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Taken in Shanghai, China. This building was used to display advertising at night. It was showing fireworks to celebrate Chinese New Year. This Windows fail, covers 20 floors!
© Joel Hathaway 2010 - joelwilliamhathaway.com
Nano is very resistant to being captured for social media purposes, on our New Year's Day pack walk.
Needs to be viewed large.
"Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." - Samuel Beckett
A few months ago I read a post about this ancient monument, I was unaware of its existence.
I logged into my Google Maps and recorded it as one of my desired places to visit.
Today Thursday 15th November 2018 Scotland basked in a beautiful Autumn sunshine, my favoured shooting conditions, I packed my Nikon and drove the 25 miles to the site.
Historic Environment Scotland maintain the monument , thankfully they have done a magnificent job, I truly believe it is important to preserve history for the generations to come.
I had a magnificent two hours recording my experience, I never fail to feel overwhelmed by the wealth of history that surrounds Aberdeen and the shire.
Thank's to Historic Environment Scotland for their detailed information on this site.
Ancient Monument - Kinkell Church - Inverurie Aberdeen Scotland.
Kinkell Church, built in the 1200s, is a classic medieval Highland church: simply designed and rectangular in shape. But the liturgical features installed in the 1520s are anything but plain. The stone sacrament house in the north of the church is an especially fine fixture.
Kinkell was refitted for Presbyterian worship following the Protestant Reformation of 1560, and declared redundant in 1771. Much of the building was dismantled and building materials recycled for use in a new kirk.
KINKELL CHURCH
• Kinkell Church, dedicated to St Michael, consist of the remains of a simple rectangular medieval parish church, of which only the N, W and part of the E
wall are upstanding.
The church was partly remodelled, perhaps on more than one occasion,
including in the early 16th century, when an elaborately carved Sacrament
House was built into the E end of the N wall.
Within the church is the monument of Gilbert de Greenlaw, killed at the battle
of Harlaw in 1411; the stone was re-used for a Forbes burial in 1592
CHARACTER OF THE MONUMENT
The church appears to have come on record in the early 13th century. Kinkell
was a mother church, or plebanus, and had dependent chapels at Dyce,
Drumblade, Kemnay, Kinnellar, Kintore and Skene.
This connection, which
was of long standing, may have arisen if Kinkell’s origins was that of an ecclesiastical foundation, rather like a minster, with an extensive parochia.
This would push back its origins considerably.
From the 14th century, certain revenues of the church evidently pertained to the Knights Hospitallers, although it is also recorded as an independent parsonage during the 14th century.
Any connection with the Hospitallers came to an end in 1420, when the church
and its annexes were erected into a prebend of Aberdeen Cathedral.
From a date and a set of initials on the sacrament house, it is apparent that in 1524 Alexander Galloway, rector of Kinkell and canon of Aberdeen Cathedral,
paid for the splendid sacrament house built into the E end of the N wall.
He appears to have been paying for further work the following year as a carved stone panel depicting the crucifixion, dated 1525, and with Alexander’s initials (three times), is built into the N wall (only a bronze replica survives; the original
was removed to Aberdeen Museum in 1934 and subsequently lost).
The church was abandoned in 1771 when the parish was amalgamated with
Keithhall. It was partially demolished to provide building materials for the new
parish church.
Archaeological Overview
There have been no recorded archaeological investigations at Kinkell.
The archaeological potential of the monument is extremely high and any excavation is very like to come across human remains, and perhaps also earlier church
buildings on the site.
Artistic/Architectural Overview
The church is fragmentary and devoid of features apart for the sacrament
house, the crucifixion panel and a single jamb of what must have been a large,
traceried E window. The simple oblong plan of the church suggests that the
basic form of the church dates from the early 13th century, with much late
medieval remodelling.
2/3
• The sacrament house is a particularly fine, and unique, example of this type of
medieval church fixture. It was an aumbry, or wall cupboard, designed to
reserve the host in appropriate reverential surroundings.
• The sacrament house at Kinkell shares several features with others found in
the NE, associated with Galloway, but is unique due to its cross shape. The
aumbry is flanked by two buttresses with crocketed finials. Between these is a
panel, which although badly defaced, appears to have been ornamented with a
monstrance supported by two angels (a very common motif found on other
sacrament houses associated with Alexander Galloway). Above this panel is a
corbelled and battlemented cornice, and above this is an oblong panel, which
probably contained a crucifixion scene, but is now empty. Flanking the
pinnacles are two panels, each filled with scrolls, which are of different forms
although the inscriptions on the scrolls were meant to be read as one and
state: ‘Here is preserved that body which was born of a virgin’.
• The crucifixion panel has a representation of St Michael, the archangel (to
whom the church was dedicated) to the right of the crucified, the Virgin on the
left and under her a priest, perhaps representing Galloway himself as donor,
standing beside an altar on which are Galloway’s initials.
• The sacrament house and the Crucifixion panel appear to have been part of a
liturgical revival in the diocese of Aberdeen during the early decade on the 16th
century. Alexander Galloway appear to have been a central figure in the move
to ensure parish churches had the fittings for the proper worship of God, and in
particular devotion to the Blessed Sacrament. He erected several sacrament
houses in churches he was involved in; Kinkell and its dependents at Dyce and
Kintore, and at King College, Aberdeen and may have been influential in the
decision of his colleagues, Alexander Spittal of Auchindoir and Alexander Lyon
of Turiff, to erect those in their respective churches. Galloway also donated a
font to Kinkell, which now is now in St John’s Episcopal Church, Aberdeen.
• The construction of the sacrament house may have been part of a wider
reorganisation of the chancel area of the church, and it is tempting to suggest
that the great E window may have been a part of this re-organisation, although
details of this moulding may be more consistent with a 14th or 15th century
date.
Social Overview
• The church is currently used as a recreational attraction. It receives little other
community use.
Spiritual Overview
• As a parish church in use for some six centuries, the site has the potential to
inform our understanding of medieval Christianity, the aspirations of the
rectors, vicars and ministers who served the church and the congregations
who worshipped in it.
• The burial ground was in use until fairly recently, and may still be in use for
occasional burials. People still visit family graves and memorials.
Aesthetic Overview
• The church and burial ground are located in the haughs of the River Don,
amongst arable farmland which adds to the appreciation of this monument.
The church has been pointed with a hard cement mortar that give the walls the impression of crazy paving.
The sacrament house, the replica crucifixion panel,
3/3 the window jamb are fine architectural details which are aesthetically very striking, and provide some idea of the glories of this once very fine church.
• The graveslab of Gilbert de Greenlaw, killed at the Battle of Harlaw, which would originally have been a ledger slab, is a particularly detailed carving of an armed knight.
What are the major gaps in understanding of the property?
• Do further historical sources or references survive.
• Nothing is known about the archaeology and earlier history of this site.
The church is an example, although much ruined, of a church which was remodelled in the 16th century.
The sacrament house is a particularly fine example of this type of church
furnishing, and the only example which takes the form of a cross.
Sacrament houses are physical manifestation of an important aspect of late medieval
Christianity; the veneration and adoration of the Body of Christ in the form of the consecrated host.
The church is closely associated with Canon Alexander Galloway, who encouraged a liturgical revival in the diocese in the early 16th century.
The site has high archaeological potential, but as a place of burial over centuries so the scope for research-led invasive excavation is not high.
Associated Properties
St Fergus’, Dyce, Auchindoir Church, St Machars Cathedral, Kintore Church,
Looks like the performance wasn't a complete triumph. Or was it?
Matchika Flenesky after her stunning performance of Pommetalia in 2012.
Flenesky rose to fame when she was picked to play the character Zurunilda in 1969. Zurunilda is in hospital after an ingrowing toenail operation goes wrong, and is the focus of a story of endeavour, achievement and a battle against the odds.
After that performance (glowingly reviewed in Glissade as "lame"), the world was ready for her innovative interpretations. Delighting in the new genre of ballet, her ability to judiciously catch a passing tutu at an inopportune moment or halt just short at the start of a lift certainly caught the eye.
Pommetalia, the story of a little apple selling girl who is in love with an orange seller who loves a banana girl, is not an easy part. A difficult assemblé followed by a single chassé would leave her utterly exhausted. Post show requests for interviews were usually met with her stock response, "pas de chat".
Flenesky is due to make a comeback in the 2024 revival show, "Hopalong Cassidy - the Dancing Years".
Foi uma tentativa frustrante de fazer igual da JaneBar, não deu mto certo...
1º esses meus esmaltes estavam velhos e foi super difícil de passá-los;
2º não gostei das cores, tinha que ser tons pastéis pra ficar bem bonitinho;
3º as bolinhas ficaram tortas...rsrs aiiii meu Deus;
4º minhas unhas estavam mto compridas, não combinou mto não!
Enfim, não gostei, mas vou tentar de novo com as cores certas, esmaltes novos, com a unha lixadinha e as bolinhas bem alinhadas...kkk
As cores que usei:
2 x 219 - Hits (foi super chatinho de passar)
2 x Sereia - Impala
2 x Classic - Impala
2 x Pink - Impala
e no anelar:
2 x Margarida - AH + 1 x Pluma - Passe Nati
(a bolinha azul é Azul Royal - Passe Nati)
I found this in a Kohl's while doing some Christmas shopping....and yes, all of them were like this. xD
Today there was the stunning cloudscape I was waiting for to do a timelapse video. After a failed attempt with shooting the sun rising I finally got a neat video of the clouds passing by.
This was shot with an EOS 350D /Rebel XT, Sigma 10-20mm, and an iBook G4 using EOS Capture. (the photo above was taken with a k750i)
See the video here.
If you can't watch it let me know, and I'll use another codec
Street art mural, via Carteria, Modena.
San Netto da Urbino, patron saint of the netturbini, known for failing to perform miracles in several Italian cities.
What motivates success? Whether fuelled by fame, fortune, or mommy issues, successful people generally have a shared trait. Failure. A willingness to get repeatedly knocked on their ass and a drive to relentlessly tweak their approach and get back up again.
Opus Creative and PACT teamed up to host a panel of failures; a group of down-to-earth folks who learned to say “fuck you” to crocodile tears and grit through the sting of defeat.
Panel Participants
Kim Malek (Owner of Salt + Straw Ice Cream)
Todd Hoffman (Miner + Star of Gold Rush)
Scott Clum (Principal/Creative Director at Ride Studio)
Geoff Cecil (Creative Director at Opus Creative)
moderated by Ron Crump (Creative Producer + Global Advertising Manager at Intel)
Photo by Gia Goodrich courtesy of Design Week Portland.