universal Studios allows guests to witness the production of television shows and motion pictures in the Florida park's soundstages in middle 1988, while the rest of the studio/park is still under construction.[6]

1989: MCA/Universal Studios claims that The Walt Disney Company and its CEO, Michael Eisner copied several concepts of the Universal Studios Florida park, and integrated them into Disney's recently opened Disney/MGM Studios park.[7]

1990: On January 31, Universal Studios Florida's opening date is again delayed from May 1, 1990 to June 7, 1990.[8] Universal Studios Florida begins soft openings for the general public in late May.[9] Many of the park's attractions are not yet open at the time, and still under testing. Universal Studios Florida is officially opened with a grand opening style ceremony on June 7.[10] The park opens with five themed areas: The Front Lot (entrance area), Production Central, New York, San Francisco/Amity, Expo Center, Hollywood as well as a Lagoon located in the center of the park. The Front Lot and Production Central areas are referred to as "In Production", the New York section is referred to as "Now Shooting", the San Francisco and Amity sections are referred to as "On Location" and the Expo Center area is referred to as "The World of CineMagic Center". Nickelodeon Studios also opened on this day where there was a grand opening ceremony hosted by Marc Summers. Due to massive technical problems with the original Kongfrontation, Earthquake: The Big One and Jaws rides, Universal begins a temporary voucher service to allow guests to re-visit the studio/park when the attractions are operating.[10] Jaws is temporarily closed by Universal on September 30 due to persistent major technical problems. During the shut-down, Universal sues the original designer of the Jaws ride,[11] Ride & Show Engineering, and hires Totally Fun Company to create a re-designed version of most of the ride.

1991: Universal adds four new attractions to the park: The Blues Brothers Show, StreetBusters, The Screen Test Home Video Adventure and How to Make a Mega Movie Deal.[12] Back to the Future: The Ride officially opens in the World Expo Center area of the park, in a grand opening ceremony.[13] The ride is considered to be a success, and receives positive reception from theme park critics.[14] Fright Nights debuts at the park. In 1992, it is renamed to Halloween Horror Nights.

1993: Jaws is re-opened, with many scenes altered. MCA/Universal announces plans to expand Universal Studios Florida into the Universal City, Florida resort complex, including a second theme park and multiple hotels.[15]

1995: Universal Studios Florida celebrates its 5th anniversary. A Day in the Park with Barney opens in the World Expo area. The Production Studio Tour is closed due to a dwindle in the studios' recent Film/TV production.

1996: Terminator 2: 3-D Battle Across Time opens in the Hollywood area.[16]

1997: Universal announces that Ghostbusters Spooktacular will be replaced by Twister...Ride it Out, with a planned opening date of Spring 1998[17] Universal Studios announces that the sole Studio park will be expanded into the Universal Studios Escape, including the Islands of Adventure park, Universal CityWalk Orlando and multiple hotels. The Islands of Adventure Preview Center opens in the New York area, replacing The Screen Test Home Video Adventure. It is meant to give guests a preview of the up-coming Islands of Adventure park, as well as expansion of the Studio park into the Universal Studios Escape resort.

1998: The expansion begins as the original open parking lot for Universal Studios Florida is demolished and replaced by CityWalk and a parking garage complex.[18] Universal delays the opening of Twister...Ride it Out from March, 1998 to May 4, 1998 out of respect for the 42 deaths caused by a recent El Nino outbreak of tornadoes in the central Florida area. Twister...Ride it Out opens in the New York area, replacing Ghostbusters Spooktacular.[19] A new area of the park, Woody Woodpecker's Kidzone, is officially opened, holding the attractions Curious George Goes to Town, StarToons and the previously opened Fievel's Playland, E.T. Adventure, Animal Actors Stage and A Day in the Park with Barney; CityWalk opens outside of the park.

1999: Woody Woodpecker's Nuthouse Coaster opens in the Woody Woodpecker's Kidzone area. Islands of Adventure opens next door to Universal Studios Florida.[20]

2000: Men in Black: Alien Attack opens in the World Expo area, on the former site of The Swamp Thing Set. Universal Studios Florida's 10th anniversary celebration.

2001: Animal Planet Live opens, replacing Animal Actors Stage.

2002: Universal Studios Escape is renamed Universal Orlando Resort. Kongfrontation closes in a closing ceremony. Halloween Horror Nights is moved to Islands of Adventure. Macy's Holiday Parade debuts at the park.

2003: Jimmy Neutron's Nicktoon Blast opens, replacing The Funtastic World of Hanna-Barbera.[21] Shrek 4-D opens with Donkey's Photo Finish, replacing Alfred Hitchcock: The Art of Making Movies and Stage 54 respectively.[22]

2004: Revenge of the Mummy: The Ride opens, replacing Kongfrontation.[23] Halloween Horror Nights takes place in both Universal Studios Florida and Islands of Adventure.

2005: Universal Express Plus is introduced, replacing Universal Express. Nickelodeon Studios closes after nearly 15 years. Fear Factor Live opens, replacing The Wild Wild Wild West Stunt Show. Universal Studios Florida celebrates its 15th anniversary.

2006: Delancey Street Preview Center opens in the New York area. Universal 360: A Cinesphere Spectacular opens, replacing Dynamite Nights Stunt Spectacular. Animal Planet Live is closed, and replaced by Animal Actors on Location. Halloween Horror Nights returns to Universal Studios Florida for its "Sweet 16".

2007: Back to the Future: The Ride closes on March 30.[24] Blue Man Group Sharp Aquos Theatre opens in CityWalk, replacing Nickelodeon Studios. Earthquake: The Big One closes in the San Francisco area on November 5.

2008: Disaster!: A Major Motion Picture Ride...Starring You! opens, replacing Earthquake: The Big One.[25] Universal announces Hollywood Rip Ride Rockit, with a planned opening of Spring 2009. The Simpsons Ride opens, replacing Back to the Future: The Ride.[26]

2009: The Universal Music Plaza Stage opens, replacing The Boneyard. Hollywood Rip Ride Rockit opens.

2010: The 20th anniversary of Universal Studios Florida in June, as well as Halloween Horror Nights in October.

2011: The 10th anniversary of Macy's Holiday Parade at the park.[27]

2012: Jaws and the surrounding Amity themed area closes, as announced on December 2, 2011.[28] Universal announces the additions of Universal’s Cinematic Spectacular: 100 Years of Movie Memories and Universal's Superstar Parade to the park, with openings on May 8, 2012.[29] Despicable Me: Minion Mayhem, opens replacing Jimmy Neutron's Nicktoon Blast; as announced on March 14, 2011 as "...one of many exciting things planned for the next couple of years".[30] Universal Orlando Resort announced Transformers: The Ride will officially open in the summer of 2013, replacing Soundstages 44 and 54, which were demolished on June 24, 2012.[31] SpongeBob StorePants,a gift shop themed after SpongeBob SquarePants opened in Woody Woodpecker's Kidzone replacing the Universal Cartoon Store

2013: The opening date for Transformers The Ride is announced for June 20, 2013. Details of The Wizarding World of Harry Potter expansion are officially announced. Details for the new Simpsons Land are announced and expected to open in the summer of 2013. Transformers: The Ride officially opens in the Production Central area replacing Soundstage 44. Simpsons Fast Food Boulevard (renamed Springfield U.S.A.) concludes its expansion as it includes one new ride: Kang and Kodos Twirl 'n' Hurl.

2014: The opening date for The Wizarding World of Harry Potter Diagon Alley is announced for July 8, 2014 amid the Diagon Alley preview red carpet premiere on June 18, 2014 with Domhnall Gleeson, Bonnie Wright, Evanna Lynch, Matthew Lewis, James and Oliver Phelps, Tom Felton, Robbie Coltrane, Warwick Davis and Helena Bonham Carter attending the premiere. King's Cross station opens on July 1, 2014 as well as the Hogwarts Express Hogsmeade station at Universal's Islands of Adventure, connecting park visitors to both theme Harry Potter theme parks via a full scale replica of the train that appears in the Harry Potter film series. Diagon Alley officially opens, replacing Jaws and the Amity section of the park.

 

Previous attractions[edit]

 

Main article: List of former Universal Studios Florida attractions

     

The previous icon of the Jaws ride is still a popular photo spot.

Like all theme parks, attractions are sometimes closed due to aging and replaced with more contemporary attractions. Universal has seen this happen several times. Some notable closures include Kongfrontation, Back to the Future: The Ride, The Funtastic World of Hanna-Barbera and Jaws. The closures of Kongfrontation, Back to the Future, and Jaws have been given homages by the park to honor veteran visitors who revered the former rides.

 

Park design[edit]

 

Main article: List of Universal Studios Florida attractions

 

Universal Studios Florida features seven themed areas all situated around a large lagoon. In 2012, this lagoon was the site of Universal’s Cinematic Spectacular: 100 Years of Movie Memories, a thematic display that showcased scenes from various Universal films, featuring lasers, projectors and fountains, and pyrotechnics.

 

The seven surrounding themed areas, clockwise from the entrance, are Production Central, New York, San Francisco, London/Diagon Alley, World Expo, Woody Woodpecker's Kidzone and Hollywood. Each area features a combination of rides, shows, attractions, character appearances, dining outlets and merchandise stores. A new area, based on Harry Potter's Diagon Alley was added to the park in the July of 2014.

 

Production Central[edit]

  

Ride

 

Year opened

 

Manufacturer

  

Despicable Me: Minion Mayhem 2012 Intamin

Shrek 4-D 2003 PDI/DreamWorks

Hollywood Rip, Ride, Rockit 2009 Maurer Söhne

Transformers: The Ride 3D 2013 Oceaneering International

The Universal Music Plaza Stage 2009

  

The area is also home to a variety of dining outlets and merchandise shops. Food and beverage items can be purchased from Beverly Hills Boulangerie or Universal Studios' Classic Monsters Cafe while merchandise can be bought from a variety of themed stores including Universal Studios Store, Studio Sweets, It's a Wrap!, Super Silly Stuff, Shrek's Ye Olde Souvenir Shoppe, and Transformers: Supply Vault.[32][33]

 

TOKYO, JAPAN - JUNE 08: Arthur "tuyz" Vieira (L) and Cauan "cauanzin" Pereira of LOUD at VALORANT Masters Tokyo Features Day on June 8, 2023 in Tokyo, Japan. (Photo by Lee Aiksoon/Riot Games)

Installed in the 1920s after a major renovation, the triptych of stained glass chancel windows were created by Melbourne stained glass manufacturer Brooks, Robinson and Company Glass Merchants, who dominated the market in stained glass in Melbourne during the 1920s, 1930s and 1940s.

 

Across the bottom of the three are written "Behold a voice cut of a cloud saying this is my beloved Son in whom I am well pleased. Hear ye Him", which is taken from the book of Matthew.

 

The left hand window shows Moses clutching the tablets on which are inscribed the Ten Commandments. The right window features Saint Peter, one of the Twelve Apostles of Jesus, holding his Gospel book. The central window of the triptych features Jesus descending from heaven. Alpha and Omega appear in the quatrefoil windows above Moses and Saint Peter, whilst "Father, Son and Holy Ghost" appear in the quinfoil window above the central lancet window of Jesus.

 

Blackwood reredos beneath the triptych, dating from 1939, feature a mosaic of the last supper also created by stained glass and church outfitters Brooks, Robinson and Company. A similar one may be found at St. Matthews Church of England in High Street, Prahran.

 

Built amid workers' cottages and terrace houses of shopkeepers, St. Mark the Evangelist Church of England sits atop an undulating rise in the inner Melbourne suburb of Fitzroy. Nestled behind a thick bank of agapanthus beyond its original cast-iron palisade fence, it would not look out of place in an English country village with its neat buttresses, bluestone masonry and simple, unadorned belfry.

 

St. Mark the Evangelist was the first church to be built outside of the original Melbourne grid as Fitzroy developed into the city's first suburb. A working-class suburb, the majority of its residents were Church of England and from 1849 a Mission Church and school served as a centre for religious, educational and recreational facilities. The school was one of a number of denominational schools established by the Church of England and was partly funded by the Denominational School Board.

 

St. Mark the Evangelist Church of England was designed by architect James Blackburn and built in Early English Gothic style. Richard Grice, Victorian pastoralist and philanthropist, generously contributed almost all the cost of its construction. Work commenced in 1853 to accommodate the growing Church of England congregation of Fitzroy. On July 1st, 1853, the first stone of St. Mark the Evangelist was laid by the first Bishop of Melbourne, The Right Rev. Charles Perry.

Unfortunately, Blackburn did not live to see its completion, dying the following year in 1854 of typhoid. This left St. Mark the Evangelist without an architect to oversee the project, and a series of other notable Melbourne architects helped finish the church including Lloyd Tayler, Leonard Terry and Charles Webb. Even then when St. Mark the Evangelist opened its doors on Sunday, January 21st, 1855, the church was never fully completed with an east tower and spire never realised. The exterior of the church is very plain, constructed of largely unadorned bluestone, with simple buttresses marking structural bays and tall lancet windows. The church's belfry is similarly unadorned, yet features beautiful masonry work. It has a square tower and broach spire.

 

Inside St. Mark the Evangelist Church of England it is peaceful and serves as a quiet sanctuary from the noisy world outside. I visited it on a hot day, and its enveloping coolness was a welcome relief. Walking across the old, highly polished hardwood floors you cannot help but note the gentle scent of the incense used during mass. The church has an ornately carved timber Gothic narthex screen which you walk through to enter the nave. Once there you can see the unusual two storey arcaded gallery designed by Leonard Terry that runs the entire length of the east side of building. Often spoken of as “The Architect’s Folly” Terry's gallery was a divisive point in the Fritzroy congregation. Some thought it added much beauty to the interior with its massive square pillars and seven arches supporting the principals of the roof. Yet it was generally agreed that the gallery was of little effective use, and came with a costly price tag of £3,000.00! To this day, it has never been fully utlised by the church. St. Mark the Evangelist has been fortunate to have a series of organs installed over its history; in 1854 a modest organ of unknown origin: in 1855 an 1853 Foster and Andrews, Hull, organ which was taken from the Athenaeum Theatre in Melbourne's Collins Street: in 1877 an organ built by Melbourne organ maker William Anderson: and finally in 1999 as part of major renovation works a 1938 Harrison and Harrison, Durham, organ taken from St. Luke's Church of England in Cowley, Oxfordshire. The church has gone through many renovations over the ensuing years, yet the original marble font and pews have survived these changes and remain in situ to this day. Blackwood reredos in the chancel, dating from 1939, feature a mosaic of the last supper by stained glass and church outfitters Brooks, Robinson and Company. A similar one can be found at St. Matthew's Church of England in High Street in Prahran. The fine lancet stained glass windows on the west side of St. Mark the Evangelist feature the work of the stained glass firms Brooks, Robinson and Company. and William Montgomery. Many of the windows were installed in the late Nineteenth Century.

 

The St. Mark the Evangelist Parish Hall and verger's cottage were added in 1889 to designs by architects Hyndman and Bates. The hall is arranged as a nave with clerestorey windows and side aisles with buttresses. In 1891 the same architects designed the Choir Vestry and Infants Sunday School on Hodgson Street, to replace the earlier school of 1849 which had been located in the forecourt of the church.

 

The present St. Mark the Evangelist's vicarage, a two-storey brick structure with cast-iron lacework verandahs, was erected in 1910.

 

I am very grateful to the staff of Anglicare who run the busy adjoining St. Mark's Community Centre for allowing me to have free range of the inside of St. Mark the Evangelist for a few hours to photograph it so extensively.

 

James Blackburn (1803 - 1854) was an English civil engineer, surveyor and architect. Born in Upton, West Ham, Essex, James was the third of four sons and one daughter born to his parents. His father was a scalemaker, a trade all his brothers took. At the age of 23, James was employed by the Commissioners of Sewers for Holborn and Finsbury and later became an inspector of sewers. However, his life took a dramatic turn in 1833, when suffering economic hardship, he forged a cheque. He was caught and his penalty was transportation to Van Diemen’s Land (modern day Tasmania). As a convicted prisoner, yet also listed as a civil engineer, James was assigned to the Roads Department under the management of Roderic O’Connor, a wealthy Irishman who was the Inspector of Roads and Bridges at the time. On 3 May 1841 James was pardoned, whereupon he entered private practice with James Thomson, another a former convict. In April 1849, James sailed from Tasmania aboard the "Shamrock" with his wife and ten children to start a new life in Melbourne. Once there he formed a company to sell filtered and purified water to the public, and carried out some minor architectural commissions including St. Mark the Evangelist in Fitzroy. On 24 October he was appointed city surveyor, and between 1850 and 1851 he produced his greatest non-architectural work, the basic design and fundamental conception of the Melbourne water supply from the Yan Yean reservoir via the Plenty River. He was injured in a fall from a horse in January 1852 and died on 3 March 1854 at Brunswick Street, Collingwood, of typhoid. He was buried as a member of St. Mark The Evangelist Church of England. James is best known in Tasmania for his ecclesiastical architectural work including; St Mark's Church of England, Pontville, Tasmania (1839-1841), Holy Trinity Church, Hobart, Tasmania (1841-1848): St. George's Church of England, Battery Point, Tasmania, (1841-1847).

 

Leonard Terry (1825 - 1884) was an architect born at Scarborough, Yorkshire, England. Son of Leonard Terry, a timber merchant, and his wife Margaret, he arrived in Melbourne in 1853 and after six months was employed by architect C. Laing. By the end of 1856 he had his own practice in Collins Street West (Terry and Oakden). After Mr. Laing's death next year Leonard succeeded him as the principal designer of banks in Victoria and of buildings for the Anglican Church, of which he was appointed diocesan architect in 1860. In addition to the many banks and churches that he designed, Leonard is also known for his design of The Melbourne Club on Collins Street (1858 - 1859) "Braemar" in East Melbourne (1865), "Greenwich House" Toorak (1869) and the Campbell residence on the corner of Collins and Spring Streets (1877). Leonard was first married, at 30, on 26 June 1855 to Theodosia Mary Welch (d.1861), by whom he had six children including Marmaduke, who trained as a surveyor and entered his father's firm in 1880. Terry's second marriage, at 41, on 29 December 1866 was to Esther Hardwick Aspinall, who bore him three children and survived him when on 23 June 1884, at the age of 59, he died of a thoracic tumor in his last home, Campbellfield Lodge, Alexandra Parade, in Collingwood.

 

Lloyd Tayler (1830 - 1900) was an architect born on 26 October 1830 in London, youngest son of tailor William Tayler, and his wife Priscilla. Educated at Mill Hill Grammar School, Hendon, and King's College, London, he is said to have been a student at the Sorbonne. In June 1851 he left England to join his brother on the land near Albury, New South Wales. He ended up on the Mount Alexander goldfields before setting up an architectural practice with Lewis Vieusseux, a civil engineer in 1854. By 1856 he had his own architectural practice where he designed premises for the Colonial Bank of Australasia. In the 1860s and 1870s he was lauded for his designs for the National Bank of Australasia, including those in the Melbourne suburbs of Richmond and North Fitzroy, and further afield in country Victoria at Warrnambool and Coleraine. His major design for the bank was the Melbourne head office in 1867. With Edmund Wright in 1874 William won the competition for the design of the South Australian Houses of Parliament, which began construction in 1881. The pair also designed the Bank of Australia in Adelaide in 1875. He also designed the Australian Club in Melbourne's William Street and the Melbourne Exchange in Collins Street in 1878. Lloyd's examples of domestic architecture include the mansion "Kamesburgh", Brighton, commissioned by W. K. Thomson in 1872. Other houses include: "Thyra", Brighton (1883): "Leighswood", Toorak, for C. E. Bright: "Roxcraddock", Caulfield: "Cherry Chase", Brighton: and "Blair Athol", Brighton. In addition to his work on St. Mark the Evangelist in Fitzroy, Lloyd also designed St. Mary's Church of England, Hotham (1860); St Philip's, Collingwood, and the Presbyterian Church, Punt Road, South Yarra (1865); and Trinity Church, Bacchus Marsh (1869). The high point of Lloyd's career was the design for the Melbourne head office of the Commercial Bank of Australia. His last important design was the Metropolitan Fire Brigade Headquarters Station, Eastern Hill in 1892. Lloyd was also a judge in 1900 of the competition plans for the new Flinders Street railway station. Lloyd was married to Sarah Toller, daughter of a Congregational minister. They established a comfortable residence, Pen-y-Bryn, in Brighton, and it was from here that he died of cancer of the liver on the 17th of August 1900 survived by his wife, four daughters and a son.

 

Charles Webb (1821 - 1898) was an architect. Born on 26 November 1821 at Sudbury, Suffolk, England, he was the youngest of nine children of builder William Webb and his wife Elizabeth. He attended Sudbury Academy and was later apprenticed to a London architect. His brother James had migrated to Van Diemen's Land in 1830, married in 1833, gone to Melbourne in 1839 where he set up as a builder in and in 1848 he bought Brighton Park, Brighton. Charles decided to join James and lived with James at Brighton. They went into partnership as architects and surveyors. The commission that established them was in 1850 for St Paul's Church, Swanston Street. It was here that Charles married Emma Bridges, daughter of the chief cashier at the Bank of England. Charles and James built many warehouses, shops and private homes and even a synagogue in the city. After his borther's return to England, Charles designed St. Andrew's Church, Brighton, and receiving an important commission for Melbourne Church of England Grammar School in 1855. In 1857 he added a tower and a slender spire to Scots Church, which James had built in 1841. He designed Wesley College in 1864, the Alfred Hospital and the Royal Arcade in 1869, the South Melbourne Town Hall and the Melbourne Orphan Asylum in 1878 and the Grand Hotel (now the Windsor) in 1884. In 1865 he had designed his own home, "Farleigh", in Park Street, Brighton, where he died on 23 January 1898 of heat exhaustion. Predeceased by Emma in 1893 and survived by five sons and three daughters, he was buried in Brighton cemetery.

 

Brooks, Robinson and Company first opened their doors on Elizabeth Street in Melbourne in 1854 as importers of window and table glass and also specialised in interior decorating supplies. Once established the company moved into glazing and were commonly contracted to do shopfronts around inner Melbourne. In the 1880s they commenced producing stained glass on a small scale. Their first big opportunity occurred in the 1890s when they were engaged to install Melbourne's St Paul's Cathedral's stained-glass windows. Their notoriety grew and as a result their stained glass studio flourished, particularly after the closure of their main competitor, Ferguson and Urie. They dominated the stained glass market in Melbourne in the early 20th Century, and many Australian glass artists of worked in their studio. Their work may be found in the Princess Theatre on Melbourne's Spring Street, in St John's Church in Toorak, and throughout churches in Melbourne. Brooks, Robinson and Company was taken over by Email Pty Ltd in 1963, and as a result they closed their stained glass studio.

  

Features flowers suspended upside down from above at the Floral Fantasy, Gardens by the Bay.

This photo features a large statue of Buddha carved into the side of a mountain. The statue is prominently displayed, with the mountain serving as a stunning backdrop. A group of people is gathered around the statue, admiring the impressive artwork. There are at least 13 people visible in the scene, standing at various distances from the statue, some closer to the foreground and others further back.

In addition to the people, there are several handbags scattered throughout the scene, likely belonging to the visitors. Some of the handbags are placed near the people, while others are located closer to the statue. The overall atmosphere of the scene is one of awe and appreciation for the magnificent artwork and the breathtaking natural setting.